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Afika Bambaataa, the Bronx‑born architect of modern hip‑hop, passed away at age 67 in Philadelphia early Thursday morning, with officials citing complications from cancer as the cause of death. The Hip‑Hop Alliance, chaired by veteran rapper Kurtis Blow, released a statement honoring Bambaataa’s role as a founding figure of the culture. The group praised his creation of the Universal Zulu Nation, which promoted the movement’s core values of peace, unity, love and fun, while also acknowledging the complexity of his legacy in light of recent abuse allegations. During the 1980s, Bambaataa helped define the sound of hip‑hop, most notably with the 1982 electro‑funk anthem “Planet Rock”. The track, which sampled German pioneers Kraftwerk, positioned him at the forefront of a new musical frontier and led to collaborations with artists such as John Lydon, George Clinton and James Brown. Born Lance Taylor, he launched the Universal Zulu Nation in the late 1970s, drawing inspiration from DJ Kool Herc and the solidarity of South Africa’s Zulu people. This collective became a cultural hub that spread hip‑hop’s ethos worldwide. In the early 1980s Bambaataa also performed with the electronic group Ebn Ozn, further cementing his reputation as a bridge between American street culture and European synth‑pop. His work helped crystallize the electro‑funk genre that dominated clubs across the globe. His activist side emerged in 1985 when he joined Artists United Against Apartheid to produce the landmark protest single “Sun City.” The project featured a roster of high‑profile musicians—including Bob Dylan, Bono, Bruce Springsteen and Run‑DMC—united against South Africa’s apartheid regime. Throughout the 1990s and early 2000s Bambaataa continued to record, culminating in his final album, “Dark Matter Moving at the Speed of Light” (2004). While his musical output waned, his influence on subsequent generations of artists remained unmistakable. However, Bambaataa’s later years were marred by serious accusations. In 2016, several Bronx men alleged sexual misconduct, which he publicly dismissed as “baseless and cowardly.” A former bodyguard later claimed to have witnessed inappropriate behavior involving teenage boys. The allegations resurfaced in May 2025 when an anonymous plaintiff filed a civil suit alleging four years of abuse beginning in 1992. Bambaataa failed to appear in court, resulting in a default judgment against him. As the hip‑hop community mourns a foundational artist, it also confronts the enduring debate over how to reconcile his cultural contributions with the serious allegations that have come to define the final chapter of his public life.

The latest Cannes lineup reveals a clear pivot from the usual Hollywood glamour toward a roster dominated by celebrated world‑cinema auteurs such as Pedro Almodóvar, Cristian Mungiu and Asghar Farhadi. While last year’s festival was anchored by a Mission: Impossible spectacle starring Tom Cruise, this edition offers a more eclectic mix, including debut features from Andy Garcia (who also stars in his crime drama Diamond) and John Travolta, who directs the aviation‑themed Propeller One‑Way Night Coach based on his own novel.Under the stewardship of director Thierry Frémaux, Cannes continues to bar films that are exclusive to streaming platforms, a stance that has been vindicated by recent Oscar successes for festival selections. The festival also entered the AI debate: Steven Soderbergh’s documentary John Lennon: The Last Interview employs artificial intelligence to reconstruct visual elements of the legendary interview, sparking both fascination and unease among attendees.Gender representation remains skewed, with a noticeable predominance of male directors in the competition slate, although the final list is still pending. Notably absent are any British filmmakers, despite the inclusion of Polish auteur Paweł Pawlikowski, whose biopic of Thomas Mann, Fatherland, could be loosely claimed as a UK entry given his long residence there.Geopolitical undercurrents are hard to ignore. Russian director Andrey Zvyagintsev returns with Minotaur, a film about a beleaguered Russian businessman. Zvyagintsev, once favored by Vladimir Putin, now lives in exile in France, adding a layer of political intrigue to his work amid the ongoing war in Ukraine.The competition also features a strong historical thread: László Nemes’s Moulin revisits occupied France, Emmanuel Marre’s Notre Salut explores Vichy‑era France, and Lukas Dhont’s Coward follows a Belgian soldier’s harrowing experience in World‑I trenches.Among the more provocative entries, Nicolas Winding Refn’s Her Private Hell promises shock value in the out‑of‑competition slot, while the Un Certain Regard section showcases Jane Schoenbrun’s queer slasher Teenage Sex and Death at Camp Miasma, likely to become a festival highlight.

The son of a British couple detained in Tehran on espionage charges has called on Keir Starmer to prioritize their case in the “very opportune moment” of a ceasefire in the Iran conflict.Lindsay and Craig Foreman, from East Sussex, were arrested while on a five-day trip across Iran in January last year and have been held in Evin prison for 15 months.As Starmer visits the Gulf to discuss efforts to uphold the ceasefire, the couple’s family have called on the prime minister and the foreign secretary, Yvette Cooper, to raise the case in all diplomatic discussions.Lindsay’s son, Joe Bennett, said: “If peace is genuinely part of the agenda, then that has to include the release of innocent people. I don’t see how it can be peaceful and that’s the case.”The 31-year-old said it was a “very opportune moment” for the prime minister, and the government should “take courage” from the release this week of two French citizens. Cécile Kohler and Jacques Paris had been detained in Iran for almost four years on espionage charges and were also held in Evin prison before they were released but barred from leaving Tehran.“Macron was incredibly vocal, he was championing above all else, and I think that’s where we can take some courage and have a look at how do we apply that kind of pressure in the right way,” said Bennett. “There’s a genuine opportunity for resolution here.”The UK government has faced claims that it is in denial about the extent of hostage-taking by foreign states and has failed to fulfil its promise to appoint a special envoy to combat the issue.Bennett has been campaigning for the couple’s release with significant cross-party parliamentary support. Despite several meetings with the foreign secretary, and a hearing into their case held by the all-party parliamentary group on arbitrary detention and hostage affairs, he said there had been no visible progress in 15 months.On Thursday morning, Bennett spoke with his mother in Evin prison. The past 48 hours had been tumultuous, he said, after a supposed ceasefire was agreed on Tuesday, little more than an hour before a self-imposed deadline by Donald Trump, who had threatened Iran’s “whole civilisation” would die if it did not meet his demands.The comments made Bennett feel “pure fear” until news of the two-week ceasefire was announced. The potential for peace talks had given the couple some hope that “they’ll be fought for” by the UK government, he said.“Yvette Cooper called it unjustifiable and that she would be fighting relentlessly to get them home. I need to see signs of that,” said Bennett.Despite a UN legal submission, significant cross-party parliamentary support, and several meetings with the foreign secretary and a hearing into their case by UK parliamentarians from the APPG on arbitrary detention and hostage affairs, he said there has been no visible progress to date towards securing their release.A Foreign Office spokesperson said: “The UK government continues work to safely return Craig and Lindsay to the UK.”

The Darts Regulation Authority (DRA) announced that Noa‑Lynn van Leuven is barred from competing in any Professional Darts Corporation (PDC) women‑only events with immediate effect, after the governing body ruled that only biological females may participate in women’s tournaments.Under the new policy, van Leuven – a 29‑year‑old who has claimed six titles in the PDC Women’s Series – will be ineligible for the series and the Women’s World Matchplay, a competition she was on track to qualify for this summer.The DRA justified the decision by referencing a report commissioned from Dr Emma Hilton, a developmental biologist who has published extensively on sex categories in sport. The study concluded that darts is a "gender‑affected sport" and identified several physical differences that give males an advantage, including greater height, longer limbs, broader shoulders, increased muscle mass and stiffer tendons. These attributes, the report argued, enhance reach, stability and throwing mechanics, thereby influencing consistency and precision.This ruling arrives shortly after the International Olympic Committee announced a ban on transgender women from female Olympic events, set to take effect at the 2028 Los Angeles Games.Van Leuven responded on Instagram, describing the decision as a forced retirement. She wrote, "I just got an email… apparently I’m retired, not by choice, but because I am no longer allowed to compete." She added, "This isn’t just about me; it’s another huge hit for the trans community. Every day it is getting harder for trans people just to exist, to compete. If you think this stops with me, it doesn’t. We just want to be."While barred from women‑only events, van Leuven could still aim for the open professional tour, which is gender‑neutral. Currently, Beau Greaves is the sole female player on the tour, and former women’s world champion Lisa Ashton held a two‑year tour card in 2020‑2021.

Researchers have made a significant breakthrough in understanding why weight-loss medications, such as GLP1 receptor agonists, work better for some individuals than others. A recent study published in Nature has identified genetic variations in two genes involved in gut hormone pathways that regulate appetite and digestion. These genetic variations may help account for different weight-loss results or side-effects when taking glucagon-like peptide 1 (GLP1) medicines, which mimic natural gut hormones to regulate appetite, insulin release, and digestion. The study analyzed data from 27,885 patients on GLP1 drugs and found that specific genetic variants were associated with slightly more weight loss or side-effects like nausea and vomiting. The findings suggest that genetic differences may contribute to why people respond differently to weight-loss jabs. However, the overall impact of genetics appeared to be modest, with non-genetic factors such as sex, drug type, dose, and duration appearing to explain a substantially larger proportion of variability. The study's results reinforce that while there is substantial variability in response to GLP1 therapies, genetics is only one part of a much more complex picture. According to Marie Spreckley, an obesity expert at the University of Cambridge, the study provides plausible evidence that genetic variants could affect outcomes. However, she notes that the magnitude of these genetic effects is small in clinical terms, and that behavioral, clinical, and treatment-related factors remain the dominant drivers of outcomes. The study's authors suggest that their findings could support future efforts to use genetic information when making treatment choices for obesity. However, Spreckley cautions that the evidence is not yet sufficient to support using genetic information to guide treatment decisions in routine clinical practice.

The documentary series 'Trust Me: The False Prophet' has shed light on the sinister activities of a polygamous Mormon cult led by Samuel Bateman, who is currently serving a 50-year sentence for luring minors into criminal sex acts.Director Rachel Dretzin, a former investigative journalist for Frontline, worked on the series, which follows a pair of documentary filmmakers, Christine Marie and Tolga Katas, who embedded themselves in Utah's Fundamentalist Church of Jesus Christ of Latter-day Saints (FLDS) community. They earned the trust of the cult members and were invited into Bateman's home, where he presided over 20 'wives', many of them underage.The filmmakers' incriminating footage and witness testimony were essential to the FBI's case against Bateman and other men charged with crimes. The series transcends the true crime genre's typical sensationalism, presenting its revelations thoughtfully and honestly.Dretzin notes that documentary filmmaking can be more effective than the legal system in effecting change, particularly in cases like this where the community is fiercely insular. The series raises questions about the ethics of documentary filmmaking and the blurred lines between observer and participant.The story also highlights the manipulation and indoctrination of young women within the cult, including Naomi, a young woman who becomes a pivotal witness. Her aunt Carole, who defected from the FLDS, shares her insights on how the cult grooms girls for exploitation.Dretzin believes that the story has echoes in our ordinary lives and political landscape, particularly in the era of 'fake news' and echo chambers. The series serves as a reminder of the dangers of closed systems and the importance of critical thinking.

Lin Yu-ting, the 30‑year‑old Taiwanese Olympic champion, secured a bronze medal at the Asian Boxing Elite Championships in Mongolia, marking her return to competition after a gender‑eligibility controversy that clouded her 2024 Paris Olympic triumph.Competing in the 60kg division for the first time, Lin was defeated in the semifinals by North Korea’s Won Un Gyong, resulting in a third‑place finish.Her coach, Tseng Tzu‑chiang, told Taiwan’s Central News Agency that the shift to a higher weight class presented “new opponents’ skills, strategies and styles,” and that the tournament served as a valuable learning opportunity.Lin had opted out of last year’s World Championships after World Boxing announced mandatory sex testing for female athletes, a policy introduced following the high‑profile gender disputes involving Lin and Algerian boxer Imane Khelif after their gold medals in Paris.Following an appeal by Taiwan’s boxing federation, World Boxing cleared Lin to compete in the female category last month, enabling her participation in the Asian championships.Looking ahead, Tseng indicated that Lin aims to compete at the Asian Games in Nagoya, Japan later this year, noting that while her physical condition was not yet optimal, the experience provides “room for improvement and a clear path forward.”In parallel, the International Olympic Committee has introduced a new eligibility policy that excludes transgender female athletes from women’s events, aligning with a U.S. executive order. The IOC stated that eligibility will be determined by a mandatory gene test, limiting participation to “biological females.”

Joe Eszterhas, the swaggering pitchman of 80s and 90s Hollywood, has lived a life of excess and creativity. He wrote hits like Jagged Edge and co-scripted Flashdance, earning a then-record $3m for his Basic Instinct screenplay.Eszterhas's life story is a harrowing, rollicking immigrant's tale that whisks its hero from his birth in war-torn Hungary through the refugee camps of Allied-occupied Austria to the US rust belt. He covered the Kent State massacre as a cub reporter and interviewed Charles Manson in prison.Now 81, Eszterhas is plotting a Hollywood comeback with a rebooted Basic Instinct. He received a reported $2m from Amazon MGM studios for his script and stands to make a further $2m if and when it is filmed. The new story juggles copycat serial killers with elements of the supernatural.Eszterhas has always relished a good public scrap, and his reboot is described as anti-woke. This has sparked concerns that he may be co-opted and become a political football. However, Eszterhas insists that he is not afraid of controversy and sexuality.Despite his past struggles with drinking and drugs, Eszterhas has been clean and sober for decades. He has written a 750-page memoir, Hollywood Animal, and told his Tinseltown war stories on a recent multi-part media podcast, Ugly, Irresponsible, & Childish.

The UK has witnessed a significant surge in online sextortion attempts reported by children, with a record 394 cases in 2025, representing a 34% increase from the previous year. The majority of victims, 98%, were boys aged 14 to 17.Sextortion involves a person being manipulated into sending explicit selfies or videos to a predator, who then threatens to publish them online unless the victim sends money or further intimate images. This crime has been linked to the suicides of several British teenagers who have taken their own lives after receiving extortion threats.Campaigners, including the Molly Rose Foundation and the Internet Watch Foundation, are calling on tech companies to take more decisive action to disrupt blackmail attempts. They argue that social media platforms, where initial grooming of victims often occurs, should introduce nudity-detection technology to prevent the spread of explicit content.The parents of 16-year-old Murray Dowey, who took his own life after being duped by criminals online, are suing Meta, the owner of Instagram and Facebook, for allegedly failing to implement adequate safeguards. The company continues to challenge the suit.The Report Remove service, which allows children to flag intimate images or videos that have appeared or could appear online, reported a 66% increase in under-18s seeking help in 2025, with 1,175 out of 1,894 reports classified as child sexual abuse material.Tech companies, including Google and Apple, have invested in protections against sextortion, but campaigners argue that more needs to be done. Google has implemented sensitive content warnings in its messaging app, while Apple has a communication safety system that warns under-18s about potentially explicit content.