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Metro Bank has approved a £2.6 million annual remuneration package for chief executive Dan Frumkin, the highest ever for the lender since its 2010 launch. The figure more than doubles the £1.2 million he earned in 2024. The pay rise comes on the heels of a dramatic restructuring that saw the bank cut over 1,000 jobs in spring 2024 and suspend Sunday trading, measures taken after a £925 million rescue led by Colombian billionaire Jaime Gilinski Bacal, who now owns 53% of the institution. Metro’s turnaround has delivered a record pre‑tax profit of £87 million for 2025, prompting the board to approve a complex bonus scheme. The package includes a £1.2 million annual bonus, a £470,000 deferred bonus from 2023, and a salary of £938,875, plus additional tax, life‑insurance and pension benefits. Under the scheme, Frumkin could earn up to £60 million over five years if Metro’s share price exceeds certain thresholds – it must stay above 120p in 2028 and could reach 437p, a level that would trigger the maximum payout. Metro’s shares currently trade around 141p. The bonus plan was endorsed by 88.6% of voting shareholders, despite objections from proxy advisers ISS and Glass Lewis. The bank did not disclose how many of those votes were cast by Gilinski’s holdings. Founded by US billionaire Vernon Hill, Metro Bank distinguished itself with dog‑friendly branches and seven‑day opening hours. However, a 2019 accounting error forced the resignation of its founder and top executives, and the bank struggled to satisfy regulators, leading to the 2023 capital infusion. In a statement, a Metro Bank spokesperson said the remuneration committee’s approach is “based on the delivery of long‑term growth generation and the continued turnaround of the bank,” emphasizing alignment with shareholder interests. Frumkin, who joined Metro in 2020 after senior roles at RBS and Northern Rock, now stands at the centre of a debate over executive pay in a sector still recovering from the 2007‑08 financial crisis.

Jason Allen-Paisant, an award-winning poet, has written an audiobook titled 'The Possibility of Tenderness', which is a meditation on nature, history, race, and the notion of belonging. The book is narrated by the author himself and is available via Penguin Audio, with a duration of 8 hours and 32 minutes.Allen-Paisant's early childhood in Coffee Grove, Jamaica, played a significant role in shaping his relationship with nature. He spent his early years climbing trees, picking fruit, and helping his grandmother harvest yams on their small plot of land. This close connection with the natural world had a profound impact on his life.As Allen-Paisant grew older and moved to Britain to study at Oxford, he noticed a significant change in his interactions with nature. He realized that his socio-economic status and class limited his access to the natural world in Britain, leading him to feel disconnected from the land and soil.The audiobook is a personal account of Allen-Paisant's journey to reconnect with nature and find a sense of belonging. He explains how surrounding himself with nature allows him to feel hopeful and find ways to cope with the constraints of racism. Allen-Paisant emphasizes the importance of non-anger and finding ways to live through difficult experiences.Further listening recommendations are also provided, including 'Don’t Let It Break You, Honey' by Jenny Evans and 'Slags' by Emma Jane Unsworth.

Young Vic artistic director Nadia Fall insists that theatres facing fiscal pressure must rely on daring, crowd‑pulling programming to restore solvency. Announcing a fresh slate of productions, she highlighted an anti‑Trump musical adaptation of Thelma & Louise as a flagship effort to attract diverse audiences. Since assuming leadership in 2025, Fall has overseen a £500,000 deficit that forced staff reductions. She stresses that while increased philanthropy is essential, the director’s most immediate lever is the choice of shows that can “program our way out of the crisis.” The upcoming musical, set to open on 3 September, features a score by Grammy‑winning Neko Case of the New Pornographers, and benefits from the involvement of original screenwriter Callie Khouri. Fall hopes the production’s feminist angle—positioned against the backdrop of “Trump’s America” and rolling back of women’s rights—will resonate with audiences. Other autumn highlights include Shedinburgh, an immersive showcase bringing Edinburgh Fringe talent such as Sara Pascoe and Inua Ellams to London for the first time, and Eurotrash, starring Ben Whishaw and Kathryn Hunter, adapted from Christian Kracht’s dark novel about a mother‑son road trip in the Swiss Alps. Fall also confirmed her direction of August Wilson’s Gem of the Ocean and the South London staging of Tiago Rodrigues’ father‑daughter drama La Distance. Additionally, a world premiere of Debbie Tucker Green’s near‑future dystopia Dissent will explore themes of surveillance and censorship that echo contemporary societal concerns. Her remarks came as a new Arts Council England report revealed a 64% decline in the number of plays touring England since 2019, underscoring the sector’s precarious state. While past successes—such as James Graham’s Punch, which earned two Olivier Awards—demonstrate the potential of strong programming, Fall warns that the split of box‑office receipts and Theatre Tax Relief often deters collaborative ventures across the country. Calling for “government‑level incentives” to make nationwide partnerships viable, Fall concluded that the future of UK theatre hinges on a combination of bold artistic choices, private investment, and supportive public policy.

The Las Vegas Aces, defending WNBA champions, have completed their core group retention by re-signing four-time MVP A'ja Wilson on Wednesday. The deal, reported by ESPN, is a three-year, $5m supermax contract, marking a historic milestone in the WNBA.Aces president and general manager Nikki Fargas praised Wilson, stating, “A’ja is truly one of one, who has led this franchise to where it is today. She does so with the utmost confidence, authenticity and grace.”Wilson, who was named WNBA MVP and the Associated Press Female Athlete of the Year last season, has achieved numerous accolades, including four MVP awards and three defensive player of the year awards. She led the WNBA in scoring with 23.4 points per game and in blocked shots with a 2.3 average last season.In addition to Wilson, the Aces have re-signed key players Jackie Young, Chelsea Gray, and Jewell Loyd. The team has also signed guard Chennedy Carter to a training camp contract.

The literary world was recently abuzz with the news that critically acclaimed author Helen DeWitt had declined a $175,000 Windham-Campbell prize due to its onerous promotional requirements. The prize, which aims to give recipients the financial freedom to focus on their work, came with obligations that DeWitt found unsustainable, including six to eight hours of filming.This decision has ignited a fierce debate about the pressures of self-promotion in the publishing industry and the challenges faced by authors who are unable to meet these demands due to disability, chronic illness, or other personal circumstances. DeWitt's stance has been praised by some as a principled refusal to play the self-promotion game, while others have criticized her as entitled or spoiled.The Windham-Campbell prize is one of the most prestigious literary awards, recognizing eight writers each year for their life's work. This year's winners include Gwendoline Riley, an author known for her nuanced explorations of family relationships. Riley's win is a testament to the prize's ability to shine a light on talented writers who may have been overlooked.The controversy surrounding DeWitt's decision highlights the precarious nature of a literary career. With average author earnings plummeting and the industry becoming increasingly professionalized, many writers are finding it difficult to make a living from their work. The emphasis on self-promotion can be particularly challenging for authors who are neurodivergent or have disabilities, as it can exacerbate existing difficulties.DeWitt's experience has sparked a wider conversation about the need for greater inclusivity and support in the publishing industry. As one author noted, the art world is ahead of publishing in terms of facilitating access and assistance for artists with disabilities. The industry must adapt to accommodate writers with diverse needs and ensure that opportunities are accessible to all, regardless of their abilities.In a surprising twist, DeWitt has since announced that she has received a $175,000 grant from a conservative university thinktank with no strings attached. This development has raised questions about the role of philanthropy in supporting literary talent and the complexities of author promotion in the modern publishing landscape.

Ron Timehin's photograph, taken at Labadi, a popular tourist resort in Accra, Ghana, offers a unique glimpse into the lives of the local community. The image features five Ghanaians, a ruined farm building, and an elegant horse, which adds a touch of majesty to the scene. Timehin aimed to capture the community's daily life, traditions, and cultural heritage in a collaborative way, allowing the subjects to present themselves as they wanted to be seen. The photograph showcases the community's pride and resilience, highlighting their strong sense of identity and connection to their heritage. The community, centered on fishing, is known for its strong sense of unity and mutual support. Timehin was drawn to the way they look after each other and take pride in their community. The photograph also features a Ghanaian flag, symbolizing national pride and cultural identity. Timehin's project began when he was approached by a charity called My Runway Group, which organizes cultural exchange programs. The project allowed him to document the community and share some culture between the UK and Ghana. His work has been shortlisted for the Sony World Photography Awards 2026, and an exhibition of his images will be held at Somerset House in London.

Nicole Kidman has announced her latest venture: training as a death doula, a professional who provides support to individuals nearing the end of life. The Australian actress revealed this during a speech at the University of San Francisco, sharing her personal experience of losing her mother, Janelle Ann, in 2024. Kidman's decision to become a death doula was motivated by her mother's lonely and isolating experience at the end of her life. With her sister and herself managing their careers and families, Kidman expressed a desire for impartial support during this difficult time. She noted that death doulas can offer solace and care to both the dying and their families. Death doulas, also known as end-of-life doulas, have become increasingly recognized in recent years. They provide emotional, physical, and psychological support to individuals approaching death, similar to how traditional doulas assist during childbirth. This role has gained attention, with even celebrities like Oscar-winning director Chloé Zhao pursuing similar training due to her own fears about death. Kidman's journey into this field follows her recent achievements, including winning the best actress award at the Venice film festival in September 2024 for her role in Babygirl. Her personal life has also seen significant changes, having lost her father, Antony, in 2014. By training as a death doula, Kidman aims to expand her understanding of end-of-life care and provide meaningful support to those in need. This new role reflects her commitment to helping others during life's most challenging moments.

FIFA, the global governing body of football, is under growing pressure to ask U.S. President Donald Trump for a blanket halt to ICE (Immigration and Customs Enforcement) raids during the 2026 World Cup. The request, sourced from anonymous contacts cited by The Athletic, would be presented to FIFA president Gianni Infantino for direct delivery to the White House. According to the report, Infantino is weighing a formal appeal that would seek a "full moratorium on ICE raids across the United States during the World Cup" – a tournament set to kick off on June 11 in eleven host cities spanning the United States, Canada and Mexico. The move comes as the Trump administration intensifies its immigration crackdown, tightening legal pathways and expanding deportation efforts. Critics warn that such policies could target the tournament’s massive international audience, undermining the event’s reputation as a celebration of global unity. When asked by Al Jazeera about any negotiations with FIFA, the White House declined to comment but praised the upcoming competition, with spokesperson Davis Ingle stating, "Thanks to President Trump’s leadership, the FIFA World Cup 2026 will be one of the greatest and most spectacular events in the history of mankind, right here in the United States of America." He added that the event is expected to generate billions of dollars in economic impact and create hundreds of thousands of jobs. Despite the administration’s enthusiastic rhetoric, officials have hinted that immigration agencies could be present at match venues. In February, ICE acting director Todd Lyons told a House committee that the agency would be on the ground for the World Cup, emphasizing that ICE is "a key part of the overall security apparatus for the World Cup" and would not pause operations. Previous incidents have fueled the concern. During last year’s FIFA Club World Cup in the United States, reports surfaced of ICE and Customs and Border Protection officers at stadiums, although the administration denied any enforcement actions took place. Vice President JD Vance recently warned that visitors must adhere to visa terms, suggesting that those who overstay could be subject to the authority of then‑Homeland Security Secretary Kristi Noem. Noem, who was dismissed in March, had overseen a controversial crackdown in Minnesota that resulted in two civilian deaths and drew accusations of human‑rights violations. FIFA executives see a potential immigration moratorium as a public‑relations win for both the sport’s governing body and the Trump administration. The proposal is also viewed as an opportunity for Infantino to leverage his personal rapport with Trump – a relationship that has attracted scrutiny after Infantino awarded the inaugural FIFA Peace Prize to the president in December, prompting a rights‑group complaint to FIFA’s ethics committee. With the World Cup fast approaching, fans and human‑rights advocates remain uneasy about whether the United States will provide a "safe and welcome" environment for the influx of international visitors.

UEFA announced on Tuesday that it has ruled Barcelona's protest concerning a handball incident in the Champions League quarter‑final first leg against Atletico Madrid as inadmissible. The decision was issued by the UEFA Control, Ethics and Disciplinary Body on 13 April 2026.Atletico, coached by Diego Simeone, secured a 2‑0 victory at Camp Nou, a result Barcelona attributes in part to a disputed moment when defender Marc Pubill handled the ball after a perceived goal‑kick was passed to him.Barcelona claimed the incident warranted a penalty and argued that referee Istvan Kovacs was not instructed to consult the VAR team. The club labeled the non‑award of a penalty a “major error” that directly influenced the match outcome.Despite the club’s appeal, UEFA’s statement confirmed that the protest does not meet the criteria for review, leaving the original 2‑0 scoreline intact as the teams prepare for the second leg.