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Match details: Atletico Madrid will meet Barcelona on Tuesday at 21:00 CET (19:00 GMT) in the Metropolitano Stadium for the Champions League quarter‑final second leg. The fixture decides which side advances to the semi‑finals. After a 2‑0 first‑leg triumph at Camp Nou, Atletico enter the tie as favourites despite trailing Barcelona in the La Liga table. Their advantage stems from goals by Julian Alvarez and Alexander Sörloth, who capitalised on a red card for Barcelona defender Pau Cubarsi. Barcelona, the reigning Spanish champions, are desperate to overturn the deficit. They bolstered their domestic campaign with a 4‑1 win over Espanyol, extending their lead over Real Madrid to nine points. Ferran Torres netted a brace, assisted by teenage prodigy Lamine Yamal, while Marcus Rashford added the fourth. Atletico’s weekend league performance was less convincing, suffering a 2‑1 loss to Sevilla after heavy rotation by Diego Simeone. The loss left them fourth in La Liga with 57 points, four behind Villarreal. Historical context: The two clubs have met 251 times, with Barcelona winning 115 matches, Atletico 79 and 57 draws. Their recent knockout encounters include Atletico’s victories in the 2014 and 2016 quarter‑finals, both decided over two legs. Team news: Atletico will miss Marc Pubill (suspension) and have Jose Giménez, Pablo Barrios and David Hancko listed as doubtful. Barcelona’s defender Pau Cubarsi is suspended, replaced by Ronald Araujo. Injuries rule out Marc Bernal, Raphinha and Andreas Christensen. Predicted line‑ups: Atletico – Musso; Molina, Le Normand, Lenglet, Ruggeri; Llorente, Koke; Simeone, Griezmann, Lookman; Alvarez.Barcelona – Joan Garcia; Koundé, Araujo, Martín, Cancelo; Eric Garcia, Pedri; Yamal, Fermin, Rashford; Lewandowski. Managerial insights: Simeone stressed the need to stay focused on the objective of advancing, while Barcelona coach Hansi Flick highlighted the quality of his squad and the importance of collective effort. With a slim margin separating the sides, the second leg promises a tactical battle that could see either club secure a coveted place in the Champions League semi‑finals.

Only one team has ever overcome a 2-0 defeat at home to go through in the history of the Champions League, but a Barcelona player was involved in a notable exception: Marcus Rashford scored the winner as Manchester United knocked out PSG in the round of 16 in March 2019. However, Atlético Madrid have never lost in 20 knockout stage games at the Metropolitano and their former home at the Vicente Calderón.

England and Spain meet again on Tuesday night in front of more than 70,000 at Wembley in the Women's World Cup 2027 qualifiers. This match comes eight-and-a-half months after they faced off in the Euro 2025 final, which England won.Spain has undergone significant changes since then, with a new head coach, Sonia Bermúdez, and a crop of emerging young players. Despite these changes, they remain unbeaten since the Euros with five wins and a draw in six matches. Bermúdez has already led them to the Nations League title.The visitors have a number of talented young players, including Fiamma Benítez, the 21-year-old Atlético Madrid midfielder, who has made a strong impact with seven goal contributions in the Champions League this season. Another player to watch is Vicky López, the Barcelona winger, who has become a regular starter.England head coach Sarina Wiegman believes that despite the changes, Spain's DNA remains the same: they want to have the ball and play dynamically. Wiegman noted that there might be some tweaks but the principle will be very similar.For England, Leah Williamson is an injury doubt due to a hamstring injury, but she has started training with her international teammates. Keira Walsh is set to win her 100th cap and Wiegman praised her vision and game understanding.England will have to make at least one change from the starting XI that beat Spain in Switzerland, with Ella Toone out injured. Jess Park is likely to start in her place.

Chala Chala Nav Bala (Maze Baal, 1943) marks the debut of Asha Bhosle, who entered the film world at ten years old. Paired with her sister Lata Mangeshkar, her bright falsetto captures the youthful innocence of the Marathi romance, foreshadowing the emotive style that would define her career. Aaiye Meherbaan (Howrah Bridge, 1958) showcases Bhosle’s rise during Hindi cinema’s golden age, thanks to her partnership with composer O.P. Nayyar. The song’s sultry vibrato and lush orchestration set the tone for the film’s noir atmosphere, establishing her as a leading‑lady playback voice. Aao Huzoor Tumko (Kismat, 1968) became a chart‑topping hit, featuring intricate vocal runs over a flamenco‑style guitar. Bhosle’s lower‑register chorus broke the conventional shrillness of female playback, while her nuanced phrasing added depth to the on‑screen heroine’s drunken allure. Dum Maro Dum (Hare Rama, Hare Krishna, 1971) stands out as her most successful crossover, later sampled by Western rappers. The track, produced with R.D. Burman—her future husband—blends psychedelic Beatles‑inspired grooves with Hindi lyrics, demonstrating her ability to bridge Eastern and Western pop sensibilities. Piya Tu Ab To Aaja (Caravan, 1971) pushes the fusion further into jazz‑cabaret territory, with bold horn sections and cinematic guitar reverb. Bhosle’s breathy, suggestive delivery sparked controversy, yet the performance remains a masterclass in balancing sensuality with technical agility. Chura Liya Hai Tumne Jo Dil Ko (Yaadon Ki Baaraat, 1973) epitomises the “masala” film soundtrack, merging drama, romance, and crime. Over a gentle guitar backdrop, Bhosle’s tender humming conveys quiet longing, contrasting with the film’s high‑octane narrative. In Ankhon Ki Masti (Umrao Jaan, 1981) sees Bhoske venture into Urdu ghazals with composer Khayyam. Her lower, huskier timbre—adjusted a half‑step down—highlights her continued artistic experimentation even as she approached fifty. Bow Down Mister (1991) illustrates her early 1990s foray into international collaborations, lending wordless, soaring vocals to Boy George’s post‑Culture Club project. The track transforms into a rave‑infused anthem, underscoring Bhosle’s versatility across genres. Radha Kaise Na Jale (Lagaan, 2001) pairs Bhosle with a young A.R. Rahman, reaffirming her status as an elder stateswoman of Indian music. The duet with Udit Narayan blends tabla and flute with powerful vocal runs, marrying traditional Hindustani scales to contemporary film scoring. The Way You Dream (2002) features an unexpected partnership with REM frontman Michael Stipe on the 1 Giant Leap project. The eight‑minute piece weaves tabla rhythms, subtle guitar, and a dramatic breakbeat, proving that Bhosle’s voice can seamlessly inhabit New Age and electronic soundscapes.

The highly anticipated third and final season of Euphoria premieres on Monday at 9pm on Sky Atlantic. The series, created by Sam Levinson, follows the lives of a group of high school students as they navigate love, friendship, and identity.The new season stars Zendaya, Jacob Elordi, and Sydney Sweeney, who have all become major Hollywood stars since the show's debut. The story picks up five years after high school, with the characters now in their early 20s. Previews are scarce, but it's known that Cassie and Nate are married, Jules is in art school and is a 'sugar baby', and Rue is involved in some shady business in Mexico.Other TV shows airing tonight include Miriam Margolyes Made Me Me on BBC Two, Great Japanese Railway Journeys on BBC Two, Missed Call on Channel 5, Charmain and the Prophet on BBC Two, and DTF St Louis on Sky Atlantic.

Roberto De Zerbi arrived on the pitch barely half an hour before kick‑off, his black padded gilet pulled up to the neck against a biting Wearside wind. By the final whistle the chill had eased, but Tottenham’s morale had plummeted.Sunderland’s 1‑0 victory not only cemented the visitors’ place in the league’s bottom three, it also lifted Régis Le Bris’s side to 10th place with six matches left in the campaign.Facing his third managerial appointment in a single season, De Zerbi urged his squad to rediscover the high‑risk attacking ethos of former boss Ange Postecoglou – a vision that remained frustratingly out of reach on a day dominated by low‑tempo play.Long‑time Tottenham midfielder Antonin Kinsky made a rare return after his brief, infamous cameo in a 5‑2 Champions League loss to Atlético Madrid. His comeback was cut short when a second‑half head clash forced his substitution for the inexperienced Brandon Austin.Goalkeeper Guglielmo Vicario, still recovering from hernia surgery, was expected to be tested. Sunderland’s Granit Xhaka delivered a sharply inswinging corner, but Kinsky calmly palmed the ball over the bar, keeping Spurs in the game.A potential penalty for Tottenham was overturned after VAR review; replays showed Omar Alderete had won the ball cleanly, while Randal Kolo Muani’s appeal proved unfounded.Richarlison offered brief flashes of quality but failed to convert his chances, and Dutch striker Brian Brobbey – described as a “human bulldozer” – was unable to capitalise on Enzo Le Fée’s incisive passes, despite a lone fine save from the Sunderland keeper.De Zerbi’s frustration was palpable. After Dominic Solanke’s weak finish allowed Sunderland’s Robin Roefs to deny a golden‑chance in stoppage‑time, the manager pulled his gilet up over his eyes, perhaps to shield himself from the disappointment.Mid‑second‑half, former Paris Saint‑Germain defender Nordi Mukiele, back from injury, struck a 20‑yard shot that deflected off centre‑back Micky van de Ven. The ball’s change of direction left the goal‑mouth ambiguous, sparking a debate over whether the goal should be credited to Mukiele or recorded as an own‑goal.The match’s physical intensity escalated when Brobbey’s challenge led to a painful collision between Kinsky and Cristian Romero, forcing both players off – Romero in tears with a leg injury. De Zerbi also expressed anger that Brobbey, already booked, escaped a second yellow card.Despite a flurry of substitutions, Tottenham struggled to pose serious questions to Sunderland’s defence, leaving the club’s relegation hopes hanging by a thread as the season draws to its final stretch.

Lamine Yamal orchestrated Barcelona’s dominant 4‑1 triumph over Espanyol, delivering a decisive assist to Ferran Torres for a late brace that pushed the Catalan giants further ahead in the La Liga race.Torres opened the scoring in the 10th minute and doubled the lead at the 25th, both times finding the net from Yamal’s precise passes. The teenage playmaker sealed the win in the 87th minute when Espanyol threatened a comeback, and Marcus Rashford added a fourth goal two minutes later after a set‑up from substitute Frenkie de Jong.Barcelona’s victory comes on the back of Real Madrid’s 1‑1 draw with Girona, allowing the Blaugrana to extend their lead over the capital side to nine points with only seven fixtures remaining.Both clubs are now focused on bouncing back from recent Champions League quarter‑final setbacks – Barcelona fell 2‑0 to Atletico Madrid, while Real Madrid were edged out 2‑1 by Bayern Munich.Torres, who entered the season with 16 league goals, had endured a goal drought since 31 January, spanning 13 matches across all competitions. His strike against Espanyol, a well‑timed header from Yamal’s corner, ended the slump and was celebrated with a tongue‑in‑cheek hand‑gesture referencing media criticism of his form.He completed his brace by deftly redirecting a low pass from Yamal past goalkeeper Marko Dmitrovic, showcasing his renewed confidence and link‑up play.Espanyol’s lone reply came from midfielder Pol Lozano, who capitalised on a loose ball in the 56th minute to make it 2‑1 before Rashford’s late goal restored Barcelona’s control.De Jong’s return after a month‑long injury layoff proved pivotal, providing the assist that set up Rashford’s strike and highlighting Barcelona’s depth as they chase a second consecutive league title.

Pakistan dispatched a mixed fleet of fighter and support aircraft to King Abdulaziz Air Base in Saudi Arabia’s Eastern Province on Saturday, marking the first visible military action under the mutual defence agreement signed in September 2025. The Saudi Ministry of Defence confirmed the landing, noting the deployment aligns with the collective defence clause that obliges each signatory to treat an attack on the other as an attack on itself. At the same time, Islamabad is hosting direct US‑Iran negotiations aimed at halting weeks of regional fighting triggered by Iran’s missile and drone strikes on Gulf targets after the US‑Israeli killing of Supreme Leader Ali Khamenei on 28 February. Foreign Minister Ishaq Dar told reporters he personally warned Iranian leaders in early March that Pakistan must honour its obligations to Riyadh. Tehran, seeking assurances that Saudi soil would not be used for attacks against it, received such guarantees, Dar added. Despite these diplomatic overtures, Iranian attacks on Saudi facilities – including key bases and a US embassy building – have persisted. In early March, Pakistan’s army chief, Field Marshal Asim Munir, flew to Riyadh to discuss measures to curb Iranian strikes within the framework of the defence pact. Four days before the jet deployment, Prime Minister Shehbaz Sharif phoned Crown Prince Mohammed bin Salman, pledging that Pakistan would stand “shoulder to shoulder” with Saudi Arabia. The two leaders also agreed to accelerate a $5 billion Saudi investment package earmarked for Pakistan. Saudi Finance Minister Mohammed al‑Jadaan met Sharif, Dar and Munir in Islamabad on Saturday, underscoring the economic dimension of the partnership. Saudi Arabia hosts roughly 2.5 million Pakistani workers, whose remittances are vital to Pakistan’s fragile economy, and has repeatedly provided financial assistance. Security analyst Imtiaz Gul told Al Jazeera the deployment was not intended as a military escalation but as a “messaging tool” to remind Tehran of Pakistan’s treaty obligations. “Three jets won’t make much of a difference militarily,” he said, noting Saudi Arabia’s own sizable air force. Michael Kugelman, senior fellow for South Asia at the Atlantic Council, described the move as “a risky gambit.” He warned that if Iran refuses concessions, Pakistan could be drawn closer to Saudi Arabia, potentially invoking the defence pact in a renewed conflict.

Brian Cox’s latest live show, ‘Emergence’, draws its spark from Johannes Kepler’s 1609 treatise ‘The Six‑Cornered Snowflake’. Cox explains that Kepler’s wonder at the symmetry of snowflakes, written during a Prague snowstorm, embodies the modern scientific quest to understand the origins of patterns we observe.He says the show explores three realms: what we know, what we don’t know, and what may remain unknowable. This framework sets the stage for his reflections on the biggest unanswered questions in science.If he could answer any scientific mystery, Cox would choose the existence of life beyond Earth. He points to current missions—two spacecraft heading to Jupiter’s moons and the James Webb Space Telescope probing exoplanet atmospheres—as promising avenues that might soon reveal a biosignature.When asked about the future of technology, Cox warns that the trajectory of artificial intelligence is still opaque, making it both thrilling and potentially hazardous. He adds that quantum computing is another frontier with wildly divergent timelines—some experts see breakthroughs within five years, others doubt they’ll arrive in a lifetime—highlighting the revolutionary yet unpredictable nature of these tools.Cox also reflects on his shifting stance toward social media. He admits moving from early optimism about its democratizing power to a more critical view of its noise and misinformation, while acknowledging its complex impact on politics and public discourse.On personal advice, Cox stresses the importance of following one’s passion: “Do what you most enjoy,” he says, recalling his own journey from a teenage musician to a celebrated astronomer, supported by parents who encouraged his interests.He shares a memorable fan encounter: at an ELO concert, a man introduced himself as Paul McCartney after asking a question about Saturn’s moon Enceladus—an encounter that left Cox “overwhelmed” as a lifelong Beatles fan.When asked about a pop‑culture stance, Cox admits he is largely out of touch, but notes that musical innovation seems to have plateaued since the 1980s, contrasting the rapid evolution of earlier decades.One of his favorite astronomical facts is the staggering number of observable galaxies: about two trillion. He highlights how, within a century, humanity moved from debating whether other galaxies existed to quantifying an immense cosmos, also measuring its age at roughly 13.8 billion years.Brian Cox will tour ‘Emergence’ across Australia from 5 to 30 May 2026.