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In a world that's increasingly chaotic, a simple game about running a video rental store in the 90s has become a breath of fresh air. Retro Rewind, developed by two French developers, has sold over 100,000 copies on Steam in just a week.The game's appeal lies in its nostalgic portrayal of a bygone era. Players must buy and display videos, serve customers, and manage a small retail business. The game's attention to detail, from the sound effects to the quirky movie titles, adds to its charm.The game's success can be attributed to its timing. In a world where AI and automation are increasingly prevalent, Retro Rewind offers a refreshing change of pace. The game's simplicity and predictability make it a welcome respite from the stresses of modern life.While the game may not be perfect, with some critics noting its lack of ambition and complexity, it has captured the hearts of many players. Its unique blend of nostalgia and simulation gameplay has made it a standout title in the gaming world.The game's developers have created something special, a game that feels like a breath of fresh air in a world that's increasingly complex and overwhelming. For just $14, players can experience a slice of 90s nostalgia and a reminder of the joys of simple, analogue life.

The Netflix series Something Very Bad Is Going to Happen has been making waves with its chilling storyline and terrifying plot twists. The show follows Rachel, a young woman who embarks on a night drive to meet her fiancé's parents for the first time, only to find herself entangled in a web of horror and suspense.The series, created by Haley Z Boston and produced by the Duffer Brothers, masterfully crafts an atmosphere of tension and fear, leaving viewers on the edge of their seats. The reviewer praises Camila Morrone's performance as Rachel, describing her as having an 'irreducible strength and spirit' that adds credibility to the show.The show's exploration of themes such as marriage, family, and the blurring of reality and horror is both thought-provoking and unsettling. The reviewer notes that the series' underlying terror is rooted in the message: 'What does marriage really mean? Do we ever really know someone?' These questions are woven throughout the narrative, making the show a psychological thriller as much as a horror series.The cast, including Adam DiMarco and Jennifer Jason Leigh, delivers solid performances that add to the show's eerie atmosphere. The reviewer's verdict is that 'Something Very Bad Is Going to Happen' is a must-watch for horror fans, but be prepared to sleep with the lights on.

Egil Johansen, the landlord of the Kenton pub in Hackney, east London, describes recent incidents involving children as "like the wild west." He has now banned children entirely after a three-year-old fell down a cellar hatch while parents sat elsewhere, a five-year-old crashed into staff carrying drinks, and six parents brought 10 hyperactive children after a birthday party while ignoring their behavior."In every case, the parents blame us when something goes wrong or get really angry when we ask them to control their children," says Johansen, who has run the pub for 17 years. "I'm legally obliged to keep children safe on my premises and if the parents let their children run riot, the only answer is to not allow them in at all."Johansen initially tried banning children only after 5pm, but this interim measure failed to address the underlying issues. Despite online criticism framing him as the "baddie," he expresses sadness about the situation: "I'm a publican; I'm a people-person. It gives me no joy to ban anyone, but it's just not safe: parents don't control their children and our other customers were beginning to go elsewhere. I had no choice."The Kenton's decision reflects a growing trend among UK pubs seeking to differentiate themselves from establishments that "resemble soft play centres without the ball pit." While some welcome this shift, others view it as unwelcoming to families, creating a culture war in the pub industry.Lee Jones, landlord of the Brewers Arms in West Malvern, Worcestershire, reversed a previous child ban: "We're dog-friendly, child-friendly, adult-friendly. We're just friendly – we don't distinguish. Pubs are for the community and I don't see bans in the spirit of what we're here for." Jones reports that when children become rowdy, staff can address the issue with parents, though this is rarely needed.Stephen Boyd, who runs the Alma in south London, took a different approach after attempting to attract young families. He found families with children consumed disproportionate time and resources with special requests for diluted drinks, heated beverages, and customized meals, while adult customers waited longer for their orders."You just need a couple screaming, banging on a table or running up and down, and it dictates the whole atmosphere of the pub," Boyd says. "Parents would take massive umbrage if staff asked them to stop their children doing something." After implementing a child ban, he describes the change as "a fucking revelation" with staff retention improving and takings doubling.Despite the positive results, Boyd faced significant backlash: "I got a lot of online hate. Mainly from people who had never been to the pub but felt I was doing something morally hateful."Tom Stainer, chief executive of the Campaign for Real Ale, acknowledges the debate is "very live" but emphasizes: "But you do have to look at the responsibility of the parents in these situations, not just at the pubs. They're the ones responsible for making sure that their children behave."Financial considerations also drive some decisions. Mandy Keefe, landlady of the Wheel Inn in Ashford, banned children partly for behavioral reasons but also financial ones: "If a third of my Sunday customers were children eating from a reduced-rate child's menu and not drinking any alcohol, that wouldn't be financially viable."Across the UK, pubs are making individual decisions based on their specific circumstances, but as Johansen's experience demonstrates, it only takes one serious incident to settle the question for good.

The Co-op Group has announced that its chief executive, Shirine Khoury-Haq, will step down this weekend after a challenging year that included a cyber-attack and recent claims of a “toxic” culture at the business.Khoury-Haq will depart on 29 March, and Kate Allum, a board member and former boss of the dairy group First Milk, will step in as interim boss while a permanent replacement is sought.The company, which owns more than 800 funeral parlours and an insurance and legal advisory business, as well as operating more than 2,000 convenience stores, reported an underlying loss of £125m. This is a significant drop from a £45m profit the year before, largely due to a £107m profits hit from the damaging IT hack.Khoury-Haq denied that her resignation was linked to the allegations of a toxic culture, stating that her decision to leave was a personal one. She expressed her desire to “go and do something else”.Sales at Co-op fell 2.3% to £11bn in the year to 3 January, following the mutual’s shops being left with gaps on shelves after the cyber-attack, which knocked £285m off sales.The group cited a “contracting convenience market” and “layered cost headwinds” of about £150m during the year, due to increases in employers’ national insurance, pay and packaging taxes.Khoury-Haq’s departure comes a month after reports of concerns about the culture at the top of the group. In February, the Co-op defended the behaviour of its bosses after reports said senior managers had complained of a “toxic” environment at the retailer.

The film 'They Will Kill You' is a satirical take on the beat-em-up genre, offering a mix of gore, bad jokes, and deja vu. The story revolves around Asia, a new maid at the Virgil, a satanic co-op residence in New York, where she must navigate a world of satanic rituals and eternal life.The film's tone is pitched between a bloodbath and bath time, with a boyish strain of immaturity dominating the creative force. This is evident in the giddy, inventive approach to violence, where the narrative device of immortality unshackles the filmmaker from the laws of physics. The film's antic gore peaks with an extended interlude following a disembodied eyeball as it rolls down corridors and slingshots itself up an elevator shaft.The adolescent quality runs deeper than that, manifesting more overtly in the potty-mouthedness of the script and the ostentatious stylistic flourishes that are hand-me-downs from other filmmakers. The film's supporting cast is haphazardly assembled and half-assedly differentiated from one another, with Heather Graham and Tom Felton getting the most to do.Despite its sprightly fight choreography and retro synth arpeggios, the film's invoked inspirations and story components err on the side of the popular and well-trod. The received shtick grows worn before long, and the film's attempts at humor often fall flat. A good rule of (severed) thumb: if you're going to make a character quote Monty Python's immortal 'just a flesh wound' bit, you must yourself be capable of originally generating something at least as funny.

The V&A; Museum's lavish spring show, Schiaparelli: Fashion Becomes Art, is a surrealist's dream come true. The exhibition takes visitors on a journey through the life and work of Elsa Schiaparelli, a fashion designer who defied conventions and pushed the boundaries of art and fashion.Schiaparelli's designs are a whimsical and witty blend of art, culture, and fashion. From a shoe that becomes a hat to a telephone dial that transforms into a compact mirror, each piece is a testament to her innovative spirit and creative genius.The exhibition features collaborations with famous artists like Salvador Dalí and Jean Cocteau, showcasing iconic pieces such as the lobster telephone and the skeleton dress. These works demonstrate Schiaparelli's ability to merge fashion and art, creating something truly unique and groundbreaking.Elsa Schiaparelli was a trailblazer in her own right, launching her fashion career in Paris in the 1930s and quickly gaining recognition for her trompe l'oeil sweaters and shocking pink designs. Her legacy continues to inspire designers today, including Daniel Roseberry, who has been spearheading the brand's revival since 2019.The exhibition also features modern pieces that showcase the brand's continued commitment to innovative design and artistic collaboration. From a golden breastplate worn by Bella Hadid at Cannes to a robot baby made from old flip phones and circuit board shards, these works demonstrate the brand's ongoing dialogue with art and culture.Schiaparelli: Fashion Becomes Art is a must-see exhibition for anyone interested in fashion, art, and culture. It challenges visitors to think differently about the relationship between fashion and art, and showcases the enduring legacy of Elsa Schiaparelli's surrealist designs.

Ukraine's national football team is on the brink of a significant achievement as they prepare to face Sweden in a crucial World Cup 2026 qualifier playoff. The match, set to take place in Valencia, Spain, represents a vital opportunity for Ukraine to end their 20-year absence from the World Cup. Serhiy Rebrov, Ukraine's manager, is determined to lead his team to victory, emphasizing the importance of representing their country amidst ongoing challenges.The Ukrainian team has faced considerable adversity, including the absence of key players due to injuries and the impact of Russia's full-scale invasion in February 2022. Ukraine has had to play numerous matches in various European cities, including Lodz, Prague, Leverkusen, and Warsaw, due to the conflict at home. Despite these challenges, Rebrov's squad has shown resilience, having recently qualified for Euro 2024 and narrowly missing out on a spot in the 2022 World Cup.Rebrov's determination is palpable as he highlights the significance of this match for his players and the nation. 'We have to do something for our people,' he says. 'They deserve this. I'm sure our players will fight on the pitch, show character, show everything just to be there.' The team's motivation is further amplified by the support of their fans, with approximately 20,000 expected to attend the match at the Estadi Ciutat de Valencia.On the other side, Sweden, under the management of Graham Potter, is also eager to secure a spot in the World Cup. Despite their own challenges, including injuries to key players like Alexander Isak and Dejan Kulusevski, Potter remains optimistic about his team's chances. The match promises to be a closely contested encounter, with both teams aware of the significance of a victory.Beyond the sporting aspect, the match also holds emotional value, as both countries have agreed to a long-term cooperation agreement, including the donation of football equipment to Ukrainian schools. This gesture underscores the power of sports to foster unity and support in times of adversity.

Republic of Ireland captain Seamus Coleman has urged his team to complete the job of qualifying for the World Cup, saying they have a duty to lift the country. The Republic visit the Czech Republic on Thursday in a World Cup playoff semi-final.Coleman believes that recent history, including painful playoff defeats in the past, will be forgotten in Prague. He emphasized that the current team, led by manager Heimir Hallgrímsson, has the confidence and momentum to end a 24-year absence from the World Cup.The team has been allocated only 1024 tickets for the semi-final, but Coleman insists the Republic will not be intimidated in Prague. He added that the team's recent wins over Portugal and Hungary have lifted the country and given people something to talk about.Coleman's confidence was shared by Hallgrímsson, who recently extended his contract with the Football Association of Ireland until the end of the Euro 2028 campaign. The Czech Republic pose a conundrum ahead of the semi-final, with Miroslav Koubek taking charge of the national team.

Australian swimmer Cameron McEvoy has achieved a lifelong dream by breaking the 50m freestyle world record with a time of 20.88 seconds at the China Open. The Queenslander shattered the longstanding record by three hundredths of a second, a mark set during the era of now-banned super-suits.The 31-year-old athlete expressed his surprise and delight at achieving this milestone ahead of schedule. "That was more of a target for the end of this season, so to have hit it at the moment in March is really special," McEvoy stated upon returning to Brisbane.McEvoy's journey to swimming's pinnacle has been unconventional. Having made his Olympic debut in London as a teenager in 2012, he won bronze medals in relays in Rio and Tokyo before securing his first individual Olympic gold in Paris in 2024 at age 30—well past the typical peak age for elite sprinters.His remarkable rise to dominance stems from a radical rethinking of his training methodology. McEvoy abandoned traditional long pool sessions in favor of strength training and short, explosive sets that mimic the specific requirements of the 50m event. This year, he took an even more extreme approach."I had an off-season which was mainly strength development, and I've barely done much swimming since the [August] World Champs last year, up until this comp," McEvoy explained. "And then this comp was meant to be the transition door into going into more of a sprint-focused regime, but because I got the world record and I've made steps, the idea is just to double down on this and not change it, see how far this can actually take me."The previous world record-holder, César Cielo, congratulated the Australian on his "incredible" swim, sharing a profound insight: "You never change things by fighting the existing reality. To change something, build a new model that makes the existing model obsolete."McEvoy's innovative approach has resonated beyond his own achievements. He receives weekly messages from both elite athletes and former swimmers who have returned to the sport inspired by his methods. "The amount of them that are saying that they're doing lifetime best times and they're deep into their 40s, compared to when they were training full-time in their teens, it's pretty incredible," he noted.Looking ahead, the Australian swimmer has set his sights on future Olympic Games. "I've still got my eyes on LA, I definitely have my eyes on the home Games here in Brisbane, and so I'll just keep at it every year and just take it one step at a time," McEvoy stated, emphasizing his commitment to continue pushing boundaries with his unique training philosophy.