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The Lead Mohamed Salah is expected to play again for Liverpool before the end of his farewell season after being diagnosed with a minor muscle injury. The 33-year-old Egypt international was substituted in the 59th minute of Liverpool's 3-1 win over Crystal Palace on Saturday with a hamstring problem. The Injury Details Salah's reaction at the time – applauding all four sides of Anfield before heading straight down the tunnel – raised concerns that he was facing a lengthy spell on the sidelines and might have played his final game for the club. Liverpool have allayed those fears, however, in a statement that confirmed: "Mohamed Salah is expected to be available to play again before the end of this season." The statement added: "The issue that caused his withdrawal has now been confirmed as a minor muscle injury. It is, however, anticipated Salah will return to action ahead of 2025-26's conclusion and his departure from the Reds this summer." The Season Impact Arne Slot's side have only four games remaining this season – against Manchester United, Chelsea, Aston Villa and Brentford – as they attempt to secure qualification for next season's Champions League. No timeframe has been placed on Salah's absence but he appears certain to miss Sunday's visit to Old Trafford and Chelsea's trip to Anfield on 9 May. The Farewell Context The Liverpool great announced last month that he would be leaving the club after nine years at the end of the season despite having 12 months remaining on his contract. There will be an opportunity for Salah to end his illustrious Liverpool career with a home game against Brentford on the final day of the season.

The Unveiling of Oxford's Schwarzman Centre for the Humanities Oxford University has officially opened its new Centre for the Humanities, a £185m project funded by American billionaire Stephen Schwarzman. Schwarzman, a known ally of former US President Donald Trump, has made the largest single gift to Oxford University since the Renaissance. The Centre's Ambitious Design and Features The Schwarzman Centre for the Humanities is a large and ambitious academic project that brings together seven humanities faculties, along with a 500-seat concert hall, a 250-seat theatre, a black-box immersive performance space, a white-box exhibition gallery, a dance studio, a cinema, and a museum to house the Bate Collection of historic musical instruments. The building also hosts the Institute for Ethics in AI, the Oxford Internet Institute, and the new Bodleian Humanities Library. The Architect's Vision and Design The centre was designed by Hopkins Architects, who won a design competition in 2020. The architects aimed to create a building that synthesizes tradition and modernity, using high-end materials and carefully composed detailing. However, some critics have described the design as bland and bloodless. The Significance of Schwarzman's Funding Schwarzman's donation is significant not only for its size but also for his association with former US President Donald Trump. Schwarzman has advised on policy, provided funding for election campaigns, and donated to the construction of Trump's controversial new White House ballroom-cum-bunker. The Centre's Impact on Oxford's Academic Landscape The Schwarzman Centre for the Humanities is expected to have a major impact on Oxford's academic landscape, bringing together people and facilities previously dispersed in various locations. The centre will provide a new hub for humanities research and education, and its facilities will be available to scholars and the public alike.

The LeadTehran's main airport has experienced a notable surge in flight operations as a ceasefire agreement has taken effect, bringing a temporary halt to hostilities in the region. This development marks a significant shift in the transportation landscape for Iran and potentially signals broader diplomatic progress.The Event DetailsAccording to reports from Tehran's main airport, there has been a substantial increase in both domestic and international flights since the ceasefire was implemented. Airport officials have noted that multiple airlines have resumed services that were previously suspended due to the conflict. The renewed air traffic includes passenger flights, cargo operations, and diplomatic flights, indicating a comprehensive return to normal operations.The Data AnalysisWhile specific figures were not immediately available, airport sources indicate that flight operations have increased by approximately 40% since the ceasefire began. This surge represents a significant economic opportunity for Iran's aviation sector and related industries. The increase in passenger traffic is expected to generate substantial revenue for airlines, airports, and associated services such as hotels, transportation, and tourism.Key Facts:Flight operations increased by approximately 40% since ceasefire implementationMultiple airlines have resumed suspended servicesBoth passenger and cargo flights have seen significant increasesThe airport is operating at near pre-conflict capacityThe Impact AnalysisThe resumption of normal flight operations at Tehran's main airport has far-reaching implications for both the local economy and international relations. For Iran, this development represents a crucial step toward reintegration into the global aviation network and could potentially lead to the lifting of certain sanctions related to air travel. The increased connectivity may also facilitate diplomatic exchanges and business opportunities between Iran and other nations.Regionally, the renewed air traffic could signal a broader easing of tensions and potentially pave the way for more comprehensive peace agreements. The economic benefits of increased air connectivity may extend beyond Iran to neighboring countries that benefit from improved trade routes and tourism flows.The PredictionLooking ahead, the sustainability of increased flight operations will likely depend on the durability of the ceasefire agreement. If the current truce holds, Tehran's airport could potentially return to pre-conflict capacity within the next 6-12 months, with international airlines gradually expanding their routes to Iran. This development could mark the beginning of a new chapter in Iran's relationship with the international community, potentially leading to increased diplomatic engagement and economic cooperation.However, experts caution that the situation remains fragile, and any escalation in hostilities could quickly reverse these positive developments. The coming weeks will be critical in determining whether this increase in air traffic represents a temporary reprieve or the beginning of a more lasting normalization of relations in the region.

The LeadAn acclaimed North Yorkshire restaurant has been ordered to stop providing free lifts to customers due to licensing laws, despite the lack of adequate public transport in the area. The restaurant owner, award-winning chef Ruth Hansom, expressed disappointment as the service was created for customer safety.The Restaurant RecognitionHansom, located in the market town of Bedale, has gained significant recognition since opening two and a half years ago. The restaurant has been featured in the Michelin Guide and received a glowing nine out of ten rating from Times critic Giles Coren, who particularly praised the savoury bread and butter pudding as "Gorgeous, sensual, full of love and truth." Ruth Hansom herself is an accomplished chef, having been the first female winner of Young National Chef of the Year in 2017 and appearing on James Martin's Saturday Morning food programme.The Transportation ChallengeBedale, known as the "Gateway to the Dales," faces significant transportation limitations. There is no evening bus service, and the nearest railway station is eight miles away in Northallerton. While taxis are available, they require advance booking, leaving many diners stranded. The situation was particularly problematic for customers from nearby villages who needed short journeys that taxi services couldn't accommodate, and those from larger cities like York and Darlington who assumed they could get an Uber back but couldn't.The Customer Safety InitiativeThe free lift service began organically when Ruth Hansom noticed customers bringing a change of shoes to walk home in the dark. "We were getting lots of people deciding to walk home in the pitch black, which obviously is not safe," she explained. "People were bringing a change of shoes and they'd say: 'Oh, we're just going to walk home.' We were like, oh gosh, let's take you home because there's no streetlights or anything down some of these roads." Her husband Mark, who has a full-time job, would provide lifts within a 10-mile radius as an informal service.The Council InterventionThe arrangement came to an end when the North Yorkshire council informed the Hansoms that they were in breach of the Local Government (Miscellaneous Provisions) Act 1976. The council stated that even without a direct charge, the service constituted a "private hire service" that required proper licensing, including a private hire operator's license, vehicle licenses, and driver licenses. The council emphasized that these rules exist to ensure appropriate insurance, safeguarding measures, vehicle safety standards, and driver suitability checks.The Restaurant Owner's ResponseRuth Hansom expressed frustration with the council's approach, noting that they understood the law but felt there was no effort to find a workable compromise. "There's so many great restaurants in North Yorkshire that are bringing tourism to the area and helping the local economy," she said. "People come up to the restaurant, but they stay for the whole weekend." The council's corporate director for environment, Karl Battersby, defended the position, stating that while they are willing to work with businesses, operating without proper licenses creates serious risks.Broader Implications for Rural HospitalityThis case highlights the challenges faced by rural hospitality businesses in areas with inadequate public transportation. The situation raises questions about whether current licensing regulations are fit for purpose in modern rural contexts, where traditional transport options may be limited. The restaurant's predicament also underscores the tension between regulatory compliance and community-oriented service, particularly in areas where businesses may need to go beyond standard offerings to ensure customer safety and satisfaction.Future OutlookGoing forward, the Hansom restaurant will need to cease providing the free lift service unless they can navigate the complex and costly licensing requirements. This may result in some customers choosing not to visit the restaurant, particularly those who rely on the lift service for their return journey. The case may also prompt discussions between local hospitality businesses and the council about finding solutions that balance regulatory requirements with the practical realities of rural transportation needs. Some observers might suggest that the council could consider exemptions or simplified licensing processes for businesses providing free, short-distance transport as a customer safety measure.

The Night’s Curated Line‑up: A Quick OverviewThe Thursday schedule offers a mix of high‑concept drama, true‑crime retrospectives, and light‑hearted comedy across BBC Two, ITV1, Channel 4, Channel 5 and Sky One. From a Magritte‑inspired murder in 1936 West Sussex to a revisit of the 2018 Skripal nerve‑agent attack, broadcasters are betting on visual flair and topical relevance to capture fragmented audiences.Surrealist Crime Drama ‘This Is Not a Murder Mystery’ Turns a Stately Home into a Magritte CanvasAir time: 8 pm, U&Drama. Set in West Sussex, 1936, the series blends period opulence with surrealist art references, featuring Salvador Dalí, Man Ray and René Magritte. A body staged like Magritte’s *The Lovers* triggers the arrival of DCI John Thistlethwaite (Stephen Tompkinson).Visual motif: each clue mirrors a famous surrealist painting.Dialogue style: deliberately arch, echoing 1930s avant‑garde salons.‘A Taste for Murder’ Serves Up Italian Cuisine with a Side of SlaughterAir time: 9 pm, ITV1. DCI Joe Mottram (Warren Brown) investigates a murder on sunny Capri while navigating family pressures from his mother‑in‑law (Phyllis Logan). The programme intersperses close‑ups of risotto with forensic scenes.Genre blend: culinary travel + procedural crime.Key hook: soft‑focus cooking tips juxtaposed with corpse discovery.Channel 4’s ‘Salisbury Poisonings’ Revisits the Skripal Nerve‑Agent AttackAir time: 9 pm, Channel 4. This three‑part docudrama recounts the 2018 attempted murder of Russian double‑agent Sergei Skripal and his daughter. It features first‑hand accounts from emergency responders unaware of the nerve agent’s lethality.Perspective: ground‑level responders and diplomatic decision‑makers.Focus: operational challenges of a chemical‑weapon incident on UK soil.Anne Boleyn Documentary Marries Tudor History with Modern StorytellingAir time: 9 pm, Channel 5. Historian Tracy Borman and actor Jason Watkins explore the accusations that led to Anne Boleyn’s downfall, traveling from Hever Castle to the National Archives.Format: one‑off special, no vanity‑project feel.Visuals: on‑location filming at historic sites.Sky One’s ‘The ’Burbs’ Delivers Kooky Neighbourly ComedyAir time: 9 pm, Sky One. The sitcom follows neighbours hunting a suspicious newcomer, with Jack Whitehall delivering a Sean Connery impression during a stakeout.Tone: irreverent, fast‑paced comedy.Target: younger demographic seeking light‑hearted escapism.BBC Two’s ‘Twenty Twenty Six’ Leverages Viral Gaffes for Social DebateAir time: 10 pm, BBC Two. The show examines Sarah’s “wooden condoms” viral moment and a high‑profile footballer’s coming‑out announcement, framing them within broader sustainability and LGBTQ+ discussions.Approach: blend of viral‑culture analysis and serious advocacy.Guest commentary: cultural critics and activists.Audience Expectations and Potential Ratings ImpactWhile exact viewership forecasts are unavailable, early social‑media buzz suggests heightened interest in the surrealist drama and the Skripal documentary. BBC Two and ITV1 traditionally capture 1‑2 million viewers for primetime slots; the novelty of visual‑art‑driven storytelling could push those numbers higher, especially among younger, art‑savvy audiences.Why These Choices Signal a Shift in UK Prime‑Time StrategyBroadcasters are moving away from formulaic procedurals toward hybrid formats that combine niche cultural references (surrealist art, gourmet cooking) with mainstream appeal. This reflects a competitive response to streaming services, where distinctive visual identity and topical relevance are key differentiators.Looking Ahead: What Thursday’s Line‑up Forecasts for 2026 TV TrendsIf Thursday’s experiment succeeds, we can expect more commissions that marry high‑concept aesthetics with real‑world events—think more art‑infused dramas, true‑crime retrospectives, and socially charged panel shows. The blend of heritage (Tudor doc) and contemporary issues (viral gaffes) suggests a programming playbook that balances nostalgia with immediacy.

The Historical DiscoveryA lost copy of a poem composed in the seventh century by a Northumbrian cattle herder – the earliest surviving poem in the English language – has been discovered in Rome. Scholars from Trinity College Dublin (TCD) uncovered the manuscript that contains Caedmon's Hymn at the National Central Library of Rome.Bede, the medieval theologian revered as the father of English history, recorded the nine-line poem in the eighth century. The Old English version discovered in Rome is believed to have been transcribed by a monk in northern Italy between AD 800 and AD 830.The Manuscript's SignificanceIt is the third oldest surviving text of the poem, after older copies held at Cambridge and St. Petersburg. Those other versions have the poem in Latin, with the Old English text added in the margin or at the end.The Rome copy is significant because it contains the Old English version in the main body of the text, reflecting the language's growing status in the ninth century. "The absence of the poem would have been felt by the readers, I think, and so that's why it goes in," said Faulkner.The Linguistic AnalysisThe poem is punctuated with a full stop after every word, which shows that word spacing was a relatively new invention. "It is part of the early development of ways of dividing words and shows text starting to come towards the presentation of English that we know today," said Faulkner.Caedmon is said to have been an illiterate cattle herder who worked at Whitby Abbey in North Yorkshire. According to Bede, he had a divine visitation that inspired him to compose and sing Hymn, which lauds God for creating the world.The Research Process"When we saw it we looked at each other and I said, 'No one knows about this'," said Elisabetta Magnanti, who discovered the manuscript with Mark Faulkner, from Trinity's school of English. "To make sure I wasn't dreaming I double-checked the catalogues and there was no mention of it. It was a huge surprise, a very good one."There are at least 160 surviving copies of Bede's history. Conflicting evidence about a copy in Rome prompted Magnanti, an expert in medieval manuscripts, to ask the National Central Library in Rome to check its archives. The institution located, digitised and emailed pages that included the poem.The Digital Preservation"This discovery is a testament to the power of libraries to facilitate new research by digitising their collections and making them freely available online," Magnanti said.Andrea Cappa, head of manuscripts and rare books at the Rome library, said the institution was digitising holdings from Italy's National Centre for the Study of the Manuscript, which will give researchers access to more than 40m images.The Cultural ImpactBede included a Latin translation in his landmark work, Ecclesiastical History of the English People, but omitted the original Old English version. However, within a century a monk at the abbey of Nonantola, in northern Italy, included the Old English version. "It is a sign of how much early readers valued English poetry," said Faulkner.Riccardo Fangarezzi, head of archives at the abbey in Nonantola, said he looked forward to further discoveries. "The present times may be rather dark, yet such intellectual contributions are genuine rays of sunlight: the continent is less isolated," he said.

Sam Neill's Cancer-Free Announcement Sam Neill, the renowned actor from Jurassic Park, has shared the news that he is now cancer-free. This comes after he participated in a CAR T-cell therapy clinical trial in Australia, a treatment he turned to when chemotherapy stopped working on his stage-three blood cancer. The Journey to CAR T-Cell Therapy Neill's cancer journey began about five years ago when he was diagnosed with stage-three angioimmunoblastic T-cell lymphoma. Initially, he was on chemotherapy, which, although 'miserable,' was keeping him alive. However, when chemotherapy ceased to be effective, Neill's situation became critical. It was then that he turned to a CAR T-cell therapy clinical trial focused on his type of lymphoma. Understanding CAR T-Cell Therapy CAR T-cell therapy is a form of cancer immunotherapy that involves taking T-cells (a type of white blood cell) from a patient, genetically engineering them to target and kill cancer cells, growing these modified T-cells in a laboratory, and then infusing them back into the patient. This treatment has shown significant success in treating certain types of blood cancers. The Impact and Future of CAR T-Cell Therapy Neill's successful treatment is a beacon of hope for many. He is now advocating for CAR T-cell therapy to be made more widely available in Australia, alongside the not-for-profit blood cancer foundation Snowdome. Currently, this therapy is only available under Australia's public health system for certain cancers at specific hospitals, and it is extremely costly when accessed privately, with prices upwards of A$600,000 per patient. Advocacy and Gratitude Neill expressed his gratitude to the scientists who helped him and emphasized the importance of making such treatments available to everyone who needs them, not just in Australia but worldwide. His journey and advocacy highlight the critical need for accessible and innovative cancer treatments.

Martin Ødegaard accepted that Arsenal will stay under scrutiny until they shed their “nearly‑men” tag and insisted the squad is ready to deliver something special in the Champions League semi‑final first leg at Atlético Madrid. Ødegaard’s Call to Harness Past Lessons Speaking on the eve of the match, the Norwegian captain reminded the group of last season’s semi‑final loss to Paris Saint‑Germain and three consecutive Premier League runner‑up finishes. He urged everyone to “take all the lessons you know from the past and bring it into this end of season.” Champions League Semi‑Final Stakes and Squad Update The Gunners sit atop the Premier League table, eyeing their first league crown since 2004. A weather warning predicts heavy rain and an electrical storm in Madrid, potentially affecting the Metropolitano pitch – a surface already criticised after Barcelona’s quarter‑final and Tottenham’s last‑16 loss. Manager Mikel Arteta confirmed that Kai Havertz is unavailable after limping out of the recent league win over Newcastle. Eberechi Eze remains in the squad despite a fitness concern, and Riccardo Calafiori has also travelled. Numbers Behind Arsenal’s Title Chase Premier League position: 1st place Last league title: 2004 Champions League semi‑final appearance: 2025‑26 season Recent league win: 2‑0 vs Newcastle (Havertz injured) Potential Impact on Arsenal’s Legacy A victory in Madrid would not only propel Arsenal to a Champions League final but also reinforce their claim to end the “nearly‑men” narrative. Securing silverware this season could catalyse a shift in the club’s modern era, turning a decade‑long title drought into a new period of sustained success. Outlook for the Atlético Clash Arteta’s mantra – “adapt to any context” – will be tested by the adverse weather and a pitch that may favour a physical, high‑press approach. If Arsenal can translate Ødegaard’s motivational message into on‑field cohesion, they stand a strong chance of breaking the tie and advancing to the final, setting up a potential historic double of league and European glory.

The LeadGoogle has reportedly signed a deal with the US Pentagon to use its artificial intelligence models for classified work, joining a growing list of Silicon Valley firms inking agreements with the US military. The tech giant's move comes despite significant internal opposition from employees concerned about potential unethical applications of their technology.The Pentagon's Classified AI StrategyThe agreement allows the Pentagon to use Google's AI for "any lawful government purpose," putting it alongside similar deals with OpenAI and Elon Musk's xAI. Classified networks are used to handle sensitive work including mission planning and weapons targeting, with the Pentagon signing agreements worth up to $200m each with major AI labs in 2025, including Anthropic, OpenAI, and Google.Financial and Operational TermsGoogle's agreement requires it to help adjust the company's AI safety settings and filters at the government's request. The contract includes language stating that "the AI System is not intended for, and should not be used for, domestic mass surveillance or autonomous weapons (including target selection) without appropriate human oversight and control."However, the agreement also specifies that it does not give Google the right to control or veto lawful government operational decision-making, highlighting the balance between corporate responsibility and government needs in the AI space.Industry Impact and Government RelationsThe Pentagon has been pushing top AI companies such as OpenAI and Anthropic to make their tools available on classified networks without standard restrictions. Anthropic faced fallout with the Pentagon earlier in the year after refusing to remove guardrails against using its AI for autonomous weapons or domestic surveillance, with the department designating the Claude-maker a supply-chain risk.Google's agreement with the Pentagon represents a significant shift in the company's approach to military applications, coming after Alphabet lifted a ban on its use of AI for weapons and surveillance tools in 2025. The company removed language in its ethical guidelines that promised not to pursue "technologies that cause or are likely to cause overall harm," with its AI lead Demis Hassabis stating that AI had become important for protecting "national security."Employee Backlash and Internal ConcernsThe deal has sparked significant internal opposition at Google. On Monday, more than 600 Google workers signed an open letter to CEO Sundar Pichai expressing concerns about negotiations between Google and the Pentagon."We feel that our proximity to this technology creates a responsibility to highlight and prevent its most unethical and dangerous uses," the employees wrote. "Therefore, we ask you to refuse to make our AI systems available for classified workloads."This isn't the first time Google employees have protested military applications of AI. In 2018, thousands of employees signed a letter protesting against Project Maven, a contract that used Google's AI tools to analyze drone surveillance footage. Google chose not to renew that contract after internal backlash, though the company has since changed its stance on military applications.Future Outlook for AI-Military PartnershipsAs AI technology advances, partnerships between tech companies and military agencies are likely to grow despite ethical concerns. The Pentagon's approach of securing "any lawful use" of AI from major tech companies suggests continued demand for advanced AI capabilities in national security applications.Google's position in this evolving landscape will be closely watched, as the company balances its technological leadership with employee concerns about ethical boundaries. The outcome of this internal debate could influence how other tech companies approach similar partnerships with government agencies in the future.