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The Incident and Its Aftermath Jake Paul has admitted that the broken jaw he suffered during his loss to Anthony Joshua in December may have ended his boxing career. The YouTuber turned boxer was stopped during December's fight after a brutal shot from former world champion Joshua. Paul said the injury is still being monitored five months later. The Extent of the Injury “We'll see what my doctors say,” Paul told Uncrowned on Monday. “I'll be able to get a more accurate timeframe, or can I even fight again? That is definitely in the realm and possibilities of things [that I can't]. [The jaw] does feel a lot better as weeks and time goes by, but I definitely need to get cleared first to be able to spar. Possible Career Implications “Most definitely [my boxing career could be over],” he added. “It just depends on how the bone heals. Then, also, there's a tooth missing. I'm pretty sure I'm going to have to get an implanted tooth of some sort. I'm not sure how much time that's going to add to things, but we just have to see and figure out what the smartest thing is for me.” Paul's Boxing Career and Business Ventures Paul's defeat to Joshua was the second of his 14-fight professional career, during which he proved a competent but limited boxer. The Joshua bout was his first against a world-class boxer, with his other fights coming against fighters past their prime – such as a 58-year-old Mike Tyson – or crossover stars from other sports: his second contest was against former NBA player Nate Robinson. Paul's Reflection on the Fight While the 29-year-old never established himself as a force in the ring, he is a savvy businessman and made tens of millions of dollars from his fights. He said he had no regrets about fighting Joshua, despite his injuries. “I think it was such a win on so many different levels, and I had a really good experience,” Paul said. “Just overall, such a net positive for me, my companies, my fighting experience, my content, and yeah, I just really will fight anybody, to be honest. I've been saying that, and I think people now believe me, but I'm here for entertainment purposes.”

The Art Revolution That Started in a Car Park It's hard to imagine now, but there was a time when rooftop bars weren't really a thing. A time before pop-ups and contemporary outdoor sculpture parks. A time even, if you can bear to think of it, before immersive art. Way back in 2007, there was none of that – the UK was an experiential art wasteland. And then Bold Tendencies showed up, chucked a whole load of sculptures in a multi-storey Peckham car park, painted a staircase bright pink, built a cocktail bar on the roof, and changed everything. Two Decades of Transformative Art Now going into its 20th summer season, Bold Tendencies is celebrating two decades of sometimes sun-drenched, often windswept and drizzly arts programming. In that time, it has welcomed more than 3 million visitors into its concrete edifice behind Peckhamplex cinema, commissioned dozens of new artworks, hosted countless recitals and performances, built an auditorium and a concert hall, and drawn the roadmap for countless art experiences that have come in its wake. The Artistic Legacy And the art's not been too bad, either. Anthea Hamilton built a doorway to heaven through a man's splayed legs in 2010. Jess Flood-Paddock parked Del Boy's three-wheeled van on the roof in 2011. James Bridle flew a black balloon filled with wifi routers from the roof in 2014. Adam Farah-Saad installed a decorative retro water fountain in 2024. There have been piles of raw pigment, fluttering flags, wobbly walkways, heads on spikes. Almost all newly commissioned, and all free to see. Transforming the Cultural Landscape You can't overstate just how different, not only Peckham was in 2007, but the whole cultural landscape of the country. This was years before the likes of The Vinyl Factory or Frameless, and long before the Hayward and Tate were racing to the bottom to find the most TikTok-ready, Instagram-friendly exhibitions possible. The only large-scale sculptural commissions around back then were the fourth plinth and the Tate's annual Turbine Hall and Duveen projects. There wasn't really anywhere else to see new sculptural work by young artists. The Peckham Effect There also wasn't a lot going on in Peckham at the time. But what the area did have was a handful of project spaces, a single dive bar called Bar Story, seriously cheap rents and – thanks to being squeezed between Camberwell College of Arts and Goldsmiths – a lot of artists. Combined with a relative sense of isolation in the days before the London Overground, it boasted a fairly unique set of circumstances. "I found it to be a place of great possibility," says Barry. "And it still feels like that." The Visionary Behind the Movement Barry had been putting on exhibitions in a semi-derelict house on nearby Lyndhurst Way, and struck up a relationship with the people responsible for property in Southwark council. The council realised that artists could act as caretakers of empty, derelict buildings awaiting redevelopment, and Barry figured that those buildings could be used for art exhibitions. It's a model still followed today by other cultural charities, one that some consider the forward battalion in a wave of gentrification that has engulfed the city ever since. The Future of Public Art "Part of our responsibility in doing a project like this is to offer up the joy of feeling welcome to as many people as possible," says Hannah Barry, the driving force behind Bold Tendencies and owner of Peckham's longstanding Hannah Barry Gallery. "People come here for all sorts of different reasons and they may stay for a short time or stay for a long time. What matters is that they're curious enough to come." As Bold Tendencies enters its third decade, it continues to push boundaries and redefine what public art can be, proving that sometimes the most revolutionary ideas come from the most unexpected places.

The Wildlife Crisis on UK MotorwaysWhen James Herd moved near Wisley Common 17 years ago, the heathland nature reserve was teeming with wildlife. "I'd take the dog around the common in spring and summer, and every few hundred metres I'd hear the rustle of a lizard in the undergrowth – and I'd see adders," he recalls.Over the past decade, however, the Surrey Wildlife Trust's director of reserves management has witnessed a significant depletion of wildlife. "There was a period, eight or nine years ago, when I'd get home and think: 'God, I didn't see or hear any evidence of reptiles.'"The culprit is the A3, a main arterial road into London that carries hundreds of thousands of vehicles daily. "It has fragmented the habitat, disconnected the ecological permeability of the site," Herd explains. "So species on this side of the common can't get to that side of the common because there's six lanes of tarmac and vehicles doing 70mph in the way."The Cockrow Bridge: A Green SolutionFrom the rubble of the £317m M25 improvement scheme, which widened the A3 at the Wisley interchange, emerged an innovative solution: the Cockrow Bridge. This "green bridge" serves as a wildlife crossing connecting the fragmented reserves, giving biodiversity a chance to recover."This isn't just about big, charismatic species – it's about reconnecting entire communities of insects," Herd emphasizes. The bridge allows a range of animals and insects to move between habitats and thrive despite the major infrastructure project.The bridge itself is a floating patch of nature reserve; its contents were excavated and transplanted from the heathland on either side. Heather, the tough wiry shrub that defines heathland, is already springing up in purples and yellows above the A3's roar, supporting the area's insects and reptiles."They can feed here, get cover, they can bask, they can breed," says Herd. Ground-nesting birds, such as nightjars, woodlarks and Dartford warblers, will also benefit from the newly connected landscape. Piles of sand have been added to provide breeding habitat for the highly threatened sand lizard, while logs line the back of the bridge for cooling and predator cover.Environmental Impact and Cost AnalysisAccording to the UK's State of Nature report, average abundance of 753 terrestrial and freshwater species has fallen by about 19% since 1970. Of more than 10,000 species assessed in Great Britain, 16.1% – nearly 1,500 species – are threatened with extinction.While there is no definitive data on the specific impact of roads, experts say the links between infrastructure and biodiversity loss are clear. "It is based around genetic isolation," Herd explains. "They will breed and breed and breed, but the gene pool becomes tighter and tighter and tighter, and that's not a good thing."The result is fragmented populations, weakened gene pools and less space for species to adapt to climate crisis. The Cockrow Bridge represents a significant investment in environmental infrastructure, though the exact cost of this specific crossing isn't detailed in the article.Changing Conservation Approaches in InfrastructureThe Cockrow Bridge signals a shift in how major infrastructure projects approach environmental considerations. Rather than simply mitigating damage, the project actively seeks to restore and enhance ecological connectivity."Herd, who advised National Highways on the project, says the Cockrow Bridge 'changes how the ecosystem functionality can evolve and function better, in a landscape where species can interact more freely.' By building a link, 'we've removed a barrier.'"While the bridge is not yet officially open, wildlife has already begun using it. Foxes, roe deer and adders have been spotted on the crossing, demonstrating the immediate benefits of reconnecting habitats.The Future of Wildlife Crossings in the UKThe Cockrow Bridge could serve as a model for future infrastructure projects across the UK and beyond. As biodiversity continues to decline, innovative solutions that integrate conservation with development will become increasingly important."The bridge will allow a range of animals and insects to move between habitats and thrive despite the major infrastructure project," the article notes, suggesting that such crossings could become standard features in road planning.As climate change accelerates, the ability of species to migrate and adapt will be crucial for their survival. Wildlife crossings like the Cockrow Bridge may provide essential corridors that allow species to shift their ranges in response to changing environmental conditions.

The Artist's Monument to Forgotten WorkersAn air of civilisational wipeout hangs over the Gehrenseestrasse complex, an abandoned housing estate on the north-eastern outskirts of Berlin, where the city still looks shabby without the chic. The insides of the nine prefabricated blocks have long been gutted; six floors of empty window frames stare hollow-eyed over multi-lane carriageways. In the courtyard, paintballers have left behind wooden barricades from when they played at World War III.Yet in one of the second-floor rooms of Berlin's largest ruin, artist Sung Tieu is waltzing across the concrete floor and reliving scenes from her childhood. "Here was the single bed I shared with my mother for three years," she says, pointing into a corner of the small room. "Two metres by 90cm, can you believe it?" There in the corridor is where her neighbours used to make bánh bao dumplings on camping stoves, for lack of private kitchens. "I still remember the smell." Here was the door through which she used to entertain her best friend when his mother locked him in during working hours. "We played cards through the gaps," she recalls with glee.But she also still remembers where neo-Nazis tried to throw molotov cocktails into the building: "They eventually set up a net because the windows kept on getting smashed".The Mosaic Recreation of a Lost CommunityThese days, few people have heard of the Gehrenseestrasse complex, whose last tenants left in 2002. But if Tieu had her say, it would be as essential a stop on the tourist trail as the Brandenburg Gate, the Reichstag or Checkpoint Charlie. There is, in her view, no place that better tells the story of the Vertragsarbeiter generation – the oft-forgotten workers who were hired on fixed-term contracts from socialist "brother states" in Vietnam, Mozambique, Angola or Cuba to boost the East German economy. "To me, this place is a monument," says Tieu.By the end of this summer, many more people in Germany – and art enthusiasts around the globe – will know about her childhood home. For this year's Venice Biennale, Tieu has clad the German pavilion with a like-for-like replica of the complex's facade, recreating the grey concrete and smudges of graffiti with three million mosaic stones made in Ravenna. She conceived the pavilion in tandem with the artist Henrike Naumann, who died in February from cancer aged only 41.Bureaucracy as Artistic MediumThe woman I meet at a Vietnamese restaurant in Berlin's Lichtenberg district is the antithesis of that exoticised cliche: modest, dressed all in black, analytical in her answers to my questions. She talks me dispassionately through the more experimental food options on the menu, but comes alive when explaining bilateral treaties and labour regulation."I really try to avoid the pure post-migrant diaspora narratives. By focusing on individual experience you can lose sight of the bigger picture. Contracts, state treaties, floorplans – that's what I am interested in. There has to be a certain formal toughness."Looking through her catalogue raisonné you are reminded of Marcel Duchamp. You see an artist dedicating her career to seeking ever more minimalist ways to express the same idea, from Cubist painting to readymade to annotations of chess moves. And in Tieu's case, that big idea is bureaucracy. In 2015, she reprogrammed the scrolling LED displays at a shop inside the Dong Xuan Centre, Berlin's largest Asian market, to display the texts of immigration treaties. For a group show at Berlin's Haus der Kulturen der Welt in 2024, she transcribed by hand documents from the national archives on the East German porcelain industry, authenticating them with her own ornamental stamp. Her website, fittingly, is just a long index of file names and a deadpan biography section: "Sung Tieu is an artist."Childhood Trauma and Artistic Vision"I think it's also a childhood trauma," she says when I ask her where her interest in bureaucracy comes from. "I've had to fill out forms for my mother since I was five, since she didn't speak any German. And by the time I was seven my German was better than hers. Bureaucracy was part of my childhood – I studied politics and administration because I wanted to understand it."Born in 1987 in Hai Duong, northern Vietnam, Tieu moved with her mother to what was by then the formerly socialist East German regions in 1992. They were joining up with her father, who had moved to the GDR five years earlier via a bilateral agreement for factory workers from the socialist republic.Initially announced in the romantic spirit of ideological solidarity, the treaty between the two states soon became a more hard-nosed deal, addressing ongoing labour shortages in East Germany while helping to rebuild a war-ravaged Vietnam, which took a...The Legacy of Forgotten WorkersTechnically there was no racism in the GDR, because it wasn't documented. But of course it always existed. This is the uncomfortable truth that Tieu's installation confronts – the erasure of immigrant experiences in official narratives, even as these workers were essential to East Germany's economy.Through her art, Tieu transforms personal memory into collective history, giving voice to the thousands of contract workers who built East Germany but were never fully acknowledged as part of its society. The Venice Biennale installation, with its meticulous recreation of a housing complex that many would prefer to forget, serves as both memorial and critique – a reminder that the stories of immigrants are integral to understanding modern Germany.The Future of Migration Narratives in ArtAs Europe continues to grapple with questions of migration and identity, artists like Sung Tieu are pioneering new forms of expression that move beyond personal stories to examine the structures and systems that shape immigrant experiences. By focusing on bureaucracy, architecture, and official documents, Tieu creates art that is both deeply personal and universally relevant.The Venice Biennale platform ensures that these often-overlooked histories reach a global audience, challenging visitors to reconsider their understanding of migration, labor, and belonging. As Tieu continues her exploration of these themes, we can expect more installations that transform bureaucratic systems into powerful artistic statements, creating spaces where the voices of the marginalized can be heard and remembered.

The Landmark Investment Announcement French President Emmanuel Macron has announced 23 billion euros ($27bn) of investment during the Africa Forward summit in Kenya. This significant move is part of France's effort to strengthen its ties with English-speaking African countries and renew its engagement with the continent. Investment Details and Objectives Macron said that Africa and France had a “partnership of equals” with common objectives. The investments include: 14 billion euros ($16.4bn) from French companies and public funds 9 billion euros ($10.5bn) from African companies These investments will focus on: Energy transition Agriculture Artificial intelligence (AI) The Economic Impact The investments are expected to create 250,000 jobs in France and Africa. This move is seen as an attempt by France to redefine its role in Africa, particularly in English-speaking countries, amid waning ties with its former colonies. Strengthening Ties with Africa Macron emphasized that France is not just looking to invest in Africa but also wants African business leaders to invest in France. He highlighted that the relationship between France and Africa should be free of hang-ups and based on mutual investment. The Future Outlook This summit marks a significant shift in France's approach to Africa, with a focus on investment and partnership rather than aid and loans. As Kenyan President William Ruto noted, “We should no longer think in terms of aid and loans, but rather in terms of investment and what Africa has to offer.”

The Impact of the Middle East Crisis on Holiday PlansThe Middle East crisis, now in its 11th week, has resulted in higher fuel prices for drivers and prompted fears of jet fuel shortages, rising air fares, and cancelled flights. Given the uncertain outlook, prospect of higher travel costs, and potential disruption, many people have changed their holiday plans.Changing Travel Plans Due to UncertaintyRaffaele Brancati, 77, from Wiltshire, delayed making a holiday booking to Italy or Sicily due to the geopolitical situation. He and his wife, Linda, 78, are now considering a break in the UK or travelling by train via Eurostar.Opting for Train Travel to Avoid DisruptionsDanie Jones, a senior administrator from East Anglia, and her husband initially planned to drive to Rotterdam and Munich but have decided to travel by train due to rising costs and uncertainty. They have also cancelled their annual trip to Gdańsk owing to the risk of disruption.Overland Travel to Avoid Flight CancellationsPhil and Alison Cantor from rural north Essex have decided to travel overland to Norway to avoid any flight delays or cancellations that could derail their non-refundable dream holiday. They are now embracing the change and calling it their 'race across the world'.Railway Journey with No Driving StressAsh, 33, from London, was planning a driving and camping holiday in the Alsace region of France but the rising fuel costs prompted a rethink. They are now looking forward to a railway journey with no driving stress, having found an affordable and efficient way to travel by rail.

Backlash Forces Mexico to Retain Full School CalendarFollowing a wave of opposition, the Mexican government announced it will keep the school year on its original schedule, ending on July 15 and restarting on August 31. The decision comes after Education Secretary Mario Delgado proposed an early finish on June 5 to accommodate the 2026 World Cup.Government Reverses Early Termination of School YearPresident Claudia Sheinbaum convened a meeting on Monday with education officials, parents and local authorities to reassess the proposal. After hearing concerns, officials agreed to maintain the six‑week vacation period that has traditionally been observed.Scale of the Disruption: 23.4 Million Students Affected23.4 million students would have faced reduced instructional time under the shortened calendar, according to think tank Mexico Evalua.The plan had already been rejected by two states before being scrapped.Critics warned the change would cause students to fall behind academically.Implications for Education and World Cup PreparationsThe reversal eases parental concerns about learning loss while still allowing the country to focus on security and infrastructure for the tournament, which begins on June 11 with Mexico playing South Africa in Mexico City. Sheinbaum also pledged to complete public‑works projects, including upgrades to Azteca Stadium and the Mexico City International Airport.What Future Policy Shifts May Look LikeOfficials indicated the decision was driven by a “consensus” approach, suggesting future education reforms will likely involve broader stakeholder consultation. The episode highlights the political sensitivity of aligning national events with academic calendars, a factor that may shape policy discussions ahead of the World Cup and beyond.

The Lead Cal Flyn's book, The Savage Landscape, is a wondrous personal journey to locate and understand wilderness. It's a work of extraordinary physical and narrative movement that takes us from the depths of the ocean to volcanoes and icebergs, but is also a journey into our own psyches, and the stories we tell ourselves about “wild” landscapes. Exploring the Human Connection to Wilderness Off the coast of California, two miles down, there exist geothermal nurseries: gatherings of tens of thousands of small violet octopuses, each the size of a grapefruit. Known as pearl octopuses (Muusoctopus robustus), they congregate around hydrothermal springs which warm their eggs, allowing them to hatch in less than two years (in cold water it can take 10 years). When I want to calm my mind, I think of these gatherings, this factory of octopuses powered by the Earth’s energy that exists quietly away from our gaze, and might easily never have been discovered. How many more such worlds exist? The Fiction of Untouched Wilderness The notion of untouched wilderness is a fiction, and Flyn continually pulls the rug from under our assumptions about purity, wildness and isolation. At the Monastery of Saint Paul the Anchorite, in Egypt’s eastern desert, she talks with a coptic monk who has dedicated himself to a life of isolation and prayer, and yet continually checks his smartphone. Aboard a cruise ship in the Southern Ocean, Flyn admires icebergs crashing down, “a silent display of staggering sublimity”, only to reflect on the clutter left behind by tourists and scientific researchers on the Antarctic landmass; according to one group of researchers, only 31% of Antarctica can now be considered “inviolate”. The Impact of Human Activity on Wilderness In Transylvania, home to the largest population of brown bears in Europe, she explores painful stories of people and wildlife in conflict. Bears and wolves fared well in Europe until the destruction of their habitat in the middle ages brought them into direct contact with local populations. These creatures can be savage, and Flyn spares little detail in her evocation of the damage they can wreak to human flesh, but the most terrifying creature in the chapter is not ursine or lupine: it is a local’s sheepdog, a domesticated animal whose snarl is “a white noise of pure violence”. The Future of Wilderness and Conservation Flyn sees in the Bon a kind of inspiration: “Sacred landscapes of the kind found in Dolpo,” she writes, “effectively comprise the world’s oldest conservation projects, and there is a lot that we can learn from their longevity.” I don’t know how the beliefs and practices of the Dolpo might be applied at the bottom of the sea, but surely Flyn is right: if we are to escape the course of ecological destruction, we will need more stories, like hers, that can reignite a sense of awe and respect for the worlds we know, and others yet undiscovered.

The Shift from Sequential to Simultaneous ProcessingFormer OpenAI CTO Mira Murati has officially entered the AI race with her new venture, Thinking Machines Lab. The startup is challenging the current standard of AI interaction by introducing 'interaction models' designed to process input and generate responses simultaneously, effectively mimicking the fluidity of a phone call rather than a text-based chat.The Breakthrough in Full-Duplex AIUnlike traditional Large Language Models (LLMs) that operate on a sequential loop—listen, wait, respond—Thinking Machines Lab is building models capable of 'full duplex' processing. This allows the AI to interrupt, interject, and converse in real-time, moving away from the rigid 'user speaks, AI listens' structure.Model Name: TML-Interaction-SmallStatus: Research preview (limited release coming in the next few months)Founder: Mira Murati (ex-OpenAI CTO)Speeding Up the ConversationThe technical claims are centered on latency. The company states that TML-Interaction-Small responds in 0.40 seconds. This is roughly the speed of natural human conversation and significantly faster than the current benchmarks seen in models from OpenAI and Google.From Text Chains to Phone CallsThis technology represents a fundamental shift in user experience. By removing the 'wait time' between turns, the AI becomes a conversational partner rather than a static tool. This moves the industry toward voice-first interfaces that feel less like software and more like human communication.The Future of Native InteractivityWhile benchmarks are promising, the real test will be real-world usability. If Thinking Machines can deliver on this 'native interactivity,' we may see a rapid decline in text-based chat interfaces in favor of voice-first AI assistants that can truly interrupt and engage dynamically.