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The Revival of Amandaland In a north London TV studio, there's a sense of unpredictability in the air. A gaggle of singing teenagers are on set; there's a dog traipsing around; and – just down the hall in the canteen – Joanna Lumley has paused an interview to politely ask a catering lady not to pack up her tangerine. The Chemistry Between Stars Lumley and her co-star Lucy Punch have a long history, having first worked together on the 2004 film Ella Enchanted. Punch describes Lumley as the 'special sauce' of the show, while Lumley praises Punch's commitment and energy. The Character Dynamics The show revolves around the complex relationship between Amanda, played by Punch, and her mother Felicity, played by Lumley. Punch notes that seeing this dynamic generates sympathy for an unlikable character, while Lumley appreciates the humor in their interactions. The New Season The second series of Amandaland marks a shift for Amanda's kids, who are now teenagers dealing with exams, relationships, and a high-school prom. Amanda has also declared herself a 'v-cel' (voluntary celibate) and Felicity joins a dating app, leading to new challenges and comedic situations. The Importance of Representation Lumley emphasizes the importance of showing an older woman dating, highlighting the need to combat loneliness and encourage social engagement. The show continues to explore themes of family, relationships, and growing up, making it a highly anticipated return for fans.

The Theatricality of the Oval OfficeComedian Munya Chawawa’s new documentary, Wrestling With Trump, offers a startling new psychological framework for understanding the former president’s meteoric rise. Rather than viewing Trump’s behavior through traditional political lenses, Chawawa posits that his political style has been cribbed entirely from the world of WWE SmackDown. This theory, which Chawawa dubs the 'theory of knocking everyone unconscious,' suggests that the American political stage has been transformed into a wrestling ring where the suspension of disbelief is the ultimate weapon.Deconstructing Trump's WWE PlaybookThe documentary dissects the specific mechanics of Trump’s performance, identifying three core elements borrowed from professional wrestling that have reshaped modern politics:Hyperbole: The fact-allergic triumphalism where reality is bent to fit a narrative, exemplified by the claim that 'Michael Jordan said I’m better at basketball.'Smack Talk: Strategic rudeness and crowd-bullying, seen in nicknames like 'crooked Hillary' and 'sleepy Joe,' designed to belittle opponents while energizing a base.Kayfabe: The willingness to suspend disbelief. This concept is central to the analysis, suggesting that the audience’s belief in the 'reality' of the performance is more important than the truth itself.The Business of Politics and WrestlingThe documentary highlights the symbiotic relationship between the wrestling industry and Trump’s political career. Key moments include Trump’s infamous appearance at WrestleMania 23, the 'Battle of the Billionaires,' where he physically pushed promoter Vince McMahon. The film also notes the crossover of wrestling personalities into the political sphere, such as Hulk Hogan ripping his shirt open at the Republican National Convention in 2024. Perhaps most striking is the appointment of Linda McMahon, former wrestling executive, as the US Secretary of Education, blurring the lines between entertainment and governance.The Erosion of Reality in Public DiscourseChawawa explores the 'Attitude Era' of the early 2000s, characterized by controversy and stereotypes, as a precursor to Trump’s rhetoric. The film interviews former wrestlers who played villainous roles, such as an Italian-American who played a 'villainous Arab' and Dan Richards, who played a character called 'Progressive Liberal' beaten to pulp by crowds. This analysis extends to Chawawa’s own visit to a 'Magathering' (a Trump supporters' night), where he encounters supporters who believe they have personally investigated the '30,000 lies' Trump told in his first term—a twist that underscores the dangerous power of the 'kayfabe' narrative.The Future of Political PerformanceUltimately, Chawawa suggests that we are all now living within a script. By comparing his own experience to Louis Theroux’s forays into the manosphere, Chawawa argues that cultural and political scripts are ubiquitous. The danger lies not in the performance itself, but in forgetting that it is a performance. As the line between the theatre of wrestling and the reality of politics continues to dissolve, the challenge for the public becomes maintaining the awareness that the show is on, even when the audience believes the drama is real.

The Lead The TV schedule for tonight features a range of dramas and live sports. One of the standout shows is 'Believe Me', a Jeff Pope drama about the women who reported rapist John Worboys. Jeff Pope's Drama: Believe Me Sunday, 9pm, ITV1 'Believe Me' tells the story of Sarah Adams, played by Aimee-Ffion Edwards, who takes a taxi after a night out and is raped by John Worboys, played by Daniel Mays. The drama explores the aftermath of the assault and the challenges faced by victims of rape in reporting their crimes. Other TV Highlights Bafta Television Awards 2026, 7pm, BBC One: The TV gongs are presented by Greg Davies, with a double battle for lead and supporting actress awards between Aimee Lou Wood and Erin Doherty. The Great Celebrity Bake Off for Stand Up to Cancer, 7pm, Channel 4: The charitable baking competition features Adam Buxton's edamame crumpets and Self Esteem's beans on toast crumpets. Cruising to the End of the Earth, 8pm, Channel 4: A family from Preston takes their first journey together since a bereavement and explores Alaska. The Cage, 9pm, BBC One: Tony Schumacher's thriller follows crooked casino employees Leanne and Matty as they navigate conflicting loyalties. Trading Places, 9pm, Channel 5: A new life-swap series immerses participants in different realities, starting with shopaholic youngsters Saffron, Umar, and Bridie. Film Choice The Iron Claw, 10pm, BBC Two This biopic tells the story of the Von Erich family of wrestlers in Texas, focusing on eldest son Kevin and his struggles for success in a sometimes pitiless sport. Live Sport Women's FA Cup Football: Liverpool v Brighton, noon, Channel 4/TNT Sports 1 Premier League Football: Nottingham Forest v Newcastle, 2pm, Sky Sports Main Event

The Premise of Legends Imagine The A-Team but instead of a band of wrongfully convicted US army commandos who become soldiers of fortune, it's a group of dissatisfied baggage searchers and VAT investigators who have taken their ties off. This is the premise of Legends, a six-part thriller by Neil Forsyth based on the true story of a group of ordinary men and women recruited from the rank and file of Her Majesty's Customs in the early 90s, given three weeks' training and sent undercover to infiltrate and bring down two massive drug cartels that were filling Britain's streets with heroin. The Main Characters and Plot Steve Coogan stars as former undercover police officer Don Clarke. He puts the team together for the home secretary and HMC's director of investigations Angus Blake. The team includes Guy, a 'lone wolf' operator played by Tom Burke; Kate, a hardbitten, hotheaded Essex native played by Hayley Squires; Bailey, a more thoughtful, tentative character played by Aml Ameen; and Erin, a backroom data hound extraordinaire played by Jasmine Blackborow. The Challenge of Bringing the Story to Life The energy spent keeping things serious prevents the series catching fire. But it remains a brilliant story, here well told. The article concludes that Forsyth mostly, if sometimes very, very narrowly avoids falling into the ever yawning trap that a story about customs officers becoming the A-Team inevitably faces, which is the potential for bathos, if not outright risibility. Where to Watch Legends is on Netflix.

The Historic Abbey Road Listening SessionStudio Two at Abbey Road was transformed into an intimate setting for a remarkable event as Paul McCartney surprised 50 competition-winning fans with an exclusive preview of his new album, "The Boys of Dungeon Lane." The legendary musician, dressed casually in an armchair with just his guitar and memorabilia surrounding him, created a living-room atmosphere in the very space where The Beatles recorded most of their iconic hits between 1962 and 1970.A Personal Journey Through Music and MemoryOver 90 minutes, the world's most successful living songwriter took fans on a deeply personal journey, sharing memories of his youth in Liverpool, anecdotes about his friendship with John Lennon and George Harrison, and insights into his songwriting process. As each track played, McCartney mouthed the lyrics and mimed along to the instruments, visibly moved by the emotional connection to his work.The Making of "The Boys of Dungeon Lane"The album began, McCartney explained, with a chance discovery five years ago during a meeting with producer Andrew Watt. While idly playing guitar, he stumbled upon an unfamiliar chord that evolved into a three-chord sequence, becoming the opening track "As You Lie There." The record, billed as his most personal to date, turns inward to postwar Liverpool, his parents' resilience, and early adventures with The Beatles, with McCartney playing a wide array of instruments across the tracks.Emotional Connections to the Past"This was a lot of memories of Liverpool for me," McCartney shared, "but also any days we've left behind. Everyone's got them – school, old mates." The album's title track references Dungeon Lane near the River Mersey, where he roamed as a boy, and contains what he called a "secret code" and promise made to Lennon at his childhood home: "I stand by what I said, the promise that I made will never be broken."The Legacy ContinuesOutside the studio, tourists continued to gather at the famous zebra crossing immortalized on The Beatles' Abbey Road album cover, seemingly unaware of the historic moment unfolding nearby. This intimate preview at the hallowed ground where The Beatles created so much of their musical legacy represents a full circle moment for McCartney, who continues to find new inspiration while honoring his extraordinary past.

The Legacy of Eric Cantona It's been 30 years since Eric Cantona scored a remarkable volley to win the 1996 FA Cup final for Manchester United. The goal capped a stunning comeback story for Cantona, who has now been immortalized in a feature film. The Film: A Cinematic Portrait The film, directed by David Tryhorn and Ben Nicholas, offers a cinematic portrait of Cantona through his five seasons at Manchester United. The documentary features archival footage, new interviews, and never-before-seen footage of Cantona as a child. The Infamous Incident Cantona's notorious incident at Crystal Palace, where he kicked a jeering fan, is a pivotal moment in the film. The incident nearly landed him in jail and resulted in an eight-month ban from football. The Man Behind the Myth Cantona is portrayed as a complex and contradictory figure - a player who desired freedom yet worked in a highly disciplined field. He admits to having no regrets about the incident, saying 'I should have kicked him even harder, because he deserved it.' The Future Outlook The film is set to premiere at Cannes, marking a significant achievement for the directors. With its unique approach and Cantona's involvement, the documentary is poised to leave a lasting impact on audiences.

The Royal TributeKing Charles has paid tribute to David Attenborough on his 100th birthday with a heartwarming film featuring a cast of wild animals. The film, A Very Special Delivery, showcases the king's handwritten congratulatory card being delivered to Attenborough's London home by a series of animals.The Film's JourneyThe film begins with King Charles writing his tribute in the library of Balmoral Castle. The signed card is then borne on a silver salver by a butler to a waiting Land Rover. However, disaster strikes when a fallen tree blocks the vehicle, and a relay of heroic animals takes over. A border collie called Flynn takes off with the envelope in his mouth, and a series of birds and animals, including eagles, a red squirrel, a flock of geese, an otter, a swan, a duck, a fox, and a deer, all play their part in delivering the card.The Personal ConnectionThe king's relationship with Attenborough dates back to 1958 when the then nine-year-old prince and his sister, Princess Anne, visited the set of the BBC children's programme Zoo Quest. In his card, Charles wrote: "Over those decades you have revealed the beauty and wonders of nature to audiences around the world in new and marvellous ways. In so doing, you have shared my determination to highlight the urgent need to protect and preserve this precious planet of ours – and all Life on Earth – for future generations."The Tribute's SignificanceThe film was produced by BBC Studio's natural history unit and premiered during the live gala tribute to Attenborough at the Royal Albert Hall. A Buckingham Palace spokesperson said: "His majesty was delighted to feature in this special tribute to a man who has shared his lifetime commitment to the natural world."

The Geopolitical Fracture at the Venice BiennaleThe world's most prestigious art exhibition, the Venice Biennale, was transformed into a flashpoint for geopolitical dissent on its preview day. A strike organized by the Art Not Genocide Alliance (Anga) aimed to bar Israel from the event due to its ongoing war in Gaza, resulting in a chaotic shutdown of multiple national pavilions just 24 hours before the public opening.The Anatomy of the Biennale ShutdownThe protest was not merely symbolic; it physically altered the visitor experience. The Austrian pavilion, which featured a standout work, remained closed for the entire day, while several others shuttered their doors intermittently. The disruption was widespread, affecting the Belgian, Dutch, Japanese, Macedonian, and Korean pavilions. Even the British and Spanish pavilions faced closures, reopening only after securing additional staff to manage the Italian cultural workers' strike.Disruption Metrics: A Snapshot of ChaosOrganizer: Art Not Genocide Alliance (Anga)Pavilions Closed: Over a dozen, including Austria, Belgium, Netherlands, Japan, Macedonia, and KoreaSupport Actions: Artists added references to Palestine, hung flags, and displayed posters reading "Palestine is the future of the world."Historical Precedent: This follows a pattern of disruption, including the 1968 student occupation and the 1970 Communist party protests that led to award suspensions.From Art to Activism: The Institutional CrisisThis year's edition underscores a critical shift in how international institutions handle geopolitical conflicts. The crisis began earlier in the week when the jury resigned en masse after refusing to consider entries from countries with leaders facing international arrest warrants. Furthermore, the UK government refused to send a minister to open the British pavilion, citing the inclusion of Russia. The closure of the Israeli pavilion—initially due to a private event—added fuel to the fire, while the Russian pavilion had already been forced to shut down temporarily due to a Pussy Riot protest.The Future of Cultural DiplomacyThe Venice Biennale 2026 signals that art institutions can no longer remain neutral in the face of global atrocities. As the "cultural boycott" movement gains momentum, we can expect more international events to face similar disruptions. The question for the art world is no longer just about aesthetic merit, but about the moral responsibility of hosting nations and the resilience of the artistic community against political pressure.

The Lead The 2026 Venice Biennale has kicked off with 99 countries participating, including first-time participants Somalia and Qatar. The event was overshadowed by protests, including one by Pussy Riot against Russia's participation. Female Nudity Takes Center Stage Female nudity was a recurring theme at the biennale, with several artworks featuring naked women. Austria's pavilion featured naked speedboat riders, while Denmark's pavilion showcased porn stars worrying about men's sperm counts. Richard Prince's Girlfriends pictures, appropriated from old biker mags, also sparked conversation. Protests and Politics The presence of Russia at the biennale was a contentious issue, with Pussy Riot protesting outside the Russian pavilion. The group played a song called 'Disobey' and temporarily forced the pavilion to close its doors. The UK government also expressed opposition to Russia's participation. The Art of Avoiding 'Woke' Work Some countries attempted to avoid creating 'woke' art, but ended up with lackluster results. The US pavilion, featuring Alma Allen's sculptures, was criticized for being devoid of meaning or aesthetic pleasure. Maritime Themes Abound Maritime themes were a common thread throughout several pavilions, including Israel, Uzbekistan, and Canada. The Austrian pavilion featured Florentina Holzinger's SeaWorld Venice, which drew huge crowds.