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Liverpool's humiliating 4-0 defeat to Manchester City in the FA Cup quarter-finals has raised concerns about the team's form and manager Arne Slot's future. Slot criticized his team's performance, particularly in the 10 minutes after halftime, where he felt they lacked the 'fighting spirit' needed to compete at a high level. The manner of the defeat will heighten scrutiny of Slot's future, especially with Liverpool's upcoming Champions League quarter-final against Paris Saint-Germain. A similar performance in that tie could prove detrimental to Slot's position as manager. Erling Haaland scored a hat-trick for Manchester City, contributing significantly to their eighth consecutive FA Cup semi-final appearance. Slot emphasized the need for his team to improve defensively and show a better reaction to the loss, particularly against top-tier teams like PSG. Liverpool's Dominik Szoboszlai echoed Slot's sentiments, stating that the team's 'fighting spirit wasn't there enough.' The defeat marks Liverpool's 15th of the season, their most since the 2014-15 season. Liverpool's struggles have been compounded by Mohamed Salah's missed chances, including a penalty when City were 4-0 ahead. Slot, however, chose not to single out individuals, instead focusing on the team's overall performance and the need for improvement.

Italian football fans are being encouraged to put their national team's World Cup 2026 qualification failure behind them – by backing co-hosts Canada instead. Canada Soccer, the national governing body for the sport, is offering a free jersey swap on Saturday for fans in Toronto's Little Italy district.“Dear Italian soccer fans, Don't wait four more years. Swap your jersey for Canada,” read a post on X. The initiative aims to tap into Canada's large Italian diaspora, with around 1.5 million Canadians having either full or partial Italian ancestry.Italy would have faced Canada in Group B had they won their qualifying playoff against Bosnia and Herzegovina – but the Azzurri lost on penalties, missing out on the men's World Cup finals for the third tournament in succession. Instead, Jesse Marsch's team will face Bosnia and Herzegovina, Qatar, and Switzerland in their group games.“Canada Soccer is inviting Italian-Canadians to get behind the home team,” read a further statement. “On Saturday 4 April from 10am to 2pm (EST), Canada Soccer will be outside Cafe Diplomatico on College Street in Toronto, offering fans the chance to swap their Italy colours for a Canada jersey and join the momentum heading into the Fifa World Cup 2026.”T icket prices for Canada's World Cup opener against Bosnia and Herzegovina on 12 June have soared, with all unsold tickets listed at $3,125 and most resale seats costing a similar price. Saturday's free jersey swap may be the most affordable way that local Italian fans can get involved with the World Cup this summer.

UCLA secured a hard-fought 51-44 win over Texas on Friday night, advancing to the national championship game of the women's NCAA Tournament for the first time. The Bruins, with a stellar season record of 36-1, were led by Lauren Betts, who scored 16 points and made a pivotal block in the final minutes to thwart Texas's late surge.The Bruins dominated their way to another national semi-final, boasting the best season in program history. Their path to the title game had to go through Texas, the only team to beat them this season. UCLA turned the tables on Texas, shutting down All-American Madison Booker and building a 13-point lead midway through the fourth quarter.Despite Texas's strong defensive showing, which included a 12-2 run that cut UCLA's lead to 47-44, Betts's crucial block with 20 seconds left halted the Longhorns' momentum. Kiki Rice then hit two free throws, securing the win and sending coach Cori Close's team into the title game.The grinding win earns the Bruins a spot in Sunday's title game against South Carolina, the three-time national champions who ended reigning champion UConn's undefeated season. This sets up an exciting matchup, especially after Geno Auriemma and Dawn Staley had a tense postgame exchange following South Carolina's shock win over UConn in the Final Four.For Texas, Madison Booker had a tough finish to an otherwise stellar season, hitting her first shot, missing her next 17, and finishing with six points on 3-of-23 shooting.

More than 100 United States‑based international law scholars have signed an open letter denouncing the recent US‑Israeli strikes on Iran as a violation of the United Nations Charter and potentially amounting to war crimes. The letter, released on Thursday, asserts that the campaign – launched on February 28 – proceeded without UN Security Council authorization and without credible evidence of an imminent Iranian threat. According to the scholars, the legal basis for force against another state exists only in self‑defence against an actual or imminent armed attack, or when expressly sanctioned by the Security Council. Iran has not attacked the United States or Israel, and the Security Council did not approve the operation. The experts organize their concerns into four categories: the legality of the war decision, the conduct of hostilities, threatening rhetoric from senior officials, and what they describe as the dismantling of civilian‑protection safeguards within the US defence establishment under Secretary of Defense Pete Hegseth’s “gloves‑off” approach. Among the most alarming incidents highlighted is the strike on a primary school in Minab, Iran on the first day of the conflict, which killed at least 175 people, the majority of them children. The letter also cites attacks on hospitals, water treatment facilities, and energy infrastructure, emphasizing that schools, health facilities, and homes have been targeted. The signatories condemn public statements by senior US officials, including a mid‑March remark by former President Donald Trump that the United States might strike Iran “just for fun,” and early‑March comments from Pentagon chief Pete Hegseth dismissing “stupid rules of engagement.” They argue that such rhetoric reflects an “alarming disrespect” for international humanitarian law, which is designed to protect civilians and combatants alike. Financially, the letter notes that the war is costing US taxpayers up to $2 billion per day, underscoring the broader economic burden of the conflict. The open letter was co‑authored by prominent legal scholars such as Yale Law School’s Oona Hathaway, former State Department legal adviser Harold Koh, NYU’s Philip Alston, and former Human Rights Watch chief Kenneth Roth. While the authors focus on the United States’ conduct, they warn of a heightened risk of atrocities throughout the region. Emphasizing the need for consistent application of international law, the scholars write: “We urge US government officials to uphold the UN Charter, international humanitarian law, and human rights law at all times, and to publicly make clear US commitment to and respect for norms of international law.”

Winsome Pinnock’s latest play, The Authenticator, opens at the Dorfman Theatre, National Theatre, London, and immediately subverts expectations by pairing a serious examination of erased Black histories with a lively, comedic tone.The story follows Fen (Sylvestra Le Touzel), a direct descendant of the 18th‑century enslaver Henry Harford, who discovers a cache of his Jamaican farm diaries. She entrusts the documents to two Black academics – Abi (Rakie Ayola), an Oxford‑educated scholar of Nigerian descent, and her mentee Marva (Cherrelle Skeete), a bright working‑class woman whose grandfather’s mysterious disappearance ties back to the Harford estate.Their investigative partnership feels like a modern Holmes‑Watson dynamic, allowing Pinnock to explore the tangled intersections of class, race, and inherited privilege. Abi’s privileged background and Marva’s grassroots perspective highlight how historical complicity can span generations.While the plot leans on some convenient coincidences reminiscent of an Agatha Christie puzzle, the play’s strength lies in its razor‑sharp dialogue and satirical wit, which keep the narrative brisk and entertaining.Visually, the production leans into a haunted‑house aesthetic: designer Jon Bausor’s set features gilt‑edged frames, trapdoors leading to a cellar of “dirty secrets,” and atmospheric lighting that flickers like candle‑lit torches, underscored by a nervous string quartet.Much of the humour centres on Fen, portrayed as a “tweedy do‑gooder” eager to atone for her family’s sins yet quick to deflect blame. Her self‑portrait as a former Oxford punk adds a layer of absurdity, drawing parallels to the post‑colonial satire of films like Knives Out.Pinnock also skewers the modern aristocracy that monetises heritage properties, illustrated by a grime‑artist filming by the estate’s fountain and a fabricated ghost tour designed to attract tourists.The play does not shy away from genuine hauntings. A Blackamoor statue is hidden away after the 2020 debates over colonial monuments, and missing diary pages hint at violence against an enslaved woman named “Black Sarah.”Director Miranda Cromwell navigates the tonal shifts deftly, ensuring that the humour never eclipses the underlying guilt and pain embedded in the characters’ histories.Ultimately, The Authenticator succeeds by delivering a “lightness of touch” that makes confronting toxic colonial legacies both accessible and thought‑provoking, offering audiences a disarming yet incisive look at how societies reckon with their past.

The unexpected return of two William Hartnell episodes to the BBC archive has sent shockwaves of excitement through the Whovian community. For the first time since 1965, fans can now enjoy the first quarter of the 12-part adventure 'The Daleks' Master Plan.'The surviving five episodes are now on iPlayer, and the first three make for a stirring introduction to the adventure, with large impressive sets for the Earth control centre and the Dalek ship, contrasting with the dense forbidding foliage of the planet Kembel. Frequent tight closeup shots from director Douglas Camfield on the faces of the cast add to a claustrophobic feel in the jungle sequences.At the time, Hartnell was not to know that within a year he would be 'renewed' as the lead of the show by Patrick Troughton. Hartnell's health problems, reputation for being difficult on set and frequent flubbing of lines during a production schedule that allowed little leeway for second takes has tainted his tenure in the role.Here, especially in the opener, we get to see him in some of his strongest moments as the Doctor. With Stephen (Peter Purves) incapacitated by the poison he picked up in Troy, and Katarina (Adrienne Hill) little more than a hollow vessel of a character, Hartnell has much more to do than usual. The actor gets to show the gleeful side of his nature as he delights at his own invention of the magnetic chair and his ingenuity at repelling – at least initially – boarders to the spaceship.Rediscovering episode one also means we can enjoy beloved children's television presenter Brian Cant flexing his acting chops in something other than Playschool, and all three episodes prominently feature Nicholas Courtney, who would go on to play Brigadier Lethbridge-Stewart for 40 years, as Bret Vyon. A highlight is the Addams family-esque kookiness of the aliens making up the Dalek council, which is certainly preferable to the somewhat cliched prison planet savages set-up of part three.The biggest mystery, of course, is how these episodes have ended up surviving. Film is Fabulous, the people who secured them, have said they are respecting the wishes of the estate of the person who was holding and keeping them anonymous. Perhaps the most intriguing thing is that, given it was never sold overseas, the missing episodes of the Daleks' Master Plan were among the least likely to ever be found, but two episodes were sitting in those film cans all along. Who knows what else might still be out there?

Two long-lost episodes of Doctor Who from the William Hartnell era, which had not been seen since 1965, have been released after being discovered in a private film collection. The episodes, 'The Nightmare Begins' and 'Devil’s Planet', are parts one and three of a mostly lost 12-part adventure called The Daleks’ Master Plan, written by Terry Nation, the creator of the Daleks, and broadcast as part of the third series of Doctor Who in November 1965.The episodes feature Peter Purves as the Doctor’s companion, Stephen. They were recovered by Film is Fabulous, a charitable trust dedicated to securing and preserving private film collections. The original 16mm telerecordings of the two Dalek episodes have been restored and made available on iPlayer in the UK.This discovery marks a significant milestone for fans, as it includes the first appearance of Nicholas Courtney in the show, playing Bret Vyon. Courtney later became a regular character, playing Alistair Gordon Lethbridge-Stewart, known as the Brigadier of Unit. 95 episodes of Doctor Who from the 1960s remain missing from the archives, having been wiped or junked by the BBC during the 1970s.

Alana King’s leg‑spin dismantled the West Indies in St Kitts, delivering a decisive 5 for 19 from 10 overs and guiding Australia to a commanding nine‑wicket win.The hosts were bowled out for just 136 runs in the third and final ODI, ending a bright start with a collapse that left them 78 for five. King’s spell, her second‑best ODI figures after a 7 for 18 at last year’s World Cup, was pivotal in restricting the Caribbean side.Australia chased the modest target in under 20 overs, thanks to an explosive innings from opener Phoebe Litchfield (68* off 56 balls) and a steady contribution by veteran Ellyse Perry (33* not out). The pair steered the tourists home with ease, sealing a 3‑0 series sweep.Speaking after the match, King highlighted the team’s discipline: “We were very clinical, we nailed our lengths, and we really owned that.” She praised the collective effort of the bowling unit for holding a “very destructive” West Indian side to just about 140 runs.West Indies won the toss and elected to bat, with opener Deandra Dottin (22) and captain Hayley Matthews (34) putting on a 38‑run opening partnership. However, King struck early, catching Matthews off a sliced drive, and soon after, Jannillea Glasgow fell for a duck, leaving the visitors reeling at 78 for five.Middle‑order contributions from Chinelle Henry (40* not out) and Realeanna Grimmond (20) added some resistance, but King completed her third ODI five‑wicket haul, dismissing Afy Fletcher and Karishma Ramharack, while off‑spinner Ash Gardner chipped in with 2 for 29.Australia’s chase was swift; after reaching the target inside nine overs, the result was never in doubt. Perry accelerated the scoring alongside Litchfield, ensuring the tourists cruised to a sixth consecutive white‑ball win on the tour.With the ODI series wrapped up, Australia now turn their focus to the upcoming 2026 T20 World Cup in England, scheduling three preparatory T20s against South Africa before the tournament.

Barcelona demolished rivals Real Madrid 6-0 to progress to the women’s Champions League semifinals with a convincing 12-2 aggregate score. The Catalan football giants, led by Alexia Putellas, shone in their first game at the rebuilt Camp Nou, building on their 6-2 quarterfinal first leg victory. Caroline Graham Hansen netted twice and Putellas also scored in Thursday’s rout, as three-time winners Barca reached an eighth consecutive semifinal. Pere Romeu’s dominant side, runners-up to Arsenal last year, will face Bayern Munich in the semifinals after the German side knocked out Manchester United on Wednesday. Despite missing key player Aitana Bonmati, Barca put on a tour de force to entertain a 60,000-strong crowd, the fourth-highest attendance in the competition’s history. Putellas put Barca ahead on her 500th appearance for the club early on, turning home a rebound after Misa Rodriguez saved from Ewa Pajor. Graham Hansen swiftly added the second for the Liga F leaders with a header from a Putellas cross, as Irene Paredes headed home from a corner for Barca’s third. Polish striker Pajor grabbed the fourth with a close-range finish, while Graham Hansen netted Barca’s fifth early in the second half. Esmee Brugts notched the sixth with a tap-in after a neat move involving Patri Guijarro and Clara Serrajordi. Barca’s jubilant fans gave Putellas a deserved ovation as she was replaced late on, with the 32-year-old star out of contract at the end of the season.