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Unexpected Surge in UK Borrowing for April 2026The Office for National Statistics reported that public‑sector net borrowing reached £24.3bn in April 2026, £3.4bn above the forecast of City economists and the Office for Budget Responsibility.Inflation‑Driven Benefits and Pension Costs Push Net Borrowing HigherNet social benefits rose by £2.7bn to £29.5bn in the month.Higher inflation triggered index‑linked increases in many benefits and the pensions triple‑lock.Overall borrowing was £4.9bn higher than April 2025.Financial‑Market Pressures Raise Debt‑Interest Payments to Record LevelsDebt‑interest payments climbed to £10.3bn, the highest April figure on record and £900m above a year earlier.Bond market jitters linked to the Iran war and domestic political uncertainty intensified selling pressure on gilts.Political Uncertainty and Global Tensions Amplify Debt‑Funding RisksMid‑term Labour leadership challenges and concerns over a successor to Keir Starmer are unsettling investors.The International Monetary Fund urged the UK to “stay the course” on Chancellor Rachel Reeves’s deficit‑reduction plan, warning of limited fiscal space.Analyst Martin Beck highlighted the difficulty of distancing the government from reliance on bond markets while borrowing exceeds £100bn this year.Outlook: Fiscal Tightening Amid IMF Endorsement and Upcoming ElectionDespite the April surprise, the ONS revised down the full‑year borrowing estimate for FY 2025‑26 by £3bn to £129bn, a 15% reduction from the previous year and £3.7bn below OBR forecasts. Treasury chief Lucy Rigby reiterated confidence in the current plan, citing over £20bn of borrowing cuts in the prior year and a £120bn capital‑investment programme. The coming months will test whether the UK can sustain this trajectory amid ongoing geopolitical strains and domestic political shifts.

The Squad Revelation Thomas Tuchel is set to announce England's 2026 World Cup squad. The big announcement comes at 9:45 am UK time. The Probable Squad David Hytner and Jacob Steinberg have done their analysis and made their predictions on the final 26. Here's their probable squad: Goalkeepers: Jordan Pickford Everton, Dean Henderson Crystal Palace, James Trafford Manchester City Defenders: Reece James Chelsea, Tino Livramento Newcastle, John Stones Manchester City, Marc Guéhi Manchester City, Ezri Konsa Aston Villa, Dan Burn Newcastle, Jarell Quansah Bayer Leverkusen, Nico O'Reilly Manchester City Midfielders: Jordan Henderson Brentford, Elliot Anderson Nottingham Forest, Declan Rice Arsenal, Kobbie Mainoo Manchester United, James Garner Everton, Jude Bellingham Real Madrid, Morgan Rogers Aston Villa Forwards: Bukayo Saka Arsenal, Noni Madueke Arsenal, Eberechi Eze Arsenal, Marcus Rashford Barcelona, Anthony Gordon Newcastle, Harry Kane Bayern Munich, Ollie Watkins Aston Villa, Ivan Toney Al-Ahli The Omissions Trent Alexander-Arnold has been omitted from the squad. Djed Spence has been included but reportedly broke his jaw after a collision with Liam Delap of Chelsea on Tuesday. Maguire was the first to go public about being left out, with the defender taking to social media to express disappointment over failing to make the cut. The most eye-catching omissions came in the attacking areas, with Foden and Palmer left out due to underwhelming seasons. The Surprising Inclusions Tuchel has been bold with his selections, notably turning to Toney for the first time in 12 months. The former Brentford striker, who now plays for Al-Ahli in Saudi Arabia, was part of England's squad at Euro 2024 but has not made an international appearance since coming on as a substitute in the friendly defeat by Senegal last June.

English Heritage has finished a 7‑metre‑high, £1 million reconstruction of a 4,500‑year‑old Neolithic hall, called the Kusuma Neolithic Hall, near the Stonehenge visitor centre. The structure is slated to open to the public this summer and will later serve as an immersive educational hub for schools. Recreating a 4,500‑Year‑Old Neolithic Hall at Stonehenge The hall is based on the archaeological footprint of Durrington 68, a “square‑in‑the‑circle” building discovered two miles from Stonehenge. Excavations first began in 1928 by Maud Cunnington and were revisited in 2007 by the Stonehenge Riverside Project. The reconstruction features a horseshoe‑shaped ring of post holes and four massive internal roof‑support pillars, mirroring the original layout. Experimental archaeologist Luke Winter oversaw the design, using Neolithic carpentry studies and pollen data to ensure authenticity. Every timber was shaped with replica stone tools, and the frame was aligned with the winter solstice – the shadow of the central post falls precisely on the midsummer sunrise. £1 Million Investment and Volunteer Workforce Cost: £1 million Construction period: nine months Volunteer involvement: >100 volunteers contributed hand‑crafted timber work Opening: Summer 2026 Future educational capacity: aim to serve nearly 100,000 students annually by 2031 Educational and Cultural Impact on Heritage Tourism The hall forms the first phase of English Heritage’s broader educational expansion, which will also include the Clore Discovery Lab and Weston Learning Studio, scheduled for completion by the end of 2026. By offering a free, hands‑on experience – from making prehistoric cheese to shaping pottery – the project is expected to boost visitor numbers and deepen public engagement with Neolithic heritage. Curator Win Scutt emphasizes that the reconstruction highlights the communal spirit of Neolithic societies, providing a tangible illustration of how ancient peoples built collective monuments as expressions of social identity. Future Role in Neolithic Research and Learning Beyond tourism, the hall serves as a living laboratory for researchers. The experimental construction process has already shifted expert confidence from a 50 % to a 75 % likelihood that the original Durrington 68 structure was roofed. Ongoing studies will use the hall to test hypotheses about building techniques, seasonal alignments, and social organization. As the site opens to schools, it will become a model for immersive archaeology, potentially inspiring similar reconstructions across the United Kingdom and informing curriculum development for the national education programme on the Neolithic period.

The LeadA friend of mine was recently left in tears after filling up the car she relies on to drive to work. Thanks to the US-Israeli attacks on Iran, prices at the pumps have soared. She wasn't sure how her family was going to make it to the next paycheck.It is a personal story and a distressing one, but the big picture is truly obscene. Fossil fuel companies are raking in monstrous, unearned war profits taken from the pockets of people like you, me, my friend, and any of us who fills up a vehicle or pays an energy bill.The War-Profits Bonanza$30m an hour: that's the pure, unearned profits banked by the world's top 100 oil and gas companies in the first month of the conflict in Iran, purely due to the spike in the oil price. Now the first numbers are in, and that $30m may have been a major underestimate.Shell's profit for the first three months of 2026 more than doubled to $6.9bn, as did BP's, to $3.2bn. TotalEnergies profits also surged by more than 50%, up to $5.8bn. Even in the Gulf itself, where the flow of oil through the strait of Hormuz has been heavily restricted, some companies have still flourished. Aramco, the state oil company of Saudi Arabia, saw its profits soar by 26% to $33.6bn in the first quarter.The Financial Impact on ConsumersThose four companies alone, benefiting not just from the oil price hike but also bumper oil-trading profits, made $23m an hour for the whole of January, February and March. And the Iran conflict only started on 28 February.To get some idea of the scale of this, imagine I gave you $6,200. What would you do? Pay off a loan? Book a fancy holiday? A second later, I give you another $6,200; then again, for hours, weeks and months. That is the rate of profit of just those four companies.There is plenty more to come for the industry. Oil and gas supplies will take months to return to prewar levels, and reserves are getting dangerously low. Even if the oil price remains at today's level of about $100 a barrel, those 100 companies will make $234bn by the end of the year. Remember, the companies, and petrostates such as Russia, have done no extra work for this, just ridden a soaring oil price. Also remember, you are paying for this. Where I live in the UK, household energy bills are about to jump by £209 ($280) a year for the average home.The Industry's Climate ObstructionThe profits are extreme, but not new: big oil and gas has been wildly profitable for decades. It has made an average $1tn a year in pure profit for about 50 years. The fossil fuel sector also benefits from explicit subsidies that totalled $1.3tn in 2022, according to the International Monetary Fund.These riches have funded the lobbying and campaigns that block climate action and have done so for years, long after the science became crystal clear. As an example of the consequences, the UK's official climate advisers said on Tuesday that all care homes and hospitals will need air conditioning within the coming 10 years, to stop the heat killing people.The Green Transition AccelerationBut here's that silver lining I promised: these peak profits contain the seeds of their own downfall. Sky-high fossil fuel prices are pushing people, companies and nations to supercharge their rush towards green power for the simple reason that it is now cheaper and more reliable. Solar power does not need to transit through the strait of Hormuz, as Bill McKibben has observed.The numbers on the surge in renewable energy deployment, already exponential, are not yet in, but they will almost certainly be huge. Green funds are already attracting billions of dollars in new investments and one consultancy estimates that an oil price of $100 a barrel will drive $4tn of extra green investment by 2030.Big oil remains a formidable political force but, on the ground, people are already voting with their feet. Sales of new electric cars in the UK leapt by 59% in April, for example. The pain and anger of today's energy crisis may yet become a critical turning point in confronting the climate crisis.

Tonight’s Must‑Watch TV HighlightsThe Guardian’s latest TV guide showcases a mix of drama, comedy and culinary spectacle across Britain’s major broadcasters. From a stylish Cold‑War thriller on Sky Atlantic to the nation’s biggest curry restaurant on Channel 4, the line‑up promises both intrigue and comfort food for viewers.‘Ponies’: A Cold‑War Thriller Starring Emilia ClarkeEmilia Clarke headlines ‘Ponies’, a star‑filled, stylish and surprisingly fun Cold‑War drama airing at 9 pm on Sky Atlantic. Clarke plays Bea, a highly educated Russian‑speaking secretary who teams up with street‑smart Twila (Haley Lu Richardson). Together they investigate the mysterious deaths of their husbands in Moscow, operating as “persons of no interest”. The cast also includes Adrian Lester and Harriet Walter.Scheduling Slots and Audience Reach Estimates9 pm – Sky Atlantic: ‘Ponies’ (Cold‑War thriller)8 pm – Channel 4: “World’s Biggest Curry Restaurant” – a behind‑the‑scenes look at the Royal Nawaab in Stockport.9 pm – BBC Two: “Hidden Treasures of the National Trust” – cultural‑heritage documentary narrated by Toby Jones.10 pm – BBC Three: “Smoggie Queens” – comedy sketch series.10:05 pm – Sky Atlantic: “Hacks” – penultimate episode of the AI‑satire comedy.11:40 pm – BBC One: “St Denis Medical” – double‑bill US mockumentary.While exact viewership figures are not yet released, prime‑time slots on Sky Atlantic and Channel 4 typically attract 1–2 million live viewers, with additional streaming audiences on platform‑specific apps.Why Cold‑War Drama Is Resurfacing on UK TVThe renewed interest in Cold‑War narratives aligns with a broader cultural fascination for geopolitical tension and espionage, spurred by recent successful series such as *The Americans* and *Killing Eve*. By pairing a high‑profile star like Clarke with a genre that blends thriller, period intrigue and dark humor, broadcasters aim to capture both legacy audiences and younger viewers seeking fresh takes on historic settings.What This Means for Next Season’s Programming ChoicesGiven the strategic placement of *Ponies* alongside eclectic factual and comedy offerings, networks appear to be betting on a diversified schedule that balances prestige drama with accessible reality‑TV formats. If *Ponies* secures strong live and on‑demand numbers, we can expect more star‑driven, genre‑hybrid projects to fill prime‑time slots in the coming months, potentially nudging streaming services to compete with similar high‑budget, historically‑rooted series.

Executive Summary: Leader Ousted but Not DefeatedThe Turkish judiciary has removed the head of the main opposition party from his leadership role, prompting him to declare his intention to continue fighting for his political agenda. Court Ruling and Immediate AftermathThe court's decision formally terminated the leader's tenure as party chair, citing procedural violations. Within hours, the ousted figure addressed supporters, emphasizing his commitment to remain a political actor and to challenge the ruling establishment. Political Stakes and Electoral ContextNational elections are scheduled for 2027, making the leadership vacuum a critical factor for opposition strategy.The ruling party, led by President Recep Tayyip Erdogan, stands to benefit from a fragmented opposition.Opposition parties are scrambling to reorganize and present a unified front. Implications for Turkey's Democratic InstitutionsThe ruling illustrates growing tensions between the judiciary and political opposition, raising concerns among international observers about the independence of Turkey's courts and the health of its democratic processes. Outlook: Potential Paths for the OppositionAnalysts anticipate two main scenarios: a rapid reconstitution of opposition leadership that could rally voters, or prolonged internal disputes that may weaken the coalition ahead of the 2027 elections. The leader's vow to stay active suggests he may pursue a role outside formal party structures, potentially influencing public discourse and mobilizing grassroots support.

The Lead The Royal Exchange's 50th anniversary season production, 'Even These Things', is a bold attempt to encapsulate the complex history of Manchester. The play explores themes of identity, community, and belonging through three seemingly unrelated scenes. MAPPING MANCHESTER'S HISTORY The play is built from three scenes, each set in a different time period. The first scene is set in 1846 and features a heavily pregnant Irish immigrant, Annie Donovan, who brushes shoulders with Friedrich Engels on her way to a fist fight. The second scene is set in 1996 and describes the city-centre life of an ordinary Saturday, with a community cast playing out whimsical vignettes. The final scene takes place after the IRA bomb outside the Arndale Centre and features a tender exchange between two strangers of Irish heritage. THE POWER OF COMMUNITY The play's cumulative meaning may be tricky to grasp, but as the scenes rub up against each other, what emerges is a thoughtful, rich and complex picture of home. The connections between the scenes are elliptical, but they ultimately reveal a city with a shared history and a strong sense of community. THE FUTURE OF MANCHESTER The play suggests that, however difficult, a future is possible. The final scene's chat about miscarriage and childbirth between two strangers of Irish heritage meeting in the park some months after the attack on an Ariana Grande concert brought the city together, implies that the city can heal and move forward. CONCLUSION 'Even These Things' is a bold and ambitious production that successfully maps Manchester's complex history. The play's themes of identity, community, and belonging are timely and thought-provoking, making it a must-see for anyone interested in theatre and the city of Manchester.

A candid kitchen conversation with Sir Derek Jacobi The Guardian’s interview captures a warm, unguarded moment as Jacobi and his husband, director Richard Clifford, share coffee and stories in their London home. Jacobi, 80, jokes about his looks, admits he never felt “movie‑star material,” and confides that he would love to reach his centenary. Career milestones and personal anecdotes 1970s breakthrough as the stammering Emperor in I, Claudius. Acclaimed stage work including Cyrano de Bergerac (Royal Shakespeare Company, 1980s) and Macbeth at the Barbican (1993). Recent TV roles in Vicious and Last Tango in Halifax. Early life in Leytonstone; rheumatic fever at nine sparked a shift from working‑class roots to a posh accent and ambition. No financial figures – cultural impact takes centre stage The piece contains no monetary data; its value lies in documenting the lived experience of a veteran actor whose voice and presence have shaped British drama for five decades. What Jacobi’s reflections mean for British theatre and aging performers Jacobi’s honesty about age, health (including his AIDS diagnosis) and self‑image highlights the often‑unspoken pressures on older actors. His partnership with Clifford, who directs and designs their home, underscores the importance of supportive creative collaborations in sustaining long‑term artistic careers. Looking ahead: the goal of hitting 100 Jacobi ends on a hopeful note, expressing a desire to “hit 100” and continue contributing to the arts. His story suggests that longevity in performance is as much about personal resilience and community as it is about talent.

The US-Taiwan Arms Sale Pause A top official in the United States military has said Washington is pausing a $14bn arms sale to Taiwan to conserve munitions for its war on Iran. Details of the Pause Acting Navy Secretary Hung Cao provided the update to lawmakers during a Senate hearing on Thursday, a week after the weapons sale took centre stage in talks between US President Donald Trump and Chinese leader Xi Jinping in Beijing. Cao told the Senate Appropriations Subcommittee on Defense that the US is pausing the sale to ensure it has enough munitions for its potential conflict with Iran. The decision to move forward with the sale would be made by Secretary of Defense Pete Hegseth and Secretary of State Marco Rubio. Impact on Taiwan's Defense Taiwanese Premier Cho Jung-tai told reporters on Friday that Taiwan would continue to pursue arms purchases, according to Taiwanese news outlet FTV News. William Yang, senior analyst for northeast Asia at the Crisis Group, said in a social media post that the pause will “exacerbate anxiety and scepticism about US support in Taiwan and make it difficult for the Taiwanese government to request additional defence budget for the foreseeable future”. The Iran Conflict and US Military Preparedness The war has been paused since the US and Iran agreed to a ceasefire on April 8, but the sides have yet to reach a permanent peace deal. “Right now, we’re doing a pause in order to make sure we have the munitions we need for Epic Fury – which we have plenty,” Cao said. Future Outlook Trump, who has confirmed that he discussed the arms sale with Xi, said last week in an interview with Fox News that he “may” or “may not” approve the package. Trump has also suggested that the package could be used as a “negotiating chip” – despite a decades-old precedent against consulting with Beijing on arms sales.