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Choreographer Alexander Whitley's latest works, Mirror and The Rite of Spring, are a thought-provoking exploration of the relationship between technology and human performance. In Mirror, dancers Gabriel Ciulli and Daisy Dancer move in tandem, their bodies studded with motion-capture markers, as they interact with digital doppelgangers that appear on stage.The use of technology in Mirror creates a sense of tension, as the dancers' movements are echoed and eventually upstaged by their digital counterparts. This tension raises questions about the role of technology in dance and whether it enhances or detracts from the human performance.In The Rite of Spring, Whitley reimagines Stravinsky's classic score with a glitched and layered version, accompanied by rudimentary choreography. The piece features five dancers and a makeshift maypole, but ultimately feels disjointed and lacking in energy.Whitley's use of technology in both pieces is a deliberate attempt to explore the boundaries between human and digital performance. While Mirror is a more successful exploration of this theme, The Rite of Spring feels like a missed opportunity to fully integrate technology and tradition.

A staggering 4.9 million children died in 2024, with the majority of these deaths being preventable, according to a new UN report. The report warns that aid cuts could hinder the global goal of ending preventable child deaths. Progress towards ending preventable deaths of children under five by 2030 has slowed by 60% since 2015. UN experts are calling for sustained investment in health systems to reach this target. “No child should die from diseases that we know how to prevent,” said Unicef executive director Catherine Russell. “But we see worrying signs that progress in child survival is slowing – and at a time where we’re seeing further global budget cuts.” The report highlights that Sub-Saharan Africa and South Asia have persistently had the worst rates of child death, largely due to newborn deaths. The most common causes of death were premature birth, pneumonia, and trauma during birth. Infectious diseases, including malaria, were also a major cause. 100,000 children died directly from severe acute malnutrition – with the highest numbers in Pakistan, Somalia, and Sudan. Aid cuts are threatening to close lifesaving facilities, humanitarian workers warn. “We are not moving far enough or fast enough and leaving 5 million [children] under the age of five vulnerable,” said Abdurahman Sharif, senior humanitarian affairs director at Save the Children. Aid cuts have affected 6,600 health facilities, with a third forced to close. Experts warn that without sustained investment, progress in reducing child deaths will slow further, and gains could begin to reverse.

Mythmatch is a match-three game that has captured the essence of ancient Greek mythology, blending it with a heartwarming tale of friendship and community. Players take on the role of Artemis, the immortal daughter of Zeus, who is determined to become the God of the Hunt. To achieve her goal, Artemis must first earn favor with a council of her elders on Mount Olympus, and they all have puzzle-based jobs for her.The game seamlessly integrates elements from various puzzle games, such as Plants vs Zombies and Overcooked, into its match-three gameplay. As Artemis navigates her way through the challenges set by the gods, she gets cast out of Olympus and sent down to the mortal town of Ithaca, home of Odysseus. Here, the game transforms into a rural life sim, where players help the locals by constructing new buildings, assisting their trade with other settlements, and solving their complicated lives.The gameplay cycle revolves around spending days on Earth becoming a more useful deity and then returning to Olympus at night to try to better your score at the challenges set by the gods. As players become indispensable in the lives of the mortals, they reward Artemis with ecclesiastical XP (experience points), which can be spent to make the Olympian puzzle tasks easier.The visual style of Mythmatch is gentle and cartoonish without being overly cute, and the characters are well-drawn and sympathetic. The game tackles timeless sociopolitical themes, including unrequited love, social anxiety, absent fathers, corporate greed, and the philosophy of leadership. The game is also extremely funny, with a unique sense of humor that adds to its charm.Overall, Mythmatch is a lyrical poem about beautiful and rewarding game design. With its interlocking systems, pleasing pace, and ebb and flow between Olympus and the mortal realm, the game is almost hypnotic. If you're looking for a new game to get lost in, Mythmatch is available now for £16.75.

Netflix's Historic Night at the 2026 Academy AwardsStreaming giant Netflix dominated the 2026 Academy Awards, securing a total of five Oscars. The wins for Guillermo del Toro’s *Frankenstein* and the animated hit *KPop Demon Hunters* highlight a growing trend of premium content production from non-traditional studios. While the Best Picture award remains out of reach for the streamer, the sweep of technical categories demonstrates a high ceiling for their creative output.Guillermo del Toro’s *Frankenstein* and *KPop Demon Hunters* Sweep the Visual CategoriesThe ceremony was a landmark night for Netflix’s diverse portfolio, with two distinct films taking home hardware across different genres.Frankenstein: Director Guillermo del Toro’s reimagining of the classic tale won three prestigious awards: Best Production Design, Best Costume Design, and Best Makeup and Hairstyling. The film was a heavy favorite, entering the night with nine nominations, including the coveted Best Picture and Best Supporting Actor.KPop Demon Hunters: Netflix’s most-watched movie ever, *KPop Demon Hunters*, secured Best Animated Feature and Best Original Song, proving that the streamer’s investment in global pop culture phenomena pays off on the awards stage.The Streaming Giant's Growing Influence on Award SeasonNetflix’s success tonight reinforces the reality that streaming companies are now integral to Hollywood’s award season ecosystem. The wins for *Frankenstein* and *KPop Demon Hunters* add to a growing list of streaming titles recognized by the Academy, following in the footsteps of Roma, The Power of the Dog, and All Quiet on the Western Front. This trend suggests that the barrier to entry for critical acclaim is lowering, even if the path to commercial dominance remains competitive.The Elusive Best Picture Prize for StreamersDespite the technical triumphs, the industry is still waiting for a streaming service to capture the Best Picture award. Host Conan O’Brien humorously acknowledged Netflix co-CEO Ted Sarandos’ presence, noting, “This is exciting: It’s his first time in a theater!” While *Frankenstein* was a top contender, the top prize ultimately went to *One Battle After Another*. This distinction marks Apple’s *CODA* (released during the pandemic) as the only streaming film to date to win Best Picture.The Future of Award-Winning Content in the Streaming EraThe 2026 Oscars indicate that while Netflix and Apple are winning technical and creative awards, the Best Picture title remains a rarefied air reserved for traditional studio powerhouses. However, with the volume of high-budget content increasing, the gap is likely to narrow. We can expect more streaming films to dominate the technical categories, but the Best Picture race will likely remain a battleground where theatrical exclusivity still holds significant sway.

Researchers at Cortical Labs in Melbourne have created a 'biological computer' using living human tissue, which can play the 1993 shooter game Doom. The team used 10ml of blood from CEO Hon Weng Chong to harvest 100 white blood cells, which were then reprogrammed into induced pluripotent stem cells (iPSCs). These cells were used to create a dish of 200,000 neurons that can interface with a computer system.The brain cells were taught to play Doom by encoding game state information, passing it through a neural network, and converting it into signals the neurons can understand. The neurons then fire an output, which the system decodes and converts back into actions in the game. This process is similar to how humans operate, with information going into the retina, being converted into electrical signals, processed in the brain, and resulting in an output.While the achievement has sparked concerns about sentience and consciousness, Chong believes the brain cells are not conscious, stating, 'At first it didn’t know how to move, aim or shoot. Then it would shoot two enemies and stop. So it’s definitely learning.' The next step could be integrating this technology with Neuralink, a brain-machine interface developed by Elon Musk.The application of biological computing lies not in gaming, but in medicine, such as disease modeling for conditions like epilepsy. This technology could allow for personalized drug testing and tailored treatments. Meanwhile, Eon Systems in San Francisco has created a virtual insect brain that can behave like a real fly, challenging the assumption that intelligence must be acquired.Biological systems like these could eventually power robots, drones, and other machines that need to navigate complex environments. As Chong notes, 'Abstract reasoning, mathematics and language are relatively recent in evolutionary terms... but motor control and probabilistic decision-making are things we’ve inherited through millions of years of evolution.' While we're far from uploading human consciousness into the internet, this technology marks a significant step in the development of biological computing.