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Tom Pidcock, a two-time Olympic cross-country mountain bike champion, has been withdrawn from the Volta a Catalunya due to injuries sustained in a dramatic crash during the fifth stage on Friday. The British rider, competing for Pinarello-Q36.5, misjudged a corner on a descent and tumbled down a ravine in what he described as a 'horror' crash.Despite managing to get back on his bike and complete the stage, medical assessments revealed significant injuries, including likely bone and ligament damage to his right knee and wrist. As a result, it was decided that Pidcock could not continue the race.“Due to his crash he suffered injuries, most likely bone and ligament damage in particular to his right knee and also right wrist,” said Lorenz Emmert, Pinarello-Q36.5’s chief medical team doctor. “Unfortunately we had to make the decision to take him out of the race. Further clinical evaluation and imaging will follow in the next days additionally to the already-initiated healing process.”Pidcock reflected on the incident, stating: “I was drinking on the descent and misjudged a corner. I overshot it and went down the ravine. It was like one of these horror crashes you see, but I’m very lucky that I am OK.” He added that he will focus on recovery and aims to return to competition soon.

A United States judge has ruled that he will not dismiss the drug-trafficking and weapons possession charges brought against former Venezuelan President Nicolas Maduro and his wife Cilia Flores.In a Thursday court hearing, Judge Alvin Hellerstein questioned whether the US government has the right to bar Venezuela from funding Maduro's legal expenses. The hearing was the first for Maduro and his wife since a brief January arraignment, where they pleaded not guilty.Maduro and Flores have sought to have the charges against them thrown out. Hellerstein declined to do so, but he pressed the prosecution on some of the issues Maduro's legal team raised in its petition to dismiss the case. Among them was a decision by the administration of US President Donald Trump to prevent the Venezuelan government from financing Maduro's defence.Federal prosecutors argued that national security reasons prevented the US from allowing such payments. They also pointed to ongoing sanctions against the Venezuelan government. But Hellerstein pushed back against that argument, noting that Trump had eased sanctions against Venezuela since Maduro's abduction on January 3. He also questioned how Maduro might pose a security threat while imprisoned in New York.“The defendant is here. Flores is here. They present no further national security threat,” said Hellerstein. “I see no abiding interest of national security on the right to defend themselves.”Hellerstein emphasised that, in the US, all criminal defendants have the right to a vigorous defence, as part of the US Constitution's Sixth Amendment. Maduro, who led Venezuela from 2013 to 2026, has been charged with four criminal counts, including “narco-terrorism” conspiracy, conspiracy to import cocaine, the possession of machine guns and the conspiracy to possess machine guns and other destructive devices.He and his wife were taken into US custody on January 3, after Trump launched an attack on Venezuela. The Trump administration has framed the military operation as a “law enforcement function”, but experts say it was widely considered illegal under international law, which protects local sovereignty.Trump himself weighed in on the proceedings during a Thursday US Cabinet meeting, hinting that further charges could be brought against Maduro. “He emptied his prisons in Venezuela, emptied his prisons into our country,” Trump said of Maduro, reiterating an unsubstantiated claim. “And I hope that charge will be brought at some point. Because that was a big charge that hasn’t been brought yet. It should be brought.”

A federal judge in California has ruled in favor of Anthropic in its case against the Department of Defense, granting a temporary injunction against the government's punitive measures. The standoff revolves around Anthropic's refusal to allow the Pentagon to use its Claude AI model for autonomous lethal weapons or domestic mass surveillance.Judge Rita Lin found that the government overstepped its authority in designating Anthropic as a 'supply chain risk,' stating that this move was 'likely both contrary to law and arbitrary and capricious.' The judge questioned the government's rationale, suggesting that their actions seemed aimed at crippling Anthropic.Anthropic argued that the government's actions violated its First Amendment rights and could cost the company hundreds of millions or even billions of dollars. The injunction has significant implications for the government's efforts to replace Claude with other AI tools, particularly given its extensive use in military operations, including target selection and analysis of missile strikes.

Brendan Gleeson has been named best actor at the Critics' Circle theatre awards for his West End debut in Conor McPherson's pub drama The Weir. He beat fellow nominees including Bryan Cranston and Paapa Essiedu, both recognised for All My Sons, and James Hameed and Arti Shah, the duo who together portray Paddington in the new musical about Michael Bond's bear.The Weir, directed by McPherson, was entirely omitted from the nominations for this year's Olivier awards and is being turned into a film with Gleeson and the rest of the West End cast.All My Sons, a critically adored production of Arthur Miller's 1946 classic at Wyndham's theatre, won in two categories at the Critics' Circle awards: best revival of a play or musical and best director for Ivo van Hove. A new production of Stephen Sondheim and James Lapine's Into the Woods, directed by Jordan Fein at the Bridge theatre, also won two prizes – best designer (Tom Scutt) and the inaugural award for best ensemble or cast.The winners, voted for by professional theatre critics, were revealed at a ceremony at the National Theatre in London on Thursday. Paddington: The Musical, with music and lyrics by Tom Fletcher and book by Jessica Swale, won best new musical. James Graham's Punch, based on the real story of a fatal blow, received the Michael Billington award for best new play (named in 2019 in honour of the Guardian's theatre critic after he stepped down from reviewing). Ava Pickett won most promising playwright for her Tudor drama 1536, which was staged at the Almeida theatre in London in 2025, transfers to the West End in May and is being turned into a BBC drama series.Rosamund Pike saw off competition from Kate Fleetwood (Into the Woods), Marianne Jean-Baptiste (All My Sons) and Rachel Zegler (Evita) to win best actress for her acclaimed performance as a judge in Suzie Miller's Inter Alia. Ruby Ashbourne Serkis was named most promising newcomer for her performance in a revival of Tom Stoppard's Indian Ink which opened at Hampstead theatre days after the revered playwright's death. The award for best Shakespearean performance went to Hayley Atwell for her Beatrice (alongside Tom Hiddleston, nominated for the same prize, as Benedick) in Much Ado About Nothing at Theatre Royal Drury Lane.

Italian authorities have seized €20m (£17.3m) of assets in Tuscany, including property, vineyards, and olive groves, allegedly bought with money embezzled from the actor Ursula Andress.Andress, 90, had filed a complaint in her native Switzerland alleging a “progressive and significant depletion of her assets” by individuals charged with managing her finances, Italy’s financial crimes police said in a statement on Thursday.Prosecutors in the Swiss canton of Vaud built a picture of a “systematic misappropriation of financial resources” worth about 18m Swiss francs carried out through multiple, opaque transactions, the police said. The money was traced to Italy, where prosecutors in Florence took up the case and police began following the paper trail.They tracked it to San Casciano in Val di Pesa, near Florence, and a real-estate complex consisting of 11 units and 14 plots of land used as vineyards and olive groves, as well as works of art and other assets, the statement said. The judge for preliminary investigations of the court of Florence ordered the seizure of the entire illicit profit, up to the amount of CHF 18,000,000, to be enforced against the identified assets.No suspects were identified in the statement. Andress surged to fame thanks to a scene in the 1962 James Bond movie Dr No, in which she emerged from the sea on to a Caribbean beach in a white bikini, knife at her hip and a seashell in each hand.

The UK launch of HBO Max has introduced a distinctly British true-crime docudrama, 'Boom Box: Beats and Betrayal', which tells the astonishing tale of a record shop and recording studio in Edmonton, north London. The studio, known as Boom Box, was initially set up to provide a safe space for teenagers involved in petty crime, but it unbeknownstingly became a hotbed of gang-related activity.The series reveals that the people these teenagers were getting involved with were not criminals, but undercover police officers who had targeted the area after a spate of murders in 2008. As the four episodes unfold, the ethics of the police operation are questioned by those who feel they were ensnared and manipulated to commit serious crimes they would never have thought about otherwise.The documentary uses dramatic reconstructions contrasted with interviews, and even features the actors who play the Boom Box teens talking to the actors who portray them. The studio was equipped with top-of-the-range equipment, which kids could use for just £15 an hour, giving it a 'Dr Dre vibe' according to one of the teens, Junior.The operation, which cost several hundred thousand pounds, raises questions about the fairness and impact of the police actions. While some officers argue they were making the operation look legitimate while pushing for information on existing criminal activity, others, including a lawyer for two of the men, argue that there was an abuse of process by the police.A judge later deemed the police actions lawful, but the series leaves viewers questioning the morality and effectiveness of the operation. The documentary is co-produced by Rogan Productions, known for diverse and ambitious documentaries, and is centered around the kids whose lives were forever altered by their time at Boom Box.The series is now available on HBO Max, offering a thought-provoking look into the complexities of the situation and the lasting impact on the individuals involved.

A jury in the United States has ordered social media giant Meta to pay $375m for harming children's mental health and making them vulnerable to sexual exploitation.The verdict, handed down in New Mexico after a six-week trial, marks the first time a US state has successfully sued Meta over child safety issues. State authorities accused Meta, the parent company of Instagram, Facebook, and WhatsApp, of failing to protect minors.Jurors sided with state prosecutors who argued that Meta prioritized profits over safety and violated parts of New Mexico's Unfair Practices Act. The jury agreed with allegations that Meta made false or misleading statements and engaged in 'unconscionable' trade practices that unfairly took advantage of the vulnerabilities and inexperience of children.The case involved testimony from 40 witnesses, including employees-turned-whistle-blowers, and reviewed hundreds of documents, reports, and emails. New Mexico Attorney General Raúl Torrez called the verdict 'a historic victory for every child and family who has paid the price for Meta's choice to put profits over kids' safety.'Meta has stated that it will appeal the verdict, with a spokesperson saying, 'We respectfully disagree with the verdict and will appeal. We work hard to keep people safe on our platforms and are clear about the challenges of identifying and removing bad actors or harmful content.'A second phase in New Mexico's proceedings against Meta is scheduled to begin in May, when a judge will hear the state's claim that the company should be ordered to pay additional penalties and make specific changes to its platforms and company operations.

Anthropic, a leading artificial intelligence company, is set to face off against the US Pentagon in a San Francisco court over a ban that prevents the military from using its Claude AI model. The company refused to remove safety guardrails that prevent its AI from being used for fully autonomous weapons and mass domestic surveillance.The legal showdown began on Tuesday, with US District Judge Rita Lin presiding over the hearing. Anthropic argues that the Pentagon's move is an unprecedented and unlawful designation that violates freedom of speech protections and due process rights.The Pentagon-led ban was enacted after Anthropic refused to strip safety guardrails from its AI model. The company's designation as a national security supply chain risk prohibits anyone within the Defense Department or its contractors from using the technology.Legal experts believe that Anthropic is likely to prevail, pointing to a February 27 post on X in which Defense Secretary Pete Hegseth said he is directing the DoD to designate Anthropic a Supply-Chain Risk to National Security. The post also said that contractors, suppliers, or partners for the United States military are prohibited from commercial activity with Anthropic.The White House has pushed back on Anthropic's claims that government action violated free speech protections under the First Amendment of the US Constitution, saying the dispute stems from contract negotiations and national security concerns rather than retaliation.Democratic Senator Elizabeth Warren of Massachusetts has penned a letter to Hegseth voicing her concerns, saying she is particularly concerned that the DoD is trying to strong-arm American companies into providing the Department with the tools to spy on American citizens and deploy fully autonomous weapons without adequate safeguards.

Partridge Boswell's poem, 'The Gathering', has been crowned the winner of this year's National Poetry Competition, a prestigious award that attracted over 21,000 entries from poets across 113 countries. The poem delves into themes of language, love, and the struggle to make sense of global suffering, state violence, and war.Boswell's work is a reflection of his attempt to process the emotional burden of following distressing global events. He describes how he wrote elegies, parodies, and rants to cope with his discomfort and disbelief. The poem specifically addresses the challenge of maintaining language's potency in the face of the relentlessness of the news cycle and the difficulty of resisting false narratives.The judges praised 'The Gathering' for its ambition, emotional stakes, and philosophical perspicacity. They noted that the poem reflects on the tensions between personal grief and state violence, particularly in Gaza. The poem questions how to preserve the potency of language amid the overwhelming nature of global events.Boswell, who is also the author of the Fool for Poetry prize-winning chapbook Levis Corner House and the Grolier prize-winning collection Some Far Country, will receive £5,000 for his winning poem. His work, along with the runner-up and third-place poems, will be published in the spring 2026 issue of The Poetry Review.The National Poetry Competition, founded in 1978, has a history of recognizing talented poets. Past winners include Carol Ann Duffy, Sinéad Morrissey, James Berry, and Tony Harrison. This year's competition saw seven commended poets receive £500 each, while Damen O'Brien's poem Axe secured the runner-up position with a £3,000 prize.