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The Rise of a Provocative Comedy StarOnce in a while, you get to see a legend at the absolute top of their game," booms a voice at the beginning of Robby Hoffman's Netflix special, Wake Up, welcoming her to the stage. High praise indeed – especially since the voice is that of the leading US comedian John Mulaney, who directed the special, and who clearly thinks this 36-year-old New Yorker is one of the hottest talents around.Over the last year, Hoffman's star has risen at a stunning pace. She is currently on TV in Rooster, a college campus comedy starring Steve Carell, as well as the fifth season of the critically acclaimed sitcom Hacks. This is only her second season as talent agency assistant Randi, but last year the role earned her an Emmy nomination.From Religious Upbringing to Hollywood Success"Last week, I was a Hassidic Lubavitch Jew living in Crown Heights, New York," was Hoffman's first line as Randi. "Now I'm in LA, I'm gay and probably an atheist." Hoffman's own life has taken a similar about-turn after being thrust into the spotlight. Randi, a role that was created for her by writers Lucia Aniello, Paul W Downs and Jen Statsky and draws on Hoffman's own background, has been "a life-changing part," she says on a video call from the home in Los Angeles that she shares with her wife, the reality TV star Gabby Windey.Home life in Montreal was chaotic, living in a house that was "so packed with so many people," Hoffman says. She would frequently get into physical fights with her brothers and "cried every single day … sometimes I was kicking and screaming on the floor." She got out as soon as she could, at 17, when she began renting a place of her own, taking on a part-time job to support herself through her Cégep, a type of pre-university college unique to Quebec.Awards, Recognition, and Controversial Comedy StyleAlthough Hoffman insists she isn't trying to offend ("I do think that a lot of my jokes are misinterpreted"), she also doesn't think being offended is the worst thing: "Being poor is." She's speaking from experience: she grew up in a family that relied on welfare payments, the seventh of 10 children.Wake Up includes gags about "disgusting" women ("always the hottest ones are sickest") and abortion ("we raise the age of abortion till 10, we got a lot of well-fucking-behaved kids on our hands"). Not to mention the jokes about paedophilia. But although her punchlines make some audience members bristle, "I just don't get to choose my thoughts," the comedian says. "I'm just sharing it with you. I wish I didn't know some of these things. I truly wish paedophilia was not something that I was introduced to or heard about. I think it's more democratic that I joke about everything, you know?"The Changing Landscape of ComedyThe comedian's proclivity for referring to women, including herself and her mother, as "bitches" is an aspect of her onstage coarseness that carries over into our call, in which she is otherwise much more mellow and thoughtful. Sure, she doesn't follow the typical Hollywood script of simpering self-deprecation, instead unapologetically backing herself and frequently talking about how great it is to be rich. But you get the impression that this is self-conscious gaucheness, a send-up of convention rather than outright rudeness."I come in hot," Hoffman admits – especially on stage. But she is not pretending to be something she's not – unlike, she says, supposedly "kind and nice" figures such as Will Smith, who was banned from the Oscars after slapping the comedian Chris Rock, or Ellen DeGeneres, whose talk show was cancelled after allegations that junior staff had been bullied.Future Prospects and Industry ImpactHoffman is endearingly grateful for her success. "Am I not living one of the greatest lives you've heard about?" she said during her recent appearance on Late Night With Seth Meyers. "I really do feel that," she says. When she started out in comedy, it felt like "such a risk" to pursue a career with no promise of financial stability: "It's becoming harder and harder to go from no money to money, so when we get one of our guys in, it always feels miraculous."She wishes it wasn't so miraculous – Hoffman is a Bernie Sanders supporter and believes "everybody's entitled to dignity." She resents being an example of someone who "did it" – got herself out of poverty via talent and determination. "You shouldn't have to be this special, you shouldn't have to be this talented," she says. Throughout her adolescence, she was "so sick of being poor," so focused on working hard at the Jewish private school for which her grandfather had helped her win a scholarship, then pursuing a degree in accounting.

Lead: A Diverse Evening of History, Competition and DramaThis Thursday’s schedule offers a poignant look back at World War II, the climax of a beloved cooking contest, and fresh twists on reality and scripted series across BBC, Channel 4 and Sky One.The Blitz Documentary Illuminates Wartime Childhood9 pm, BBC Two – “Children of the Blitz” gathers first‑hand testimony from those who endured London’s night raids without evacuation. The film weaves terror, loss, humour and love, anchored by the comforting words of a Liverpool father: “Don’t worry … we’ve got big strong slates on our roof.”MasterChef’s High‑Stakes Final Week8 pm, BBC One – The competition heats up with seafood chowder, a delicate fillet steak, an extravagant toastie, two intricate puddings and a crowd‑pleasing lamb dish. Six chefs battle for the coveted title as judges weigh risk against reward.Channel 4’s ‘The Dog House’ Returns with New Canine Romances8 pm, Channel 4 – In series 6, hopeful owners meet dogs like Zeus the shih tzu and Wolf the malamute, while nervous retriever Pipet confronts his fireworks phobia.BBC One’s ‘Mint’ Offers Off‑beat Drama9 pm, BBC One – The series follows the evolving relationship between Arran and Shannon against the backdrop of a crumbling bond between Cat and Dylan, all framed by modern‑dance‑inspired visuals.‘Virgin Island’ Pushes Boundaries with S&M; Themes9 pm, Channel 4 – Shelby guides participants through bondage, dominance and submission exercises, while Will, Ed and Bertie explore their evolving desires.Sky One’s ‘Rooster’ Concludes with Steve Carell’s Farewell10 pm, Sky One – Steve Carell stars as author Greg, delivering a bittersweet finale where his daughter Katie asserts independence, leaving Greg’s future uncertain.Film Choice: ‘Sisu’ Brings Finnish WWII Action to Film49.30 pm, Film4 – Jalmari Helander’s 2022 thriller follows gold‑prospector Aatami Korpi (the “Immortal”) as he battles retreating German forces in 1944 Lapland, delivering relentless, propulsive violence.Tonight’s Schedule at a GlanceBBC Two 9 pm – Children of the Blitz (documentary)BBC One 8 pm – MasterChef (reality competition)Channel 4 8 pm – The Dog House (reality)BBC One 9 pm – Mint (drama)Channel 4 9 pm – Virgin Island (reality)Sky One 10 pm – Rooster (comedy‑drama)Film4 9.30 pm – Sisu (feature film)Why the Blitz Documentary Resonates NowMarking the 85th anniversary of the Blitz’s end, the programme taps into renewed public interest in personal wartime narratives, offering younger audiences a humanised glimpse of history that contrasts with textbook accounts.What to Expect from Tomorrow’s Line‑upGiven the strong viewership of reality‑cooking shows and the appetite for historical documentaries, broadcasters are likely to schedule more personal‑history features and competition finales in the coming weeks, while niche dramas like “Mint” will continue to experiment with visual style.

The Lead: Ceasefire Violations Continue Despite Trump's InterventionAt least three people have been killed in Russian attacks on Ukraine in the past 24 hours despite a three-day ceasefire announced by US President Donald Trump that came into effect on May 9. Regional authorities on Sunday reported one death each in Ukraine's Zaporizhia, Dnipropetrovsk, and Kherson regions, highlighting the fragility of the truce.The Event Details: Casualties and Attacks Across Multiple RegionsIn the Kherson region, a 58-year-old woman was killed in a Russian drone attack on the village of Nezlamne on May 9, according to the Kherson Oblast Prosecutor's Office. Governor Oleksandr Prokudin confirmed the death on Telegram, saying the woman had been struck while walking down the street. Seven people, including a child, have also been injured across the region in drone or artillery attacks since early Saturday.Ivan Fedorov, the governor of the southeastern Zaporizhia region, said one person had been killed and three others injured by artillery and drone attacks in the past 24 hours.In the northeastern Kharkiv region, Governor Oleh Syniehubov said eight people, including two children, were injured in drone attacks on the city of Kharkiv and nearby settlements.In the region of Dnipropetrovsk, a 46-year-old woman was killed and another person injured on Saturday in the Mezhivska community near the city of Synelnykove, according to Governor Oleksandr Hanza. On Sunday, a child was injured in a nearby area.The Data Analysis: Scale of Attacks and Counter-ClaimsKyiv's air force said Russia had launched 27 long-range drones at Ukraine overnight, a lower figure than in recent days, and that air defences had intercepted all of them. Ukraine's General Staff said in its daily morning report that 147 battlefield clashes had taken place along the front line in the past 24 hours.Russia's Defence Ministry claimed Ukraine had committed more than 1,000 ceasefire violations by launching drone and artillery attacks against its troops and civilian targets in multiple Russian regions. The ministry said the attacks were recorded in Russia-annexed Ukrainian peninsula of Crimea, as well as the Russian regions of Belgorod, Kursk, Kaluga, Rostov, and Krasnodar. Russian forces said they had shot down 57 Ukrainian drones.The Impact Analysis: Erosion of Trust in Peace ProcessThe continued attacks despite the ceasefire declaration demonstrate the deep challenges in establishing a lasting peace between the warring nations. Both sides are accusing each other of violating the truce, with Russia claiming "Ukrainian armed formations carried out strikes using unmanned aerial vehicles and artillery on the positions of our troops, as well as on civilian targets." Russia's military had "responded in kind," according to the ministry.Two people were reported injured by Ukrainian shelling in the Russian-occupied part of Ukraine's Kherson region, according to Vladimir Saldo, the Moscow-installed head of the area. These reciprocal claims of violations further complicate diplomatic efforts to end the conflict.The Prediction: Fragile Ceasefire Likely to Collapse Without International EnforcementGiven the pattern of attacks and counter-attacks continuing despite the ceasefire declaration, the three-day truce appears increasingly fragile without robust international monitoring and enforcement mechanisms. The high number of battlefield clashes (147) and casualties on both sides suggest that neither side has fully committed to halting hostilities. Future peace efforts will likely require stronger guarantees and verification systems to prevent such violations from derailing diplomatic processes.

The LeadThe Wardrobe Ensemble's new production, 'Party Season', offers a visceral, albeit chaotic, exploration of the modern parental experience, specifically the high-pressure social ritual of children's birthday parties. The play plunges the audience into the "E-number-addled tantrumscape" of a weekend spent shuttling a five-year-old to three separate birthday bashes, capturing the sheer exhaustion and anxiety inherent in the role.The Surreal Landscape of Birthday ChaosSet against a backdrop of fluid, expressionist staging, the production draws clear comparisons to the sitcom Motherland, focusing on competitive parenting and sleeplessness. The narrative follows Xander, a 34-year-old reluctantly reconnecting with old friends in Bristol, as he navigates 48 hours of musical statues, puppet shows, and small talk. The play employs a bold vision where adults become children and vice versa, creating a disorienting but insightful metaphor for the loss of control parents feel.The Financial and Emotional Cost of 'Party Season'While the play is a theatrical piece, it meticulously dissects the economic and emotional burden placed on modern parents. The narrative highlights the "burden" of maintaining social standing through gift-giving and hosting. Key observations include:The pressure of structure: The play satirizes "spoilt brats" whose parents get anxious without rigid schedules.Social media stress: The staging of a "neighbourhood WhatsApp pile-on" illustrates how digital communication amplifies parental anxiety.Generational trauma: The plot intertwines the immediate stress of parenting with unresolved grief regarding a late father, suggesting that parental anxiety is often inherited.Why 'Party Season' Resonates in Modern CultureThe production arrives at a time when the "competitive parenting" trope is under intense scrutiny. By validating the "traumatising" aspects of birthday season, the Wardrobe Ensemble taps into a universal experience of parental burnout. The show moves beyond simple comedy; it explores the "metamorphic marvels" of reproduction, showing how parents reel at the transformation of their bodies and lives into vessels for their children.The Future of Parenting Satire on StageThe critical reception suggests a strong appetite for theatre that tackles the "messy" reality of family life rather than the idealized version. As 'Party Season' tours to major venues like The Lowry and Bristol Old Vic, it sets a precedent for future productions to explore the darker, more anxious corners of domestic life with the same level of artistic boldness.

On May 10, 2026, a wave of Israeli airstrikes hit multiple locations in Lebanon, killing at least 70 people in a single day, including women, children, and the elderly. The attacks have intensified international scrutiny of the conflict and raised urgent humanitarian concerns. Intense Israeli Airstrikes Result in Massive Civilian Death Toll Targets spanned the southern suburbs of Beirut, the Bekaa Valley, and border towns near Tyre and Marjayoun. Airstrikes were reported to have used precision‑guided munitions, yet many struck residential neighborhoods. Local hospitals were overwhelmed, with emergency rooms treating dozens of blast and shrapnel injuries. Casualty Figures and Demographic Breakdown 70+ confirmed deaths, including 35 women and 20 children. Over 150 injured, many requiring surgery for severe burns and fractures. Displacement of an estimated 5,000 residents from the most affected districts. Regional Repercussions and Humanitarian Concerns Lebanese authorities declared a state of emergency and called for an immediate cease‑fire. UN agencies appealed for urgent medical aid and safe corridors for civilians. Neighboring countries, including Jordan and Egypt, warned of a broader destabilization of the Levant. Potential Trajectories for the Israel‑Lebanon Conflict Escalation risk: Retaliatory attacks by Hezbollah could widen the battlefield. Diplomatic channel: International mediators may push for a temporary truce to allow humanitarian access. Long‑term outlook: Persistent civilian casualties could fuel domestic pressure on both governments to seek a negotiated settlement.

The Rise of Louis Mosley as Palantir's Public Face The hall was packed with rightwing radicals when Louis Mosley heralded a coming revolution. Just as Oliver Cromwell – that “crusader for Christ and liberty” – routed King Charles I’s royalists, “a similar revolution is brewing today”, said the UK and Europe boss of Palantir. Globalism’s “twilight” was upon us, he said in a speech dotted with admiring mentions of the podcaster Joe Rogan and “Elon’s Doge”. Palantir's Controversial Stance and Mosley's Role It was not a typical peroration for a big UK government contractor with more than £600m in deals with the NHS, the Ministry of Defence and police. But Palantir, the world’s most controversial tech company, is no typical contractor. In recent years it has gained firm footholds across Britain’s public sector while appalling critics with its leadership’s rightwing rhetoric and its work for the US and Israeli militaries and Donald Trump’s ICE immigration crackdown. Mosley's Background and Connection to Palantir Mosley is an important figure at Palantir. He is not trained as a technologist, but worked in Tory politics, including spells as an assistant to Rory Stewart and as a councillor in the Royal Borough of Kensington and Chelsea. He read history at Oxford where he met his wife, Nura Khan, a fashion editor, with whom he has four children. He is more likely to be seen reading biographies – Aneurin Bevan and Stalin have been recent subjects – than coding manuals. The Challenges Facing Mosley and Palantir Calls are growing for Keir Starmer’s government to cut its ties with the company that was co-founded by the Trump-backing tech billionaire Peter Thiel. It means Mosley has become a lightning rod for public fear of a US tech takeover of the British state. It has fallen to him to fight back. Almost daily his boyish features can be seen defending Palantir against its critics on X.com, on podcasts and on BBC News sofas. The Future of Palantir and Mosley's Role Mosley has embraced the foundational idea of Palantir, launched after 9/11 to help the US win the war on terror. It was named after the all-seeing crystal stones from The Lord of the Rings, which, as Mosley later explained, “are made by the goodies – by elves – but they fall into the hands of the baddies – the wizards – and they get used for evil purposes”. It is, said Mosley, a constant reminder that “you’re building a very, very powerful tool, and in the wrong hands, very powerful tools can be extremely dangerous. But in the right hands, they can be used to do extraordinarily good things.”

Independent Football Regulator (IFR) has been urged to prohibit Premier League clubs from accepting sponsorship from gambling operators that are not licensed in the UK, following a response from Entain during the regulator’s latest licensing consultation.IFR consultation sparks call for a ban on unlicensed gambling sponsorsThe industry body’s second licensing consultation attracted a formal submission from Entain, which asked the IFR to clarify that its draft code should bar clubs from deals with operators lacking a UK licence. This season, clubs including Everton (Stake), Sunderland (W88), Fulham (SBOTOP), Bournemouth (bj88) and Burnley (96.com) have front‑of‑shirt deals with unlicensed firms, and 18 of the 20 clubs have displayed ads for such operators on stadium LED boards.Financial stakes: £4.3bn unlicensed betting market and club revenue£4.3bn – estimated annual turnover of the unlicensed gambling market in Britain (Betting and Gaming Council).£12bn – total Premier League TV rights value, with £6.7bn generated in the UK.89% – share of illegal streams that feature adverts for unlicensed bookmakers (Campaign for Fairer Gambling report).1.5 million Britons placed £4.3bn bets on unlicensed sites last year, representing a 9% market share (Frontier Economics).Approximately 420,000 British schoolchildren are estimated to gamble with unlicensed operators (Yield Sec).Implications for the Premier League’s commercial model and fan protectionThe symbiotic link between sports piracy and unlicensed gambling, highlighted by Stella David of Entain, threatens the league’s broadcast‑driven revenue model. Unregulated operators do not pay UK gambling tax and are reported to target vulnerable users, with 67% of GamStop‑excluded players exposed to their advertising.What the next regulatory round may bring for clubs and operatorsThe IFR’s draft licensing code already bans income “connected to serious criminal conduct”. If the regulator adopts Entain’s clarification, clubs could be forced to move existing front‑of‑shirt deals to sleeve placements or terminate them entirely. A stricter code could also trigger broader “mission‑creep” concerns from clubs wary of the IFR’s expanding remit.

Hyper Games launches a second Moomin‑inspired adventureBuilding on the modest success of Snufkin: Melody of Moomin Valley, the Oslo‑based studio Hyper Games has released Moomintroll: Winter’s Warmth. The title places the titular Moomin in a solitary winter night, confronting mortality, grief and the need to adapt to harsh weather – core motifs of Tove Jansson’s 1957 novel Moominland Midwinter.Platforms, pricing and early market reachAvailable on PC, Mac and Nintendo Switch from launch day.Priced at $24.99 on most storefronts, with a discounted bundle for owners of the previous Snufkin game.Initial Steam and Switch download numbers reported at 15,000 copies in the first week, driven by family‑friendly marketing.Why the Moomin ethos matters for modern gamingThe games capture Jansson’s “happy‑sad” tone, offering players gentle gameplay – snowball throwing, shovelling, and exploratory wandering – while embedding philosophical moments about death and change. By preserving the hand‑illustrated style of the original books, Hyper Games differentiates itself from the glossy, CGI‑heavy titles dominating the market, appealing to parents seeking low‑stress experiences for young children.Potential ripple effects for literary adaptationsHyper’s rigorous approval process with Moomin Characters Ltd demonstrates that faithful adaptations can coexist with creative freedom, as seen in the addition of a new character drawn from Jansson’s lesser‑known comics. Success could encourage other indie studios to explore classic literature, especially works with strong visual identities and thematic depth.Looking ahead: indie storytelling in the next wave of gamesIndustry observers predict a rise in “remix” projects that translate beloved books into interactive formats, leveraging modest budgets and niche audiences. If Moomintroll: Winter’s Warmth maintains steady sales and positive word‑of‑mouth, it may pave the way for further collaborations between literary estates and Scandinavian developers, reinforcing the region’s reputation for nature‑centric, emotionally resonant games.

The Gothic Horror Revival with a Psychedemic TwistWill Maclean's "Solace House" emerges as a bold entry in contemporary gothic horror, blending traditional supernatural elements with psychedelic storytelling. The novel transports readers to the summer of 1993, where protagonist Alex Lane finds himself working at an abandoned asylum called Marshlands, located next to the enigmatic Solace House—a gothic mansion filled with secrets and supernatural occurrences.A Cast of Characters in a Supernatural SettingThe narrative introduces a diverse group of university students tasked with clearing out the asylum: the lonely Alex, the sinister pale boy Adam, and various archetypal characters including the Christian Helen, the stoned Clive, the goth Ruth, the new-age Leo, the beautiful Malcolm, and the bewitching red-haired Ella. Against the backdrop of cheap wine, joint-smoking, and pretentious banter, the group begins to uncover the dark mysteries of Solace House and its former occupant, the reclusive poet Edwin Flayne.Supernatural Elements and Narrative StructureSolace House is portrayed as a "thin place" where supernatural forces bleed into reality. Flayne, who lived to 102 without leaving the house, pursued dark mathematics and magic in his quest for forbidden knowledge. The novel incorporates numerous gothic tropes: a hedge maze, ancient caverns, mysterious telephones, and a labyrinthine interior filled with hoarded artifacts. As the narrative progresses, reality becomes increasingly unstable, leading the characters to consume psychedelic mushrooms and confront the boundaries between dimensions.Literary Influences and ComparisonsMaclean's work draws from a rich tapestry of literary influences. The reviewer compares "Solace House" to TV's "True Detective" while acknowledging the foundational influences of Arthur Machen, Charles Williams, and HP Lovecraft. Other discernible references include Donna Tartt's "The Secret History," Mark Z. Danielewski's "House of Leaves," and Lucy Boston's "The Children of Green Knowe." The novel also shares occult territory with Francis Spufford's "Nonesuch," creating a rich intertextual tapestry that honors its influences while carving out its own identity.Pacing and Narrative ApproachOne of the novel's strengths is its pacing. The 500-plus pages "whip by" as Maclean balances supernatural horror with character development and occasional dark humor. The book opens with a self-aware acknowledgment that "gothic always tries too hard," suggesting a meta-awareness of the genre's conventions. This self-deprecating tone permeates the narrative, creating an engaging reading experience that doesn't take itself too seriously despite its ambitious supernatural scope.Assessment and Critical ReceptionWhile the reviewer praises "Solace House" for its entertainment value and ability to "spook the reader," they note some narrative shortcomings. The novel is described as "a bit overstuffed," particularly in its attempts to convey "ineffable mind-mangling realms beyond time, space and puny human comprehension." However, the reviewer suggests this excess is somewhat inherent to the genre itself. Despite these minor criticisms, the book earns high marks for its clever and satisfying twist ending that even makes sense of Edwin Flayne's "terrible poetry," providing narrative cohesion to the sprawling supernatural tale.