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The Future of Warfare: AI-Powered Drones Should the AI-powered drones of the future have a licence to kill? The question is becoming ever more pressing as governments and the defence industry acknowledge that drone systems will play an increasingly crucial role in future warfare. The Moral Dilemma of Autonomous Weapons With drones being deployed in huge numbers in the Ukraine war and AI being used to assist bombing missions in the Iran conflict, there is an expectation among some observers that weapons will have to operate with increased operational autonomy, which means they will need something approximating a moral framework. Expert Opinions on AI and Morality Last year Mustafa Suleyman, chief executive of Microsoft’s AI arm and a co-founder of the UK-based DeepMind, was unequivocal about the issue of machines making moral decisions. He said: “AIs cannot be people – or moral beings.” David Omand, the former head of the UK spy agency, GCHQ, believes AI can create a “moral” configuration for unmanned weapons. The UK armed forces minister, Al Carns, told the Financial Times recently there must be an option to “take the human out of the loop” in decision-making. The Challenges of Programming Morality Zee Talat, an academic specialising in machine learning at the University of Edinburgh’s school of informatics, argues that large language models – the technology that underpins modern generative AI systems such as chatbots – are fundamentally incapable of moral decision-making. “If you have a machine that’s probabilistic by nature it will veer towards the most likely answer in a situation. Do we think that morality follows probabilistic notions?” The Debate on Autonomous Weapons Governance Jessica Dorsey, an assistant professor of international law at Utrecht University in the Netherlands, raises concerns about determining whose morality the drone is following, given the United Nations is still trying to achieve a global consensus on autonomous weapons governance. “War is filled with so many variables and it is a given that things will go wrong. And when that happens at AI-like speed, it is difficult to unravel.” The Future of AI-Powered Drones Some experts argue that giving drones greater autonomy, and programming rules of engagement and morality into them, will be a necessity if other nation states continue to develop and deploy similar technology at pace. Nicholas Wright, a neuroscientist and author of Warhead, a book on the human brain and war, says: “For any military to compete effectively against other high-end militaries it is going to need a large amount of systems that will be required to take decisions on their own.” Olaf Hichwa, the co-founder of Neros, a US drone startup, believes that drones will not replace human decision-makers, but enhance the abilities of their human pilots.

The Energy Imbalance Iran is facing more energy constraints as its summer season begins, with the widespread use of air conditioning and other needs during hotter months contributing to an imbalance between supply and consumption. Government's Limited Options For decades, successive Iranian governments have kept utility bills well below supply costs for households and offices through a mix of implicit oil-and-gas subsidies, administered tariffs, state-controlled pricing, and sometimes direct financial support. However, the negative impacts of the war with Israel and the United States on the economy mean the government has fewer tools at its disposal to deal with an energy crisis this summer. Data Analysis Despite having the world's third-largest proven crude oil reserves, Iran will have to import fuel again as demand outpaces refinery output. The administration's attempts to tackle the subsidies burden due to a mounting budget crunch have resulted in only limited increases in petrol through a complex three-tiered pricing system. Most users of Iranian-made vehicles have access to 60 litres (15.85 US gallons) per month of subsidised petrol at 15,000 rials (0.8 cents) and another 100 litres (26.42 gallons) at 1.6 cents. Any use over tier 1 and tier 2 is priced at 50,000 rials (around 1.4 cents) and Iranians are allowed a maximum of 30 litres of fuel per day under any of these prices schemes. Impact Analysis The Iranian government is running similar schemes for natural gas, electricity and urban water, with fears of social unrest making them averse to any sudden price hikes. There appears to be little the government can do to bridge the divide between lower energy production and growing demand for subsidised fuel, illustrated by the perpetual queues at petrol stations since the start of the war. Prediction The situation has worsened during the war, with strikes on Iranian energy facilities seeing Iran's gasoline production capacity drop marginally from 115 million litres (30.37 million gallons) per day to 110 million litres (29.06 million gallons). Meanwhile, consumption has jumped from 10 million litres (2.64 million litres) in 2025 to 140 million litres this year (36.98 million litres). US President Donald Trump's threats of more strikes on power plants have heightened fears of further blackouts and gas shortages this summer, meaning the energy crisis is likely to continue in the coming months.

Introduction to Moving the Goalposts The Guardian has introduced a new initiative to cater to the growing interest in women's football: a free email newsletter called 'Moving the Goalposts'. Details of the Newsletter This newsletter aims to provide updates, insights, and analysis on women's football. By signing up, readers can stay informed about the latest developments in the sport. Sign-up Information Interested readers can sign up for the 'Moving the Goalposts' newsletter on The Guardian's website. The newsletter is set to offer regular updates, making it a valuable resource for fans and followers of women's football. Impact on Women's Football The launch of this newsletter is a positive step towards increasing visibility and support for women's football. It reflects the growing popularity and recognition of the sport. Future Outlook As more people sign up and engage with the newsletter, it is expected to become a key platform for discussing women's football. This initiative by The Guardian is likely to contribute to the sport's continued growth and success.

The Lead In the midst of Gaza's genocide, seven university students have found a way to pursue their education and offer a glimmer of hope to their community. They have opened an ice cream shop, Flora, on the coastal road in Khan Younis, southern Gaza. The Ice Cream Shop's Genesis The students, four studying medicine, two dentistry, and one software engineering, came up with the idea of opening the shop to fund their university courses. With Gaza's higher education system largely nonoperational since the genocide began in October 2023, the students saw this as their only chance to stay enrolled. The Financial Struggle The shop's initial investment was over $25,000, borrowed from family and friends. One student's mother sold a gold bracelet worth $1,000 to contribute to the shop. The team also used materials salvaged from their destroyed homes to construct the shop. The Impact Analysis The ice cream shop, Flora, not only provides a means for the students to fund their education but also offers a sense of normalcy and hope in a region devastated by war. The shop sells products at competitive prices, ranging from $1 to $7, making it accessible to the local community. The Prediction As the students continue to run the shop, they face challenges such as sourcing ingredients and managing debt. However, they remain determined to succeed, seeing their venture as a way to rebuild their lives and their community. The success of Flora could serve as a model for other young entrepreneurs in Gaza, showing that even in the face of adversity, resilience and determination can lead to a brighter future.

The Impact of Marjane Satrapi's Work On the morning of June 4, when I heard the news of Marjane Satrapi's death, I was stunned. I simply could not believe it. Although I had met her only a handful of times in person – despite having lived in Paris for 16 years and having contributed to her book Woman, Life, Freedom – I felt a deep connection to her work and legacy. Marjane's Gift for Visual Storytelling Our collaboration on that book took place mostly through email correspondence, but I always held her in the highest regard. I admired her intelligence, her extraordinary sense of humour and, above all, her remarkable gift for visual storytelling. What she achieved through drawings that appeared simple was, in reality, extraordinarily difficult. The black-and-white spaces of her pages, the economy of her lines, the apparent simplicity of her compositions – it all served to convey profoundly human emotions with a clarity that few artists ever attain. As a cartoonist myself, I know how difficult it is to reach that level of expressive precision while making it look effortless. Paving the Way for a Generation Marjane opened the door not only for me, but for many Iranian comic book artists, such as Parsua Bashi, Mansoureh Kamari, Majid Bita and Shaghayegh Moazzami, among others. More broadly, she opened a path for artists from smaller and less visible countries across the world of comics – artists who had personal stories to tell but whose voices were often overlooked. With Persepolis, she gave western publishers the confidence to invest in our work. Many of us owe a part of our careers to the space she created. A Lasting Legacy Once I had absorbed the news of her death, my thoughts turned to Chicken With Plums, my favourite among her books. I remembered its protagonist, Nasser Ali Khan, whose beloved instrument is broken and who decides to remain in bed until death comes for him. In his final days, he even refuses his favourite dish, chicken with plums. Looking back now, the character feels almost like an extension of the author’s own sensitive spirit, perhaps even an unconscious premonition. I find myself thinking of Marjane, of her final days, and of whatever instrument may have been broken within her. And each time I do, my eyes fill with tears.

Executive Summary: US Plans to Trim Visa Outposts in AfricaThe United States is set to centralise visa processing across Africa, reducing the number of embassies and consulates that conduct routine visa interviews from roughly 50 locations to about 20. Embassies will remain operational for diplomatic work, but applicants in many countries will need to travel to designated regional hubs for their interviews. Consolidating Visa Interviews into Regional HubsThe proposal moves routine visa interviews out of most individual posts and concentrates them in a handful of larger centres. Expected hub cities include:Nairobi (Kenya)Johannesburg (South Africa)Addis Ababa (Ethiopia)Accra (Ghana)Dakar (Senegal)Embassies will continue to provide consular and diplomatic services, but will no longer host routine interview slots. Visa Issuance Numbers and Potential Cost ImplicationsIn fiscal year 2024, the State Department issued more than 540,000 non‑immigrant visas to African applicants, indicating strong demand for travel, study, and business. The restructuring does not alter legal eligibility criteria, but experts warn that additional travel, higher fees, and longer wait times could deter applicants, especially students, families, and small‑business owners. How the Shift Could Reshape US‑Africa MobilityAnalysts link the move to broader Trump‑administration goals: standardising decision‑making, strengthening fraud detection, and easing staffing pressures at overstretched posts. While diplomatic presence remains unchanged, the practical barrier of travelling to another country may reduce application volumes from nations that lose local processing facilities. What the Next Few Weeks May Bring for ApplicantsOfficials suggest the changes could take effect within the coming weeks, though a definitive rollout date has not been announced. Applicants should monitor announcements from their nearest embassy and prepare for potential increased travel costs and scheduling uncertainties.

The Unlikely Journey to the Final Maja Chwalinska's journey to the French Open final has been nothing short of remarkable. Ranked 114 in the world, she has defied expectations by winning nine consecutive matches, losing only one set. Her path to the final has been marked by grit and determination, as she has worked her way through qualifying matches and into the main draw. Chwalinska's Unique Playing Style Chwalinska's playing style has been a key factor in her success. Standing at just 1m 64cm (5ft 5in), she has had to develop a different approach to overcome her physical limitations. Her game is characterized by varying the speed, spin, and trajectory of her shots, making her a difficult opponent to face. The Final Showdown with Andreeva Chwalinska's opponent in the final will be eighth seed Mirra Andreeva, a highly accomplished teenage player. Andreeva has been struggling to handle her emotions over the past year, but has gradually been putting things together. She will be favored to win, but Chwalinska's tricky game could pose a challenge. A Historic Moment for Chwalinska A victory for Chwalinska would be a historic moment, as she would become the first qualifier to win the French Open. Her journey has been marked by uncertainty, including financial struggles, but a win would bring her a significant payday of at least $1,626,744 (£1.2m).

The Man Behind the Lens Billy Dosanjh, a photographer known for his poignant and powerful images, has captured the essence of Sikh life in Walsall's Black Country through his latest exhibition 'Paths You Walk' at the New Art Gallery Walsall. Revisiting History Through Photography Dosanjh's photographs are a testament to the lives of Punjabi men who came to work in the Black Country's furnaces in the 1960s. His images, such as 'After the Storm', recreate moments from the past, showcasing the experiences of first and second-generation migrants. The Data of Immigration Dosanjh's work is backed by a National Heritage Lottery Fund grant. He collected oral memories from first and second-generation migrants to create his images. The exhibition features photographs, films, and installations that bring to life the stories of Sikh immigrants. The Impact of Cultural Representation Dosanjh's work challenges racist tropes and provides a humane depiction of Sikh life, making it a timely and important contribution to the conversation around identity and community. A Future of Storytelling Dosanjh is developing similar projects for Stoke and Nottingham and hopes to make a feature film about the 2005 race riots in Birmingham. His work is a celebration of identity and community, bringing people together through the power of storytelling.

More than a quarter of British musicians have lost all their EU work since 2021, according to new research by the European Movement UK. This decline signals a critical turning point for the UK's creative economy, where the post-Brexit regulatory landscape has fundamentally altered the feasibility of cross-border touring. The New Bureaucratic Walls of European Touring The primary driver of this crisis is the introduction of complex visa regimes and work permit requirements that differ across EU member states. Musicians now face the Schengen 90-days-in-180 rule, which severely limits the duration of work across the bloc. Additionally, the cost of logistics has skyrocketed; temporary admission (ATA) carnets now cost over £400, and security deposits can reach 40% of equipment value, making extended tours financially impossible for smaller acts. The Financial Fallout: A 45% Earnings Decline The economic impact is stark. The report indicates that average tour earnings have fallen by 45%, with 59% of musicians deeming touring in Europe no longer viable. This represents a massive contraction in revenue streams for a sector that contributed £8bn to the UK economy in 2024, including nearly £5bn in exports. Disruption Across the Creative Supply Chain The repercussions extend beyond individual artists to venues and producers. Mig Schallache, owner of The Louisiana in Bristol, notes that fewer European artists are visiting the UK, creating a void that UK artists cannot fill. This "supply chain" disruption leads to cancelled tours, reduced exports, and weakened collaboration, ultimately depriving audiences of diverse cultural experiences. The Long-Term Risk to UK Cultural Soft Power The loss of Creative Europe funding, which previously invested €111m in UK organizations between 2014 and 2020, further exacerbates the issue. Without addressing these mobility barriers, the UK risks not only economic loss but also a diminished cultural footprint on the continent, threatening the soft power that the music industry traditionally provides.