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The LeadSéamas O'Reilly's debut novel "Prestige Drama" presents a brilliant wry comedy set in Derry, where a Hollywood actor disappears while filming a TV series about the Troubles. The novel transcends its intriguing premise to explore how places become defined by historical moments, and how stories about such places often fall into predictable formulas.Multiple Perspectives on Historical TraumaO'Reilly uses the TV series "Dead City" as a starting point to weave through different characters connected to the production. From a stressed scriptwriter to a local historian questioning how to talk about the past while still living it, the novel creates a patchwork portrait of the city. This approach echoes Tommy Orange's "There, There," which used multiple voices to explore Native American lives. Each character speaks directly to the reader, revealing their complex relationship with Derry's history and the Hollywood production that has descended upon the city.Commodification of MemoryThe novel masterfully examines how historical trauma becomes marketable. O'Reilly has a keen eye for absurdities: the artist who once painted Bogside murals now doing lecture tours with a "wee moustache and crucifix earring like a plastic Provo"; the ex-IRA hitman offering services as a "consultant." Those once bound by silence now demonstrate how to make a bottle bomb for the cameras. The locals, facing economic necessity, take work that perpetuates clichés—local painters recreate old murals for film sets, while aspiring actors see the production as their only chance to escape.The Haunting of HistoryThis recreation and commodification of the past creates a kind of haunting. The novel is permeated by different ways in which the dead remain inescapable. Ann-Marie, whose son was shot by a British soldier and whose image now appears on book covers and "bloody tea-towels," delivers one of the novel's most powerful voices: "My heart is small and hard, wind-bleached like seaside beach seats." Her reflection on those who came home safely after her son was killed—"It wasn't their fault and I'll never forgive them"—captures the unfixable contradictions of grief.A New Voice in Irish LiteratureBuilding on his previous memoir "Did Ye Hear Mammy Died?"—described as "heartbreakingly funny"—O'Reilly demonstrates a rare gift for moving between opposing tones. The humor in "Prestige Drama" is skillfully weaponized, allowing him to address subjects we often tiptoe around. His language is gloriously vivid, as when a hungover man wakes up "slowly, like a column of dog food muscling its way out of a tin." While some readers may wish the missing actor thread had more prominence, the novel's true focus is on the ordinary people behind the televised version of events, offering a polyphonic exploration of how history continues to shape the present.

New research commissioned by Friends of the Earth Ireland and Beyond Fossil Fuels reveals that the rapid expansion of data centres in Ireland is silently inflating household electricity bills, creating what the authors call a "hidden data‑centre tax". Datacentre Power Surge Consumes 22% of Ireland’s Electricity According to the Central Statistics Office, data centres used 22% of the nation’s electricity last year – more than the combined consumption of all urban homes. By contrast, the United States and the United Kingdom each see data‑centre demand at roughly 6% of total electricity use. €715 million Drain and €360 Household Cost Spike (2015‑2023) €715 million has been extracted from the Irish economy as a net cost of data‑centre electricity demand. Average household bills rose by a cumulative €360 between 2015 and 2023. Modelling by Seán Fearon, post‑doctoral researcher at the Autonomous University of Barcelona, links the rise to increased hours where gas sets the system price. Ripple Effects on Irish Economy and European Energy Prices Jill McArdle of Beyond Fossil Fuels warns that Ireland’s experience is a warning sign for Europe: unchecked data‑centre growth can amplify energy‑price volatility, especially when combined with fossil‑gas dependence. Industry groups counter that data centres inject capital – €18 billion in recent years – and pay substantial corporate taxes, funding public infrastructure. Future Cost Trajectory: €295‑€644 per Household (2025‑2034) Fearon projects that, depending on growth rates, the average Irish household could incur an additional €295‑€644 in electricity costs over the 2025‑2034 decade, amounting to a national total between €633 million and €1.43 billion. Policy Outlook: Calls for EU Safeguards and Renewable Offsets Stakeholders urge the European Commission to tighten safeguards, ensuring new data centres are matched with renewable‑energy capacity. Without such measures, the sector could lock Europe into a “toxic mix” of high‑demand tech and volatile fossil‑gas pricing.

The 1994 World Cup in the United States was a turning point – a commercialised yet surprisingly raucous tournament that left a lasting impression on the author, who attended as a 23‑year‑old on a modest £9,000 salary.The 1994 World Cup’s Commercial Turn and Fan AtmosphereHosted on American soil for the first time, USA 1994 introduced a more expansive, commercialised model that contrasted sharply with the “couch‑potato” stereotypes of the era. Despite media fears of hooliganism and low‑brow audiences, the event delivered a lively, sometimes chaotic, but ultimately joyous experience for fans, from the tepid crowds in Boston to the electric Irish diaspora celebration in New York.Two matches attended were goalless draws, yet the atmosphere felt “occasionally raucous, often tepid”.British neutral supporters, such as Cardiff fans, helped spark a trend of curious, non‑partisan spectatorship.Ticket prices ranged from $25 (equivalent to $55 today) for a decent seat to $120 for premium access at Giants Stadium.Numbers That Shaped the Tournament: Attendance and Ticket PricesThe tournament set an enduring record for average attendance, with 68,991 spectators per match – a figure that still stands. The relatively low cost of entry allowed a broad cross‑section of fans, from immigrant communities to college students, to experience the World Cup live.Average crowd: 68,991 (World Cup finals record).Typical ticket price: $25 in 1994 ($55 adjusted for inflation).Premium Giants Stadium ticket: $120 each.How USA ’94 Redefined Global Football CultureBeyond the numbers, the tournament fostered a counter‑cultural vibe in the United States. Football was embraced by “convivial geeks and obsessives” and bolstered by immigrant enthusiasm. The Irish community’s celebration in New York turned a simple match into a diasporic festival, while the presence of British fans hinted at a future where World Cups would attract a more diverse, curious audience.These cultural shifts laid groundwork for later developments, such as the creation of Major League Soccer two years later and the massive commercial growth of subsequent tournaments.What the Legacy Means for Future World CupsThe author warns that soaring ticket prices and heightened security may erode the affordable, party‑like atmosphere that defined USA 1994. As future tournaments become more politically charged and financially demanding, the chance for “melting‑pot merriment” could diminish, making the 1994 experience a nostalgic benchmark for fans and organisers alike.

The Lead: This Week's Entertainment HighlightsThis week's entertainment landscape offers a diverse array of critically acclaimed shows and films, from hilarious comedies to chilling horror. Channel 4's "Make That Movie" stands out as one of the funniest shows of the year, while Netflix's "The Four Seasons" returns with a brilliant second season. Horror fans can explore the disturbing world of "Backrooms," while Marvel offers a stylish take with "Spider-Noir."TV Comedy Gold: Make That MovieChannel 4Summed up in a sentence Last One Laughing finalist delivers one of the funniest shows of the year, with this mockumentary about a director who makes awful films.What our reviewer said "So ostentatiously silly that it deserves to be paraded around the streets." Stuart HeritageRead the full reviewFurther reading "People are like: you're a crackpot": how Sam Campbell became comedy's oddball superstarNetflix Triumph: The Four Seasons ReturnsNetflixSummed up in a sentence Tina Fey triumphs again with the return of this comedy about a group of middle-aged friends who reunite during holidays throughout the year.What our reviewer said "Even more perspicacious, poignant and hilarious than the first." Chitra RamaswamyRead the full reviewMarvel's Stylish Take: Spider-NoirPrime VideoSummed up in a sentence In Marvel's witty homage to the hard-boiled films and fictions of the 40s – which can be watched in colour or black-and-white – Nicolas Cage plays Ben Reilly, who gave up being superhero "the Spider" five years ago.What our reviewer said "Everything is shot with style and confidence." Lucy ManganRead the full reviewFurther reading The life of PIs: the strange case of 2026's resurgence of hard-boiled detectivesHidden Gem: PoniesNow/Sky AtlanticSummed up in a sentence Emilia Clarke and Haley Lu Richardson have heaps of fun as two widows who become cold war spies in this espionage comedy-drama.What our reviewer said "It's a mashup of genres and tropes, but it is its own thing too – and an unexpected treat at that." Lucy ManganRead the full reviewHorror Innovation: BackroomsIn cinemas nowSummed up in a sentence A debut from 20-year-old director Kane Parsons that examines memory, reality and fear in an icily disturbing horror, in which Chiwetel Ejiofor accesses an infinite series of hidden rooms that all feel creepily askew.What our reviewer said "Backrooms progressively raises its game towards the big finish with jump scares, squirm scares and tiny shiver scares. There is real fascination in exploring this vast, invisible city state of fear." Peter BradshawRead the full reviewFurther reading Are you sitting uncomfortably? How Backrooms upended the horror movieMusic and Bromance: Power BalladIn cinemas nowSummed up in a sentence Nick Jonas and Paul Rudd star in a comedy of bromance and betrayal from Irish writer-director John Carney that brilliantly brings together Rudd's washed-up wedding singer and Jonas's insecure ex-boyband superstar.What our reviewer said "Power Ballad is about making it and dreaming big, about every busker never giving up on hopes of one day being mega. But as so often with Carney, it's about something else, usually left unacknowledged in movies about music or any sort of show business: the terrible binary of success and failure." Peter BradshawRead the full reviewUnexpected Pairing: TunerIn cinemas nowSummed up in a sentence Playing a piano tuner with super-sensitive hearing, Leo Woodall's relationship with Dustin Hoffman is a tender highlight in this safe-cracking thriller.What our reviewer said "What a pair they are; they are a real pleasure to watch in an easy, unforced drama that mixes romcom moments with a relaxed crime thriller. It's like the Safdie brothers in chill-out mode." Cath Clarke

The Historic AppointmentJo Yapp has been named the head coach for the first women's British & Irish Lions tour, which will travel to New Zealand in 2027. The former England captain is currently the head of the women's pathway at the Rugby Football Union and previously led Australia to the quarter-finals of last year's Rugby World Cup.Yapp was preferred for the role over England head coach John Mitchell, who led England to World Cup glory in 2025 and had publicly expressed interest in the Lions position. The 46-year-old will work part-time for the Lions from July before taking a sabbatical from her RFU role next year to commit fully to the position.Coaching CredentialsAfter retiring from playing in 2009, Yapp built an impressive coaching career. She started with England Under-20s before becoming skills coach at Worcester's women's side, later being promoted to head coach until the side folded in 2023. Her most recent role was as head coach of Australia, making her the first woman to lead the Wallaroos.With Australia, Yapp led them to the WXV2 trophy in 2024, securing their place at the 2025 World Cup where she was one of only three female head coaches at the tournament. The Wallaroos reached the quarter-finals but were knocked out by eventual runners-up Canada. As a player, Yapp was capped 70 times for England and represented her country at three World Cups.The Tour DetailsThe Lions will tour New Zealand in September 2027, with the schedule including three Tests against the Black Ferns. New Zealand will be led by Whitney Hansen, who took over in December 2025. The rest of the coaching staff, selected from the four home nations (England, Ireland, Scotland, and Wales), has yet to be confirmed."To lead the first British & Irish Lions women's team is an incredible honour and something I'm immensely proud of," Yapp said. "The Lions represents the very best of our sport and this tour to New Zealand is an opportunity to create something truly special and help shape the future of women's rugby for years to come."Significance for Women's RugbyThis appointment marks a significant milestone for women's rugby, with Carol Isherwood, chair of the Lions women's committee, calling it "a hugely significant appointment for women's rugby and an exciting new chapter in Lions history."Ben Calveley, Lions chief executive, emphasized the importance of the selection process: "The selection process was rigorous, competitive and international in scope as befitting the significance of this historic appointment. For a moment that represents such a step forward for the game, it was important to us that this appointment serves our desire to grow and support all aspects of the women's game including the promotion of female coaches."Yapp's experience facing the Black Ferns as a player—losing to them in World Cup finals in 2002 and 2006—gives her unique insight: "I know from experience how challenging it is to face the Black Ferns on home soil, but that challenge is exactly what makes this tour so exciting."

The Lead Bordeaux-Bègles' second successive Champions Cup title has solidified France's grip on European club rugby. Their 41-19 victory over Leinster in the final was a testament to their strength, with a blend of youthful talent and seasoned players proving too potent for their Irish opponents. Bordeaux's Dominant Performance Bordeaux's performance was characterized by their exceptional pace and skill. Louis Bielle-Biarrey, just 22, scored two tries, while fly-half Matthieu Jalibert, 27, controlled the game with precision. The team's captain, Maxime Lucu, 33, continues to defy expectations with his outstanding play. The Data Analysis Bordeaux's victory marked their second successive Champions Cup title. The final score was 41-19, with Bordeaux dominating the game. Leinster have now lost five Champions Cup finals in the last eight years. The Impact Analysis This victory cements France's dominance in European club rugby, with no other nation winning the Champions Cup since 2018. The Top 14's financial clout and ability to attract premium foreign talent have given French clubs a significant advantage. Leinster's coach, Leo Cullen, acknowledged that his team needs to adapt to the increasing speed of the modern game. The Prediction With a talented young squad and experienced players, Bordeaux are well-placed to continue their dominance. Leinster, on the other hand, face a significant challenge to regain their former glory. The gap between French clubs and their European rivals appears to be growing, and it may take significant changes for teams like Leinster to bridge this gap.

The Lead Irish writer-director John Carney delivers a terrific comedy of bromance and betrayal in the world of music with 'Power Ballad', starring Nick Jonas as Danny Wilson, a preeningly insecure ex-boyband superstar trying to go solo, and Paul Rudd as Rick Power, a washed-up wedding singer. The Event Details The film revolves around the unlikely friendship between Danny and Rick, who bond over music and creativity. Rick plays Danny a catchy song he's been working on, which becomes a hit. The movie explores the themes of success and failure in the music industry, highlighting the struggles of those who don't make it big. The Impact Analysis 'Power Ballad' offers a fresh take on the music industry, focusing on the often-overlooked stories of those who don't achieve stardom. The film features a standout performance by Paul Rudd, who brings depth and nuance to his character. The movie's portrayal of the music industry is both humorous and poignant, making it a compelling watch. The Prediction With its talented cast and insightful direction, 'Power Ballad' is set to resonate with audiences. The film's release on May 28 in Australia and May 29 in the UK and US is expected to generate buzz in the entertainment industry. As a comedy about music, 'Power Ballad' has the potential to strike a chord with viewers and leave a lasting impression.

Executive Overview of the Guardian’s New Playlist FeatureThe Guardian has launched a fresh Add to Playlist column, highlighting the duo Ear and a dozen standout tracks that span lo‑fi, IDM, and garage‑rock. The piece positions Ear’s “laptop twee” aesthetic as a touchstone for the week’s most inventive releases.Ear’s iPhone‑Recorded Debut and the Rise of Laptop TweeJonah Paz and Yaelle Avtan recorded their first track, Nerves, on an iPhone inside Bard College’s library. The song juxtaposes murmuring vocals, weightless strings, and a sudden bass synth, epitomising the laptop twee movement that blends whimsical lo‑fi textures with experimental electronics.Playlist Composition and Release DataThe Durutti Column – Liars – first album in 15 years, released 2026Cara Delevingne – Out of My Head – debut pop single, released May 2026Gilla Band – Giraffe – new track from Irish band’s latest albumFeeble Little Horse – Upside Down – featured on surprise album BitknotBlood Orange – Essex_Honey.mp3 – bonus track from album of the same nameEddy Current Suppression Ring – Bop – highlight from surprise Melbourne garage‑rock albumAnthony Calonico – Hillside – 80s‑futurist jazz ballad from Los Angeles artistThe playlist is embedded via Spotify, allowing instant streaming across platforms.Why Curated ‘Laptop Twee’ Playlists Matter to the Music LandscapeThe Guardian’s focus on Ear underscores a broader shift: listeners are gravitating toward niche, algorithm‑friendly collections that celebrate genre hybridity. By foregrounding artists who blend nostalgia with avant‑garde production, the column amplifies a market segment that thrives on streaming discoverability and cross‑regional collaboration (Hudson Valley, London, Melbourne, etc.).Looking Ahead: The Future of Curated, Genre‑Blurring PlaylistsAs streaming services refine recommendation engines, we can expect more editorially‑driven playlists that spotlight micro‑scenes like laptop twee. Artists will likely continue to experiment with low‑budget recording techniques (e.g., iPhone studios) while leveraging curated platforms to reach global audiences, reinforcing the symbiosis between DIY aesthetics and mainstream exposure.

The Lead Republic of Ireland midfielder Jamie McGrath has warned that the controversy surrounding Nations League games against Israel could intensify after their friendly win over Qatar in Dublin was disrupted by pro-Palestinian protests. Ireland are set to host Israel at Dublin's Aviva Stadium on October 4, while a September 27 fixture designated as an Israel home match is expected to be staged at a neutral venue. Protest Disruption at Qatar Friendly Qatar's match against Ireland was part of their preparations for this summer's World Cup, where they begin their campaign against Switzerland on June 13. Ireland failed to qualify for the event. Tennis balls featuring the Palestinian flag were thrown on to the pitch in Thursday's friendly, causing the match to be halted twice, and McGrath expected more protests to follow. Boycall Calls and FAI Position Earlier this month, leading Irish footballers joined with celebrities in a campaign calling for a boycott of Israel's matches, but Ireland's governing body for football (FAI) has said it will go ahead with the fixtures and that a refusal to play could lead to disciplinary measures. In November last year, 93 percent of FAI members voted for its leadership to press UEFA to suspend the Israel Football Association from European competitions. Players Caught in Middle "I'm sure it's going to heat up over the next few months. We (the players) don't want to be put into a position," McGrath told the BBC's Northern Ireland bureau after the match. "It's obviously a unique scenario. The people [protesters], we have to listen to them, they have the right to do what they do, as long as it's done in a peaceful way, that's all that matters. At the end of the day, we're footballers and we don't want to be caught in this, but sometimes we might have to." Manager's Stance and Future Outlook Ireland manager Heimir Hallgrimsson has also regularly weighed in on the debate and, ahead of the Qatar match, said his players must "win this war" against Israel in the upcoming matches. When pressed on whether he believed a resolution would be found ahead of the matches, McGrath replied, "To be honest, I've no idea. We obviously touched on it a few days, I'm sure as it heats up, it might be taken out of our hands, I'm not sure."