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The Fatal Helicopter Crash A helicopter crash in northwestern England has killed three British naval crew, according to the UK Ministry of Defence. The crash occurred about 4:00am (03:00 GMT) on Wednesday during a helicopter training exercise near the village of Sourton in the county of Devon, a Royal Navy spokesperson said. Official Response and Investigation The Ministry of Defence announced the news with “deep sadness” in a social media post. “Our thoughts and sympathies are with their families and friends at this sad time,” the ministry said. The navy’s head, General Gwyn Jenkin, said an investigation is under way. Circumstances and Aftermath Few details have been released about the circumstances surrounding the early-morning crash, with the Ministry of Defence saying victims’ families had requested a “period of grace” before further information is made public. British Prime Minister Keir Starmer confirmed he was following the incident. “This will be a deeply worrying time for the families and more information will be set out as soon as possible,” Sky News quoted him as saying. British media reported that several naval bases are located close to where the helicopter went down, including HMNB Devonport, which is Western Europe’s biggest naval base.

The Passing of a Disney LegendPeabo Bryson, the R&B; singer best known as the voice behind the Oscar-winning Disney film duets Beauty and the Beast with Celine Dion, and A Whole New World with Regina Belle from Aladdin, has died. He was 75.His family said in a statement that Bryson, who won two Grammy awards, died Tuesday, days after having a stroke."While our hearts are broken, we find comfort in knowing how deeply Peabo was loved and how many lives were touched by his voice and his generous spirit," the family's statement said. "His legacy and music will live on for generations to come."A Five-Decade Career in R&B;Internationally celebrated for his Disney classics, Bryson also built a career over five decades as one of R&B;'s premier balladeers, recording hits including Feel the Fire, I'm So Into You and Can You Stop the Rain."For more than five decades, Peabo's extraordinary voice served as the soundtrack to some of life's most cherished moments," the family's statement said. "His music carried generations through joyful celebrations, great love stories and enduring moments of comfort and inspiration."Born and raised in South Carolina, the singer, songwriter and balladeer launched his career with the group Moses Dillard and the Tex-Town Display in the 1970s. Shortly afterward, Atlanta label Bang Records signed him as a solo artist.He recorded for Capitol, Elektra and Columbia Records and became one of music's most-sought-after duet partners. Aside from Belle and Dion, he collaborated with artists including Roberta Flack and Natalie Cole.His duet with Flack – Tonight, I Celebrate My Love – became one of the defining love songs of the 1980s, while If Ever You're in My Arms Again helped expand his audience beyond R&B; radio. He later scored No 1 R&B; hits with Show & Tell and Can You Stop the Rain.Beyond music, Bryson appeared in stage productions including Raisin, The Wiz, and Porgy and Bess. In 2018, he returned with Stand for Love, his 21st studio album, produced by hit-making duo Jimmy Jam and Terry Lewis.A Legacy of Musical CollaborationBryson had a stroke in late May and was placed under medical care."At this time, the family requests privacy as they navigate this deeply personal moment together," a statement from his representative read at that time. "The thoughts, prayers and love of friends and fans are welcomed and deeply appreciated."In 2019, Bryson made a full recovery after having a heart attack.Comedian and television host Loni Love said she worked with Bryson on a cruise ship last year and spoke with him for hours on the deck one night after she noticed him sitting alone."He shared incredible stories, spoke passionately about his music, and had such a deep love for his craft," she wrote in a social media post Tuesday. "I am so grateful to have had that special moment with him."The Enduring Impact of Bryson's MusicBryson's family said memorial and celebration-of-life arrangements will be announced at a later date.As news of Bryson's death spread, tributes poured in from fans and fellow artists who recognized his contribution to music, particularly his ability to create timeless duets that became cultural touchstones. His Disney collaborations, in particular, introduced his smooth R&B; vocals to global audiences and created some of the most recognizable love songs in animation history.The Future of Bryson's Musical LegacyWith over 20 studio albums and numerous hit collaborations to his name, Bryson's music is likely to continue finding new audiences through streaming platforms and film soundtracks. His Disney duets, in particular, remain staples of popular culture and will likely be introduced to new generations through theme park performances and home entertainment releases.Industry experts predict that Bryson's passing may lead to renewed interest in his complete discography, potentially resulting in posthumous chart success and tributes from contemporary artists who have cited him as an influence.

A Critical Portrait of George MichaelIn 1998, George Michael was arrested for public lewdness in an LA lavatory, an incident that finally led the singer to publicly come out. The following day, Sathnam Sanghera found himself unable to leave his room at university: the doorway had been mockingly plastered with tabloid newspaper headlines – "ZIP ME UP BEFORE YOU GO-GO!" – by fellow students aware of his longstanding fandom. As a writer, Sanghera is best known for a series of award-winning books on the British empire, which he calls his "specialist subject". Judging by Tonight the Music Seems So Loud – not a biography so much as a miscellany, a set of themed essays that tend to digress in all kinds of intriguing directions – the life and work of one Georgios Panayiotou runs imperialism and its legacy a very close second.The Complex Legacy of a Pop IconIt is an unashamedly partisan book, although not an uncritical one. Sanghera is as alive to Michael's personal and professional failings (whether the naffness of some of his early work as one half of Wham! or his high-handed treatment of the duo's other half, Andrew Ridgeley) as he is in love with his artistic triumphs. These, of course, range from Careless Whisper and Wham!'s annually inescapable Last Christmas to the 1996 solo masterpiece Older, a peculiar and peculiarly effective cocktail of raw grief at the Aids-related death of his lover Anselmo Feleppa and unrepentant horniness.The Evolution of Critical ReceptionSanghera's love for his subject is evidently sharpened by the opprobrium of others. Indeed if the book has a flaw, it's that the author is old enough to remember an era when George Michael was deemed insufferably uncool by some arbiters of taste (incredibly, when Wham! performed at a 1984 benefit show for striking miners, the only mainstream pop act to show support for the cause, they were received stone-faced by the audience and savaged by the music press for their trouble), and thus has a tendency to underestimate how much both he and his music have been critically re-evaluated in the 21st century.The Artistic Journey of George MichaelHe says one of the spurs to write the book was his belief that "most truly popular music is not generally deemed worthy of serious analysis and George Michael's music most certainly is not". That might have been true once, but certainly not of late: when he died, this newspaper alone ran six features by critics analysing different aspects of his music. "He sang so exquisitely about the marrow of life, about the vital, corporeal things", wrote one, which definitely doesn't amount to taking George Michael insufficiently seriously.double quotation markEven as he skinned up in front of journalists and discussed his drug use and sex life, he was concealing the extent of the addictions that eventually killed himFamily Background and Cultural IdentitySanghera is very good on the climate of homophobia in the 80s, which might have given any gay public figure serious qualms about coming out, and fascinating on Michael's family background: how growing up embedded in north London's Greek Cypriot community impacted on everything from Wham!'s image – not camp, Sanghera suggests, but "the vision of two children of immigrants imagining a kind of glamour they had not actually experienced before" – to his work ethic and control freakery. His dad made good in England by working exceptionally hard, running such a tight ship at his restaurant that he summarily fired his only son for messing up the drinks orders. The fact that the same son went on to hire 12 different saxophonists before finding one that could play the solo on Careless Whisper to his satisfaction doesn't come as a huge surprise.The Perfectionist and Contradictory ArtistThis my-way-or-the-highway perfectionism could yield hugely impressive results – Careless Whisper's sax hook may well be the most famous in pop history – but it could equally lead to intransigence and self-sabotage. Michael worked incredibly hard to transform himself from a member of a teen pop band into a more adult-facing solo artist, but having sold a staggering 25m copies of his 1987 solo debut Faith, he refused to promote its follow-up Listen Without Prejudice Vol. 1, or even make videos for its singles: a better album than its predecessor, it achieved only a fraction of its sales as a result. It was evidence of a deeply contradictory nature that occasionally has Sanghera throwing up his hands in bewilderment.The Public and Private Faces of George MichaelMichael was a polymath, keen to be duly credited as the sole singer, writer, producer and musician on a succession of tracks, but also had a weird habit of talking down his abilities, claiming he couldn't play instruments he was perfectly capable of playing. He was a Stakhanovite who increasingly worked at an agonisingly glacial pace, endlessly fussing over details, a state of affairs not much helped by his gargantuan appetite for marijuana: coupled with bouts of writers' block, it meant he released only six albums of original material in a career that lasted 34 years. He was a Labour voter, booster of the NHS and famously generous philanthropist who also engaged in tax avoidance. After being publicly outed, he became a notoriously frank interviewee ("as if nothing can embarrass him anymore" the Guardian's Simon Hattenstone suggested when he met him in 2009). But even as he skinned up in front of journalists and freely discussed his drug use and sex life, he was concealing the extent of the addictions that eventually killed him.The Decline and Final YearsMichael emerges as a messy, unpredictable but ultimately hugely likable figure, which makes the essay about his demise particularly tough reading. Listed starkly on the page, the facts of his final 10 years make it obvious that he was a deeply unwell man whose life had spun wildly out of control: drug busts, medical emergencies, visits to rehab, rumours of breakdowns and suicide bids and seven incidents in which he either crashed his car or was found comatose at the wheel.The Professional Mask of Personal StruggleThat it somehow didn't appear obvious at the time – that his death at 53 felt like a shock rather than a grim inevitability – seems remarkable, but as Sanghera points out, Michael's professionalism did a lot to paper over the cracks. He was always available to the media and always smart, funny and self-effacing: to use a modern turn of phrase, he controlled the narrative. He was punctilious about his appearance – the star certainly never looked like an ailing drug addict – and unfailingly superb onstage.The Hidden Realities Behind the FameBehind the scenes, it was a different story. He struggled to make new music: at one juncture he booked six months of recording sessions but never turned up to the studio once. His once-acute commercial instincts seemed to desert him: even Sanghera can't muster much enthusiasm for the handful of still-unreleased songs he completed in his final years. He cut off close friends and family who tried to intervene. No one who knew him seems to have been particularly surprised by his death: the list of adjectives used to describe him on his official website now includes not just "icon" "legend" "soul singer" and "philanthropist" but "addict" "repeat offender" and "depressive".An Imagined Alternative LegacyAs the book draws to a close, Sanghera offers a heartbreaking alternative history. He imagines Michael conquering his addictions, coming to a complete accommodation with his musical past (to the end of his life, he was dismissive of Wham!, describing their oeuvre as an exercise in "ignoring my own intelligence" and declining to play most of their hits live) and headlining Glastonbury, "getting pleasure from the audience reaction to Club Tropicana".The Enduring Power of George Michael's MusicIt's affecting because you can imagine it so vividly: the endless succession of hits that anyone with even a passing interest in pop music knows, the pandemonium in the crowd when he breaks out Careless Whisper, the encore of Freedom '90. You don't have to be a fan on Sanghera's level to understand what a triumph it would have been. Tonight the Music Seems So Loud: The Meaning of George Michael by Sathnam Sanghera is published by Picador (£22). To support the Guardian, buy a copy at guardianbookshop.com. Delivery charges may apply.

Joshua’s Resolve: Prioritising Grieving Families Over Personal GriefAnthony Joshua explained that his primary focus after the December car accident that claimed the lives of his close friends Sina Ghami and Latif Ayodele is to support their parents. He said, "I’m just there for their parents. Number one is being a good soldier for them. Gotta look after the boys’ parents," and added that he will deal with his own emotions later.Upcoming Saudi Arabia Tune‑up Bout Against Kristian PrengaThe former heavyweight champion will step back into the ring on 25 July for a tune‑up fight against the little‑known Albanian heavyweight Kristian Prenga in Saudi Arabia. The bout is intended to sharpen Joshua ahead of a potential blockbuster against Tyson Fury later in the year.Timeline and Key Figures Surrounding the ReturnDecember 2025 – Car crash in Nigeria kills Sina Ghami and Latif Ayodele.January 2026 – Joshua gives his first media interview since the tragedy.March 2026 – Joshua cites mentorship from Oleksandr Usyk as a source of renewed confidence.25 July 2026 – Scheduled fight against Kristian Prenga in Saudi Arabia.Implications for Joshua’s Career and the Heavyweight LandscapeBy placing the bereaved families at the centre of his narrative, Joshua aims to reshape public perception from a grieving athlete to a compassionate leader. A successful comeback could re‑ignite negotiations for the long‑awaited clash with Tyson Fury, a fight billed as the biggest in recent British boxing history.What Comes Next: Potential Path to a Tyson Fury ShowdownIf Joshua defeats Prenga convincingly, promoters are likely to fast‑track a November bout with Tyson Fury. The outcome will determine whether Joshua can reclaim his position among the sport’s elite and secure the lucrative pay‑day that both fighters and their promoters anticipate.

SpaceX has updated its IPO prospectus to explicitly warn prospective investors about a new operational bottleneck: securing enough water to cool its massive data centers. As the company integrates Elon Musk's xAI operations, the amended filing underscores that access to this basic natural resource is now just as critical to its business model as securing power and silicon. The Thirst of AI: Cooling Data Centers in a Drought In the revised risk factors section, SpaceX highlights that building out AI infrastructure is heavily constrained by the availability of power and water at economically feasible prices. The company explicitly states that significant water resources may be required for cooling large-scale data center operations, making water availability a critical consideration in site selection and development. This admission places SpaceX at the center of an escalating industry-wide debate. As AI models require exponentially more computing power, the water needed to cool these facilities is increasingly clashing with localized drought conditions that are being worsened by global climate change. SEC Scrutiny and the Economics of Resource Scarcity The sudden addition of water scarcity to the IPO risk portfolio likely stems from ongoing dialogue with the Securities and Exchange Commission (SEC). During the pre-IPO phase, regulators routinely send comment letters demanding clarity on operational bottlenecks and vulnerabilities. SpaceX now warns investors that water scarcity, drought conditions, competition for local water resources, or regulatory restrictions could severely delay expansion, constrain cooling capacity, or force the company to implement costly alternative cooling techniques. While the exact catalyst for the amendment remains undisclosed until post-IPO comment letters are released, it signals that resource economics will tightly bound the company's growth. Equity Allocation and the Tesla Merger Horizon Beyond environmental and operational constraints, the amended filing reveals notable financial structuring maneuvers that will dictate the stock's early market behavior: 5% Stock Reserve: SpaceX is setting aside up to 5% of the shares being sold in the IPO specifically for employees and friends of executives. Future Dilution Warning: The company issued a cautionary note that it may issue a significant number of new shares in future transactions post-IPO. The filing explicitly hints at a potential merger with Tesla, a move that would inherently dilute existing shareholders. Resource Acquisition as the New AI Bottleneck Moving forward, SpaceX's IPO filing serves as a broader market indicator. The era of AI expansion is no longer constrained merely by software talent or processor manufacturing. Physical resources—specifically water and power grid access—are rapidly transitioning from environmental afterthoughts to primary determinants of a tech company's valuation, operational timeline, and ultimate success.

Executive Summary: A Heatwave‑Driven Water Emergency in KentDuring the hottest week of the year, thousands of homes across Kent were left without water, forcing vulnerable residents to queue for bottled supplies and shuttering local businesses. The outage underscores long‑standing infrastructure failures at South East Water and raises questions about profit‑driven management of a vital public service.Heatwave Triggers Widespread Water Outages Across KentFrom the bank‑holiday Monday of 28 May 2026 onward, the region experienced a complete loss of water service. The failure was linked to a defective pump at the Charing treatment works and a surge in demand caused by record temperatures.Thousands of households without drinking water, toilet flushing, or bathing facilities.Vulnerable and elderly residents forced to rely on public water stations and personal networks.Local cafés, pubs, oyster bars and leisure centres in Whitstable closed, eroding the local economy.Financial Strain on Residents and Profits for South East WaterResidents of Kent already pay some of the highest water bills in the country, yet the service remains unreliable. Meanwhile, South East Water continues to generate millions of pounds in profit and has been criticised for diverting funds into executive remuneration, reportedly amounting to £17 million in pay packages.Losses for local businesses estimated in the thousands of pounds due to closures.Previous outage in January 2026 at Pembury treatment works highlighted systemic issues.Public Health Risks and Economic Fallout in Kent CommunitiesThe lack of running water compromised basic hygiene, increasing the risk of heat‑related illnesses. Priority‑list customers did not receive promised deliveries, exposing gaps in emergency response protocols.Queueing for bottled water in searing heat.Dependence on friends and family for essential water supplies.Potential long‑term health impacts for elderly and vulnerable populations.Calls for Regulation and Infrastructure Investment Ahead of SummerStakeholders are urging the UK government to hold South East Water accountable, enforce stricter service standards, and fund urgent upgrades to ageing infrastructure. Without decisive action, further outages are expected as summer temperatures climb.

The Struggle for Financial Independence Young people in the US are facing the worst entry-level job market since the start of the pandemic, coupled with significant economic instability. The current economic conditions are making it challenging for those entering adulthood to establish independence and responsibility. Economic Challenges Faced by Young Adults More than eight in 10 young adults rate the economy as 'bad' or 'terrible', according to a recent survey conducted by Generation Lab. The survey, which included over 1,000 18- to 34-year-olds, highlights the difficulties young adults face in achieving financial stability. The Impact of Rising Costs The cost of basic needs like gas and groceries is increasing, making it difficult for young adults to make ends meet. Cuts to social safety net programs have further exacerbated the issue. Nia West-Bey, executive director of the National Collaborative for Transformative Youth Policy, noted that 'it's been rough for a long time' and that young people are facing a 'confluence of long-term economic challenges'. Personal Stories of Struggle Cloud Benn, 23, is working two retail jobs and another as a writing tutor while paying their mom rent due to high housing costs. Tanajia Moye-Green, 25, a PhD student, barely has enough to survive on her academic fellowship and struggles with the high cost of living. Raven Khreis, 19, and her friends are carpooling to save on gas, which is nearly $5 a gallon. Shaniya Taylor, 21, is struggling with high electricity bills and feels scared about stepping into adulthood with a high cost of living. The Long-Term Effects Starting a working life during an economic downturn can have long-term effects, including 'economic scarring' that can last a lifetime. Experts warn that young adults who start their careers during difficult economic periods may never catch up to their peers who graduated during better economic times. The Way Forward Young adults are calling for change and urging those in government to be accountable to the people they serve. Building community and finding ways to address the economic challenges faced by young adults are crucial steps towards achieving financial independence.

The Rise of Sam Campbell Sam Campbell's journey from Australian standup comedian to Britain's most distinctive comedic voice represents a fascinating evolution in modern comedy. Since moving to the UK in the early 2020s, the 34-year-old has carved out a unique space in the British comedy circuit with his irreverent style that swings between hammy overacting and childish belligerence. His approach forces observational comedy through an absurdist filter, with contrarian takes covering everything from hand sanitiser and dragonflies to Ferrero Rocher and Bratz dolls. This distinctive voice earned him the prestigious Edinburgh comedy award in 2022, followed by an arrogant victory lap the next year with his single 10-minute performance titled Bulletproof Ten. The Unconventional World of "Make That Movie" Channel 4's new series "Make That Movie" represents Campbell's boldest creative venture yet. The show-within-a-show format stars Campbell as an alternative version of himself: a pompous director whose creative well has run dry. He invites the public to share their bizarre movie ideas, which he and his dysfunctional crew then develop into actual feature films within the framework of a shoddy reality program. Each episode concludes with the film's premiere, creating a viewing experience that's equal parts hilarious and bewildering. The production process was remarkably hands-off, with Campbell noting that the production company was busy working on an animated Ricky Gervais series about cats, "so we sort of got left to our own devices." This creative freedom was bolstered by Channel 4's head of comedy, Charlie Perkins, a longtime champion and collaborator of Campbell's who was described as "very trusting" despite initially not fully understanding the concept. Campbell's Comedy Philosophy What sets Campbell apart in the comedy landscape is his instinctive approach to humor. As director Joe Pelling observes, "Sam doesn't really seem like someone who's prone to super analysing his stuff too much. He's just led instinctively by what's funny." This gut-driven creativity manifests in his standup material, which subverts and simultaneously adheres to observational comedy tropes. In "Make That Movie," this translates to embracing obviously "dumb" ideas with deadpan seriousness, finding humor in taking film-making too seriously, especially when disaster strikes. The series features an ensemble cast largely drawn from Campbell's friendship circle, including fellow Australian comic Aaron Chen as the nerdy yet incompetent Sebastian, whose parents fund the entire enterprise. Exuberant standup Helen Bauer plays against type as grumpy sound engineer Pat, while 86-year-old actor David Hargreaves completes the gang as cinematographer Winnie. Dressed in matching purple jumpsuits, the team's aesthetic blends Ghostbusters with Scooby-Doo, creating what Pelling describes as a "real-life cartoon feel" to prevent the show from feeling bleak and strange. Campbell's Impact on British Comedy Campbell's influence extends beyond his own series to reshape the British comedy landscape. His triumphant stint on Taskmaster led to numerous appearances as the resident oddball on panel shows like Would I Lie to You?, 8 Out of 10 Cats Does Countdown, and QI. His most high-profile gig to date was this year's series of Last One Laughing UK, where he battled established comedians like Alan Carr, David Mitchell, and Bob Mortimer with unconventional material including duck impressions and claims of dining next to "mole people" during Eat Out to Help Out. What makes Campbell particularly distinctive is his deadpan delivery that proved more than just a mask during Last One Laughing UK. His composure was so unshakable that producers eventually had to implement a rule change, with Campbell ultimately losing to David Mitchell by virtue of having made marginally fewer contestants crack up. This ability to maintain his comedic vision despite external pressures has solidified his reputation as a uniquely uncompromising comedic voice. The Future of Alternative Comedy As Campbell continues to gain prominence, his success signals a promising future for alternative comedy within mainstream media. His willingness to embrace absurdity while maintaining underlying comedic logic suggests that there's significant appetite for comedy that challenges conventional formats and expectations. The fact that Channel 4 has given him such creative freedom indicates that broadcasters are increasingly recognizing the value of distinctive voices over formulaic approaches. Looking ahead, Campbell's career trajectory suggests he'll continue to push boundaries while maintaining his unique comedic identity. Whether through more television projects, standup specials, or other creative ventures, his instinctive approach to humor and refusal to second-guess himself positions him as a comedian who will likely continue to surprise and delight audiences while expanding the possibilities of what comedy can be.

Translated Fiction Review Roundup A collection of recent translated fiction has been reviewed, showcasing the diversity and complexity of global literature. The reviews include: 'Sisters in Yellow' by Mieko Kawakami Sisters in Yellow by Mieko Kawakami, translated by Laurel Taylor and Hitomi Yoshio (Picador, £16.99) Kawakami’s latest opens with a bang, as narrator Hana learns that her old friend Kimiko has been charged with abduction. This MacGuffin takes us to their friendship in late-1990s Tokyo, when teen Hana and the older woman open a bar called Lemon: “Yellow attracts money.” But it’s a turbulent ride and soon Hana is in a world of organised crime. “The world is crazy. I feel like I’m living in a manga.” She’s not the only one, and you need an appetite for Kawakami’s style, which prefers to explore rather than explain – people come and go, buildings burn down, cancer is diagnosed, almost at random – but the relentless rush means there’s no time to get bored. At its best – as in a scene where Hana’s unreliable mother wants to borrow 2m yen for investment in lingerie that helps “your spine and organs move back to where they’re supposed to be” – this is a story both absurd and horrifying. 'All Flesh' by Ananda Devi All Flesh by Ananda Devi, translated by Jeffrey Zuckerman (Pushkin, £12.99) “Forgive me for starting this story with bodily, unpalatable origins.” You may as well – it’s all like that. In an unnamed European country, a schoolgirl “born with no urge but to consume” is getting bigger and bigger. “My gut, my ass, my thighs – they were all set on reaching the farthest corners of the world.” She blames her gluttony on the need to silence the voice of her dead twin sister, who was “absorbed into my tissues” in the womb. She hates school, where other kids mock her, as though her own self-disgust weren’t enough. After a blackly comic scene where she gets stuck in her bedroom doorframe like “an uncooperative cork”, she falls in love with the lonely carpenter who arrives to widen the door – but there are more twists to come. This powerful story is deeply physical, but driven by a compelling voice describing the torment of a girl who is “the psychical mirror of our time … immoderation made manifest”. 'The White Desert' by Luis López Carrasco The White Desert by Luis López Carrasco, translated by Rosalind Harvey (Granta, £14.99) This unpredictable book, comprising five linked stories about a Spanish couple, opens with the end of the world and gets weirder from there. A balloon debate about a post-apocalyptic scenario turns nasty when one participant pulls a knife, or thinks he does. A plane crash-lands on an island. “Can [we] go and get our luggage … Lots of people have, you know, soiled themselves.” What links the scenes is a sense of disconnection in our connected world, but the book subverts expectations: when a group of people celebrating New Year’s Eve go missing, it turns out to be a game of hide and seek. Footnotes peppered throughout suggest we’re viewing all this from the future (“Emirates was a well-known passenger airline …”), and discovering what the white desert is turns everything on its head. For readers who like to do their own joining up, and who want a playful, original take on our precarious lives, this is a thought-provoking treat. 'The Home of the Drowned' by Elin Anna Labba The Home of the Drowned by Elin Anna Labba, translated by Elizabeth Clark Wessel (Harvill, £16.99) “You could have waited, you bastards.” In 1942 Lapland, a village occupied by the semi-nomadic Sámi people is flooded by a new hydroelectric plant’s dam. One family watch as their goahti (peat-covered hut) disappears under the water. “It wasn’t the nicest goahti,” says Ánne. “No, but it was mine,” says her sister Rávdná. When Rávdná wants to build a house to replace it, the authorities refuse permission: the Sámi way of life has been rejected but alternatives are not permitted. A local newspaper half-heartedly offers to publicise their case, but “we receive a lot of angry letters if we use any foreign words”. When the government tells local people the new dam “will lift us out of poverty and injustice”, the words reek with irony. This intimate story of infuriating discrimination is, Labba says, based on real events in Sweden.