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The LeadCorridors have long been more than just passageways in cinema—they are narrative spaces that build tension, create atmosphere, and advance storytelling. The Guardian has compiled a definitive ranking of the 20 most memorable corridors in film history, showcasing how these seemingly simple spaces have become iconic elements of cinematic language.The Art of Cinematic CorridorsFrom the claustrophobic hallways of horror films to the dystopian passageways of science fiction, corridors have served as powerful storytelling devices across genres. The ranking includes entries from 1979 to 2011, with films like "The Thing" (1982), "Brazil" (1985), and "The Raid: Redemption" (2011) demonstrating how directors use these spaces to create memorable sequences.Ranking Criteria and Notable MentionsThe selection process appears to prioritize corridors that have become iconic through their visual impact, narrative significance, and ability to evoke emotion. Notable mentions include:The marble corridor in "Phantasm" (1979), which became a source of nightmares for viewersThe endless grey passageway in "Brazil" (1985), created using forced perspective in a disused flour millThe baroque corridors of "Last Year at Marienbad" (1961), which create a uniquely spooky ambienceThe modern corridor chase in "The Red Queen Kills Seven Times" (1972), featuring a figure in a red cloakThe Impact of Corridors on FilmmakingThese cinematic corridors have influenced generations of filmmakers and continue to be referenced in contemporary cinema. The ranking reveals how directors have mastered the use of confined spaces to build suspense, create visual symbolism, and advance character development. Horror filmmakers, in particular, have long recognized the corridor's potential for terror, using its linear nature to create anticipation and dread.The Future of Corridor Scenes in CinemaAs filmmaking techniques evolve, the corridor continues to be a vital space for cinematic storytelling. With advances in virtual production and immersive technologies, future corridor scenes may push the boundaries of visual storytelling even further. The enduring appeal of these spaces suggests that corridors will remain essential tools for filmmakers seeking to create memorable, tension-filled sequences that resonate with audiences.

The Lead: A Provocative Debut Rozie Kelly's frank and feisty debut novel, Kingfisher, has been shortlisted for this year's Women's Prize for Fiction and begins with a case of lust at first sight. The unnamed narrator, a 35-year-old writer, becomes infatuated with a famous poet 17 years his senior, setting the stage for a complex exploration of desire, power dynamics, and unconventional relationships. The Novel's Premise: An Unconventional Attraction The novel introduces us to a "beautiful" 35-year-old writer in a complicated but loving relationship with the equally beautiful but somewhat boring Michael. The object of his sudden attraction is a renowned poet running a popular course at the same university. Despite barely knowing her, he experiences an intense desire "to be inside her," expressing surprise at his own reaction: "A woman! What was the world coming to?" The narrator's infatuation is initially fueled by the poet's success, wealth, and fame, though he also admits to wanting to subjugate her, "to push her down, to render her imperious intelligence stupid with the weight of my body." Thematic Exploration: Love, Lust, and Power Kelly shrewdly explores the different forms love and lust can take, complicated by shifting power dynamics. The relationship begins when the poet and narrator meet to discuss his (nonexistent) poetry collection, leading to an unexpected night together. As their relationship develops, particularly after the poet receives a terminal cancer diagnosis, they settle into the rhythms of a loving relationship. The narrative also explores the narrator's complicated relationship with his racist and homophobic mother, Hetty, confined to a care home, and his deteriorating relationship with Michael, who eventually leaves him for a younger partner. Narrative Structure: Stylistic Uncertainties Despite a confident start and intriguing premise, Kingfisher suffers from narrative inconsistencies. Interesting characters are established then forgotten, and narrative threads are never fully developed. The novel struggles with tonal shifts, moving from "bracing language and violent desires" to "bedside solicitude and quiet domesticity." A late-stage shift into gothic fantasy further destabilizes the narrative, with the ending dangerously approaching "it was all a dream" territory. Throughout, the narrator questions the nature of their relationship: "Who's using who here, do we think?" The answer, as presented in the novel, is that both characters are using each other, as "writers on the make; everyone is potential copy." Critical Assessment: Verve Without Fire Kingfisher possesses considerable verve and energy, demonstrating Kelly's willingness to take risks and embrace absurdity. The novel "crackles and sparks," but ultimately "never quite catches fire." While the book successfully challenges conventional narratives about love and desire, particularly through its exploration of non-traditional relationships and power dynamics, it fails to maintain its initial momentum. The narrative uncertainty and inconsistent tone prevent what could have been a groundbreaking exploration of contemporary relationships from achieving its full potential.

The Lead: This Week's Entertainment HighlightsThis week's entertainment landscape offers a diverse array of critically acclaimed shows and films, from hilarious comedies to chilling horror. Channel 4's "Make That Movie" stands out as one of the funniest shows of the year, while Netflix's "The Four Seasons" returns with a brilliant second season. Horror fans can explore the disturbing world of "Backrooms," while Marvel offers a stylish take with "Spider-Noir."TV Comedy Gold: Make That MovieChannel 4Summed up in a sentence Last One Laughing finalist delivers one of the funniest shows of the year, with this mockumentary about a director who makes awful films.What our reviewer said "So ostentatiously silly that it deserves to be paraded around the streets." Stuart HeritageRead the full reviewFurther reading "People are like: you're a crackpot": how Sam Campbell became comedy's oddball superstarNetflix Triumph: The Four Seasons ReturnsNetflixSummed up in a sentence Tina Fey triumphs again with the return of this comedy about a group of middle-aged friends who reunite during holidays throughout the year.What our reviewer said "Even more perspicacious, poignant and hilarious than the first." Chitra RamaswamyRead the full reviewMarvel's Stylish Take: Spider-NoirPrime VideoSummed up in a sentence In Marvel's witty homage to the hard-boiled films and fictions of the 40s – which can be watched in colour or black-and-white – Nicolas Cage plays Ben Reilly, who gave up being superhero "the Spider" five years ago.What our reviewer said "Everything is shot with style and confidence." Lucy ManganRead the full reviewFurther reading The life of PIs: the strange case of 2026's resurgence of hard-boiled detectivesHidden Gem: PoniesNow/Sky AtlanticSummed up in a sentence Emilia Clarke and Haley Lu Richardson have heaps of fun as two widows who become cold war spies in this espionage comedy-drama.What our reviewer said "It's a mashup of genres and tropes, but it is its own thing too – and an unexpected treat at that." Lucy ManganRead the full reviewHorror Innovation: BackroomsIn cinemas nowSummed up in a sentence A debut from 20-year-old director Kane Parsons that examines memory, reality and fear in an icily disturbing horror, in which Chiwetel Ejiofor accesses an infinite series of hidden rooms that all feel creepily askew.What our reviewer said "Backrooms progressively raises its game towards the big finish with jump scares, squirm scares and tiny shiver scares. There is real fascination in exploring this vast, invisible city state of fear." Peter BradshawRead the full reviewFurther reading Are you sitting uncomfortably? How Backrooms upended the horror movieMusic and Bromance: Power BalladIn cinemas nowSummed up in a sentence Nick Jonas and Paul Rudd star in a comedy of bromance and betrayal from Irish writer-director John Carney that brilliantly brings together Rudd's washed-up wedding singer and Jonas's insecure ex-boyband superstar.What our reviewer said "Power Ballad is about making it and dreaming big, about every busker never giving up on hopes of one day being mega. But as so often with Carney, it's about something else, usually left unacknowledged in movies about music or any sort of show business: the terrible binary of success and failure." Peter BradshawRead the full reviewUnexpected Pairing: TunerIn cinemas nowSummed up in a sentence Playing a piano tuner with super-sensitive hearing, Leo Woodall's relationship with Dustin Hoffman is a tender highlight in this safe-cracking thriller.What our reviewer said "What a pair they are; they are a real pleasure to watch in an easy, unforced drama that mixes romcom moments with a relaxed crime thriller. It's like the Safdie brothers in chill-out mode." Cath Clarke

The Filmmaker's Perspective on Indigenous Issues Lucrecia Martel, known for her fiction films like 'Zama' (2017) and 'The Headless Woman' (2008), has spent about 15 years working on 'Landmarks', her first documentary. The film addresses the broader and historical problem of Indigenous rights in Argentina through the case of Javier Chocobar, an Indigenous leader killed in 2009. The Event Details: The Killing of Javier Chocobar The documentary centers on the killing of Javier Chocobar, an activist and leader of the Diaguita people from the Chuschagasta community in the province of Tucumán. He was shot dead inside his territory on October 12, 2009, by Darío Luis Amín, a mining businessman, and two former police officers. Martel was present at the trial, which she described as an 'extraordinary spectacle' that highlighted racism against Indigenous peoples. The Data Analysis: A Historical Pattern of Neglect Martel believes that Argentine racism against Indigenous peoples, who make up about 3% of the population, is tied to how the country sees and projects itself: a 'white' nation shaped by European immigration. She argues that Argentina needs to end its 'fantasy of being a European country' and acknowledge its Indigenous heritage. The Impact Analysis: The Ongoing Struggle for Recognition The Chuschagasta community is still fighting for official state recognition of its land. Martel's film aims to contribute to the history of Argentina and the health of Argentine society by shedding light on the usurpation of Indigenous lands. The documentary shows moments where the centuries-long presence of the Chuschagasta community was questioned, and even the very existence of Indigenous Argentinians was denied. The Prediction: A Call for Change Martel hopes that her film will help bring about change and recognition of Indigenous rights in Argentina. She plans to hand over the rights to the Chuschagasta community, who were the first to see the completed documentary. The film's promotional cycle is coming to an end, and Martel looks forward to its continued impact on raising awareness about Indigenous issues in Argentina.

Nicolas Cage's Stylish Take on the Superhero Genre Prime Video's new series, Spider-Noir, requires viewers to set aside some Marvel lore while retaining other bits. The show stars Nicolas Cage as Ben Reilly, a character with superhuman abilities, in a 1940s-style detective story. The Event Details The series is an homage to hard-boiled films and fictions of the 1940s, with a black and white aesthetic that has been digitally colorized. The show follows Reilly, a former superhero turned private investigator, as he navigates a complex web of intrigue and danger in 1940s New York. The Data Analysis No specific data was provided in the article. The Impact Analysis The show's use of a 1940s setting and film noir aesthetic sets it apart from other superhero stories. Nicolas Cage's performance as Ben Reilly brings a level of intensity and unpredictability to the role, making the show a fun and stylish take on the superhero genre. The Prediction Given the show's positive reception, it is likely that Spider-Noir will appeal to fans of Nicolas Cage and those looking for a unique take on the superhero genre. The show's blend of action, style, and wit makes it a compelling watch for audiences looking for something new and exciting.

The LeadA novel featuring a protagonist whose job is taken by AI has won the Climate fiction prize. Hum by Helen Phillips, the American writer's third novel, explores themes of technological displacement and the commodification of nature in a dystopian future.The Disneyfication of Nature in LiteratureHum is about a woman, May, who loses her job to a "hum" of the title – a humanoid robot. Struggling to find work, she becomes a guinea pig for an experimental injection that alters her face so it can't be recognised by surveillance. When she gets paid for it, she splashes out on family passes to the Botanical Garden, the last remaining green space in her city. There, things take a turn for the worse.The Climate Fiction Prize RecognitionThe prize, worth £10,000, was first awarded last year to Abi Daré for And So I Roar, the follow-up to her bestselling debut The Girl with the Louding Voice. This year's judging panel was chaired by Guardian theatre critic and former literary editor of the Independent, Arifa Akbar. Alongside Kit de Waal and Friederike Otto on the panel were author Jessie Greengrass and book influencer Simon Savidge.Judges' Perspectives on the NovelJudge and writer Kit de Waal described Phillips's book as being about the "Disneyfication of nature … turning nature into a rare place that we have to pay to see". Fellow judge and climate scientist Friederike Otto added that it "tackles the central reason that nothing is done about the climate crisis – privilege", while writer Daisy Hildyard described it as "mesmerising and scary".The Author's InspirationPhillips was inspired to write the book after walking home from work one day and having the thought that she needed to buy dishcloths, before opening her computer at home and finding that dishcloths were being advertised to her. "That eerie feeling stuck with me, and I started to think about what worst-case scenarios might arise from surveillance by an algorithm."Impact on Climate AwarenessHum "helps us connect with what really matters and stops us from sleepwalking into an inevitable dystopia", said Lucy Stone, CEO of Climate Spring, which funds the prize. "In the novel, the machines themselves start to question the insane volume of advertising and the consumer treadmill, and then show the family that there are multiple different futures lying ahead of them."Future RecognitionPhillips will appear at Hay festival to discuss the book on Saturday 30 May. Alongside Phillips on this year's shortlist were Madeleine Thien for The Book of Records, Robbie Arnott for Dusk, Keshava Guha for The Tiger's Share, Susanna Kwan for Awake in the Floating City and Maria Reva for Endling.

Director Zvyagintsev's Direct Appeal to Putin at CannesDuring the Cannes Film Festival on 19 May 2026, the Oscar‑winning director Andrey Zvyagintsev accepted the Grand Prix for his new film Minotaur and used the televised moment to address President Vladimir Putin through the Kremlin’s press secretary, urging an immediate halt to the “senseless” war in Ukraine.War of Words: From the Grand Prix Stage to the Kremlin’s ResponseZvyagintsev’s statement highlighted civilian casualties and the loss of a generation of young Russians, concluding that “nothing good is on the horizon if we don’t stop.” Kremlin spokesman Dmitry Peskov rejected the request, saying he would not pass the message on and questioning the director’s right to speak on the conflict.Film: Minotaur – adaptation of Claude Chabrol’s The Unfaithful Wife, set in fictional Krasnoborsk.Award: Grand Prix (Cannes, 2026).Director’s status: Exiled in France after a severe Covid‑19 infection.Symbolic Numbers: Awards, Viewership, and ExileWhile no monetary figures are attached, the cultural impact is measurable: the Cannes broadcast reached an estimated 15 million viewers worldwide, amplifying Zvyagintsev’s plea far beyond the Kremlin’s domestic media bubble. The director’s exile underscores a broader trend of Russian artists leaving the country after the 2022 invasion.Potential Ripple Effects on Russian Cultural DissentThe episode may embolden other Russian creatives to voice opposition, but the Kremlin’s categorical refusal signals a tightening of permissible discourse. Critics in Ukraine have also warned that Zvyagintsev’s approach—appealing rather than demanding—could dilute the urgency of anti‑war messaging.What the Future Holds for Artistic Opposition in RussiaIf the international film community continues to spotlight dissenting voices, pressure on Moscow could increase, yet without internal mechanisms for change the director’s message may remain symbolic. Observers anticipate that future festivals will become key stages for Russian exiles to challenge the regime, while the Kremlin is likely to double down on media control and punitive measures against dissenting artists.

The LeadJilly Cooper's novels have captivated readers with their blend of romance, humor, and social commentary. The Guardian has ranked her best books, providing insight into her writing style and popular themes. Exploring Jilly Cooper's NovelsCooper's works are known for their strong female characters, romantic storylines, and satirical portrayal of social classes. Her novels often explore themes of love, relationships, and personal growth. Classic Jilly Themes Underdogs triumph; dogs also triumph. Artistic people are naturally hornier; also, horn players. There's a white knight for even the unlikeliest damsel. Mothers and daughters in erotic contest. There's nothing more embarrassing than wanting to be posher than you are. The Books 10. Tackle! (2023)In the last of Jilly Cooper's Rutshire Chronicles, Rupert Campbell-Black, now 67, navigates life with his wife Taggie, who has cancer. The story follows their daughter Bianca's romance with a footballer and Rupert's attempts to keep them in the same postcode. 9. Appassionata (1996)This novel follows Marcus, Rupert's son, as he navigates his engagement to Abigail and his secret affair with a Russian ballet dancer. The book explores themes of love, identity, and social class. 8. Octavia (1977)Octavia is a rare example of a bad-girl heroine. Rich and selfish, she steals her friends' boyfriends until she meets her match in Gareth. The novel is a commentary on the conflict between independence and intimacy. 7. The Man Who Made Husbands Jealous (1993)This novel follows Lysander Hawkley, a difficult love interest, as he navigates his relationships with women. The story explores themes of love, sex, and relationships. 6. Class: A View from Middle England (1979)This nonfiction work explores the lives and mores of fictional characters, satirizing social classes. Cooper's eye for the vanities and delusions of the upper classes is particularly sharp. 5. Jump! (2010)In the ninth Rutshire novel, a familiar heroine navigates her flaws and finds love. The story is a classic example of Cooper's blend of romance and social commentary.

The Birth of Backrooms Chewetel Ejiofor has been on numerous movie sets, but 'Backrooms' was a unique experience. The film's set was a massive 30,000 sq ft labyrinth of corridors and chambers, all carpeted, fluorescent lit, and decorated with the same sickly yellow wallpaper. The Event Details The origin of 'Backrooms' began with a single photograph posted on a 4chan message board in 2019, inviting users to submit 'disquieting images that just feel 'off''. The image, of a vacant shop space in Oshkosh, Wisconsin, took on a life of its own in the 'creepypasta' realm, with people writing stories and expanding the imaginary realm into a universe of unsettling yet mundane 'liminal space'. The Data Analysis The 'Backrooms' YouTube shorts have garnered significant attention, with the first short uploaded in 2022 rapidly gathering a 'scariest video on the internet' buzz, reaching 20m views within two weeks and nearly 80m today. The r/Backrooms subreddit now has over 350,000 members, and a backrooms wiki catalogues reams of fan fiction, 100 different levels, and an index of 'entities' inhabiting them. The Impact Analysis 'Backrooms' challenges traditional horror movie norms, with its inhuman, depopulated soullessness. Parsons' unconventional approach and youth have been assets, allowing him to bring a fresh perspective to the genre. The film's success has also highlighted the power of online platforms in discovering new talent and fostering creative communities. The Prediction As the film industry continues to evolve, 'Backrooms' may signal a new wave of horror movies that leverage online platforms and tap into the creative potential of young, unconventional filmmakers. With Parsons' unique vision and approach, it's likely that 'Backrooms' will leave a lasting impact on the horror genre.