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Prince Harry, the youngest son of King Charles III, is facing a defamation lawsuit from Sentebale, the charity he co-founded with Prince Seeiso of Lesotho in honor of Princess Diana. The charity claims that Harry and Mark Dyer, a former trustee, orchestrated a media campaign that caused operational disruption and reputational harm to the organization.The dispute began in 2023 over a new fundraising strategy, leading to Harry and Prince Seeiso stepping down as patrons in March 2025. Sophie Chandauka, the charity's chair, accused Harry of bullying and harassment, but a UK Charity Commission inquiry found no evidence of bullying. The commission did criticize the parties for allowing the internal dispute to become public.Harry's spokesperson has categorically rejected the libel claim, calling it offensive and damaging. The lawsuit, filed in the High Court of England and Wales, seeks the court's intervention, protection, and restitution for the harm caused to Sentebale, its leadership, and strategic partners.

The latest offering from writer Theo Jamieson and director Adam Lenson is a boldly conceived musical that thrusts a turbulent romance into a sci‑fi framework. The story follows a young astronaut, Daniel, who vanishes from his shuttle with barely enough fuel, prompting a quest to uncover the motives behind his reckless flight.Stuart Thompson (as Daniel) and Poppy Gilbert (as Emily) anchor the piece with performances that are both visceral and nuanced. Their chemistry captures the push‑pull of a relationship scarred by childhood bullying, parental betrayal, and a shared history of trauma, delivering songs that soar and hit hard.Visually, the production leans heavily on interstellar projections that transform the stage into a shifting cosmos, while the score oscillates between Sondheim‑style wit and full‑blown symphonic passages. This combination creates an epic sense of strangeness that distinguishes Flyby from more conventional West End fare.However, the narrative’s fragmented structure hampers its emotional payoff. The non‑chronological storytelling leaves critical gaps, and the metaphor of being "stranded in space" feels over‑extended—especially with the protagonist’s surname, Defoe, a thin nod to Robinson Crusoe. The three narrators, played by Simbi Akande, Gina Beck, and Rupert Young, often drift into digressive asides that dilute the central arc.Despite these flaws, moments of brilliance emerge, particularly in the musical’s treatment of mental‑health themes. The show hints at the potential to join the ranks of modern theatre successes like Next to Normal and Dear Evan Hansen, should its structural rough edges be smoothed.The production is currently staged at Southwark Playhouse, Borough, London and will run through 16 May. Audiences seeking a daring blend of emotional intensity and cosmic spectacle will find Flyby a compelling, if imperfect, experience.

Four months after Australia introduced its under‑16 social‑media ban, Sydney teenager Noah Jones says his online experience has been largely unchanged – he has not been removed from any platform.Jones recounts a brief hiccup on Instagram that he quickly resolved, and notes a friend who temporarily lost access to Snapchat but managed to circumvent it. "That’s pretty much my whole experience of the ban," he says.Despite his personal continuity, Jones is now a plaintiff in a High Court challenge mounted by the Digital Freedom Project, which argues the ban infringes the implied constitutional right to political communication.The eSafety Commissioner, Julie Inman‑Grant, recently disclosed that more than 5 million accounts have been deactivated since the policy’s rollout, yet over two‑thirds of teenagers remain active on the ten targeted platforms – Facebook, Instagram, Snapchat, TikTok, YouTube, X, Twitch, Kick, Threads and Reddit. Young users are reportedly bypassing facial‑age estimation tools, especially when they are within two years of turning 16.Further eSafety findings reveal that 66 % of parents say platforms did not request age verification, and when ages of 14 or 15 were detected, platforms often prompted users to undergo facial‑recognition checks and simply adjust the displayed age rather than enforce deactivation.Communications Minister Anika Wells has urged the commissioner to "throw the book at" non‑compliant services, noting that fines could reach up to $49.5 million per breach in federal court. However, any penalties are likely to be considered only after the High Court decides the law’s validity.Wells also pledged new legislation imposing a digital duty of care on platforms, obliging them to take reasonable steps to prevent harm. The bill is slated for parliamentary debate later this year.The Digital Freedom Project, led by NSW Libertarian MP John Ruddick, contends that banning under‑16s from holding accounts effectively silences their participation in political discourse, as logged‑out viewing does not permit meaningful engagement.Legal scholars are divided. Prof. Sarah Joseph of Griffith University warns that an ineffective law could breach the implied freedom of political communication, while Monash University’s Prof. Luke Beck argues that the law’s purpose is to compel platforms to enforce age restrictions, not to achieve 100 % compliance.Beck points out that most legislation is not perfectly effective – citing murder laws and age‑restricted media – and that courts typically assess whether a law is a proportionate means to a legitimate aim.The government acknowledges that the age limit imposes a burden on political communication but maintains the measure is justified to mitigate risks from algorithmic recommendation systems, endless feeds, and other features that can amplify harm.Jones will turn 16 in August, at which point the ban would no longer apply to him. His mother, Renee Jones, says she faced online backlash for opposing the ban, with some critics even suggesting her children be taken away."It’s my right to choose how I raise my children in a digital world," she asserts, emphasizing strict household rules: no devices in bedrooms, phones locked at night, and shared passwords for parental oversight.Jones acknowledges the downsides of social media – bullying and explicit content – but stresses that his generation relies on these platforms for news and forming opinions, more so than traditional media.Both Jones and his mother argue the legislation was rushed and is failing to address the core concerns about harmful content, leaving many teens, like Noah, to navigate the digital landscape largely unchanged despite the ban.

The article examines the use of bullying as a tool in international relations, particularly in the context of Donald Trump's presidency. The author, Dave Schilling, argues that bullying may be effective in the short term, but it ultimately leads to negative consequences and does not achieve lasting results.Schilling draws on his personal experience of being bullied as a child to illustrate the dynamics of bullying behavior. He notes that bullies often target individuals who are remarkable or threatening in some way, and that the aim of bullying is to assert dominance and feel more powerful.The article critiques Trump's approach to foreign policy, which has been characterized by threats, bluster, and aggression. Schilling argues that this approach has not led to lasting results, citing examples such as the ongoing conflict in Iran and the tensions in the Strait of Hormuz.Schilling also explores the idea that bullying can be a successful strategy in certain contexts, such as in business or entertainment. However, he argues that this approach is not effective in international relations, where lasting relationships and cooperation are essential.The article concludes that bullying is not an effective long-term strategy for achieving success or resolving conflicts. Instead, Schilling suggests that empathy, understanding, and cooperation are essential for building strong relationships and achieving lasting results.

The two‑child benefit cap, introduced in 2015 by Chancellor George Osborne as a fairness measure, has been widely criticised for penalising families rather than influencing birth rates. Eleven years on, evidence shows the policy did not reduce family size but instead increased hardship for the poorest households.Research estimates that the cap pushed 350,000 children into poverty and drove another 700,000 deeper into deprivation. The impact fell disproportionately on the most vulnerable universal‑credit claimants, with a notable over‑representation of Muslim and Jewish families. Affected children missed out on school uniforms, extracurricular activities, and even regular meals.On Monday, the government announced the cap’s removal – a move that analysts say could deliver the most significant reduction in child poverty seen in a single parliamentary term. Modelling suggests that by 2030 450,000 children could be lifted out of poverty, while roughly 480,000 families may see an annual boost of £4,100. Parents anticipate being able to avoid food banks, afford hot school meals, and prevent bullying linked to clothing.The reversal was not inevitable. Persistent campaigning by think‑tanks, charities, and a handful of rebellious Labour MPs – some of whom faced suspension for defying party whips – forced the issue onto the political agenda. Nevertheless, the editorial notes that an estimated four million children will remain in poverty without further systemic reforms, such as raising Universal Credit rates and increasing local housing allowances.Public opinion remains divided: a recent YouGov poll found that six in ten Britons previously supported keeping the cap, though support for removal rose when the policy was framed as giving every child a good start. The editorial warns that other parties, including Reform UK, have pledged to reinstate the limit, underscoring the need for Labour to consolidate this victory and push for broader anti‑poverty measures.

Chinese swimming authorities have initiated an investigation into cyberbullying targeting Quan Hongchan, the 19-year-old diving champion who has won three Olympic gold medals. The General Administration of Sport's swimming management centre announced the probe on Wednesday, stating that it is working with officials in Quan's home province of Guangdong to address the issue.Quan, who won her first gold at the Tokyo 2020 Olympics at just 14 years old and added two more golds at the Paris 2024 Olympics, has faced intense scrutiny and pressure. She has spoken publicly about the toxic online commentary she has faced, particularly regarding her weight and diet.The cyberbullying has been described as 'malicious' and has included false information and abnormal fan culture. Chinese authorities have pledged to crack down on such behavior, which has been termed 'toxic fandom'. Quan's swimming club has also reported the case to police, emphasizing that athletes are a valuable national asset and that such acts of slander and insult are unacceptable.Quan's success has made her a popular figure in China, with her hometown becoming a tourist destination. However, this has also led to intense media scrutiny and pressure to conform to certain standards. The investigation aims to address these issues and ensure a safer online environment for athletes.

A Network Rail worker has emerged victorious in a race harassment case after his colleagues left an anti-Islam English Defence League (EDL) leaflet in his locker. Parmjit Bassi, based at Eastleigh depot in Hampshire, was found to be a victim of a racist attack when a co-worker stuffed the EDL leaflet in his locker, questioning what individuals were doing to protect their children from Islam.The leaflet, produced by the far-right group EDL, asked questions that implied a threat to the worker, regardless of his religious background. Bassi, who is not a Muslim, was also accused of committing a high-profile stabbing when colleagues placed a newspaper page in his locker about a knife attack.The Southampton employment tribunal ruled that the incidents were 'clear slights' against Bassi's race and that Network Rail managers had a 'laissez-faire attitude' towards them. The tribunal concluded that the company's inaction was 'weak management' that only strengthened the bullies' position at the expense of Bassi.Bassi successfully sued Network Rail and is now in line to receive compensation. The case highlights the importance of addressing workplace bullying and racial harassment. The tribunal's decision emphasizes that racial harassment can occur even if the victim does not belong to the targeted group, in this case, Islam.The incidents led to Bassi being moved to a different team and eventually dismissed in April 2021. He appealed against the decision but it was upheld, leading him to take Network Rail to the employment tribunal with claims of racial harassment and unfair dismissal, both of which were successful.

TikTok announced the removal of a high‑profile Israeli far‑right influencer’s account after The Guardian identified videos in which he assaulted left‑wing activists in the occupied West Bank. The platform said the content breached its community guidelines on hate speech and bullying. The influencer, identified as Roi Star, posted footage in January showing himself entering a house used by activists in Ras Ein al‑Auja and using pepper spray on a protester who tried to stop him. In the same clip, he shouted, “This is Judea, not Palestine,” and later threatened to disclose personal details of the activists and their families. When contacted, Star claimed he was “talking about peace” and argued that the area was an open Israeli public space, insisting that his use of pepper spray was the “most minimal” defensive measure. He later described the incident as “acting” and said his intentions were not “extreme.” TikTok’s statement emphasized that its policies prohibit “violent and hateful individuals, including extremist praise or glorification,” and that the account was taken down for breaching these rules. The company also said it had removed additional videos linked to other Israeli far‑right agitators, though it did not disclose further details. The incident occurs against a backdrop of rising far‑right activity on social platforms since the Gaza war began in October 2023. Israeli forces and settlers have been responsible for the deaths of over 1,000 Palestinians in the West Bank, and recent weeks have seen an escalation of attacks on homes and activists. Human‑rights groups warn that the online amplification of such content fuels real‑world violence. Yuli Novak, executive director of B’Tselem, said dehumanising Palestinians has become “mainstream in Israel,” while digital‑media scholar Prof. Anat Ben‑David highlighted the “troubling convergence between platform dynamics and on‑the‑ground violence.” Activists on the ground report a profound psychological impact, with one resident of Masafer Yatta noting that the videos heighten fear among Palestinians living under daily settler attacks. The phenomenon mirrors the rhetoric of Israel’s far‑right politicians. In August 2025, National Security Minister Itamar Ben‑Gvir faced criticism for posting a video taunting Palestinian leader Marwan Barghouti, while Knesset member Zvi Sukkot was filmed denying settler violence in the West Bank, framing the settlement enterprise as a biblical right. Meta’s Instagram continues to host numerous accounts linked to similar agitators, though the company has not responded to requests for comment. Experts argue that while platform policies technically forbid hate‑speech, their vague language allows harmful content to spread unchecked, underscoring the need for stronger enforcement to curb the digital propagation of extremist narratives.

Brandy's highly anticipated memoir, Phases, co-written with Gerrick Kennedy, provides an intimate look at the singer's life, detailing her formative years, meteoric rise to fame, and struggles with addiction, bullying, and trauma.Brandy, known as the 'Vocal Bible,' has been in the music industry for over 30 years, with a discography that includes undeniable classics like 'Sittin’ Up in My Room', 'The Boy Is Mine', and 'What About Us?'. Despite her success, she has often been underrated, and her memoir aims to set the record straight.The book delves into Brandy's early life in Mississippi and California, where she developed her singing skills in church choirs and youth groups. It also explores her experiences as a teenage superstar, including her role on the hit sitcom Moesha and her struggles with addiction.Brandy shares stories of bullying, including being targeted by a bully named Shanice, and her complicated relationships with musical idols like Whitney Houston and Michael Jackson. She also opens up about a toxic relationship with Wanya Morris of Boyz II Men and her side of the story about her highly publicized feud with Monica.The memoir also touches on Brandy's involvement in a fatal car accident in 2006, which left her with survivor's guilt and a deep sense of responsibility. Through it all, Brandy's love for music remained a constant, and she reflects on her journey to becoming one of the most respected vocalists in the industry.Phases is now available on HarperCollins in the US and will be released in Australia on April 1 and in the UK on April 23.