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Spain's Injury Update: A Boost for World Cup Ambitions Spain coach Luis de la Fuente has provided a positive update on the fitness of Lamine Yamal, Nico Williams, and Victor Munoz, confirming that the trio are expected to be available for their World Cup 2026 opening match against Cape Verde on June 15. The Road to Recovery Lamine Yamal, 18, has been managing groin and hamstring issues suffered in April, while Williams and Munoz have also been recovering from injuries. The three players remained at Spain's training base in Chattanooga, Tennessee, on Sunday to continue their rehabilitation, rather than traveling with the squad for Monday's final warm-up match against Peru. Coach's Update De la Fuente expressed optimism about the players' progress, stating: 'If there are no setbacks in the coming days, we expect them to be available on the 15th. I think all three will be in a position to play.' However, he was more cautious when asked if they could start against Cape Verde, emphasizing that they are within the expected timelines to arrive in good condition for June 15. Spain's World Cup Aspirations Spain arrive at the World Cup 2026 among the leading contenders after their Euro 2024 triumph. Forward Yeremy Pino acknowledged the pressure, saying: 'The favourites tag is normal. We've had some very good years, and we carry that with a lot of pride. Pressure should not make us play worse. It should make us improve and play better.'

Nelly Korda won the US Women’s Open on Sunday, holding off Charley Hull and Gaby Lopez by a single shot to claim her second straight major victory.Back-to-Back Triumph: Korda Secures Second Straight MajorNelly Korda posted a final‑round 69 (‑2) to finish at eight‑under.She held off Charley Hull and Gaby Lopez by one stroke.The decisive moment came when her 2‑ft putt on the 18th “curled around the cup” before dropping.Financial Stakes: $2.5 Million Winner’s Share and Record $12.5 Million PurseTotal purse: $12.5 million, the largest in women’s golf history.Winner’s share: $2.5 million for Korda.Runner‑up payouts and overall prize distribution reflect the sport’s growing commercial appeal.Shifting Power Dynamics in Women’s GolfKorda’s victory follows her April win at The Chevron Championship, marking four major victories in her career and a dominant start to the 2026 season after a winless 2025. Her steady play and mental resilience are reshaping expectations for consistency on the LPGA Tour, while Hull’s surge signals rising competition from Europe.What Lies Ahead for Korda and the LPGA TourKorda is positioned as the early favorite for the upcoming Women’s PGA Championship and the Evian Championship.The LPGA may see increased sponsorship interest following the record purse.Analysts predict a tighter leaderboard throughout the season, with more players capable of challenging Korda’s dominance.

From Evacuation Alert to Normal Operations: The Zvezda Service Module CrisisThe International Space Station (ISS) has transitioned from a state of heightened alert to normal operations, following a decision by Nasa and Roscosmos to pause structural repairs on the Zvezda service module. The Crew-12 mission, comprising two US astronauts, a French astronaut, and a Russian cosmonaut, was initially ordered to enter their SpaceX Crew Dragon spacecraft and don spacesuits as a precautionary measure against a rapidly worsening air leak.The Escalation of the Zvezda CrisisThe decision to prepare for evacuation was driven by a significant increase in the rate of air leakage. While leaks had been monitored for months, the situation escalated dramatically on Monday when the leak rate doubled from one pound of air per day to two pounds (0.9kg) per day.Location of Issue: The leaks are located in the Zvezda service module's transfer tunnel, known as PrK.Root Cause: Structural cracks have been detected in the tunnel, a long-standing concern for Nasa and Roscosmos.Immediate Action: Roscosmos paused repairs to allow for data assessment, leading to the cancellation of the evacuation order.Quantifying the ThreatDespite the alarming nature of the evacuation order, officials emphasized that there was no immediate threat to the crew's safety. The leaks, which involved two separate oxygen leaks, were described as relatively minor in the broader context of the station's operations.Roscosmos reported that the first leak was quickly sealed, and preparations were underway to seal the second. The structural integrity of the football-pitch-sized laboratory remains a priority, with both agencies agreeing that the cracks require a more extensive repair operation than previously attempted.International Cooperation Under PressureThe incident highlights the delicate balance of international cooperation required to maintain the ISS. Nasa and Roscosmos have been debating the causes and fixes for the Zvezda module for months. The agency's spokesperson, Bethany Stevens, noted that the cracks have been mitigated as much as possible through operational measures, but the recent escalation necessitates a collaborative approach to ensure the long-term safety of the station.A Temporary Fix or Structural Failure?The return to normal duties offers a temporary reprieve, but the underlying structural issues in the Zvezda module remain unresolved. As the ISS ages, the frequency of such structural anomalies is likely to increase, requiring constant vigilance and international coordination to prevent future safety crises.

FIFA Cancels Erroneously Issued Free World Cup TicketsFIFA announced the cancellation of World Cup tickets that were mistakenly allocated at 0 USD to about 60 fans due to a website checkout error, and is now requiring full payment.Technical Glitch Leads to 60 Fans Receiving Zero‑Cost TicketsThe error occurred on 21 May when the official ticketing site allocated tickets “at no charge” because of a prior payment issue during checkout. The affected fans have been invited to complete payment for the tickets that remain reserved.Financial Implications of the Ticketing Error60 fans received tickets priced at 0 USD.FIFA’s resale platform charges a 15% commission on both buyers and sellers.Tickets for the 2026 World Cup are described as “wildly more expensive” than previous editions, supporting FIFA’s goal of generating billions for member federations.Broader Repercussions for FIFA’s Ticketing ModelThe incident adds to ongoing scrutiny from the attorneys general of New York and New Jersey, who are investigating FIFA’s ticketing program for possible consumer‑protection violations. It also highlights challenges in FIFA’s shift to an in‑house ticketing and dynamic pricing system.What This Means for Future World Cup Ticket SalesWith the tournament set to open next Thursday in Mexico City, the glitch raises questions about price adjustments for lower‑demand games and the reliability of FIFA’s surge‑pricing model. Fans and resale platforms such as SeatGeek will be watching closely for any further pricing changes.

Uncovering the Forgotten Genocide Visiting the Namibian port town of Lüderitz in late 2024, I came across a small museum run by descendants of German settlers. Alongside imperial German flags and memorabilia, it displayed artefacts of the Herero tribe that had been recovered from nearby Shark Island. What went unmentioned is that, from 1905 to 1907, Shark Island was the site of a concentration camp where Herero and Nama prisoners were subjected to forced labour, starvation and systematic abuse. At least 3,000 people are estimated to have died there. The Event Details Fractured Lifeworlds, a new exhibition opening in Berlin this week, is built around questions of memory, geography and accountability. The show presents four years of research by Forensic Architecture, a multidisciplinary research agency that uses visual reconstructions to investigate human rights abuses from Syria and Palestine to Greece and Germany. The Data Analysis The show’s centrepiece is a series of films that combine oral testimony from descendants of genocide victims with meticulous geological research. An eerie 30-minute film on Shark Island reconstructs the concentration camp, showing how German authorities weaponised the island’s harsh environment against prisoners – and shipped their skulls back to Germany for pseudoscientific research. The Impact Analysis Many descendants also fear that the Hyphen project could undermine efforts to preserve Namibia’s sites of the genocide as places of remembrance. Sima Luipert, adviser to the Nama Traditional Leaders Association (NTLA) and a collaborator on the exhibition, fears the port expansion could disturb burial grounds. “When they dredge, they don’t seem to realise that they are not simply moving dirt. They are disturbing the dead,” she says. “The water is the burial site.” The Prediction Mark Mushiba, the lead curator of Fractured Lifeworlds and a researcher at Forensis, explains that historians have largely relied on colonial documents. Forensic Architecture and Forensis instead sought to “read the landscape”. In Hornkranz – which is now used as a private farm – that meant locating old bullet cartridges, identifying former homesteads through distinctive vegetation patterns and treating plants as historical evidence.

The Birth of a Modern Classic The one-woman play Iphigenia in Splott was first performed in 2015. Eleven years on, Gary Owen's reworking of Greek tragedy, transplanted to working-class Splott in Cardiff, has earned its place as a modern classic. It reimagines the mythological heroine Iphigenia as Effie, a young woman filling her days drinking vodka out of a mug in her dressing gown. The play is about poverty and social inequality, closures and cuts, services scraped to the bone by austerity. The Data Behind the Drama First performed in 2015 Translated into French and Spanish Welsh-language film adaptation titled 'Effi o Blaenau' The Impact of Austerity The play's writer, Gary Owen, says that expectations were not high for Iphigenia in Splott on opening night at the Sherman theatre in Cardiff in 2015: "They only put it on for two and a half weeks and they were quite worried about whether it would sell the tickets." When he wrote the play, in 2014, he was living in Splott in the thick of the austerity era. "We were being told that we all had to take these cuts because we were all in it together." The Shift to Screen The idea for a Welsh-language film came from the producer Branwen Cennard at S4C, the free-to-air television channel for Welsh speakers. Making the film in Welsh with subtitles was non-negotiable, she says: "I wouldn’t have entertained any other way." The film is directed by Marc Evans, who co-wrote the script with Owen, changing the location from Cardiff to Blaenau Ffestiniog, a former slate-mining town in north-west Wales. The Future of Welsh-Language Cinema The film's star, Leisa Gwenllian, grew up down the road from Blaenau Ffestiniog. "I don’t think I’d quite realised how Welsh my area is until I moved out. We’d go months without speaking English at all, except on the phone. You can go to my local McDonald’s and order in Welsh. It’s quite a bubble." The success of 'Effi o Blaenau' could pave the way for more Welsh-language films and help to promote the language and culture.

The Photographic Journey of Billy Dosanjh In the winter of 1962-3, when snow blanketed the industrial landscape of Walsall's Black Country, a newly arrived elderly Sikh man stood beneath an old carriage lamp, seemingly seeing snow for the first time. This moment, captured in Billy Dosanjh's epic photographic reconstruction 'After the Storm,' epitomizes his ability to freeze time and preserve cultural memory. Backed by a National Heritage Lottery Fund grant, Dosanjh has transformed oral histories from first and second-generation migrants into evocative images that evoke the work of American realist painter Edward Hopper or photographer Jeff Wall, but with a distinct British Asian perspective. Recreating a Bygone Industrial Era Dosanjh's exhibition 'Paths You Walk' at the New Art Gallery Walsall presents a gripping collection of photographs, films, and installations that meticulously reconstruct the post-war immigrant experience. The artist painstakingly sourced period details—Vimto advertisements, vintage cars, authentic clothing—to recreate scenes from the late 1950s onward when Punjabi men arrived in the Black Country to work in furnaces that native British workers had abandoned. The exhibition features real-life locals from Walsall districts like Caldmore, Palfrey, Pleck, and The Butts, areas that saw significant South Asian immigration. Cultural Significance and Personal Connection What makes Dosanjh's work particularly powerful is its deep personal connection. His own father arrived from the Punjab in 1967 at age 14, eventually buying a house and working in foundries before establishing the Rainbow Cafe—a business that features in Dosanjh's photographs. The artist explains his motivation: "When I do my work, I want the people to enter the space of their ancestors psychologically." This approach is evident in pieces like 'PayDay,' recreating an early 1970s pub, 'Furnacemen' depicting Sikh workers being lectured by a white foreman, and 'Dayshift' showing Sikh friends huddling around braziers. Contemporary Relevance in a Divided Britain Dosanjh's humane depictions of Sikh life have taken on sudden topicality as counterpoints to racist narratives promoted by far-right politicians. The exhibition emerged shortly after the jailing of Vickrum Digwa for stabbing student Henry Nowak with a ceremonial Sikh knife. In an era of increasing racial tension, Dosanjh's work serves as both historical documentation and cultural affirmation, celebrating the contributions of Sikh immigrants to British society while acknowledging the challenges they faced. Future Projects and Expanding Horizons The Walsall exhibition represents just one chapter in Dosanjh's ongoing documentation of British Asian experiences. He is currently developing similar projects for Stoke and Nottingham, while preparing to make a feature film about the 2005 race riots in Birmingham's Lozells and Handsworth districts. "There was a Pakistani-owned beauty product shop and a conflict arose between the Caribbean community and young Muslim men who, after 7/7, felt quite confused," Dosanjh explains of his planned film. "I thought I need to make my film here, about this place, because it's all there—different communities living together, empire, young people, confused identities." The Artistic Legacy of 'Paths You Walk' Through his work, Dosanjh has created what he describes as "a way of celebrating who you are." The exhibition continues at the New Art Gallery Walsall until July 12, offering visitors a chance to witness the transformation of industrial Britain through the eyes of its Sikh community. As Dosanjh himself reflects, "I never feel more alive than when I'm in the middle of doing something like this. It brings a good feeling for everybody really."

The Cult of Eternal Values Documentaries about cults all have the same task, at which they nearly all fail: explaining exactly how so many people fell under the spell of a man (it’s always a man) who was, to outside observers, so obviously a damaged charlatan. None of it makes sense; it wouldn’t count as a cult if it did. The Rise of Frederick von Mierers Bring Me the Beauties: A Model Cult does a messy job of telling the story of Frederick von Mierers, who spent the 1980s luring models into his spiritual enlightenment society, Eternal Values. Von Mierers’ life was all lies, chaos and mystery and it would be hard to set it out coherently, however diligently you tried. But this is like trying to keep up with an erratic bar-room raconteur who keeps glossing over the important bits so they can skip on to the next bit of gossip. Admittedly, each new piece of info is wildly juicy. The Early Years of Frederick von Mierers The early years of Frederick von Mierers are murky, but the key facts are that, as a 40ish former model, he was an elegant socialite, living in an apartment in midtown Manhattan and frequenting Studio 54, where the doormen would pull back the velvet rope to let him sashay past the crowds and walk straight in. He had inherited wealth and alien good looks, somewhere between Christopher Walken, Gary Numan and a svelte Dolph Lundgren. In 1978 he suffered an ear infection, and when his fever subsided he announced that his body had become the vessel for a being from the red giant star, Arcturus. The Power of Eternal Values With an extraterrestrial glint in his already piercing eyes, Von Mierers began presenting a public-access television show where he spread the word about the benefits of a healthy diet, the power of controlled emotions – the notion of romantic love was an instrument of “the most diabolical and the most evil forces in this world” – and the importance of recognising that material possessions were not a route to happiness, all these being wisdom direct from the cosmos. The Dark Side of Eternal Values Ordinary punters sent cheques to Eternal Values for astrological readings; members of the inner circle got to share Frederick’s apartment, where they would sometimes wake to find that he had applied a mint-scented face mask to them during the night. Less adorably, he fostered a culture in which anyone who stepped out of line was ruthlessly pilloried in recriminatory interventions known as “slamming sessions”. As well as fearing the loss of the gang’s favour, the Eternal Values foot soldiers anticipated a re-alignment of the Earth’s magnetic poles, foreseen by the Arcturians, which prompted the organisation to purchase a second base in the North Carolina mountains that would survive the earthquakes and tsunamis to come. The Motivation Behind the Cult What’s never a mystery with cults is the motivation of the leader: it’s always sex and/or money, and, for Von Mierers, it was both. Our main witness is a man named John Hoyt, who under the name Hoyt Richards was one of the highest-paid male models of the late 1980s and 90s, regularly appearing in shoots with Cindy Crawford and the like. After completing jobs in Milan, the Caribbean or Los Angeles, John would return to sleeping on the floor of the EV flat, handing all his spare money to Frederick in return for ethereally powerful “gemstones” that may in retrospect have been costume jewellery. Occasionally Frederick would invite to his room young men, whose spiritual insights were so penetrating that John would be asked to hand them $100 on their way out. The Legacy of Eternal Values In the last episode of Bring Me the Beauties, there are desperately moving scenes as the admirably frank Hoyt recalls his agony at realising, a few years after Von Mierers’ death from an Aids-related illness, that he had abandoned his family and friends for nothing. Hoyt now works as an exit counsellor, trying to make cult members understand that they’re in one. As this programme discovers, however, why people join cults is hard to understand.

The Life and Legacy of Kanya King Kanya King, the entrepreneur and tireless champion of Black British music who founded the Mobo awards, has died aged 57 from colon cancer. The news was announced by the Mobo Organisation, which said she died on Wednesday “after a courageous and characteristically determined battle” with her illness. The Impact of Mobo Awards “The music world has lost one of its most fearless champions,” the statement continues. “What Kanya created was never simply an awards ceremony. It was an act of cultural justice. Mobo did not just celebrate Black music; it legitimised it, amplified it, and demonstrated its commercial and creative power to a world that had too often chosen not to see it.” Tributes from the Music Industry Idris Elba was among those paying tribute to her, writing: “You inspired me. Your dedication is unmatched.” Born to a Ghanaian father and Irish mother in Kilburn, north London, King was working as a TV researcher when she set about filling a gap in the marketplace: an awards ceremony that would celebrate the Black British musicians who were sometimes overlooked by other industry events. The Evolution of Mobo Awards She remortgaged her house to raise the money for the first Mobo awards, held in 1996, eventually turning it into an arena-filling event that has celebrated artists such as Stormzy, Dave and Olivia Dean in recent years. The Mobos were sometimes criticised for spotlighting white artists such as Ed Sheeran and Jessie J, while jazz and rock artists complained that there were no awards to accommodate their styles. A Lasting Legacy In a 2020 interview with the Guardian, King described her work as a “labour of love”. “I’ve put my life and soul into this fight over the years, while being told that, you know, inequality is fine and there’s no problem,” she said. “I’ve been fighting for a long time to try to break down barriers … it’s been challenging and isolating.” She was awarded a CBE in 2018 for her contributions to music and culture.