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A new report has found that media coverage of violence against women and girls has reached a 'dismal' low, despite a proliferation of high-profile cases of men abusing women and children, and a rise in AI-assisted violence against women and girls. The analysis of 1.14bn online stories published worldwide between 2017 and 2025 found that the proportion of articles including terms related to misogynistic abuse dropped to 1.3% of all global online news in 2025, the lowest level in that period.Coverage peaked at 2.2% in 2018, the height of the #MeToo movement. In Africa, where multiple conflicts have involved extreme levels of sexual violence, coverage sank to a nine-year low of 1.18% in 2024. The report also found that when misogyny-related stories are covered, men's perspectives and opinions dominate, with 1.5 men quoted for every one woman in stories about misogyny.The research identified a failure to address the structural nature of misogyny that enables abuse through long-standing prejudices and power imbalances. One in nine women worldwide have experienced violence from men in the last 12 months and one in three women have been subject to physical or sexual violence in their lifetime. The report recommended solutions to improving coverage of violence against women and girls, including putting female journalists and editors in charge of shaping coverage, and victims and survivors of violence at the heart of the story.

The Modi administration is accelerating a 2023 statute that would earmark 33 percent of seats in India’s parliament and state legislatures for women. The initiative, presented during a three‑day special parliamentary session, is tied to a broader proposal to expand the Lok Sabha from its current 543 seats to 850 through a nationwide delimitation exercise. Prime Minister Narendra Modi framed the bills as historic steps toward gender empowerment, stating, “We’re set to take historic steps to empower women.” The three bills require a two‑thirds majority in both houses; with the National Democratic Alliance (NDA) holding 293 of the 543 lower‑house seats, it falls short of the 360 votes needed. Women presently occupy only 14 percent of Lok Sabha seats. Parliamentary Affairs Minister Kiren Rijiju emphasized a united effort to secure “rightful positions” for women, while noting that India already reserves one‑third of local‑government seats for female representatives. Opposition parties, however, warn that the delimitation component—redrawing constituency boundaries based on population—could tilt the political balance in favor of the BJP, which draws strong support from the densely populated northern states. Critics argue that expanding seats based on the 2011 census, the last completed count, would disproportionately benefit the north and marginalise southern regions where population growth has slowed. The Indian Constitution mandates constituency revision after each census, but the last delimitation occurred after the 1971 census. The government’s draft proposes applying the 2011 census data for the next general election slated for 2029. Opposition leaders, including Rahul Gandhi of the Indian National Congress, contend that the timing is a ploy to consolidate power, describing the move as “gerrymandering through the backdoor.” Further dissent emerged from the south: Tamil Nadu Chief Minister MK Stalin publicly burned a copy of the bill and raised a black flag, urging statewide protests against what he termed “the arrogance of the fascist BJP.” Several southern MPs attended parliament in black as a symbolic protest. The BJP counters that the seat increase will be applied uniformly— a 50 percent rise across all states— preserving proportional representation. Yet the draft delimitation bill lacks explicit language confirming this uniformity. With the debate set to continue, the outcome will shape not only women’s political representation but also the geographic balance of power in India’s largest democracy, influencing electoral dynamics for the next decade.

West Bengal’s electoral rolls have been slashed by over nine million names, representing roughly 12 % of the state’s 76 million registered voters, after the Election Commission of India (ECI) completed its Special Intensive Revision (SIR) earlier this month. The purge has hit the Muslim community hardest. In districts where Muslims form a sizable share of the electorate, deletions total 460,000 in Murshidabad, 330,000 in North 24 Parganas and 240,000 in Malda. Analysts say the pattern suggests a strategic effort to reshape the voter base ahead of the assembly election scheduled for April 23 and April 29, with results due on May 4. One of the most striking cases is that of Nabijan Mondal, 73, who has voted in every national, state and local election for the past five decades. She discovered her name missing from the new list because her voter card bears the nickname “Nabijan” while her Aadhaar and ration cards use the formal name “Nabirul.” Her husband, children and their spouses remain on the roll, leaving her unable to vote. Overall, nearly six million of the removed voters were classified as absent, shifted, dead or duplicate, while the remaining three million must appeal to special tribunals. However, the Supreme Court of India has ruled that those with pending tribunal cases cannot cast ballots in the upcoming election, though it may permit the ECI to issue supplementary lists. West Bengal’s Muslim population stands at about 25 million (27 % of the state’s 106 million residents). The Trinamool Congress (TMC), led by Mamata Banerjee, has governed the state since 2011 and relies heavily on Muslim support to counter the Bharatiya Janata Party (BJP). Banerjee has accused the ECI of partisan bias, claiming the SIR was “selectively applied … to benefit the BJP.” Conversely, the BJP frames the revision as a necessary measure against “illegal infiltrators,” linking the exercise to concerns over cross‑border migration from Bangladesh and Rohingya refugees. Independent research by the Kolkata‑based SABAR Institute supports the allegation of disproportionate impact. In the contested constituencies of Nandigram and Bhabanipur, where the BJP’s Suvendu Adhikari is challenging TMC leaders, over 95 % of the deleted names in Nandigram were Muslims, and 40 % of deletions in Bhabanipur involved Muslim voters, despite Muslims comprising only 25 % and 20 % of the respective populations. Women appear especially vulnerable. Legal scholar Swati Narayan notes that patrilocal customs and frequent name changes after marriage create documentation gaps that the SIR process penalises. Jesmina Khatun, a 31‑year‑old from Gobindapur, lost her name over a minor spelling inconsistency in her father’s surname, illustrating how minor clerical errors can disenfranchise voters. Political commentator Yogendra Yadav warns that the SIR places an “excessive burden” on female voters, who must produce proof from their natal homes while men can rely on documents from their current residence. With tribunals unlikely to clear the backlog before polling day, thousands of eligible citizens risk being excluded from a pivotal election that could reshape the political landscape of India’s most populous state.

South African opposition politician Julius Malema has been sentenced to 5 years in prison for firing a rifle in the air at a party rally. Malema, the leader of the far-left opposition Economic Freedom Fighters (EFF), was handed the sentence by Magistrate Twanet Olivier on Thursday.Malema was convicted last year of charges, including unlawful possession of a firearm and discharging a weapon in a public place over the 2018 incident at a stadium in the Eastern Cape province.The 45-year-old leader of the fourth-biggest party in parliament had pleaded not guilty, arguing the gun was a toy. His defence said the shots were only intended to be celebratory.“It wasn’t … an impulsive act,” the magistrate said. “It was the event of the evening.”The court sentenced Malema to 5 years for unlawful possession of a firearm and 2 years for unlawful possession of ammunition. It gave him fines for three other offences, including discharging a firearm in a built-up area, with prison time if he doesn’t pay. The sentences will run at the same time.Within minutes of the magistrate’s decision being read out in the court in KuGompo City, Malema’s lawyers applied for leave to appeal – a request that was later granted.Meanwhile, outside the court, hundreds of Malema’s red-clad EFF supporters gathered for the sentencing in the politically charged case.The EFF – a small but vocal party – says the case is an attempt to silence its outspoken leader, who is known for fiery speeches. Party supporters have threatened protests should their leader be jailed.The magistrate stressed it “is not a political party who has been convicted here … it is a person, an individual.”The maximum possible sentence was 15 years in prison. If confirmed after all appeals, Thursday’s 5-year sentence would bar Malema from serving as a lawmaker.That would be a major setback to the EFF, which has strong support among young South Africans frustrated by the racial inequality that has persisted since the end of white minority rule in 1994.

The recent WNBA draft saw Azzi Fudd selected as the No 1 overall pick by the Dallas Wings, marking a significant achievement for the talented young player. Fudd, who played under Geno Auriemma at UConn, distinguished herself as one of the best shooters in college basketball and was named an All-American by the Associated Press. However, rather than focusing on her impressive athletic career, the draft night discourse was dominated by her relationship with teammate Paige Bueckers, who was also a top pick in the WNBA draft last year. The pair confirmed they were dating in 2025, but have kept their relationship largely private. This fixation on the personal lives of WNBA players raises questions about the media's priorities and the cultural context of women's sports. Experts argue that the surge of interest in the love lives of WNBA players is fueled by social media, which makes it easy to form parasocial relationships with athletes. Dr. Alicia Smith-Tran, an associate professor of sociology, notes that women athletes continue to be seen as lesser than their male counterparts, and the focus on their romantic lives is a manifestation of this marginalization. The conversation around romance in the WNBA also contributes to the fetishization of queer couples and relationships. Frankie de la Cretaz, author of the Out of Your League newsletter, warns that queer relationships are often dehumanized and become fodder for people to project their own desires onto. In the case of Fudd and Bueckers, their relationship has become a side point, overshadowing their achievements as athletes. As the WNBA enters its 30th season, it's essential to recognize the cultural significance of women's sports and the importance of respecting athletes' personal boundaries. The focus should be on their skills, contributions, and achievements in the workplace, rather than their personal lives. By doing so, we can work towards a more nuanced understanding of women's sports and the athletes who play them.

Aaron Pierre delivers a storming, almost hypnotic performance as Randle P. McMurphy, instantly igniting the stale atmosphere of a 1960s American psychiatric ward. His swagger‑filled stride and sudden, childlike scampers create a compelling contrast that keeps the audience on edge.From the opening moments, McMurphy clashes with the authoritarian Nurse Ratched (Olivia Williams), provoking the other patients to rebel, play, and celebrate life beyond the ward’s walls. Pierre’s physicality—alternating between boisterous hugs and a frantic, vulnerable laugh—captures the character’s chaotic charisma.Director Clint Dyer, fresh from his acclaimed 2022 Othello, reshapes the narrative by casting the inmates almost entirely with Black actors. This choice injects a fresh political dimension, turning the patients into “pawns in a system designed to disempower.” Each time Ratched addresses them as “boys,” the line feels like an implicit sneer.While the script does not overtly discuss race—apart from Chief Bromden’s (Arthur Boan) Indigenous background—the production foregrounds the systemic misogyny embedded in both the novel and the 1963 Dale Wasserman adaptation. McMurphy’s mantra, “I fight and fuck,” teeters between liberated individualism and a problematic reclamation of alpha‑male tropes.Olivia Williams, who stepped into the role of Nurse Ratched late in rehearsals, gives the character a “ramrod spine and starched smile.” Her performance underscores the unchecked cruelty of a regime where the doctor (Matthew Steer) is a peripheral, snickering figure, leaving Ratched’s authority unchecked and increasingly vicious.Ken Kesey’s own experience as a government‑run LSD guinea‑pig informs the play’s visceral critique of psychiatry. The production’s lighting, designed by Chris Davey, erupts in scarlet and blue hues that echo the anti‑psychiatry movement of the 1960s, while the depiction of medication, group therapy, and electroconvulsive therapy feels deliberately brutal.Staged in the round at the Old Vic, the audience becomes a “ring of often appalled observers.” Ben Stone’s set design, with its white and pond‑green tiles beneath a soaring ceiling, creates a claustrophobic floor that simultaneously aspires upward—mirroring the characters’ yearning for freedom.The ensemble, led by Giles Terera’s refined Dale Harding, adds subtle layers of tension through nuanced tics and gestures. Dyer bookends the show with a reference to Congo Square in New Orleans, a historic site of Black and Indigenous resistance, framing the play’s cruelty through a lens of cultural resilience—though the production remains largely filtered through a male gaze.The production runs at the Old Vic until 23 May 2026, offering London audiences a bold, politically charged reinterpretation of a classic American drama.

Warner Bros' new take on The Mummy, directed by Lee Cronin, has been met with criticism for its grandiose approach and lackluster execution. The film's attempt to distance itself from Universal's upcoming return to the franchise and capitalize on the current trend of auteur-driven horror films has been seen as unearned and indulgent. Cronin, an Irish filmmaker with only two previous films under his belt, has been praised for his visual talent, but his Mummy has been criticized for being absurdly overlong at 134 minutes and tonally unsure. The film's attempt to blend elements of classic monster movies with modern horror tropes has resulted in a messy and unoriginal product. The film's plot, which revolves around a creepy kid who returns from the dead with a malevolent presence, has been compared to other horror films such as The Exorcist and The Omen. However, the execution falls short, with rubbery prosthetics and an exhaustingly loud finale that fails to deliver scares. Despite its bold ambition and stunning visuals, the film ultimately feels like a lesser imitation of other horror films. The lack of character development, suspense, and logic makes it difficult to become invested in the story. The Mummy is set to release in Australian cinemas on April 16 and in the US and UK on April 17.

The comedy film 'Balls Up' has landed on Prime Video, and it's a ribald delight that's sure to entertain football fans looking for an escape from the doom and gloom of the host nation's World Cup. Directed by Peter Farrelly, the film stars Mark Wahlberg as Brad, a hotshot salesman who closes a deal with the Brazilian travel ministry, only to blow it by seducing a cabinet minister.The film's R-rated humor is on full display from the start, with Paul Walter Hauser playing Elijah, a sheepish product designer exec behind a revolutionary male prophylactic. The chemistry between Wahlberg and Hauser is undeniable, recalling Wahlberg's best work alongside Will Ferrell in 'The Other Guys'. The supporting cast, including Molly Shannon, Benjamin Bratt, and Sacha Baron Cohen, add to the film's humor and charm.The article praises the film's layered humor, spicy dialogue, and compounding stakes, making it a juvenile entertainment handled by professionals. The film's composer, Dave Palmer, is also commended for adding vintage samba and bossa nova sounds to the film. Overall, 'Balls Up' is a comedy that's sure to appeal to fans of raunchy humor and buddy comedies.

The Las Vegas Aces, defending WNBA champions, have completed their core group retention by re-signing four-time MVP A'ja Wilson on Wednesday. The deal, reported by ESPN, is a three-year, $5m supermax contract, marking a historic milestone in the WNBA.Aces president and general manager Nikki Fargas praised Wilson, stating, “A’ja is truly one of one, who has led this franchise to where it is today. She does so with the utmost confidence, authenticity and grace.”Wilson, who was named WNBA MVP and the Associated Press Female Athlete of the Year last season, has achieved numerous accolades, including four MVP awards and three defensive player of the year awards. She led the WNBA in scoring with 23.4 points per game and in blocked shots with a 2.3 average last season.In addition to Wilson, the Aces have re-signed key players Jackie Young, Chelsea Gray, and Jewell Loyd. The team has also signed guard Chennedy Carter to a training camp contract.