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Lead: A Dog‑Led Camera Takes on the Third ReichThe short film Blondi premiered in Brixton, using a seven‑month‑old German shepherd, Lexie, as the on‑set cinematographer. Producer Pablo Álvarez‑Hornia and director Jack Salvadori strapped a camera to the dog’s back, creating a uniquely unsettling perspective on the final days of the Nazi regime.Lexie the German Shepherd Becomes the World’s First CinemadographerFor the first time in cinema history, a non‑human animal operated the camera, capturing shaky, low‑angle shots that mirror the chaos of the bunker. Salvadori described the result as “freaky angles” that make viewers feel uncomfortable, a deliberate choice to reflect the grim reality of the era.Film title: BlondiDirector: Jack Salvadori (29, Italian‑born)Producer: Pablo Álvarez‑Hornia (27, Spanish‑born)Dog‑cinematographer: Lexie, a seven‑month‑old German shepherdScript writer: Peter GreenawayCinematography advisor: Roger DeakinsHow a Dog‑Led Camera Challenges Conventional FilmmakingThe experiment forces actors to react to an unpredictable, animal‑driven lens, stripping away traditional blocking and creating a theatre‑like spontaneity. It also raises ethical questions about using a living creature to convey historical horror, while highlighting the dog’s ability to “capture energies” that human operators might miss.What This Experiment Means for Future Documentary TechniquesBy handing visual control to an animal, the filmmakers suggest a new frontier where subjectivity is literal rather than metaphorical. If audiences respond to the visceral discomfort, we may see more projects that embed cameras in unconventional carriers—animals, drones, or even wearable tech—to achieve raw, unmediated perspectives.

The UK's Cooling Revolution More than 4 million homes in the UK now have air conditioning, double the figure from just three years ago, marking a significant shift in how British households cope with increasingly hot summers. Types of Cooling Systems and Their Usage Portable units with power ratings around 1kW are slightly more common than the more powerful built-in versions that can guzzle 2.7kW of power – more than an electric oven. Of the 4 million households with air conditioning, nearly 1.9 million have built-in units, while 2.2 million homes use portable air conditioning units. More than 260,000 UK households have heat pumps that can be used to cool homes. When used in cooling mode, heat pumps work like traditional air conditioning units by extracting heat from the home and releasing it outside. The Financial Impact of Cooling The energy consumption and associated costs of air conditioning are substantial. In a typical week, households use their built-in units for about four hours at a cost of £2.93. However, during heatwaves when usage increases to over nine hours daily, weekly costs soar to £42.43. Portable units, which use 1kW of power, typically cost 83p per week with three hours of usage. During hot spells, when used for more than nine hours daily, this rises to £15.71 weekly. Climate Change Drivers Experts suggest the increase in air conditioning ownership is the result of more people working from home and rising summer temperatures. Some of the UK's warmest summers have been in recent years, with the record high of 40°C set in July 2022. The government's climate advisers have warned that British homes will need air conditioning to survive predicted levels of global heating, as traditional cooling methods like drawing curtains and opening windows become insufficient. Future Projections and Recommendations The Climate Change Committee has recommended that air conditioning should be installed in all care homes and hospitals within the next 10 years, and in all schools within 25 years. Heatwaves were expected to exceed 40°C in all parts of the UK by 2050, potentially leading to an additional 10,000 heat-related deaths annually. With about nine in ten UK homes likely to overheat, the adaptation to higher temperatures is becoming increasingly urgent. However, air conditioning is energy intensive, accounting for about 4% of global greenhouse gas emissions. Sustainable Cooling Solutions Sam Alvis, head of energy security at the IPPR thinktank, called for more solar panels on roofs alongside air conditioning installations. "We are going to have to get used to being a hot country, which is quite a mindset shift for the UK," he said. "Air conditioning is actually a great pair for solar from an energy system point of view because it matches supply and demand." More efficient modern systems using heat pumps, which are already subsidized by the government to replace gas boilers, could provide a more sustainable cooling solution, though these are rarely installed at present.

The LeadAs we celebrate Miles Davis's centenary, his 1957 film soundtrack "Ascenseur pour l'Échafaud" is being repackaged with restored audio, offering a fresh look at the jazz legend's innovative approach to film scoring and improvisation. This mostly improvised soundtrack, created over one night in a Paris studio, showcases Davis's unique harmonic openness that would later influence his masterpiece "Kind of Blue."The Creative Process Behind the SoundtrackComposed by Davis from little more than a handful of chords, this music was mostly improvised straight to a screen showing budding New Wave director Louis Malle's crime thriller "Ascenseur pour l'Échafaud" (Lift to the Scaffold), over one long night in a Paris studio in December 1957. His fine local quartet included expat New York bebop drummer Kenny Clarke, and their harmonic openness created a spacey, ethereal soundworld for a story following two lovers who think they've committed the perfect murder of an inconvenient husband, and the mishaps, farces, ecstasies and fears that populate the long night of their undoing.The Musical Landscape of NoirDreamily sensual sounds mirror misplaced hopes; there are car-chase scurries (Miles's fast-bop horn virtuosity was formidable in this period), desolately bluesy accompaniments to actor Jeanne Moreau's confused wandering in search of her partner, bar-room clamour in the trumpet/tenor-sax counterpoint between Miles and saxist Barney Wilen – but all the music stands alone, without images. A quiet slow-burn, but simmering with all of Miles Davis's timelessly extraordinary light and heat.Jazz Tributes and Contemporary ConnectionsThis month marks Miles's centenary, and a clamour of celebrations of a musical life that led him to be dubbed (by Duke Ellington, allegedly) the "Picasso of jazz" for the many styles he explored. Alongside the reissue of "Ascenseur pour l'Échafaud," other artists are paying tribute: Norwegian guitarist Hedvig Mollestad's power-trio Weejuns nods to Miles Davis' 1969 "Bitches Brew" with "Bitches Blues"; guitarist Jeff Parker unveils fascinating ways of emerging from minimalism to lyricism; and Jason Miles, a former Miles Davis keyboardist, revisits that groove-centric era in his own personal way.The Legacy of ImprovisationWhen Miles Davis was dying in September 1991, an invisible, neighbouring trumpet player began playing homages to Miles' voice-like, blues-inflected melodies instead. It was a poignant personal tribute to a unique instrumental sound, and a unique imagination, that had profoundly enriched 20th-century music. The reissue of "Ascenseur pour l'Échafaud" continues this legacy, showing how Davis's approach to improvisation and harmonic openness continues to influence musicians today.

The Lead: A Bold Re‑imagining of Garland’s Final YearsThe Guardian’s review opens by noting that Drag Race star Jinkx Monsoon brings her celebrated Judy Garland impersonation to a new narrative context—a love triangle set in 1960s London. The revival of Peter Quilter’s 2005 play shifts focus from Garland’s early exploitation to her later struggles with addiction and a fraught personal life.The Production’s Narrative Twist: Love, Addiction, and Queer IconographyMonsoon’s Garland is caught between steadfast pianist Anthony (Adam Filipe) and opportunistic suitor Mickey (Jacob Dudman).The script juxtaposes private hotel scenes with public performances at Talk of the Town, highlighting the clash between fame and personal decay.Queer themes surface through Anthony’s admiration and Mickey’s homophobic contempt, underscoring Garland’s status as a queer icon.Musical Direction and Visual Design: Orchestrating EmotionMusic direction by Nick Barstow and arrangements by Leo Munby anchor the drama, with Garland’s torch songs—"Just in Time" and "You Made Me Love You"—serving as emotional pivots.Designer Jasmine Swan creates a stark white‑curtain stage, while lighting designer Prema Mehta introduces a Technicolor‑inspired transition that mirrors Garland’s cinematic legacy.Critical Reception: Performance Nuances and Structural FlawsMonsoon’s vocal performance is praised for its dynamic range, capturing both triumph and fragility.The review notes repetitive hotel scenes that, while authentic to addiction’s grind, can feel grindingly static.Supporting characters are deemed functional, serving more as narrative devices than fully fleshed personalities.Future Outlook: Potential for a One‑Woman ShowcaseThe critic suggests that Monsoon’s talent hints at a possible solo rendition of Garland’s story, which could amplify the intimate connection she already establishes with the audience. The show runs at Soho Theatre Walthamstow until 21 June, offering theatre‑goers a chance to experience this layered homage before any further developments.

The LeadA friend of mine was recently left in tears after filling up the car she relies on to drive to work. Thanks to the US-Israeli attacks on Iran, prices at the pumps have soared. She wasn't sure how her family was going to make it to the next paycheck.It is a personal story and a distressing one, but the big picture is truly obscene. Fossil fuel companies are raking in monstrous, unearned war profits taken from the pockets of people like you, me, my friend, and any of us who fills up a vehicle or pays an energy bill.The War-Profits Bonanza$30m an hour: that's the pure, unearned profits banked by the world's top 100 oil and gas companies in the first month of the conflict in Iran, purely due to the spike in the oil price. Now the first numbers are in, and that $30m may have been a major underestimate.Shell's profit for the first three months of 2026 more than doubled to $6.9bn, as did BP's, to $3.2bn. TotalEnergies profits also surged by more than 50%, up to $5.8bn. Even in the Gulf itself, where the flow of oil through the strait of Hormuz has been heavily restricted, some companies have still flourished. Aramco, the state oil company of Saudi Arabia, saw its profits soar by 26% to $33.6bn in the first quarter.The Financial Impact on ConsumersThose four companies alone, benefiting not just from the oil price hike but also bumper oil-trading profits, made $23m an hour for the whole of January, February and March. And the Iran conflict only started on 28 February.To get some idea of the scale of this, imagine I gave you $6,200. What would you do? Pay off a loan? Book a fancy holiday? A second later, I give you another $6,200; then again, for hours, weeks and months. That is the rate of profit of just those four companies.There is plenty more to come for the industry. Oil and gas supplies will take months to return to prewar levels, and reserves are getting dangerously low. Even if the oil price remains at today's level of about $100 a barrel, those 100 companies will make $234bn by the end of the year. Remember, the companies, and petrostates such as Russia, have done no extra work for this, just ridden a soaring oil price. Also remember, you are paying for this. Where I live in the UK, household energy bills are about to jump by £209 ($280) a year for the average home.The Industry's Climate ObstructionThe profits are extreme, but not new: big oil and gas has been wildly profitable for decades. It has made an average $1tn a year in pure profit for about 50 years. The fossil fuel sector also benefits from explicit subsidies that totalled $1.3tn in 2022, according to the International Monetary Fund.These riches have funded the lobbying and campaigns that block climate action and have done so for years, long after the science became crystal clear. As an example of the consequences, the UK's official climate advisers said on Tuesday that all care homes and hospitals will need air conditioning within the coming 10 years, to stop the heat killing people.The Green Transition AccelerationBut here's that silver lining I promised: these peak profits contain the seeds of their own downfall. Sky-high fossil fuel prices are pushing people, companies and nations to supercharge their rush towards green power for the simple reason that it is now cheaper and more reliable. Solar power does not need to transit through the strait of Hormuz, as Bill McKibben has observed.The numbers on the surge in renewable energy deployment, already exponential, are not yet in, but they will almost certainly be huge. Green funds are already attracting billions of dollars in new investments and one consultancy estimates that an oil price of $100 a barrel will drive $4tn of extra green investment by 2030.Big oil remains a formidable political force but, on the ground, people are already voting with their feet. Sales of new electric cars in the UK leapt by 59% in April, for example. The pain and anger of today's energy crisis may yet become a critical turning point in confronting the climate crisis.

The Lead The Royal Exchange's 50th anniversary season production, 'Even These Things', is a bold attempt to encapsulate the complex history of Manchester. The play explores themes of identity, community, and belonging through three seemingly unrelated scenes. MAPPING MANCHESTER'S HISTORY The play is built from three scenes, each set in a different time period. The first scene is set in 1846 and features a heavily pregnant Irish immigrant, Annie Donovan, who brushes shoulders with Friedrich Engels on her way to a fist fight. The second scene is set in 1996 and describes the city-centre life of an ordinary Saturday, with a community cast playing out whimsical vignettes. The final scene takes place after the IRA bomb outside the Arndale Centre and features a tender exchange between two strangers of Irish heritage. THE POWER OF COMMUNITY The play's cumulative meaning may be tricky to grasp, but as the scenes rub up against each other, what emerges is a thoughtful, rich and complex picture of home. The connections between the scenes are elliptical, but they ultimately reveal a city with a shared history and a strong sense of community. THE FUTURE OF MANCHESTER The play suggests that, however difficult, a future is possible. The final scene's chat about miscarriage and childbirth between two strangers of Irish heritage meeting in the park some months after the attack on an Ariana Grande concert brought the city together, implies that the city can heal and move forward. CONCLUSION 'Even These Things' is a bold and ambitious production that successfully maps Manchester's complex history. The play's themes of identity, community, and belonging are timely and thought-provoking, making it a must-see for anyone interested in theatre and the city of Manchester.

A candid kitchen conversation with Sir Derek Jacobi The Guardian’s interview captures a warm, unguarded moment as Jacobi and his husband, director Richard Clifford, share coffee and stories in their London home. Jacobi, 80, jokes about his looks, admits he never felt “movie‑star material,” and confides that he would love to reach his centenary. Career milestones and personal anecdotes 1970s breakthrough as the stammering Emperor in I, Claudius. Acclaimed stage work including Cyrano de Bergerac (Royal Shakespeare Company, 1980s) and Macbeth at the Barbican (1993). Recent TV roles in Vicious and Last Tango in Halifax. Early life in Leytonstone; rheumatic fever at nine sparked a shift from working‑class roots to a posh accent and ambition. No financial figures – cultural impact takes centre stage The piece contains no monetary data; its value lies in documenting the lived experience of a veteran actor whose voice and presence have shaped British drama for five decades. What Jacobi’s reflections mean for British theatre and aging performers Jacobi’s honesty about age, health (including his AIDS diagnosis) and self‑image highlights the often‑unspoken pressures on older actors. His partnership with Clifford, who directs and designs their home, underscores the importance of supportive creative collaborations in sustaining long‑term artistic careers. Looking ahead: the goal of hitting 100 Jacobi ends on a hopeful note, expressing a desire to “hit 100” and continue contributing to the arts. His story suggests that longevity in performance is as much about personal resilience and community as it is about talent.

The latest analysis by Cancer Research UK reveals that melanoma, the most serious form of skin cancer, hit a historic high in the United Kingdom last year, with 20,980 diagnoses in 2022. Experts warn that without stronger prevention measures, annual cases could climb to 26,500 by 2040, coinciding with hotter summers and an ageing demographic. Record Melanoma Diagnoses in 2022 For the first time, UK melanoma cases have exceeded the 20,000 mark. The surge reflects broader trends in skin‑cancer incidence and underscores the urgency of public‑health interventions. Projected Growth to 26,500 Cases by 2040 Forecasted annual cases for 2040: 26,500 Increase of 23% among men Increase of 26% among women Drivers: ageing population, higher UV exposure, and lifestyle factors Public Health Implications Amid Heatwave Alerts Heat health alerts have been issued for the upcoming bank‑holiday weekend, with temperatures expected to reach up to 30°C in parts of England. Elevated UV levels amplify the risk of sunburn and, consequently, melanoma development, especially for vulnerable groups. Preventive Strategies and Policy Recommendations Key voices—including Michelle Mitchell, CEO of Cancer Research UK, and Prof Peter Johnson, NHS England’s national clinical director for cancer—stress the importance of: Seeking shade during peak sun hours Wearing protective clothing, hats, and sunglasses Applying broad‑spectrum sunscreen with at least SPF 30 and reapplying regularly Promptly consulting a GP about new or changing moles, sores, or skin patches Outlook for Sun Safety and Cancer Prevention If the public adopts these preventive measures, the rise in melanoma cases could be mitigated despite demographic pressures and hotter summers. Ongoing education, stronger sunscreen regulations, and targeted campaigns during heatwaves are likely to shape the trajectory of skin‑cancer incidence in the UK over the next two decades.

The Man Behind the Enhanced Games Christian Angermayer, a German billionaire with a reputation for being audacious, is the mastermind behind the Enhanced Games, an event that has left the sporting world in shock. Dubbed the 'Steroid Olympics' by critics, the competition allows athletes to use performance-enhancing drugs, a move that has been met with fierce criticism from anti-doping authorities. Angermayer's Vision for Sports Angermayer's vision for sports is one where athletes are free to use medically approved drugs, with close medical supervision, to enhance their performance. He argues that this approach could revolutionize the way we think about sports and health, and that it could even help to prevent injuries and illnesses. The Data Behind the Enhanced Games According to a study by the Enhanced Games, 91% of athletes competing in the event are using testosterone, 79% are using human growth hormone, and 41% are using EPO. These numbers are likely to raise concerns about the safety and fairness of the event. The Impact on the Sporting World The Enhanced Games have sparked a heated debate about the use of performance-enhancing drugs in sports. While some argue that it is a recipe for disaster, others see it as an opportunity to challenge traditional notions of athletic achievement. Angermayer believes that his event will be watched by millions of people and that it will help to popularize the use of performance-enhancing drugs for non-athletic purposes. The Future of the Enhanced Games As the Enhanced Games prepare to take place, Angermayer is confident that his event will be a success. Despite criticism from anti-doping authorities and others, he believes that he is on the right side of history. Whether the event will live up to its promise remains to be seen, but one thing is certain: the Enhanced Games are set to shake up the world of sports like never before.