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The Art Revolution That Started in a Car Park It's hard to imagine now, but there was a time when rooftop bars weren't really a thing. A time before pop-ups and contemporary outdoor sculpture parks. A time even, if you can bear to think of it, before immersive art. Way back in 2007, there was none of that – the UK was an experiential art wasteland. And then Bold Tendencies showed up, chucked a whole load of sculptures in a multi-storey Peckham car park, painted a staircase bright pink, built a cocktail bar on the roof, and changed everything. Two Decades of Transformative Art Now going into its 20th summer season, Bold Tendencies is celebrating two decades of sometimes sun-drenched, often windswept and drizzly arts programming. In that time, it has welcomed more than 3 million visitors into its concrete edifice behind Peckhamplex cinema, commissioned dozens of new artworks, hosted countless recitals and performances, built an auditorium and a concert hall, and drawn the roadmap for countless art experiences that have come in its wake. The Artistic Legacy And the art's not been too bad, either. Anthea Hamilton built a doorway to heaven through a man's splayed legs in 2010. Jess Flood-Paddock parked Del Boy's three-wheeled van on the roof in 2011. James Bridle flew a black balloon filled with wifi routers from the roof in 2014. Adam Farah-Saad installed a decorative retro water fountain in 2024. There have been piles of raw pigment, fluttering flags, wobbly walkways, heads on spikes. Almost all newly commissioned, and all free to see. Transforming the Cultural Landscape You can't overstate just how different, not only Peckham was in 2007, but the whole cultural landscape of the country. This was years before the likes of The Vinyl Factory or Frameless, and long before the Hayward and Tate were racing to the bottom to find the most TikTok-ready, Instagram-friendly exhibitions possible. The only large-scale sculptural commissions around back then were the fourth plinth and the Tate's annual Turbine Hall and Duveen projects. There wasn't really anywhere else to see new sculptural work by young artists. The Peckham Effect There also wasn't a lot going on in Peckham at the time. But what the area did have was a handful of project spaces, a single dive bar called Bar Story, seriously cheap rents and – thanks to being squeezed between Camberwell College of Arts and Goldsmiths – a lot of artists. Combined with a relative sense of isolation in the days before the London Overground, it boasted a fairly unique set of circumstances. "I found it to be a place of great possibility," says Barry. "And it still feels like that." The Visionary Behind the Movement Barry had been putting on exhibitions in a semi-derelict house on nearby Lyndhurst Way, and struck up a relationship with the people responsible for property in Southwark council. The council realised that artists could act as caretakers of empty, derelict buildings awaiting redevelopment, and Barry figured that those buildings could be used for art exhibitions. It's a model still followed today by other cultural charities, one that some consider the forward battalion in a wave of gentrification that has engulfed the city ever since. The Future of Public Art "Part of our responsibility in doing a project like this is to offer up the joy of feeling welcome to as many people as possible," says Hannah Barry, the driving force behind Bold Tendencies and owner of Peckham's longstanding Hannah Barry Gallery. "People come here for all sorts of different reasons and they may stay for a short time or stay for a long time. What matters is that they're curious enough to come." As Bold Tendencies enters its third decade, it continues to push boundaries and redefine what public art can be, proving that sometimes the most revolutionary ideas come from the most unexpected places.

The LeadLionel Messi's participation in the FIFA World Cup has been the subject of fan queries for the past few months, but his inclusion in Argentina's preliminary squad for the tournament may have put those concerns to rest. The global football superstar was among the 55 players named by Lionel Scaloni in his initial World Cup roster, though the 38-year-old has yet to fully confirm his availability as Argentina look to defend their title.The Squad AnnouncementScaloni's preliminary roster includes 16 forwards, with Messi being the most prominent name. The selection comes as Argentina prepares to defend their World Cup title in a tournament co-hosted by Canada, Mexico, and the United States. The squad announcement also included Gianluca Prestianni despite a six-match ban imposed on the player that could see him miss his team's first two group games.The Messi QuestionMessi has repeatedly hinted that his time on the global stage may be coming to an end. "I'm conscious that I'm playing my final matches, and I'm enjoying them to the maximum," Messi said after an Inter Miami game in June. "I'm sure that you're watching my final moments in football's elite." However, he has neither committed nor cut ties with La Albiceleste in the run-up to the monthlong tournament, which begins on June 11.Team Dynamics and Prestianni's BanMessi's teammates have been very clear about their wishes. "With Messi, we might have scored two or three more goals," Julian Alvarez said after Argentina's 4-1 win over Brazil in the South American qualifiers last year. Rodrigo de Paul echoed Messi's fans in Argentina and around the world when he said: "The best of our teams is always when the number 10 is playing because he is the greatest of all time."Meanwhile, 20-year-old Prestianni is set to miss at least two of Argentina's World Cup fixtures as he serves a six-match ban for using homophobic slurs during a UEFA Champions League game in February. Playing for Benfica of Portugal, Prestianni was accused of hurling verbal insults towards Real Madrid's Vinicius Jr. The original penalty was handed out by UEFA before FIFA extended the punishment to all worldwide sanctioned matches.World Cup Defense TimelineArgentina open their title defense against Algeria on June 16 in Kansas City, Missouri, before facing Austria on June 22 in Dallas, Texas, and Jordan at the same venue on June 27. The World Cup will conclude on July 19. Messi scored seven goals for Argentina as they lifted the World Cup trophy for the first time in 36 years at the Qatar 2022 tournament, including the team's first goal in regulation time in the final against France.

The 2026 Australian federal budget, unveiled by Treasurer Jim Chalmers, delivers a mix of modest deficit improvements and bold tax reforms, most notably the removal of the 50 % capital gains tax discount and a $36.2 bn cut to the NDIS. The Budget’s Core Ambitious Tax Reforms The government is ending the long‑standing 50 % CGT discount and introducing a minimum 30 % tax rate on capital gains. Negative gearing is limited to new‑build properties, with existing investors grandfathered. Meanwhile, the National Disability Insurance Scheme (NDIS) will see spending flat‑lined in nominal terms, falling about 10 % in real terms by 2029‑30. Fiscal Numbers: Deficit Forecasts and Revenue Shifts Deficit projected to be smaller over the next four years than in the December mid‑year outlook. Unemployment forecast capped at 4.5 %. CGT reform expected to raise $2.3 bn in 2029‑30. NDIS cuts total $36.2 bn over four years. Potential revenue from a 25 % gas export tax estimated at $17 bn, but not pursued. Petroleum Resource Rent Tax (PRRT) revenue remains modest, lower than beer and spirits excise. Policy Impact: Housing, NDIS, and Gas Revenue Choices Housing affordability remains a challenge; ending the CGT discount and restricting negative gearing aim to curb speculative demand, though the $2.3 bn revenue gain is modest relative to the 26‑year legacy of the discount. NDIS cuts will reduce real‑term support for people with disability, potentially widening inequality. The decision to forego a gas export tax in favour of a modest PRRT increase reflects reliance on volatile oil prices rather than a stable revenue stream. Outlook: What the Next Four Years May Hold If economic parameters hold—higher oil prices and inflation sustaining tax receipts—the deficit trajectory could stay on a downward path. However, any slowdown in commodity markets or a resurgence in unemployment could erode the modest fiscal gains. The housing reforms may gradually temper price growth, but significant affordability improvements will likely require further policy action beyond 2029‑30.

The Artist's Monument to Forgotten WorkersAn air of civilisational wipeout hangs over the Gehrenseestrasse complex, an abandoned housing estate on the north-eastern outskirts of Berlin, where the city still looks shabby without the chic. The insides of the nine prefabricated blocks have long been gutted; six floors of empty window frames stare hollow-eyed over multi-lane carriageways. In the courtyard, paintballers have left behind wooden barricades from when they played at World War III.Yet in one of the second-floor rooms of Berlin's largest ruin, artist Sung Tieu is waltzing across the concrete floor and reliving scenes from her childhood. "Here was the single bed I shared with my mother for three years," she says, pointing into a corner of the small room. "Two metres by 90cm, can you believe it?" There in the corridor is where her neighbours used to make bánh bao dumplings on camping stoves, for lack of private kitchens. "I still remember the smell." Here was the door through which she used to entertain her best friend when his mother locked him in during working hours. "We played cards through the gaps," she recalls with glee.But she also still remembers where neo-Nazis tried to throw molotov cocktails into the building: "They eventually set up a net because the windows kept on getting smashed".The Mosaic Recreation of a Lost CommunityThese days, few people have heard of the Gehrenseestrasse complex, whose last tenants left in 2002. But if Tieu had her say, it would be as essential a stop on the tourist trail as the Brandenburg Gate, the Reichstag or Checkpoint Charlie. There is, in her view, no place that better tells the story of the Vertragsarbeiter generation – the oft-forgotten workers who were hired on fixed-term contracts from socialist "brother states" in Vietnam, Mozambique, Angola or Cuba to boost the East German economy. "To me, this place is a monument," says Tieu.By the end of this summer, many more people in Germany – and art enthusiasts around the globe – will know about her childhood home. For this year's Venice Biennale, Tieu has clad the German pavilion with a like-for-like replica of the complex's facade, recreating the grey concrete and smudges of graffiti with three million mosaic stones made in Ravenna. She conceived the pavilion in tandem with the artist Henrike Naumann, who died in February from cancer aged only 41.Bureaucracy as Artistic MediumThe woman I meet at a Vietnamese restaurant in Berlin's Lichtenberg district is the antithesis of that exoticised cliche: modest, dressed all in black, analytical in her answers to my questions. She talks me dispassionately through the more experimental food options on the menu, but comes alive when explaining bilateral treaties and labour regulation."I really try to avoid the pure post-migrant diaspora narratives. By focusing on individual experience you can lose sight of the bigger picture. Contracts, state treaties, floorplans – that's what I am interested in. There has to be a certain formal toughness."Looking through her catalogue raisonné you are reminded of Marcel Duchamp. You see an artist dedicating her career to seeking ever more minimalist ways to express the same idea, from Cubist painting to readymade to annotations of chess moves. And in Tieu's case, that big idea is bureaucracy. In 2015, she reprogrammed the scrolling LED displays at a shop inside the Dong Xuan Centre, Berlin's largest Asian market, to display the texts of immigration treaties. For a group show at Berlin's Haus der Kulturen der Welt in 2024, she transcribed by hand documents from the national archives on the East German porcelain industry, authenticating them with her own ornamental stamp. Her website, fittingly, is just a long index of file names and a deadpan biography section: "Sung Tieu is an artist."Childhood Trauma and Artistic Vision"I think it's also a childhood trauma," she says when I ask her where her interest in bureaucracy comes from. "I've had to fill out forms for my mother since I was five, since she didn't speak any German. And by the time I was seven my German was better than hers. Bureaucracy was part of my childhood – I studied politics and administration because I wanted to understand it."Born in 1987 in Hai Duong, northern Vietnam, Tieu moved with her mother to what was by then the formerly socialist East German regions in 1992. They were joining up with her father, who had moved to the GDR five years earlier via a bilateral agreement for factory workers from the socialist republic.Initially announced in the romantic spirit of ideological solidarity, the treaty between the two states soon became a more hard-nosed deal, addressing ongoing labour shortages in East Germany while helping to rebuild a war-ravaged Vietnam, which took a...The Legacy of Forgotten WorkersTechnically there was no racism in the GDR, because it wasn't documented. But of course it always existed. This is the uncomfortable truth that Tieu's installation confronts – the erasure of immigrant experiences in official narratives, even as these workers were essential to East Germany's economy.Through her art, Tieu transforms personal memory into collective history, giving voice to the thousands of contract workers who built East Germany but were never fully acknowledged as part of its society. The Venice Biennale installation, with its meticulous recreation of a housing complex that many would prefer to forget, serves as both memorial and critique – a reminder that the stories of immigrants are integral to understanding modern Germany.The Future of Migration Narratives in ArtAs Europe continues to grapple with questions of migration and identity, artists like Sung Tieu are pioneering new forms of expression that move beyond personal stories to examine the structures and systems that shape immigrant experiences. By focusing on bureaucracy, architecture, and official documents, Tieu creates art that is both deeply personal and universally relevant.The Venice Biennale platform ensures that these often-overlooked histories reach a global audience, challenging visitors to reconsider their understanding of migration, labor, and belonging. As Tieu continues her exploration of these themes, we can expect more installations that transform bureaucratic systems into powerful artistic statements, creating spaces where the voices of the marginalized can be heard and remembered.

The Film's Unique Narrative Structure Directed by Patrick Leung, Ciao UFO is a Hong Kong drama that employs a non-linear narrative, jumping between different time frames. The film follows a group of childhood friends as they grow up in a working-class Hong Kong housing estate. The Story of Friendship and Growth The story centers around four kids: Kin, Heem, Hoyi, and Little Brother, who share a life-changing experience in 1985 when they see a UFO in the sky. As they grow up, their paths diverge, with each character pursuing different goals and facing various challenges. The Impact of Hong Kong's Changing Landscape The film is set against the backdrop of Hong Kong's transformation, particularly the 1997 handover to China. This significant event serves as a pivotal moment in the characters' lives, influencing their decisions and futures. A Blend of Realism and Melodrama Ciao UFO is not a sci-fi film, but rather a multi-stranded realist drama that explores the complexities of human relationships and the city's evolution. The film features a cast of colorful characters, including a spaced-out uncle and a superstitious grandfather. A Long-Awaited Release Despite being made in 2019, Ciao UFO is only now receiving an international release due to distribution issues. The film still feels fresh and relevant, particularly in today's volatile economic climate.

The Invisible Cost of Pakistan's Energy Crisis: Disrupted Lives and Unpaid LaborFarhat Qureshi, a 60-year-old resident of Karachi, used to cook without watching the clock. Now, her mornings begin with a single question: how much can she finish before the gas in her kitchen disappears? The cooking gas at her home is no longer a constant utility but a commodity available in short, erratic windows throughout the day.The LNG Shortage: From Surplus to CrisisThe root of this domestic disruption lies in Pakistan's broader energy security failure. The country's liquefied natural gas (LNG) imports have plummeted from 8.2 million tonnes in 2021 to 6.1 million tonnes by late 2025. This decline was exacerbated by the US-Israel war on Iran, which caused monthly cargo arrivals to drop from an average of eight to 12 shipments to just two in March.Quantifying the Impact: Data and StatisticsThe crisis is not just anecdotal; it is structural. LNG supplies roughly 25% of the country's electricity. Furthermore, the World Bank's 2024 Pakistan Energy Survey reveals a stark disparity in household access. While 44.3% of households use clean fuel stoves, 38.6% rely on piped natural gas (PNG), and only 5.7% use liquefied petroleum gas (LPG).The Social Cost: Disrupted Routines and Unpaid LaborThe most profound impact is on the unpaid labor of women. According to a 2024 policy brief, women spend approximately three hours a day on unpaid, nonmarket work, with the longest time spent in the kitchen. Laiba Zahid, a 24-year-old teacher, describes how her entire day is divided by gas windows. "Our dinner time is set," she says, noting that food becomes dry and meals are compromised when reheated in microwaves due to gas unavailability.Future Outlook: A Fragile Energy BalanceAs long as domestic gasfields remain in slow decline and imported LNG shipments remain volatile due to geopolitical tensions, the "gas windows" will likely persist. For millions of Pakistanis, this means their personal lives, health, and economic productivity are increasingly hostage to a fragile energy supply chain.

Resumption of Aerial Attacks After Failed TruceRussia and Ukraine have resumed air attacks after a United States-brokered three-day truce expired, with President Volodymyr Zelenskyy reporting more than 200 drones were used to attack Ukraine overnight. The breakdown of the ceasefire comes despite diplomatic efforts by US President Donald Trump, who had announced the 72-hour truce on Friday, hoping it would mark 'the beginning of the end' of Russia's four-year war on Ukraine.Intensified Drone Campaign Across Multiple RegionsRussian aerial attacks across Ukraine's Dnipropetrovsk region on Tuesday morning killed at least one person and injured four others, according to regional administration chief Oleksandr Ganzha. Russian drones also targeted energy infrastructure in Ukraine's Mykolaiv region, causing outages, and struck residential buildings and a kindergarten in the Kyiv region. Additional attacks were reported in the regions of Kharkiv, Zhytomyr, Sumy and Chernihiv.Casualties and Infrastructure DamageThe wave of attacks resulted in significant casualties and infrastructure damage:At least one person killed and four injured in Dnipropetrovsk regionEnergy infrastructure damaged in Mykolaiv region, causing power outagesResidential buildings and a kindergarten struck in Kyiv regionRussia claimed to have downed 27 Ukrainian drones over Belgorod, Voronezh and Rostov regionsGeopolitical Implications of Failed CeasefireThe failed truce has significant geopolitical implications, particularly for US-led peace efforts. US-backed negotiations on ending the Russia-Ukraine war have made little headway and have been largely sidelined by the crisis in the Middle East amid the US-Israel war on Iran. Despite the expiration of the truce, Russian President Vladimir Putin suggested for the first time that the Ukraine war may be 'coming to an end' and expressed a willingness to meet Zelenskyy in Moscow or a neutral country once an agreement to end the war is finalized.Future Outlook Amidst Continued ConflictBoth sides continue to accuse each other of ceasefire violations, with Zelenskyy stating that Russia was 'neither observing the truce nor even particularly trying to.' Meanwhile, Russia's Ministry of Defence accused Ukraine of committing more than 1,000 ceasefire violations. The situation remains volatile as diplomatic efforts continue alongside military escalation, with Putin warning that Russia's 'strategic forces' are combat-ready and accusing the 'arrogant' West of risking a global conflict.

The Landmark Investment Announcement French President Emmanuel Macron has announced 23 billion euros ($27bn) of investment during the Africa Forward summit in Kenya. This significant move is part of France's effort to strengthen its ties with English-speaking African countries and renew its engagement with the continent. Investment Details and Objectives Macron said that Africa and France had a “partnership of equals” with common objectives. The investments include: 14 billion euros ($16.4bn) from French companies and public funds 9 billion euros ($10.5bn) from African companies These investments will focus on: Energy transition Agriculture Artificial intelligence (AI) The Economic Impact The investments are expected to create 250,000 jobs in France and Africa. This move is seen as an attempt by France to redefine its role in Africa, particularly in English-speaking countries, amid waning ties with its former colonies. Strengthening Ties with Africa Macron emphasized that France is not just looking to invest in Africa but also wants African business leaders to invest in France. He highlighted that the relationship between France and Africa should be free of hang-ups and based on mutual investment. The Future Outlook This summit marks a significant shift in France's approach to Africa, with a focus on investment and partnership rather than aid and loans. As Kenyan President William Ruto noted, “We should no longer think in terms of aid and loans, but rather in terms of investment and what Africa has to offer.”

The Lead: Political Crisis Triggers Market ReactionLong-term UK borrowing costs have soared to the highest level in nearly three decades while the pound and stocks fell, as investors braced for a potential change of leadership with cabinet ministers urging Keir Starmer to quit. The crisis comes at a critical time for the UK economy, with markets reacting to political uncertainty and concerns over fiscal policy.The Political Crisis: Starmer's Leadership Under ThreatPrime Minister Keir Starmer is consulting colleagues before a crunch cabinet meeting on Tuesday morning that comes after ministerial aides quit and more than 70 MPs publicly called for him to go. With investors worried over chaos and potential changes to the fiscal rigour of Starmer's government, the political uncertainty has directly impacted financial markets.The Bond Market Surge: Borrowing Costs at 25-Year HighThe yield on 30-year government bonds jumped 11 basis points to 5.794%, the highest since May 1998. The benchmark 10-year yield on UK government bonds (known as gilts) also rose 11 basis points to 5.11%, just below the highest levels since 2008 it hit in March amid fears that the Iran war will stoke inflation. These increases reflect growing concerns about the UK's long-term economic stability.Market Reactions: Pound and Stocks Under PressureThe pound dropped 0.5% to $1.354 and was 0.3% lower against the euro, at 86.8p a euro. Stocks were also under pressure, with the FTSE 100 index down nearly 1%. Banks fell significantly, with Barclays dropping 4% in early trade, while Natwest and Lloyds slipped more than 3%. The market reaction indicates deep concerns about the direction of UK economic policy.Investor Concerns: Fiscal Policy and Inflation FearsInvestors are concerned that, if Starmer is forced out of Downing Street, his possible replacements may seek to increase public spending and loosen the government's fiscal rules. Two potential frontrunners to succeed him, Angela Rayner and Andy Burnham, have hinted that they would like to see higher public spending. Neil Wilson, an investor strategist at Saxo Markets, noted: "Markets tend to dislike a lack of certainty over who runs a government; the fiscal position is already fragile and likely to become worse should a left-leaning ticket prioritise spending; and that this makes inflation stickier."Future Outlook: Political Uncertainty to ContinueMohit Kumar, the chief economist for Europe at Jefferies, said: "A managed exit would be our base case scenario. Any replacement would likely be left leaning and be negative for the long end of the curve and the currency." He added he expected a widening between shorter- and longer-dated UK borrowing costs, and was betting against the pound. With oil prices also rising due to concerns about the Iran conflict, the UK economy faces multiple headwinds in the coming months.