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Sabrina Carpenter took the stage at Coachella, fulfilling a promise she made two years prior to headline the festival. Her set, dubbed 'Sabchella' by fans, was a maximalist production that rivaled Lady Gaga's iconic 2025 performance. The show featured a Hollywood Hills-style set, complete with big block letters in 4K vision, and a dizzying array of costume changes and performance elements. Carpenter's setlist included hits like 'Espresso' and 'Taste,' as well as new material, all delivered with her signature blend of humor and relentless energy. The production incorporated pre-filmed chapter breaks, complex choreography, and guest appearances by Will Ferrell, Susan Sarandon, and Samuel L. Jackson. While the show was sometimes overwhelming, Carpenter's live vocals shone, and her ability to slip into different characters and personas was on full display. Despite some technical issues and a few moments of overkill, Carpenter's performance was a triumph, showcasing her growth as a performer and entertainer. Her set was a testament to her dedication and creativity, with seven months of work reportedly going into the production. As she drove offstage in a vintage car, Carpenter had gloriously kept her promises to deliver a memorable Coachella performance.

Barney Ronay set out to test whether a disciplined betting strategy could turn a modest £10 stake into a sizeable profit. Over five days he managed to grow the amount to £120, a return that sounded impressive but left him emotionally flat. His experiment underscores a broader truth: sport betting is engineered to disturb and addict. The personal journey is set against a looming financial shock for English football. Nine Premier League clubs have warned they cannot replace the cash flow previously supplied by gambling sponsors, which will be barred from shirt‑front advertising next season under a voluntary industry agreement. One club executive summed up the anxiety: “Nearly everyone is losing money.” The shortfall is estimated at around £4 million for the affected clubs. These concerns arrive at a time when the gambling sector itself faces scrutiny. Recent data show that up to 1.4 million UK adults may have a gambling problem, a figure that has risen alongside the proliferation of mobile betting apps. The Guardian previously reported that the world‑champion club could incur losses of £335 million in a single season, illustrating the massive financial stakes involved. Ronay’s betting log reads like a sports‑fan’s diary. He began with a £10 wager on a Florida horse race, which paid out modestly. Subsequent bets on high‑profile matches – Manchester City versus Liverpool, Southampton beating Arsenal in the FA Cup – produced a rapid climb to £120. Yet each win felt hollow, prompting him to chase larger, riskier bets such as a four‑way accumulator on the Champions League semi‑finalists, a gamble that ultimately fell short. Beyond the numbers, the piece highlights how gambling permeates the football experience: logos dominate club kits, betting terminology infiltrates fan conversation, and promotional offers tempt even casual viewers. Ronay argues that this saturation turns a simple pastime into a “highly available, stimulating activity designed to hook” users, exploiting the brain’s natural reward pathways. In concluding, Ronay stresses two take‑aways. First, the industry’s promise of “extra money” for clubs is a façade – the money only comes out of fans’ pockets. Second, the impending £4 million sponsorship gap may actually serve as a catalyst for sensible self‑regulation, forcing clubs to reconsider reliance on gambling revenue.

The musical adaptation of Heathers, based on the 1989 black comedy film, has premiered in Melbourne. The show features a young cast, including Emma Caporaso as Veronica Sawyer, and Conor Beaumont as Jason 'JD' Dean. The musical tackles serious issues like suicide, bullying, and rape culture, but its approach has been updated for modern audiences.The show's aesthetic and tone are more akin to its millennial successors, with a high-octane blast of colour and a bombastic pop-rock score by Laurence O'Keefe and Kevin Murphy. The cast shines, particularly Emma Caporaso, who brings a warmer and more likable take on Veronica Sawyer.The musical covers serious issues, from suicide and bullying to eating disorders, rape culture and homophobia. However, some changes, such as the removal of the controversial song 'Blue', have been made to update the approach to these topics. The show's tonal chaos is the embodiment of the whiplash in one of Slater's chilling lines from the film: 'Our love is God. Let's go get a slushie.'Despite some missteps, including unsubtle moralising in newer songs, the show is good, hammy fun, and the cast and audience alike are clearly having a ball. The show will tour to various cities in Australia, including Melbourne, Adelaide, Gold Coast, Canberra, Sydney, and Perth.

Rehab did not happen to Lena Dunham; she walked into it. The writer describes the moment she entered a stone‑manor facility in the Berkshires, Massachusetts, and was immediately asked to remove her designer shoes and answer mundane questions about her diet, a surreal welcome that felt like a college orientation—except many of the fellow residents struggled with IV heroin. She notes the unsettling blend of patients and staff, all dressed in ordinary clothes, making it impossible to tell who was who. A tattooed man in a Harley‑Davidson shirt turned out to be a sober companion, while a grandmother knitting in slippers battled a severe Benadryl addiction that had once ruined her daughter’s wedding. “Never judge a drug addict by their Patagonia half‑zip fleece,” she writes. Using the pseudonym “Rose O’Neill” – after the pioneering cartoonist – Dunham reflects on feeling trapped in a cycle reminiscent of the late‑career decline of the early 20th‑century artist. It was only after she allowed staff to use her real name that she began to reclaim her identity. Her therapist, Dr. Mark, a kindly man in khakis, asked her to articulate the root causes of her admission. Dunham linked her descent to chronic physical illness, relentless stress from supporting multiple families, hormonal turmoil after a hysterectomy, and a fraught romantic relationship. She also disclosed past sexual trauma, describing the rehab experience as “a fever dream” that echoed those memories. Medication played a paradoxical role. While Klonopin eased anxiety and Percocet dulled pain, the initial IV dose produced a euphoric “shiver through the whole body, better than any orgasm.” She acknowledges the temporary relief as a “pause button” that allowed her racing thoughts to quiet, yet also recognized the danger of dependence. Group sessions revealed complex dynamics. A fellow patient, Walter, breached confidentiality, prompting staff to enforce policy and send him home. The ensuing discussion divided the group, with some defending Walter’s lapse and others demanding accountability. Dunham’s own voice was subdued, emphasizing the tension between personal safety and collective responsibility. In a values‑mapping exercise, Dunham listed ART, FAMILY, MAKING PEOPLE FEEL SEEN as her core priorities, contrasting them with the values of the people she had surrounded herself with during active addiction. This exercise highlighted the stark misalignment between her aspirations and the environment she had inhabited. Despite the strict regimen, Dunham was granted a brief leave to attend the 2018 Met Gala. The decision sparked intense debate among staff about safety, yet she ultimately walked the red carpet, feeling “wan and haunted” amid flashing cameras and champagne she could not enjoy. The experience underscored the surreal juxtaposition of celebrity life and rehab recovery. During the final week, she formally identified as an addict and faced the pivotal question from Dr. Mark: “Do you want to be sober?” The answer marked a turning point, culminating in a moment of pure joy as she ran outdoors, feeling her legs move of their own accord. She closes with a vivid scene of spotting a robin’s egg on the grass, a simple yet profound reminder of life’s unexpected beauty. The memoir Famesick, published by Fourth Estate on 14 April, expands on these revelations and invites readers into the often‑hidden world of addiction behind the celebrity façade.

Al Jazeera’s analysis by Trita Parsi, published on April 10, 2026, raises a pressing concern: is the US‑Iran ceasefire already doomed? The article invites readers to scrutinise early warning signs that could undermine the fragile truce.While the piece does not present new data, it underscores the strategic importance of the ceasefire for both Washington and Tehran, noting that any breakdown could reverberate across the broader Middle‑East diplomatic landscape.Parsi’s questioning of the ceasefire’s durability serves as a reminder that peace agreements, especially those involving long‑standing rivals, require constant vigilance and robust mechanisms to prevent a rapid slide back into conflict.

A 20‑year‑old male was taken into custody by the San Francisco Police Department (SFPD) after a Molotov cocktail was hurled at the North Beach residence of OpenAI chief executive Sam Altman in the early hours of Friday, around 4 a.m. local time (11:00 GMT). The incendiary device ignited part of an exterior gate before the suspect fled on foot.Police confirmed that the suspect was located about an hour later, approximately 4.8 kilometres (three miles) from the scene, near OpenAI’s headquarters, where he allegedly threatened to set the building ablaze. No injuries were reported.OpenAI released a statement thanking the SFPD for its rapid response and emphasizing that the company is fully cooperating with investigators. “Thankfully, no one was hurt,” the spokesperson said, adding that the incident highlights the need for continued vigilance in protecting employees.The attack arrives amid a wave of security concerns targeting OpenAI’s facilities. In November, a separate threat prompted a temporary lockdown of the company’s San Francisco office, and activists have increasingly singled out Altman and OpenAI for the perceived risks associated with advanced artificial intelligence.Critics also point to OpenAI’s recent partnership with the U.S. Department of Defense, arguing that the collaboration intensifies scrutiny of the firm’s role in military technology. Public sentiment toward AI remains divided; a recent NBC News poll indicated that AI is viewed less favorably than the U.S. Immigration and Customs Enforcement agency.Despite the controversy, OpenAI’s growth trajectory remains robust. The company announced a valuation of $852 billion following a funding round that raised $122 billion. Its flagship product, ChatGPT, continues to dominate the consumer AI market with over 900 million weekly active users and roughly 50 million subscribers. Usage of OpenAI’s search features has also tripled over the past year.While the motive behind the Molotov attack remains unclear, the incident underscores the escalating security challenges faced by leading AI firms operating at the intersection of technology, public policy, and national defense.

Despite a supposed ceasefire in the Gaza Strip, thousands of families are still unable to bury their loved ones six months into the agreement. The conflict, which began in October 2023, has left about 10,000 Palestinians missing and believed to be buried under collapsed buildings.An internationally mediated agreement was signed between Israel and Hamas on October 10, 2023, aiming to end the conflict. However, for many, the war has not ended. The United Nations reports that Israeli bombardment has generated over 61 million tonnes of rubble in the besieged Gaza Strip.Al Jazeera's Hind Khoudary spoke to a Palestinian father, Abu Mohammed, who survived an Israeli attack but lost four of his children. He has been trying to retrieve their bodies for three years but faces significant challenges due to the massive concrete slabs and lack of heavy equipment.The ceasefire has not allowed heavy machinery into Gaza to begin recovery efforts and reunite families. According to Mahmoud Basal, Gaza's civil defence spokesperson, nothing has entered Gaza except limited equipment for retrieving Israeli captives. Across Gaza, thousands remain buried, with at least 50 bodies trapped beneath the rubble in one apartment block in Bureij.Conditions on the ground have barely shifted six months into the ceasefire. Families continue to wait as bodies are not yet recovered, and Israeli attacks persist. Since the ceasefire took effect, at least 738 people have been killed and 2,036 wounded. Authorities have recovered 759 bodies from the rubble.Israel's actions in Gaza have resulted in over 72,317 Palestinian deaths and 172,158 wounded. Despite the ceasefire, Israel still occupies more than half of the Gaza Strip, having levelled most buildings in these areas and forced residents out.

Djibouti's voters are heading to the polls to choose their next president, with incumbent leader Ismail Omar Guelleh expected to easily secure a sixth term. Guelleh, 78, has been in power since 1999 and won re-election in 2021 with 98 per cent of the vote.Guelleh's only opponent is Mohamed Farah Samatar, the leader of the Unified Democratic Centre (CDU), a party with no seats in parliament. The election comes after politicians scrapped presidential age limits last year, paving the way for Guelleh to extend his 27-year rule.Human rights groups have accused authorities of abuses and repressing freedom of political activity, while the government has denied the allegations. Two main opposition parties have boycotted elections since 2016.The election is being observed by several international organisations, including the African Union (AU), the Organisation of Islamic Cooperation (OIC) and the League of Arab States. Guelleh has governed the small nation in the Horn of Africa since 1999, when he succeeded Hassan Gouled Aptidon, the founding president of the country with about a million people.Djibouti hosts important military bases for the United States, France, China and other powers, earning it a reputation as the country with the most foreign military bases. It is also an important port hub for landlocked neighbours such as Ethiopia.

UK Prime Minister Keir Starmer and former US President Donald Trump convened to explore military options aimed at reopening the Strait of Hormuz. The discussion reflects heightened concern over recent disruptions that have threatened the flow of oil through the narrow Gulf passage. The Strait of Hormuz, a critical chokepoint through which roughly 20% of global petroleum shipments transit, has faced intermittent closures due to regional tensions. Both leaders emphasized that ensuring safe passage is essential for stabilising global energy markets and preventing price spikes. While specific operational plans were not disclosed, the dialogue reportedly focused on coordinated naval patrols and the potential deployment of rapid-response forces to deter any further blockades. Analysts note that such a joint stance could signal a broader Western commitment to maintaining freedom of navigation in the Persian Gulf. Experts caution that any military escalation carries risks, including the possibility of widening the conflict with regional actors. Nonetheless, the meeting highlights the strategic priority placed on the Strait by both London and Washington, aiming to safeguard a vital artery of the world economy.