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Bordeaux Bègles are on a roll in the European Champions Cup, with their impressive performance against Toulouse showcasing their strength. Their ability to score 25 unanswered points in the second half was a testament to their depth and strategy. The French team's bench made a significant impact, with players like Ben Tameifuna making a key difference at the breakdown and adding a crucial try.Despite their dominance, other teams still have a chance to stop them. Bath Rugby, who recently overcame Northampton Saints in a thrilling quarter-final, have a contrasting style that could potentially counter Bordeaux's modus operandi. Bath's tighthead Thomas du Toit and scrum-half Finn Russell could provide a strong challenge to Bordeaux's backline.Exeter Chiefs also had a remarkable win in their Challenge Cup quarter-final, coming from behind to beat Benetton 44-41. Their ability to hang tough in the final quarter and secure crucial kicks will be essential in their upcoming match against Ulster.The semi-final matchups are set to be intense, with Bath facing Bordeaux Bègles and Exeter Chiefs taking on Ulster. Will Bordeaux continue their winning streak, or will one of these teams manage to pull off an upset?

The Victoria & Albert Museum has acceded to a Chinese printer’s demand to excise several maps and photographs from recent exhibition catalogues, illustrating how Beijing’s censorship apparatus can reach even Western cultural publications. According to documents obtained by The Guardian through freedom‑of‑information requests, the Chinese company C&C Offset Printing flagged a 1930s British‑empire trade‑route map as non‑compliant with the standards of the General Administration of Press and Publication (GAPP). The printer instructed the museum to either delete the page or replace it with an approved image. Faced with the request, V&A; staff approved the change, acknowledging that the map’s depiction of China’s borders triggered the rejection. An internal email noted the delay caused by the edit, stating that the catalogue’s production was paused while the offending page was revised. Cost considerations lie at the heart of the decision. Like the British Museum, Tate and the British Library, the V&A; routinely commissions Chinese printers because they can deliver catalogues at roughly half the price of European firms. This financial incentive, however, comes with the implicit obligation to obey Chinese content restrictions covering topics such as Buddhism, Taiwan, Tibet, Tiananmen Square and other subjects deemed politically sensitive. The museum’s compliance extended beyond the map issue. For a catalogue accompanying the 2021 Fabergé exhibition, the V&A; also removed a photograph of Lenin after the printer warned that the image could be considered “sensitive” by Chinese authorities. V&A; spokespersons described the alterations as “minor” and asserted that the institution maintains “close editorial oversight” when printing abroad. They emphasized that any change that would compromise the narrative would be rejected, and that the museum would relocate production if necessary. Other cultural bodies have responded differently. The British Museum declined to comment on how it handles similar censorship requests for at least eight publications printed in China, while the British Library claimed it has never encountered such issues. Tate Publishing, meanwhile, confirmed that Chinese printers have produced several of its children’s books but insisted that no content has ever been altered at a printer’s behest. A UK publisher who preferred anonymity highlighted the trade‑off: Chinese printing is markedly cheaper, yet the process introduces delays while materials are screened for politically sensitive content, especially references to Tibet or disputed borders. Former employee of C&C Offset Printing remarked that complying with Chinese government directives is standard practice for domestic firms, underscoring the systemic nature of the censorship. These revelations raise broader questions about the ethical implications of cost‑driven outsourcing for publicly funded institutions and the extent to which they are willing to compromise editorial independence to meet budgetary targets.

In an internal email circulated on Tuesday, Disney’s newly appointed CEO Josh D’Amaro disclosed plans to cut about 1,000 jobs as part of a broader effort to streamline the conglomerate’s operations.The reductions will primarily affect the recently restructured marketing division and extend to several other segments, including the studio and television arms, ESPN, product and technology teams, as well as select corporate functions.D’Amaro emphasized the need for a “more agile and technologically‑enabled workforce” to keep pace with the rapid evolution of the entertainment landscape, noting that the cuts are essential to meet future demands.These layoffs come as Disney, like many of its Hollywood peers, confronts a challenging economic backdrop characterized by a weakening television market, declining box‑office receipts, and intensified competition from rivals such as Warner Bros. Discovery and Paramount‑Skydance.The company’s most extensive workforce reduction occurred in 2023, when it announced a cut of 7,000 positions to achieve roughly $5.5 billion in cost savings, a move spurred by pressure from activist investor Nelson Peltz to improve financial performance and curb streaming losses.According to Disney’s latest fiscal data, the firm employed approximately 231,000 people as of September, the close of its fiscal year. The Wall Street Journal first reported the current round of job cuts.

The NAACP has filed a lawsuit against Elon Musk's artificial intelligence company, xAI, alleging that it has been illegally spewing toxic pollutants into Black neighborhoods near Memphis. The lawsuit claims that xAI's makeshift power plant in Southaven, Mississippi, has been operating without permits, violating the Clean Air Act.The suit, filed on Tuesday in Mississippi federal court, alleges that xAI has been polluting the surrounding historically Black communities by using dozens of methane gas generators without permits. The organization is seeking to force the company to stop operating its unpermitted turbines in Southaven.“All too often, big corporations like xAI treat our communities and families like obstacles to be pushed aside,” said Derrick Johnson, the president and CEO of the NAACP. “We will not allow xAI to get away with this.”xAI's datacenters, nicknamed “Colossus” and “Colossus II” by Musk, are massive facilities, with the latter occupying 1m sq ft in Memphis. They are located in Memphis's industrial zone and a few miles from residential neighborhoods that have long dealt with harmful pollution, including Boxtown, a neighborhood that was established by formerly enslaved people after emancipation in the 19th century.The lawsuit alleges xAI illegally installed and operated up to 27 gas turbines, each one the size of a large bus, to power the datacenters. Combined, they have the capacity to emit tons of harmful nitrogen oxides per year, along with toxic chemicals like formaldehyde, according to the Southern Environmental Law Center.xAI issued a statement in response to the lawsuit: “We take our commitment to the community and environment seriously. The temporary power generation units are operating in compliance with all applicable laws.” The company did not respond to questions about whether it will address the alleged violations listed in the lawsuit.Black residents still make up a large portion of the Memphis neighborhoods, which have faced higher rates of asthma and respiratory diseases as well as a lower life expectancy than other parts of the city. Studies have likewise shown these neighborhoods have a cancer risk that is four times the national average.

Itch! thrusts viewers into a nightmarish scenario where a hyper‑contagious disease forces victims to scratch themselves to death. The film’s most striking moment features a woman literally tearing her own skin, a set‑piece that showcases the director’s knack for visceral body‑horror despite a shoestring budget. The narrative then shifts to a cramped department store, where a rag‑tag group of uninfected shoppers must endure a claustrophobic dialogue‑driven showdown. While the premise echoes classic confinement thrillers such as John Carpenter’s The Thing and Assault on Precinct 13, the limited resources prevent the film from fully capitalising on these influences. Critics note that a larger budget could have amplified the already effective practical effects, and a tighter script would have deepened the human drama. The ensemble includes a widowed father (played by director‑screenwriter Bari Kang) juggling single‑parenthood, a cantankerous customer (portrayed by Douglas Stirling) who complains about price‑matching on Amazon, and several other archetypal figures. However, the screenplay struggles to give each character a distinct emotional arc, leaving audiences at a distance. Despite these shortcomings, the film’s core concept—an epidemic of fatal itching—offers a fresh angle for the under‑served eczema community and delivers moments of genuine horror. Itch! becomes as much a character study as a genre piece, though the balance tilts unevenly. The movie is available on UK digital platforms from 20 April 2026 and on US digital platforms from 21 April 2026.

Great Britain is on the verge of a record‑breaking summer of wind and solar generation, creating the possibility of the first zero‑carbon electricity periods in the nation’s power system.The government’s ambition to achieve a 95% gas‑free grid by 2030 underpins this push, as electrified transport, heat pumps and low‑carbon industry will need a clean power supply to meet climate targets.National Grid ESO (Neso) forecasts that on sunny weekend afternoons the grid could have more renewable power than demand, leaving excess capacity that would otherwise be wasted.To turn surplus into savings, Neso is urging households and businesses to shift flexible loads—such as charging electric vehicles, running dishwashers or doing laundry—to those high‑renewable windows.Leading suppliers Octopus Energy and British Gas have confirmed participation, offering special tariffs that reward consumers for using electricity when it is abundant.British Gas’s “PeakSave” scheme, for example, provides half‑price electricity from 11 am to 4 pm on Sundays, with an even cheaper “Super Sunday” option from 9 am to 5 pm. The company says the tariff has saved over £45 million for more than 1 million customers since its 2023 launch. Octopus Energy reports helping 2 million households save about £11 million, including £3 million in free electricity during periods of high renewable output.Other providers—including Ovo Energy and EDF Energy—offer similar “time‑of‑use” tariffs that charge higher rates when renewables are scarce, giving price‑sensitive users a clear incentive to shift consumption.Beyond bill reductions, flexible demand curtails the need for “constraint payments” to wind and solar farms—payments that reached almost £1.5 billion last year. By encouraging consumers to “turn up” rather than forcing generators to “turn down,” the grid can avoid these costly curtailments.Businesses are also joining the flexibility movement. Tech firms report that adaptable energy use can cut datacenter grid costs by up to 5% and slash emissions by as much as 40%. Danish engineering group Danfoss estimates that if datacentres operated flexibly for just 1% of the time, the pipeline of new facilities expected by 2035 could be accommodated without overloading the grid.In short, leveraging surplus renewable power now—through smart tariffs and demand‑shifting—offers a cheaper, faster alternative to massive storage or grid‑upgrade projects, while delivering tangible savings for consumers and a decisive step toward a low‑carbon British electricity system.

According to a recent report, the cost of a round‑trip train ticket from New York City’s Penn Station to MetLife Stadium could surge sevenfold to more than $100 during the 2026 FIFA World Cup.The Athletic cited sources familiar with NJ Transit’s pricing strategy, noting that the agency told Fox 5 New York the exact fare has not yet been finalized, with a decision expected in the coming days.At present, NJ Transit lists a standard round‑trip fare at $12.90, with discounted rates for children, seniors and passengers with disabilities. The proposed increase would eliminate these reduced‑price options, pushing the ticket price above the six‑figure mark for a single journey.Transportation costs have become a focal point of the World Cup debate, joining concerns over the sky‑high match tickets. For context, the Massachusetts Bay Transportation Authority recently raised its Boston‑to‑Gillette Stadium fare from $20 to $80 for the tournament.New Jersey Governor Mikie Sherrill emphasized her commitment to protecting taxpayers, stating that the state will not subsidize travel for World Cup spectators."When I came into office about two months ago, I immediately got to work on the World Cup," Sherrill said. "One of the key things I wanted to make sure of was that we were not going to be paying for moving people who were viewing the World Cup on the backs of New Jersey taxpayers and New Jersey commuters."NJ Transit estimates that operating its services for the eight World Cup matches at MetLife—including the July 19 final—will cost roughly $48 million.The agency added, "The ticket prices for match‑day travel have not been finalized. However, as the Governor has clearly stated, the cost for the eight matches will not be borne by our regular commuters."In February, Governor Sherrill cancelled a planned $5 million fan festival at Liberty State Park, redirecting the funds toward smaller watch parties and events across the state.Officials anticipate tens of thousands of fans will rely on the rail network to reach MetLife, especially as parking availability will be sharply reduced compared with typical concert or NFL game days. NorthJersey.com reported that portions of Penn Station will be reserved exclusively for World Cup ticket‑holders for a four‑hour window before each of the eight matches.

The American Great Plains, typically greening up in spring, are instead scarred by record-breaking wildfires that have devastated the region, leaving over a million acres of land blackened and barren.In Nebraska, where most of the nation's beef producers graze their herds, multiple blazes raged across the state, shattering records for annual acreage burned. The Morrill fire, which spread across more than 642,000 acres, was the largest blaze ever recorded in the state.Fire is not uncommon in this region in early spring, when precipitation is low, grasses are dry and dormant, and strong winds blow through the open flats. However, the risks have sharply risen in recent years, driven by climate change and land management practices.Experts warn that a changing wildfire dynamic in the region is creating more catastrophes. 'There is a changing wildfire dynamic in this region,' Dr Dirac Twidwell, a rangeland ecologist at the University of Nebraska, said. 'Stronger summer storms seed the grasses that cure by winter. If there's no protective snow cover, that browned vegetation ramps up fire risks – especially when the winds begin to blow.'This year's conditions converged to create the perfect storm in Nebraska. A warm and dry winter, with the second warmest and fourth driest conditions on record, set the stage for the devastating fires.The Morrill fire claimed the life of 86-year-old Rose White, a great-grandmother, as she tried to flee her home. It reduced parts of the Nebraska Sandhills – one of the largest temperate grasslands still intact across earth – to ash and sand.Thousands of livestock were killed or severely burned, and miles of fencing and forage are gone. The fires have also had a significant impact on the cattle industry's feeding operation, which is concentrated on the Great Plains.While experts are assured that the lands will rebound, they also stress that fires will happen in a grassland system. 'The idea that we can completely remove fire from these systems isn't really feasible,' Dr Victoria Donovan, assistant professor of forest management at the University of Florida, said.

Donald Trump publicly rebuked Italy’s Prime Minister Giorgia Meloni, claiming she showed no courage for refusing to support a U.S. strike on Iran. The remarks were made during an interview with Italy’s Corriere della Sera, where Trump said, “I’m shocked at her. I thought she had courage, but I was wrong.”Meloni’s stance follows her government’s decision to suspend the automatic renewal of the defence cooperation memorandum with Israel, citing the “current situation” as justification. The move marks the first time Italy has halted the agreement, which had been in place since 2016 and facilitated military exchanges and technology sharing.Trump escalated the dispute, stating, “Giorgia Meloni doesn’t want to help us in the war… Does she like it? I can’t imagine.” He also linked his criticism to broader frustrations with European allies, accusing them of “abandoning” the United States and urging them to “go get your own oil.”Relations between Washington and Rome have already been strained after Trump’s earlier attacks on Pope Francis, whom he described as “not doing a very good job” and urged to stop “catering to the radical left.” Meloni condemned those comments as “unacceptable,” emphasizing that religious leaders should not be forced to follow political directives.Amid the diplomatic fallout, Italy is grappling with domestic challenges. A recent justice referendum, backed by the government, was defeated, a result analysts interpret as a broader vote of no confidence in Meloni’s leadership. Economic anxieties are rising as the ongoing Iran‑Israel conflict threatens global energy supplies, with the Strait of Hormuz blockade contributing to a sharp increase in diesel prices across Europe.Political historian Lorenzo Castellani of Luiss University described the situation as a “repositioning,” noting that Meloni may be wary of alienating centre‑right voters who are increasingly critical of Trump, Israeli Prime Minister Netanyahu, and the war’s economic repercussions.Despite the tension, Meloni reiterated that Washington remains a “priority ally,” adding that true alliances require candour: “When you are friends, particularly strategic allies, you must also have the courage to say when you disagree.”Trump’s remarks also targeted other NATO members, suggesting that countries like Spain could face troop withdrawals and accusing the United Kingdom of failing to “step up.” His comments underscore growing fractures within the alliance as the Iran conflict escalates.In parallel, Italy’s diplomatic ties with Israel are under pressure. The suspension of the defence memorandum follows a series of incidents, including Israeli airstrikes that have caused thousands of casualties in Lebanon and a near‑miss involving Italian UN peacekeepers in southern Lebanon. Italy’s ambassador to Israel was summoned after Foreign Minister Antonio Tajani condemned the Israeli raids during a visit to Beirut.The confluence of these diplomatic disputes—Trump’s criticism of Meloni, the halted Israel‑Italy defence pact, and broader NATO tensions—highlights a volatile period for European‑U.S. relations amid an intensifying Middle‑East conflict.