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The Palantir Manifesto ControversyJust weeks after publishing a manifesto on X that implied some cultures are inferior to others, described by one UK MP as the "ramblings of a supervillain," the US spy tech company Palantir faces growing calls for a ban in Australia. The company, which has significant government contracts in Australia, now claims it is "just a software company" amid mounting public and political backlash.Cultural Statements Spark Global ConcernEarlier this month, Palantir published a manifesto on X, arguing the benefits of American power and stating: "Some cultures have produced vital advances; others remain dysfunctional and regressive." This public pronouncement, combined with concern over Palantir's software being used by ICE immigration enforcement in the United States and the Israeli military, has led to calls in Australia and the UK for governments to cease using Palantir in their operations.Financial Footprint in Australian GovernmentState and federal contracts with Palantir in Australia have reached nearly $80m, with federal investment in the company reportedly more than $160m. Federal agencies including the financial intelligence agency Austrac and the defense department have spent an estimated $60m in contracts with Palantir. Australia's sovereign wealth fund, the Future Fund, holds $100m worth of shares in the company. In Victoria, the prison system has spent nearly $20m on Palantir contracts since 2012, with a current contract valued at $9m and not due to expire until 2028.Government Response and Company DefenseAustralian Greens senator David Shoebridge has called for a "blanket ban on all new contracts with Palantir, pending a comprehensive public audit of their existing Government agreements." In response, a Palantir spokesperson emphasized that the company is "proud its software supports the Australian defense force and other government agencies" and claimed, "We don't collect or monetize data – we simply provide the tools to help customers organize and understand their own information."Regulatory Scrutiny and Future ImplicationsPalantir has identified Australia as a lucrative market for its surveillance software, achieving "protected level" in the Australian Signals Directorate's information security program. However, questions remain about compliance with the Commonwealth supplier code of conduct, which requires suppliers to avoid bringing the federal government into disrepute. With the recent termination of its lobbying relationship with Cmax Advisory and growing public concern, Palantir's future in Australia's government sector faces significant uncertainty as political pressure mounts for greater transparency and accountability.

Melanie C Opens Up About Her Spice Girls Days Melanie C, also known as Mel C, has spoken about her experiences as part of the iconic Spice Girls and her solo career. In a recent interview, she shared stories about her early days as a raver, her time with the Spice Girls, and her encounters with other celebrities. Raving and the Spice Girls Melanie C revealed that she was a hardcore raver in her early 20s, discovering the scene on a holiday without her parents. She attended clubs like Berwick Manor and The Cross in London, where she felt a sense of freedom and self-expression. However, her life took a dramatic turn with the rise of the Spice Girls, leaving little time for socializing or raving. Tattoos and Public Image Melanie C also discussed her famous tattoos, which she got during her time with the Spice Girls. She recalled getting her first tattoo at a shop called Tattoomania in LA, along with her bandmates. While she initially felt that her tattoos made her look less ordinary, she now loves them and sees them as a part of her identity. A Date with Anthony Kiedis One of the most surprising revelations was Melanie C's date with Red Hot Chili Peppers frontman Anthony Kiedis. She shared that she was working with Rick Rubin in LA, who produced some tracks for her solo debut album Northern Star. Rubin played her the song 'Emit Remmus,' which Kiedis had written about her. While they did go on a date, Melanie C described it as a brief encounter rather than a fully formed relationship. Reflections on Her Career Throughout the interview, Melanie C showed a sense of pride and accomplishment in her career, from her early days as a Spice Girl to her solo work and collaborations. When asked which spice she would be, she jokingly suggested she might be a 'five spice,' reflecting her versatility as an artist.

The LeadDespite US Secretary of Defense boasting of rapid military success against Iran, the Pentagon has suffered significant losses with military equipment worth between $2.3bn and $2.8bn destroyed in the ongoing conflict. The most notable incidents include the destruction of a $700m radar aircraft and multiple missile defense systems.The Event DetailsThe conflict began on February 28, with US officials initially claiming rapid success. However, Iran's response has been more effective than anticipated. On March 26, US Secretary of Defense Pete Hegseth made a bold claim at a televised Cabinet meeting: "Never in recorded history has a nation's military been so quickly and so effectively neutralised."The very next day, Iran retaliated by firing missiles and drones that struck a US base in Saudi Arabia, wounding several US soldiers and destroying a $700m E-3 AWACS/E7 radar surveillance aircraft. This airborne command center, capable of detecting aircraft and missiles hundreds of kilometers away, was destroyed at Prince Sultan airbase in eastern Saudi Arabia.Additional losses include at least one THAAD missile defense radar system worth between $485m and $970m, and three F-15 jets lost to friendly fire in Kuwait in early March.The Data AnalysisThe Washington, DC-based Center for Strategic and International Studies (CSIS) has conducted the first detailed tabulation of US military losses in the conflict. Senior adviser Mark Cancian, a retired US Marine colonel with over three decades of military experience, calculated the losses at between $2.3bn and $2.8bn.Notably, this estimate does not include losses incurred at US bases in the region or specialized equipment and naval assets. Cancian noted that assessing damages to bases has been challenging due to US government restrictions on satellite imagery from Planet Labs since February 28.The CSIS analysis reveals that while the US has achieved some operational victories, the financial cost has been substantial. The most expensive single loss was the E-3 AWACS/E7 aircraft at $700m, followed by the THAAD radar systems.The Impact AnalysisThe losses have significant strategic implications for US military posture in the Middle East. Omar Ashour, professor of security and military studies at the Doha Institute for Graduate Studies, suggests that while the US has disclosed some figures, it cannot afford full transparency for political reasons."At this point, I don't think the Trump administration would want to be looking like losing equipment [and] personnel," Ashour told Al Jazeera, adding that there might be a "price" to pay "at the [midterm] elections in November."The conflict has also affected US relations with Gulf nations. Iran's decision to strike Gulf nations, not just US bases, backfired by driving them closer to the United States, according to Cancian. Additionally, the US failure to keep the Strait of Hormuz open has been a humbling reminder of naval unpreparedness.Despite these losses, Ashour notes that Iran has also suffered severe damage to its military. The US-Israeli operation has degraded Iran's conventional military architecture but has not eliminated its missiles, munitions, and drones.The PredictionLooking ahead, experts suggest that the US may need to reassess its strategy in the region. The current US troop deployment constitutes less than a tenth of the force used to invade Iraq in 2003, and the US lacks the number of aircraft carriers previously deployed.Cancian, reflecting on his military experience, noted that the US has been planning for potential conflicts with Iran for 45 years, including amphibious operations to capture Qeshm Island. However, "when the US launched the current war, they didn't have the forces in place."The conflict may ultimately follow historical patterns where operational victories do not translate to strategic success. As Ashour points out, "In Vietnam, they did a series of operational victories. In Afghanistan, they did. But then [they suffered] the strategic loss in the end."With midterm elections approaching, the Trump administration faces pressure to demonstrate progress toward its proclaimed goals of regime change and denuclearizing Iran, even as the financial and strategic costs continue to mount.

The Controversial Video The Israeli Prime Minister's recent video showing destruction in Lebanon has sparked questions about his relationship with former US President Donald Trump. The video, which was shared on social media, shows extensive damage in Lebanon, raising concerns about the country's stability. Netanyahu's Intentions The video has been seen as a potential snub to Trump, who has historically been a strong supporter of Israel. Netanyahu's decision to share the video has raised questions about his intentions and the potential impact on the region. Regional Implications The video has also sparked concerns about the regional implications of the destruction in Lebanon. The country has been facing significant challenges in recent years, including economic instability and political tensions. The Future of Israel-Lebanon Relations The controversy surrounding the video has raised questions about the future of Israel-Lebanon relations. The two countries have a complex and often tense relationship, with ongoing disputes over border territories and other issues.

The Military Court Begins Trial of Soldiers Accused of Acid AttackThe trial of four soldiers linked to the Strategic Intelligence Agency started on Wednesday in a Jakarta military court, charging them with a premeditated acid assault on activist Andrie Yunus that left him blind in one eye and burned over 20% of his body.Attack date: 12 March 2026Victim: Andrie Yunus, 27‑year‑old human‑rights activistAccused: Four soldiers, all tied to the Strategic Intelligence AgencyLegal Stakes: Charges, Potential Sentences, and Prosecutorial ClaimsProsecutors allege the soldiers acted out of anger over Yunus’s anti‑military activism, not under official orders. Each faces a maximum of 12 years in prison for premeditated assault. The agency’s chief has resigned, though no public reason was given.Broader Implications for Indonesia’s Democratic BackslidingThe case is being watched as a barometer of Indonesia’s shifting civil‑military balance. Under President Prabowo Subianto, legislation now permits active‑duty officers to hold civilian posts, reversing reforms from the post‑Soeharto era. Analysts warn this erodes civilian oversight and fuels a climate of intimidation for critics.International Reaction and Human‑Rights ConcernsThe United Nations condemned the attack, with High Commissioner for Human Rights Volker Turk calling it a “cowardly act of violence” and Special Rapporteur Mary Lawlor labeling it “horrific.” Amnesty International highlighted the trial’s location in a military court as a risk to impartiality and noted that at least 14 individuals may have been involved, yet only four are indicted.What the Future Holds for Civil‑Society Oversight of the MilitaryRights groups argue the trial’s outcome will set a precedent for accountability. If the soldiers receive substantive sentences, it could embolden civil‑society calls for tighter civilian control. Conversely, a lenient verdict may deepen fears of impunity and accelerate democratic decline, prompting further international scrutiny and possible sanctions.

Supreme Court Decision Reshapes Voting Rights LandscapeThe United States Supreme Court has voided a key provision of a landmark civil rights law by ruling that the electoral map of Louisiana had been drawn up unconstitutionally to create two Black-majority districts. The decision represents a major reinterpretation of the landmark Voting Rights Act of 1965 – in particular, its provision designed to protect minority voters from having their political power diluted.Wednesday's Supreme Court ruling is seen as a major win for Louisiana Republicans and President Donald Trump's administration and is expected to make it harder for minorities to challenge electoral maps as racially discriminatory under the 1965 law. It is unclear how much of that provision – Section 2 of the act – remains in force following this decision.The Louisiana Redistricting RulingThe court held that a map that created two Black-majority congressional districts in Louisiana was unconstitutional. The 6-3 ruling by justices blocks an electoral map that had given Louisiana a second Black-majority US congressional district.The court's conservative majority found that the Louisiana district represented by Democrat Cleo Fields relied too heavily on race. Chief Justice John Roberts described the 6th Congressional District as a "snake" that stretches more than 320km (200 miles) to link parts of Shreveport, Alexandria, Lafayette and Baton Rouge.The ruling was authored by Justice Samuel Alito and joined by his five fellow conservative justices. The dissenting justices are liberals."That map is an unconstitutional gerrymander," Alito wrote on behalf of the six conservatives.Understanding the Voting Rights ActThe Voting Rights Act was a piece of follow-up legislation to the Civil Rights Act, signed into law by President Lyndon B Johnson in 1964. It bans discrimination on the basis of race, colour, religion, sex or national origin.The 1965 law primarily ended common discriminatory practices against Black voters that were prevalent in many states, including literacy tests, that were designed to prevent them from voting.Section 2 of the act prohibits voting practices or procedures that discriminate on the basis of race, colour or membership of a language-minority group. The section has long been understood to bar electoral maps that dilute the voting strength of minority communities, even when there is no direct evidence of racist intent.How the Court Weakened the Voting Rights ActSection 2 of the act was amended by Congress in 1982 to prohibit electoral maps that would result in undermining the clout of minority voters, even without direct proof of racist intent.For more than four decades, plaintiffs could win a Section 2 claim by showing that a voting map had a racially discriminatory impact under this legal standard, known as the "results test".The Supreme Court's ruling on Wednesday, however, has in effect applied an "intent test" to Section 2, experts said. In the ruling, Alito wrote that the focus of Section 2 must now be to enforce the US Constitution's prohibition on intentional racial discrimination under its 15th Amendment.Interpreting Section 2 to "outlaw a map solely because it fails to provide a sufficient number of majority-minority districts would create a right that the amendment does not protect", Alito concluded.Political Power Shifts in CongressThe effect of the ruling may be felt more strongly in 2028 because most filing deadlines for this year's congressional races have already passed. Louisiana, though, may have to redraw its congressional districts now to comply with the decision.Republicans currently hold 217 seats in the House while Democrats hold 212. There is one independent and five vacancies in the House. In the Senate, Republicans hold 53 seats and Democrats hold 45. Two independents caucus with the Democrats.The state has primary elections set for May 16. Louisiana Governor Jeff Landry told Republican candidates for the House of Representatives that he planned to suspend next month's primary elections to allow state lawmakers time to approve a new congressional map.Erosion of Civil Rights ProtectionsReactions to the ruling have been sharply divided along political lines."I love it," Trump told reporters after hearing of the decision, adding that he believes Republican-led states will now want to reconfigure their voting maps. In a social media post, Trump praised Alito as "brilliant" and called the ruling "a BIG WIN for Equal Protection under the Law, as it returns the Voting Rights Act to its Original Intent, which was to protect against intentional Racial Discrimination".Former President Barack Obama, a Democrat, warned that the ruling will free state legislatures to reconfigure electoral districts to "systematically dilute and weaken the voting power of racial minorities – so long as they do it under the guise of 'partisanship' rather than explicit 'racial bias'"."This is a devastating and profound step backwards for American Democracy," Democratic Senator Raphael Warnock wrote on social media.Justice Elena Kagan, in a dissent joined by the two other liberal justices on the Supreme Court, said the ruling rendered the Voting Rights Act "all but a dead letter" and predicted "grave" consequences.Redistricting Battles Ahead of 2026 MidtermsWith November's congressional elections looming, the court's decision could prompt Republican-led states to seek to redraw electoral maps to weaken US House seats considered safely Democratic.The ruling comes during a wider battle over congressional redistricting before midterm elections in November. The Congressional Black Caucus, a group of African American US lawmakers, condemned the ruling."Without the protections of the VRA [Voting Rights Act], Republicans now have the ability to move forward with a nationwide scheme to rig congressional maps in their favor – to manufacture more districts for themselves by eliminating majority-Black districts, while stripping away the ability to challenge those racist, anti-Black maps in court," it said in a statement.Warnock, a member of the caucus, said the ruling gutted the protections that civil rights champion Martin Luther King Jr "marched for [and] the protections made possible by civil rights protesters who spilled blood in pursuit of a more perfect union".

The Concept Behind the Show The small print tells us this show has no connection to the fashion house of McQueen, nor does it feature any of Alexander McQueen's designs. You could think it's a cynical attempt to get bums on seats for classical music, but it is created by McQueen's longtime musical director, John Gosling, alongside Robert Ames, conductor of the London Contemporary Orchestra. The LCO plays music that inspired the designer, all run together like a DJ mix with theatrical lighting and multi-genre guest performers. The Music and Performance Far from “unnatural”, most of the harmonies here are as concordant as Classic FM, mostly film soundtracks (The Hours, The Piano, a couple of John Williams') and tearjerkers (Dido's Lament, Barber's Adagio for Strings). The friction, however, is all in the combinations. For example: two dancers posturing in nude body stockings – one has hooves instead of hands and tights over her face – and then behind them, the cello section in formal white tie and tails. Hearing Handel cut with the Rolling Stones in a jaunty string arrangement, or a blast of Nirvana, feels like your GCSE music teacher trying to be cool, although the blaring siren of Armand Van Helden's Witch Doktor is genuinely unsettling. The Impact of the Performance Cabaret singer Le Gateau Chocolat always has presence and fabulous costumes – one here resembles a green Quality Street-wrapper – but like the rest of this show seems under-rehearsed. The two dancers, choreographed by Holly Blakey, appear in superfluous layers that exaggerate the messy world of the choreography and it is hard to tell whether it's being serious or sarcastic when the dancers shake their heads comically in time with a piano trill. The Legacy of Lee Alexander McQueen There's a superficiality to this genre clash; are these art forms really speaking to each other or is it provocation for the sake of it? But there are genuinely illuminating moments in a film choreographed by Michael Clark, a friend of McQueen's, both men steeped in classical craft and punk spirit. We see dancer Jules Cunningham in a very Isabella Blow hat, and Simon Williams dancing to Barber's Adagio, one of the most loved/hackneyed pieces of music. And yet the shocking starkness of Clark's ironed-out angles cuts through the familiarity to bring a laser focus to the music. It's a show full of contradictions, wrestling between sweet and edgy, but ending up quite middle of the road. The Show's Details At Royal Festival Hall, London, until 30 April

The Bizarre Premise Behind One Night Only For the most part, the trailer for the upcoming film One Night Only looks like the sweetest possible version of a romcom. A handsome, sensitive-looking man (played by Callum Turner) flirts relentlessly with a big-eyed oddball in a sexy dress (played by Monica Barbaro). They bump into each other, nudge each other, roll their eyes at each other. As a YouTube comment underneath the trailer (that has been liked more than 3,000 times) says: "Romantic comedies are back." A Government-Mandated Night of Passion However, tucked away in this adorable little trailer is a premise that might just be the most confusing in living memory. As Turner's character walks lovelorn through the streets of New York City, his voiceover says: "Finding love is hard enough. Try doing it on the one night of the year single people are legally allowed to have sex." The trailer then hurries along to another procession of meet-cutes and prolonged eye contact. But that doesn't really matter, because you're left thinking: "Wait, the one night of the year where single people are legally allowed to have sex? What the hell?" This, apparently, is the movie. Two cuties meet by chance, and are separated, and have to race across the city to find each other before the sun comes up so that they can enjoy a bout of government-mandated sexual intercourse. It's a tale as old as time. The Practical Implications of a Legal Sex Night Clearly, this raises far more questions than it answers. Is One Night Only basically The Purge, but with all the terror of violence replaced by an increased risk of contracting chlamydia? More importantly, if there really is only one night a year where single people can have sex with impunity, how the hell is this even governed? Judging by the state of the trailer, it seems to mean that everyone just claps eyes on someone and then starts banging them wherever they happen to be, whether that's a restaurant or just in the street like a pair of horny rats. Why is this? Why don't people just go back to their houses and then have sex? Does Sex Night also happen to fall upon a citywide taxi strike? Also, how is this even enforced? Is there a government department that spends its days working out, with precise clarity, the point at which someone stops becoming single, and is therefore allowed to have as much sex as they want on any day of the year? Is it marriage? Is it the first time someone declares their love? If you wanted to be particularly Scandinavian about it, you might argue that sex itself is an act of union, and therefore any moment of penetration instantaneously suspends the notion of singledom. And if that's the case, then surely everyone can just have sex whenever and there's nothing illegal about it. And what about all the unexpected pregnancies this will cause. Should there be a sequel set nine months to the day after One Night Only, full of people mournfully staring into the eyes of all the newborn infants whose sheer existence causes a permanent sense of regret to weigh down their souls? Will this even be addressed in One Night Only? Is anyone going to answer me? Possible Metaphors in Contemporary Society Clearly this has to be a metaphor for something, but clearly the current level of evidence isn't giving much away. Through one lens, you could suppose that it's possible that One Night Only is a clever satire on the US right's crackdown on reproductive rights, and the whole thing is an important and timely statement about the looming threat of a post-Roe worldview that may soon devour the country. But at the same time, maybe this is about Covid? There's something quite pandemicky about the notion that people would have to keep their primal urges at bay in a wholly unnatural way for an extended period of time. Remember how giddily we threw ourselves at each other once restrictions were lifted? Perhaps this is all just an allegory for that. Or both. Or more. Maybe One Night Only is really about capitalism, or ChatGPT or the climate crisis. Maybe it's none of them. Maybe it's just the manifestation of a screenwriter who wished that, just once a year, people would be slightly more inclined to have sex with them. It's honestly hard to say. The Future of "The Purge, but X" Movies Nevertheless, if One Night Only is successful, then it's bound to start an avalanche of "The Purge, but X" movies. What if there was only one night a year when you could have surgery? What if there was only one night a year where you could get a haircut? What if there was only one night a year where you could eat spaghetti with your bare hands? Because, if we're already doing sex, then clearly there are no limits to the Purgiverse's silliness. One Night Only is out in Australian cinemas on 6 August, US cinemas on 7 August and in the UK on 28 August

The Aftermath of Tragedy: A Powerful Theatrical EncounterFran Kranz's 2021 film Mass, featuring two sets of parents whose sons have died in a high-school massacre, was originally written as a play. Restored as such, in Carrie Cracknell's production, it takes place in the backroom of a church where their across-the-table encounter encapsulates a pained instance of restorative justice.Character Portrayals: Navigating Complex EmotionsGail (Lyndsey Marshal) and Jay (Adeel Akhtar) are the parents of Evan, one of 10 children murdered by the teenage shooter, Hayden, the son of Richard (Paul Hilton) and Linda (Monica Dolan), who then killed himself. Evan's parents want to understand why Hayden committed such violence but there is also an unspoken sense of blame buzzing around them. Hayden's parents address this first: we blame ourselves, they say, again and again, yet in one dangerous moment, they posit the notion of separating who their son was, and what he did.Stage Design and Emotional ImpactThe stark, unflinching treatment of this subject matter is well realised on Anna Yates's set, where two office-style storeys stretch across the stage, and it does not sugarcoat the emotionally messy nature of the process. Both sides are explored. One terrible instance of maternal anguish comes from Linda when she speaks about a threatening memory of her son and for this charged moment, the play enters the emotional territory of Lionel Shriver's We Need To Talk About Kevin.Performances: A Masterclass in Emotional DepthIt is hard to beat the force and sensitive performances of Kranz's film but Hilton is masterfully brittle, his entire being sunken with apology, while Dolan is whey-faced and shaky. The always brilliant Akhtar is angrier and edgier than his film counterpart and Marshal brings a moving softness.Theatrical vs. Cinematic ExperienceLike the film, it takes time to build in intensity, with the awkward arrangements of the opening and the small talk. There is not the same reflective space of the film, which pulls away from the claustobia and pain in the room at key moments. Here, there is no looking away.Forgiveness and Polarization: Dual ThemesThe play works on two levels: as a drama of forgiveness and of polarisation. What would happen if any of us sat down with those at the furthest ideological extreme from our own, however unpalatable their views? Listening is the pathway towards empathy for these characters, even if there is desire for vengeance or vindication along the way. By the end, they are all parents who have lost sons, grieving over this tragedy in different ways.Where to Experience This Powerful ProductionAt Donmar Warehouse, London, until 6 June