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Documentary filmmaker Jude Chehab debuts with a complex and moving film that investigates her family's secrets and the secretive Muslim women's order al-Qubaysiat, operating in Lebanon and Syria. Chehab's mother, Hiba, and grandmother, Doria, were devoted followers, and Chehab herself was initiated into the group as a young girl.The film focuses on the emotional fallout of Hiba's expulsion from the group, which inspired feelings of solidarity and freedom but also demanded absolute submission to the leader, known as the Anisa or Teacher. Chehab's storytelling approach eschews sensationalism, instead highlighting the emotional turmoil endured by Hiba and her family.Hiba emerges as a complex figure, not simply a victim, but someone who has undergone a slow liberation. She now leads Muslim study groups, encouraging curiosity and understanding rather than blind faith. This internal emancipation is portrayed as a radical and empowering journey for a Muslim woman rediscovering her voice.The documentary, Q, is set to air on True Story from 3 April, offering a unique perspective on the complexities of faith, identity, and family secrets.

On Palm Sunday, Christians in Lebanon gathered in churches to commemorate Jesus's triumphal entry into Jerusalem, but the celebrations were overshadowed by the escalating conflict between Israel and Hezbollah. The Maronite Catholic church near Dahiyeh in Beirut's southern suburbs was filled to capacity, despite being close to a largely deserted district due to Israeli evacuation orders and ongoing air strikes.In the coastal city of Tyre, church bells tolled and choral music filled the air as residents sought solace in preserving their sacred traditions amid the devastation. Worshippers prayed earnestly for peace, aware of Lebanon's history of sectarian tensions rooted in the 1975-1990 civil war between Christians and Muslims.Mahia Jamus, a 20-year-old university student in Beirut, expressed concern that no one is safe from the conflict's effects. "There's no bombing here right now, but no one is safe from this—not the Christians, not anyone," she said. "No one is spared from its effects."In Tyre, Roseth Katra, 41, emphasized the importance of preserving traditions despite the surrounding devastation. "Amid the wars, the tragedies, and the destruction happening around us, we remain on our land," she said. "Today is Palm Sunday, and we are celebrating."The conflict has resulted in at least 1,238 people killed and over 3,500 wounded in Israeli attacks since March 2, according to Lebanon's Ministry of Health. Israeli troops have launched a ground invasion advancing towards the Litani River, while Hezbollah has claimed dozens of operations against Israeli forces.

Pakistan's attempts to facilitate peace talks between Iran and the US are encountering substantial obstacles. The intensification of Israeli bombing campaigns on civilian targets in Iran and an expanding US military presence in the Gulf region are casting a shadow over these efforts.Pakistan, maintaining relative neutrality with good relations with both Iran and the US, had hoped to provide a venue for negotiations. However, the conflict is widening, trust is scarce, and the stated positions of Tehran and Washington are far apart. Pakistani officials believe Israel's actions pose a significant risk to any potential talks, particularly given recent attacks on civilian nuclear sites and steel plants.Iran's core concerns include ensuring an end to the war and preventing future attacks by the US and Israel. Former Pakistani ambassador to the US, Maleeha Lodhi, expressed skepticism about US President Donald Trump's reliability, citing his unpredictable nature.Despite these challenges, Pakistan continues its diplomatic efforts. The country's prime minister, Shehbaz Sharif, has been in communication with Iranian President Masoud Pezeshkian, and foreign ministers from Turkey, Egypt, Saudi Arabia, and Pakistan are set to hold talks in Islamabad to discuss ending the conflict.The situation remains complex, with US troop buildup suggesting that peace talks may not align with US plans. Iran has expressed distrust towards previous US interlocutors, but there is consideration for US Vice-President JD Vance to represent the US in talks, an idea supported by Iran.

The new HBO Max series Portobello had all the makings of a gripping drama: a charismatic TV host, a mind-controlled parrot, and allegations of mafia involvement. However, the show's pacing and tone leave much to be desired.Based on the true story of Enzo Tortora, the former host of Italy's top TV show, Portobello explores the intersection of celebrity, politics, and organized crime. The series' setting in the 1980s and its themes of false accusations and the power of the media are certainly relevant today.Despite its potential, the show's execution is wildly dull. The 72-minute first episode feels like a slog, and the period-authentic aesthetic, while well-intentioned, doesn't quite make up for the lack of tension or excitement. Even the bizarre subplot involving a mind-controlled parrot and its owner's obsession with Tortora can't seem to elevate the show's overall pace.The show's portrayal of the justice system is also noteworthy, highlighting the Kafkaesque experience faced by Tortora as he navigates the complexities of the law. However, this powerful theme is often overshadowed by the show's meandering pace and lack of dramatic tension.Ultimately, Portobello feels like a missed opportunity to create a compelling drama about a fascinating true story. While it may appeal to fans of character-driven dramas or those interested in Italian culture, others may find themselves checking their watches.

The Women's Super League and WSL2 are gearing up for an exciting derby weekend, with six local rivalries set to be reignited. This weekend's schedule has been criticized for potentially diluting the impact of these matches by staging too many high-profile games simultaneously.On Saturday, Everton host Liverpool, Manchester United welcome Manchester City, and Arsenal entertain Tottenham, all within a span of six hours. The attendances for these matches are expected to be high, with over 45,000 tickets sold for the north London showdown at the Emirates Stadium.While the initial numbers are encouraging, there is an argument that staggering these derbies across the season may draw greater cumulative focus. The buildup to the Merseyside derby at Goodison Park has felt low-profile this time, overshadowed by the Manchester derby at Old Trafford.The WSL's growth timeline and dependence on stadium availability and broadcast partners must be considered. The league's scheduling strategy, including timing the opening weekend to coincide with the September men's international window, is crucial for its development.This weekend's matches promise to be close-fought affairs, with the top two teams going head-to-head at Old Trafford. Arsenal's Kim Little has signed a new one-year contract, and Tottenham's Martin Ho has extended his stay with the club.

Kimberly Belflower's revisionist take on Arthur Miller's classic The Crucible re-spins the witch-hunts for the #MeToo generation. Set in 2018, the play follows a classroom of teenagers—mostly girls—as they attempt to establish a feminist club, an effort seemingly sparked by contemporary news headlines. This original approach addresses adolescent girlhood in the direct aftermath of the Harvey Weinstein scandal, though the production takes time to build momentum.The narrative centers on Beth (Holly Howden Gilchrist), the class academic; Ivy (Clare Hughes), whose father faces workplace misconduct allegations; Nell (Lauryn Ajufo), the new student; and Raelynn (Miya James), a pastor's daughter dealing with relationship betrayal. Shelby (Sadie Soverall), though absent for much of the play, plays a crucial role in the unfolding drama.Set in a small-town Georgia high school, the feminist club concept initially proves controversial until a charismatic teacher, Carter Smith (Dónal Finn), suggests expanding it to include boys. Directed by Danya Taymor and performed continuously in under two hours, the script pivots around the students' study of Miller's play alongside their developing understanding of intersectional feminism.The production captures the girls' internalization of societal micro-aggressions with humor and pathos, incorporating pop music tributes to artists like Lorde, Taylor Swift, and Beyoncé. While the dialogue authentically portrays adolescent female relationships, the review notes these connections are sometimes flattened by their cuteness rather than reflecting the sharp edges typical of this transitional life stage.A significant parallel emerges between Miller's John Proctor—a morally complex character who ultimately maintains his principles—and the predatory male figure in the contemporary narrative. The review suggests a false equivalence between these characters, as the modern figure is portrayed as a serial abuser rather than a morally conflicted individual.The play concludes with an emotional climax as students reinterpret scenes from The Crucible through interpretive dance, symbolizing their liberation while acknowledging that the predator remains in their midst. This ending, while thematically resonant, is described as feeling neat and easy despite its powerful emotional impact.Despite these criticisms, the production effectively captures the zeitgeist of 2018 for a generation of girls coming of age in the shadow of the Weinstein scandal and the #MeToo movement, raising questions about the movement's lasting impact and current relevance.

The Indian Premier League (IPL) is set to resume, bringing with it a mix of lucrative opportunities and controversy. England's Jos Buttler is among those looking to make an impact, having struggled with form at the recent T20 World Cup. Buttler, who plays for Gujarat Titans, is England's most successful export to the IPL, with seven hundreds in 121 games for three different teams.Buttler's teammate Kevin Pietersen has shared his own experiences of playing in the IPL, revealing that the league saved his career by allowing him to build lasting relationships. Pietersen, who played 36 IPL matches, expressed his joy at the riches enjoyed by modern players, saying, "If you got paid $50m tomorrow to go and play cricket in Saudi Arabia, I'd be so happy for you."The IPL has also been marred by controversy, including political tensions between India and Pakistan. The tournament's impact extends beyond the field, with 12 England players set to participate. However, the event is also overshadowed by the tragic crowd crush at the Chinnaswamy Stadium in Bengaluru last June, which resulted in 11 deaths.In related news, Royal Challengers Bengaluru (RCB) has been sold for £1.33 billion to a consortium featuring private equity group Blackstone. The team will begin the season against Sunrisers Hyderabad on Saturday, with Buttler and his teammates aiming to make a strong impression.

Raoul Peck's documentary about George Orwell and his enduring relevance takes as its keynote the heretical masterpiece Nineteen Eighty-Four and its famous scene about the state compelling people to believe whatever it says is the truth: that two and two make five. This Orwellian anti-arithmetic of tyranny has become a political meme often repeated in social media debates.The simple experience of hearing Orwell's prose, both from his published work and letters and diaries, read aloud by Damian Lewis, is invigorating and refreshing. There's an interesting emphasis on Orwell's physical frailty, with him effectively composing his masterwork in the shadow of death. Peck amusingly juxtaposes Orwell's sickness with Winston Smith being made to do exercises and the infatuation of tyrannical regimes with public displays of physical fitness.Peck cites various movie and TV adaptations of Nineteen Eighty-Four and includes footage of Jura, where Orwell went to live, and archive photo records of Orwell's childhood and early working life as a policeman in Burma. The film also shows how Orwell predicted the rise of AI in propaganda and in soulless bread-and-circuses for the masses.The film falls down in not focusing on actual theocracies of the present day and the Orwellian qualities of Isis and Hamas. The question of how far Orwell renounced his own earlier antisemitic tendencies is not entirely addressed in this film.Orwell was disliked by some on the left for daring to write Nineteen Eighty-Four and disliked still more with the revelation 30 years ago that in 1949 he had handed over to British authorities the names of 38 public figures he considered 'crypto-communists' – a fact from which this film averts its eyes. But Orwell's complications don't compromise his genius for truth-telling.

As spring arrives, the natural world comes alive with a vibrant mix of joy and discipline. A pair of ravens perform their shuttling flight in glorious sunshine, while a charm of chaffinches flash white wing-bars through the shadows of mossy willows around the pond.A queen red-tailed bumblebee orbits a hedgebank boundary stone, then buzzes off to feed on gorse flowers or prospect for possible colony chambers below. The sounds of nature are filled with the lesser-spotted woodpecker hammering out rapid bursts of drumbeats and chiffchaffs finding their rhythm in the oaks.The article reflects on the discipline of seasonal labors and joys, where creatures return to their routines after a period of dormancy. This cycle of life is contrasted with the passage of time and the impact of suffering in the world.The author, Paul Evans, weaves in cultural references, such as an eighth-century Chinese poem by Meng Chiao, to illustrate the timeless nature of these cycles. The article concludes with a sense of hope and renewal, as the natural world awakens from its winter slumber.