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ISS Urges Shareholders to Reject Metro Bank's 2026 Pay ReportInvestors in Metro Bank face a proxy‑adviser recommendation to vote against the lender’s upcoming pay report, scheduled for the annual meeting on 2 June 2026. Institutional Shareholder Services (ISS) argues that the bank’s “shareholder value alignment plan” (SVAP) is “significantly out of line” with market standards.Key Features of the Controversial SVAPLinks executive bonuses directly to the bank’s share price, irrespective of operational performance.Could award CEO Dan Frumkin a total payout of up to £60 million by the end of the scheme.Salary for 2026 is set to rise 11.3% to £1.05 million, up from £943,500 in 2025.Financial Snapshot: Payouts and PerformanceDespite the compensation concerns, Metro Bank reported record revenues and its highest underlying pre‑tax profit in history last year. The share price climbed more than 25% in 2025, continuing an upward trend.Executive remuneration highlights:2025 total CEO package: £2.6 million (up from £1.2 million in 2024).Salary increase for FY2024 was roughly 20%.Governance Implications and Shareholder RisksISS flagged “insufficient disclosure” around non‑financial bonus metrics, noting vague descriptions of “people objectives” and “risk and regulatory objectives.” The adviser warned that the pay structure could misalign management incentives with long‑term shareholder value, especially given the bank’s recent turnaround efforts after a near‑collapse in 2023.The 2023 rescue involved a £925 million deal led by Colombian billionaire Jaime Gilinski, who now controls 53% of Metro Bank.What Lies Ahead for Metro Bank’s Compensation PolicyIf shareholders follow ISS’s advice, the SVAP could be rejected, forcing the board to redesign its remuneration framework. Analysts expect heightened scrutiny of executive pay across the FTSE 250, with potential pressure for greater transparency and alignment with performance metrics.Metro Bank’s spokesperson defended the plan, emphasizing its focus on long‑term growth and alignment with shareholder interests. The outcome of the vote will signal whether investors prioritize governance reforms over short‑term payout incentives.

New York City experienced sudden flash flooding on Wednesday while western Europe entered an early‑season heat dome, creating simultaneous extreme‑weather challenges on opposite sides of the Atlantic.Flash Floods Overwhelm NYC’s Aging Sewer SystemBrooklyn and Queens received 2 in (50 mm) of rain in as little as 20 minutes, pushing water into the sewer at a rate of up to 6 in an hour, far beyond the design capacity of 1.75 in an hour. Streets, the Long Island Expressway and subway stations were inundated, leaving commuters wading knee‑deep and causing traffic snarls.Rainfall Intensity and Power Outage NumbersRainfall: 2 in (50 mm) within 20 minutesSewer flow: up to 6 in per hour (design limit 1.75 in per hour)Power outages: > 10,000 people without electricityUrban Infrastructure Strain and Regional DisruptionThe event highlighted the vulnerability of older storm‑water networks in dense cities and triggered widespread service interruptions, including road closures and delayed subway service. Similar storms across New Jersey and New York states also felled trees and downed power lines.Early Summer Heat Dome Stretches Europe Above Climate NormsWestern Europe is under a persistent high‑pressure system that is trapping warm air. May temperatures in the UK, France and Germany are 10‑15 °C above average, with France breaking its May record at 30.5 °C. Southern Iberia is forecast to reach 37‑38 °C, while Spain and Portugal sit near but below their historic May highs of 44.4 °C and 40.0 °C respectively.What the Early Heat Dome Means for Europe’s SummerMonday and Tuesday mark the peak of the current heat wave, after which the most intense temperatures will likely concentrate over France and Iberia. The early onset suggests a prolonged period of above‑average warmth through June, raising concerns for energy demand, health risks and agricultural stress across the region.

The Lead: A Fiery Opening Masks a Disjointed NarrativeWe’re Nothing at All launches with a double‑decker bus exploding on Valentine’s Day in Hong Kong, setting up a police‑procedural framework that quickly veers into a queer romance. The Guardian’s review praises the visual contrast but criticises the film’s tonal inconsistency and shallow treatment of LGBTQ+ characters.The Bus Explosion that Triggers a Multi‑Layer InvestigationDirector Herman Yau uses the catastrophe to introduce forensic specialist Lung (played by Patrick Tam) who pieces together CCTV footage, charred bodies and flashbacks. The narrative interweaves the lives of lovers Fai and Ike (pop stars Anson Kong and Ansonbean), whose economic hardship and family rejection become a secondary thread.Box‑Office Prospects and Release WindowUK theatrical release: 29 May 2026Target audience: mainstream cinemagoers and niche LGBTQ+ viewersNo disclosed budget or opening‑weekend figures yetWhy the Film’s Approach Matters for Hong Kong’s Cultural LandscapeThe movie attempts subtle political commentary by echoing the 2019‑2020 protests, yet its portrayal of queer characters falls into stereotypical archetypes, potentially reinforcing rather than challenging existing prejudices. This tension highlights the difficulty of balancing commercial appeal with authentic representation in a region still grappling with censorship and social division.Looking Ahead: Reception and the Future of Queer Storytelling in Asian CinemaIf the film’s visual style cannot compensate for its narrative shortcomings, it may struggle to find critical acclaim beyond its opening weekend. However, the very act of placing a queer romance at the centre of a Hong‑Kong thriller could encourage more filmmakers to experiment, provided they invest in deeper character development.

The Evolutionary Perspective on Gender DifferencesAccording to evolutionary psychologist Steve Stewart-Williams, almost everyone gets sex wrong. Traditionalists tend to exaggerate natural differences between men and women, while progressives tend to minimize them and assume that nurture and socialization play a decisive role. In his book "A Billion Years of Sex Differences," Stewart-Williams promotes a more nuanced, scientifically rigorous public conversation about why and how men and women differ to guide better policymaking.Understanding the Spectrum of Sex DifferencesStewart-Williams identifies varying degrees of sex differences. Some are relatively pronounced, such as attraction patterns, upper body strength, height, likelihood of committing violence, and occupational interests. Others, like ability in mathematics or conscientiousness, are much more modest. These differences are best visualized as two overlapping bell curves. For example, while the average man is taller than the average woman, there is considerable common ground—knowing someone is 5ft 8in doesn't enable confident gender identification.Research Evidence and Scientific BiasesAs a professor of psychology at the University of Nottingham Malaysia, Stewart-Williams examines various physical, psychological, and cognitive sex differences through an evolutionary lens. He identifies common biases in his field, including "gamma bias" (minimizing differences that paint men in a better light while highlighting those that do the opposite) and "delta bias" (an aversion to traditional sex differences and a preference for the reverse).His research found that when presented with fictitious studies showing men drawing better, lying less, or being more intelligent, people rated them as lower in quality, more harmful, and more worthy of censorship than studies showing women possessed these positive traits.Implications for Gender Equality and PolicyStewart-Williams argues that innate differences don't imply one sex is better than the other, nor do they suggest a moral imperative to enforce sex differences. However, he believes that when given freedom of choice, men and women tend to gravitate toward different directions—men toward working with things and status, women toward working with people and relationships.Interestingly, various studies find that many sex differences—from occupational preference to personality traits—are more pronounced in more gender-equal countries, suggesting that when social constraints are removed, natural tendencies become more evident.The Future of Gender ResearchWhile Stewart-Williams presents compelling evolutionary explanations for sex differences, the reviewer notes that evolutionary psychology isn't always the most useful lens. For example, understanding domestic violence as primarily a manifestation of male aggression rather than patriarchy may overlook how socialization and culture shape behavior in different societies.The book contributes valuable insights to the nature versus nurture debate, but ultimately represents only one part of a complex story about human development and gender relations. Future research will likely need to integrate biological, psychological, and sociological perspectives to fully understand the intricate interplay of factors that shape who we are.

The Enduring Appeal of BoundI'm not necessarily inclined towards what might typically be dubbed "feelgood." No, you won't find me seduced by a happy ending, nor am I partial to the oeuvre of Disney (in fact, I find all the talking animals and poreless princesses a bit grotesque). The raw edges and friction of feelbad have tended to be much better suited to my tastes: the porno chic slasher Knife+Heart, the sartorial murder of In Fabric and the snuff film-obsessed Thesis. Sex and gore, basically. For a long time, my favourite film was Crimes of the Future: a stomach-churning body horror about sexual-surgical experiments.A Queer MasterpieceHowever, there is one movie that reveals a slightly soft(er)core side to my viewing habits, which I frequently return to in order to feel the gushy feelings and butterflies of a school crush. That film is Bound. The 1996 directorial debut from the Wachowski sisters, the plot revolves around an opposites-attract scenario which is both familiar and high stakes: plumber Corky, and mafia moll Violet. When their eyes meet across an elevator, the tiny vestibule becomes thick with sexual tension: it is so on.Most of what makes this film work is the palpable chemistry between Corky, whose slick masculinity is embodied by Gina Gershon, and Violet, played with ultimate sex pot prowess by Jennifer Tilly. The whole thing is shot in the conventions of the sapphic gaze: we get plenty of closeups of Corky's hands wrestling with pipes, snaking holes and unscrewing things in languorous, laborious detail.Say what you will about how openly queer actors should play openly queer roles, but this film – starring two ostensibly cis, straight female leads – is a masterclass in lesbian eroticism. The two main actors so seamlessly embody a masc/femme dynamic, without the try-hard didacticism of many later cinematic attempts, to create a relationship that feels oddly real (except much, much hotter).Character Analysis and ChemistryHaving just starred as the vamp Cristal Connors in the trash-cult, 1995 Vegas romp Showgirls, it's uncanny to see Gershon undergo such a dramatic gender transformation to play a butch pin-up just one year later. It's not a stretch to say that Corky has the kind of sly smirk and shaggy hair that no doubt served as the blueprint to The L Word's Shane.And then, well, there's Jennifer Tilly. A porcelain doll: her sex appeal is painted on the surface of her pout and her whole-bosom sighs but, underneath, she has a strong and stony demeanour. A complex female protagonist who smolders and manipulates to get what she wants from men, and a femme imprisoned by her own beauty, Tilly delivers probably the most astute performance exploring the double life of a straight-passing lesbian which I have ever seen.The Plot and Its ThemesAnyway, back to the plot. What comes after our protagonists' initial meeting is oh-so relatable: Corky, having just got out of prison, is particularly vulnerable to Violet's high-femme charms. In a turn that can only be explained by unbridled lust, Corky agrees to help her in a mad caper to steal $2m from the mob and pin it on her boyfriend. I, too, fear that I would do whatever Violet asked me to.But, to be honest, the crime plot is pretty inconsequential to me. What do I care if they pull it off or not? If you're interested, however, there are some tired – almost femmephobic – overnotes, where Corky begins to doubt if Violet is really the lesbian she says she is, or if she will ditch her for a man the first chance she gets. But despite it all, they get their own happy ending.Interestingly, the plot draws an equivalence between the prison time served by Corky and Violet's very own sentence: the years she spends as a clandestine lesbian in straight relationships with men, for her own financial survival. At the end of the film, evading prison and with a stack of cash, they are both free: Corky of the criminal justice system, and Violet from the confines of cis-heterosexual society.Legacy and Cultural ImpactWhile this film came out about 30 years ago – in my birth year – it remains the most convincing depiction of dyke sexual dynamics I have ever seen on screen. While they weren't out at the time, the Wachowski sisters (both trans lesbians) were cinematically brave: depicting the cheek, mischief and pleasure of sapphic relationships with Bound. I'm of a different generation to the directors, and I supposedly have access to a whole plethora of queer representation, but if it wasn't for this film made by two trans women in the 90s, I wouldn't have cinematic proof of my own sexuality.Bound is available on Kanopy or to rent digitally in the US and to rent digitally in the UK and Australia

Messi’s Unexpected Exit Raises World Cup DoubtsLionel Messi asked to be substituted in the 72nd minute of Inter Miami’s MLS match against Philadelphia Union, prompting immediate speculation about his fitness ahead of the FIFA World Cup 2026.72nd‑Minute Substitution in Inter Miami’s 6‑4 Victory Over PhiladelphiaMatch date: May 24, 2026Final score: Inter Miami 6 – 4 Philadelphia UnionMessi’s contribution: two assists before leavingReplacement: Mateo Silvetti entered at minute 73Messi gestured to the bench, felt the back of his left leg, and walked off without medical staff visibly assisting.Season Appearance Record and Match StatisticsMessi has missed only one MLS game this season prior to this incident.He has played the full 90 minutes in each of his last ten league matches.Potential Ripple Effects on Argentina’s World Cup CampaignIf the injury proves serious, Argentina could lose a key playmaker just weeks before opening their group match against Algeria on June 16, 2026. The eight‑time Ballon d’Or winner has hinted he will only play if fully fit, and any setback would force coach Lionel Scaloni to adjust tactics.Outlook for Messi’s Participation and Argentina’s Title DefenceInter Miami coach Guillermo Hoyos described the substitution as precautionary, citing fatigue and pitch conditions. With the MLS break beginning and the national team’s pre‑World Cup friendlies scheduled for June 6 and June 9, medical assessments will be critical. Analysts expect a cautious approach, but the prevailing sentiment is optimism that Messi will recover in time for the tournament.

An abandoned flotilla boat packed with humanitarian aid for Gaza washed ashore on Egypt's Mediterranean shoreline on May 25, 2026, prompting immediate scrutiny of maritime aid routes and regional security dynamics. Abandoned Vessel Reaches Egyptian Shore: Event Details Location: Beach near Alexandria, Egypt (exact coordinates not disclosed). Ship type: Small flotilla boat, part of a larger convoy intended for Gaza. Status: Vessel found unmanned, with visible cargo crates marked for humanitarian distribution. Authorities: Egyptian Coast Guard secured the site and began inventory of the cargo. What the Cargo Reveals About Aid Logistics Contents: Food, medical supplies, and basic household items labeled for Gaza residents. Packaging: Standard UN humanitarian pallets, suggesting coordination with international agencies. Absence of data: No public figures on the exact quantity or monetary value of the aid. Implications for Egypt, Gaza, and the Wider Mediterranean Aid Corridor Security: Raises concerns about vessel tracking and the risk of diversion or loss at sea. Diplomacy: Egypt may face pressure to tighten maritime monitoring while balancing its role as a conduit for Gaza aid. Humanitarian impact: Potential delays in delivering essential supplies to a population already facing shortages. Future Outlook: How This Incident May Shape Humanitarian Operations Enhanced tracking: International donors are likely to push for real‑time GPS monitoring of aid shipments. Alternative routes: Discussions may intensify around land‑based corridors through Egypt or air drops. Policy review: UN agencies could revise guidelines for maritime aid to mitigate similar incidents.

The Story Museum: A Family-Friendly Gem in Oxford Play cafes are not for everyone, but that doesn’t mean you can’t have a fun and engaging experience with your toddler in a museum. The Story Museum in Oxford is a great example of a family-oriented museum that sparks curiosity in arts and culture. Exploring the Galleries The museum offers a variety of interactive exhibits, including the Small Worlds gallery for under-fives, inspired by picture books and nursery rhymes. The Story Portal, where children receive a special passport, leads to the Whispering Wood, an indoor forest filled with fables and fairytales from around the world. A Dragon-Themed Temporary Exhibition During the visit, a temporary exhibition space was filled with all things dragon, co-curated with How to Train Your Dragon author Cressida Cowell. Children could dress up as a dragon, create their own origami dragon claw, and discover what a dragon’s den might smell like. The Enchanted Library The Enchanted Library takes visitors through the history of children’s literature in an engaging way. Visitors can play digital Pooh sticks in the Hundred Acre Wood and explore a wardrobe into the frosty forest of Narnia. A Hands-On Approach The museum’s approach is hands-on and interactive, encouraging children to touch, explore, and learn. As Lucy Webber, the museum’s head of learning, says, “We’re very much the opposite of a don’t-touch environment. So, do talk, do touch, see what happens.” More Story-Focused Museums to Explore Seven Stories, Newcastle Discover, London The Storybarn at The Reader, Liverpool

Poetry Readings Rise as a Digital Lifeline in GazaWith aerial bombardment reducing 95% of the Islamic University of Gaza’s buildings to rubble, students and faculty have shifted their classrooms online, using phones, laptops and consoles to share verses. The event, organized by professor Nazmi al-Masri and poet Alison Phipps, celebrated the launch of the collection Folding a River and demonstrated how poetry can keep hope alive even under collapsing ceilings.Human Cost and Academic Resilience Numbers72 university faculty members killed since the war began543 students killed in the same period2,860 students managed to graduate despite the chaos95% of Gaza university buildings damaged or destroyedThese stark figures underscore the extraordinary circumstances under which poetry is being composed and performed.Cultural Resistance Shapes Global Perception of the ConflictPoets like the late Refaat Alareer have become symbols of endurance; his line “If I die / you must live / to tell my story” resonates worldwide. The online reading, streamed from disparate parts of Gaza, turned verses into a form of documentation that reaches audiences far beyond what cameras can capture, influencing international solidarity movements and academic discourse.Future of Palestinian Poetry in a Digitally Connected WorldAs solar power intermittently fuels internet access, the reliance on mobile‑typed, memorised poetry is likely to persist. Scholars anticipate that this digital‑first model will embed Palestinian poetry deeper into global literary curricula and inspire new cross‑border collaborations, ensuring that the verses survive even if physical infrastructure does not.