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Fort Wayne, Indiana police announced the arrest of 55‑year‑old Michelle Dick on Saturday, acting on a California warrant that accuses her of stalking former Fleetwood Mac guitarist Lindsey Buckingham. According to a statement released by the department, Dick was taken into custody without incident after authorities traced her movement from California to Indiana, a journey of more than 2,000 miles (3,500 km). Police allege that in March, while Buckingham was entering a building in Santa Monica for an appointment, Dick doused him with an unknown substance and damaged his vehicle before fleeing the scene. Buckingham, 76, escaped physical injury, but the episode prompted renewed legal action. The statement noted that Buckingham secured a restraining order in 2024 after years of alleged harassment, which required Dick to remain at least 100 yards from him, his wife, and his son, and prohibited any contact. Investigators say the stalking began in late 2021, with dozens of persistent phone calls and lengthy messages in which Dick claimed, “she was my child,” and allegedly threatened to kill Buckingham and his family. She is also accused of a “swatting” incident that led to a heavily armed police response at Buckingham’s home. Following the March attack, Dick was held in the Allen County jail pending extradition back to California, where she faces a suite of charges including stalking, vandalism, battery, and criminal threats. Legal experts note that the case underscores the challenges of prosecuting cross‑state stalking offenses, especially when they involve high‑profile public figures. Coordination between California and Indiana law‑enforcement agencies illustrates the growing emphasis on protecting celebrities from persistent harassment. Buckingham, a former member of Fleetwood Mac from 1975‑1987 and again from 1997‑2018, is best known for his work on the Grammy‑winning album Rumours and the band’s 1998 Rock and Roll Hall of Fame induction.

Inter Milan's manager, Christian Chivu, celebrated a hard-fought victory over Como, acknowledging the significance of the win but playing it coy when discussing the title race. Inter Milan now sits nine points clear of second-placed Napoli, who were held to a 1-1 draw by Parma. Scott McTominay scored for Napoli, highlighting his importance to the team with eight goals from midfield this season. Napoli's title defense looks increasingly unlikely to succeed, especially considering their investments in new players who have not made the desired impact. The team has struggled with injuries and inconsistent form, and their defensive record has deteriorated, conceding four more goals than in the previous season. The future of Napoli's star player, Romelu Lukaku, remains uncertain amid reports of tension between him and the club. Lukaku has played only 40 minutes of Serie A football this season and has been rehabbing in Belgium, sparking speculation about his potential departure. Inter Milan's ruthless performance against Como, with Marcus Thuram and Denzel Dumfries each scoring twice, underscores their strong position in the league. They have scored 75 goals in 32 games, significantly more than any other team in Serie A. The Serie A table shows Inter Milan at the top with 75 points, followed by Napoli with 66 points. The top five teams are: Inter Milan - 75 points Napoli - 66 points AC Milan - 63 points Juventus - 60 points Como - 58 points

Acclaimed director Ken Loach revisits his 2016 film I, Daniel Blake, a poignant portrayal of poverty and the struggles faced by those in need. The film, which sparked controversy upon its release, shed light on the cruel realities of a system that vilifies the vulnerable.Loach reveals that the film was born out of a time of 'mean-spiritedness,' where those who needed support were met with punishment. The story follows Daniel Blake, a character who desperately wants to work but is thwarted by a system designed to fail him.The film's screenwriter, Paul Laverty, conducted extensive research, including a visit to a Glasgow food bank, where he encountered a young man who had not eaten in two to three days. This harrowing experience inspired a pivotal scene in the film, where Katie, played by Hayley Squires, is forced to eat cold baked beans from a tin.Loach notes that at the time of the film's release, the notion of food banks as an institution was unimaginable. However, food banks are now a normalized part of society, with many people relying on them to survive. The film's portrayal of poverty and hunger was met with resistance from some, including Damian Green, who claimed it was a work of fiction. Loach counters that while the characters are fictional, the stories are rooted in truth.Hayley Squires, who played Katie, shares her experience working on the film. She was drawn to the project after meeting Loach and was impressed by his authenticity and warmth. The film's shooting process was unique, with Squires and her co-star Dave Johns working chronologically and improvising scenes.Squires also recounts her preparation for the food bank scene, which included visiting a real food bank and cutting back on food to better understand the experience of hunger. The scene was shot only once, with Loach and the cinematographer Robbie Ryan working to create a sense of empathy and realism.

The Department for Culture, Media and Sport, acting on Historic England’s advice, has awarded Grade II* listed status to a limestone rubble barn on a grassy knoll in the Lake District, joining an elite roster that includes Battersea Power Station and the London Coliseum.Dubbed “Henry’s Castle,” the structure was most recently used as a shelter for livestock, but research suggests it may date back to the 14th century and originally served a high‑status function that remains unknown.Only 5.8% of England’s listed buildings achieve the Grade II* level, indicating they possess “more than special interest.” The barn’s unusual features – a corbelled chimney stack, a stepped garderobe, and a plastered interior showing signs of fire – set it apart from ordinary field barns.Historic England’s listing team leader, Sarah Charlesworth, described the building as “one of those rare structures that raises more questions than it answers,” underscoring its intrigue for scholars and visitors alike.Lake District National Park’s built‑environment adviser, Rose Lord, recalled her 2022 visit, noting that despite layers of animal manure the barn’s architecture hinted at something “very special” – a construction far beyond typical agricultural outbuildings.Four years of meticulous work by archaeologists, architects, and conservation engineers have restored the barn’s most striking element: an oak roof featuring a hand‑finished, chamfered and pegged central truss, a technique associated with high‑quality carpentry of the 14th or 15th centuries.Experts speculate on the barn’s original purpose, ranging from a defensive lookout or hunting lodge to a luxurious summer house. Historic England notes similarities to bastles – fortified farmhouses common along the Anglo‑Scottish border – though the building’s location south of the border makes a strict classification unlikely.Originally converted to domestic use in the 16th or 17th century and later repurposed as a field barn by the 19th century, the structure takes its name from former owner farmer Henry Willison.Lord called the new listing the “cherry on the cake” for the restoration project, highlighting that most buildings of comparable significance have already been recorded in earlier surveys. Interpretation panels and an owl‑nesting box are slated for installation in the coming weeks, adding educational and ecological value to the site.

Ghanaian winger Dominic Frimpong was tragically killed at the age of 20 in an armed robbery attack on his team's bus. The incident occurred on Sunday as Berekum Chelsea was returning from a Ghana Premier League match against Samartex.The club reported that six masked men, armed with guns and assault rifles, blocked the road. As the bus attempted to reverse away from danger, the robbers opened fire. Staff and players fled the vehicle, but Frimpong was struck in the head. He was taken to hospital but succumbed to his wounds, becoming the only reported casualty. The bus was carrying 30 players and officials.The Ghana Football Association (GFA) expressed profound shock and deep sorrow over Frimpong's passing. In a statement, the GFA described him as a promising young talent whose dedication and passion embodied the spirit of the league. This season, Frimpong had scored two goals in 13 appearances.This incident is not isolated; several teams in Ghana, including FC Savannah, Wa All Stars, Legon Cities, and AshantiGold, have reported similar attacks in recent years. Local police have deployed additional personnel and crime scene experts, vowing to arrest the perpetrators within the shortest possible time.

Rory McIlroy, the world's No 2 golfer, secured his second Masters win at Augusta National, a triumph he largely attributes to the support of his parents, Rosie and Gerry McIlroy. In a heartwarming display of family devotion, McIlroy had to convince his parents to attend the tournament, as they feared their presence might jinx his title defense. The McIlroy family has a remarkable story of sacrifice and dedication. Rory's parents worked multiple jobs, including graveyard shifts, to support their son's golfing ambitions. Gerry, 66, managed a bar and worked as a cleaner, while Rosie, 65, worked late nights at a factory. Their unwavering support and refusal to pressure Rory into playing golf have been instrumental in his success. During his final round, McIlroy admitted to thinking about his parents and fighting back tears. After securing his win, he turned to his family, including his wife Erica and daughter Poppy, and expressed his gratitude to his parents. 'Mum and Dad, I owe everything to you. You’re the most wonderful parents,' he said, visibly emotional. This victory cements McIlroy's stature as one of golfing's greats, with his sixth major win. His parents' presence at the tournament made the moment even more special, with Rosie sporting a handbag adorned with newspaper reports from his 2025 win. As McIlroy looks to the future, he hopes to emulate his parents' example, stating, 'If I can be half the parent to Poppy as you were to me then I’ll know I’ve done a good job.'

Taiwan's 'Sunshine Women's Choir' has taken the local box office by storm, but its success has been met with criticism over its emotionally manipulative tactics and lack of depth. The film, adapted from the 2010 Korean movie 'Harmony,' tells the story of Hui-Zhen, a woman who forms a choir with her fellow inmates to raise her infant daughter behind bars.The movie's director, Gavin Lin, has been accused of resorting to manipulative tactics to elicit emotions from the audience, including excessive crying and contrived plot twists. Despite its feel-good/feel-bad tone, the film's relentlessly peppy approach undermines any potential for foundational grit, critics argue.The story follows Hui-Zhen's journey as she navigates life in prison and forms a choir with her fellow inmates. However, the film's sanitized portrayal of prison life and its lack of meaningful character development have been criticized. The movie's use of showstoppers and flashbacks has also been seen as a way to avoid addressing the characters' deeper issues.Despite its criticisms, 'Sunshine Women's Choir' is set to hit UK cinemas on April 17. The film's success has sparked a debate about the role of emotion in filmmaking and the importance of depth in storytelling.

The ongoing global finance talks between the International Monetary Fund (IMF) and the World Bank Group (WBG) have taken a contentious turn. Governments are being urged not to mention climate change, despite its growing impacts and the pressing need for climate finance.The climate crisis has significant implications for developing countries, which are already paying billions to repair damage from droughts, floods, and storms. The World Bank Group aims to devote 35% of its funding to climate-related activities, but US pressure may hinder these efforts.US Treasury Secretary Scott Bessent has demanded the removal of some climate finance targets from the World Bank's aims, insisting on an 'all-of-the-above approach to energy' that includes financing for gas, oil, and coal. This move has sparked alarm among other countries, including large developed economies.Experts warn that sidelining climate change discussions would be disastrous for the developing world. Mohamed Adow, director of the Power Shift Africa thinktank, described the situation as 'beyond absurd', emphasizing that fossil fuels and the climate emergency are inextricably linked.The World Bank is the biggest single source of climate funding, and many donor countries channel their climate finance largely through the multilateral development banks. At the Cop29 UN climate summit in Azerbaijan in 2024, countries agreed that at least $1.3tn a year should flow to the developing world by 2035 to help countries cut greenhouse gas emissions and cope with the impacts of extreme weather.Lord Stern, a former World Bank chief economist, suggested that much could still be achieved without formally labelling projects as climate-related, emphasizing that investing in low-carbon infrastructure and energy systems is crucial for sustainable development.

Sam Neill, the veteran actor celebrated for his memorable performances on screen, is set to answer readers' questions in an upcoming interview with The Guardian. Neill's iconic roles include his portrayal in Jurassic Park, where he famously removes his sunglasses and gazes at a towering Brachiosaurus, a scene that has become etched in cinematic history.Born in Northern Ireland and raised in New Zealand, Neill's diverse filmography showcases his versatility as an actor. He has appeared in a range of films, from period dramas like My Brilliant Career to thrillers such as Dead Calm, which is set to be released in 4K later this year. His recent projects include Godzilla x Kong: Supernova, alongside Kaitlyn Dever and Matthew Modine.Neill's career has been marked by his ability to take on idiosyncratic, director-led projects, often playing characters with a unique blend of gruffness and warmth. His performances in Sweet Country and Rams have been particularly noted for their depth and nuance.In addition to his film work, Neill has also made headlines for his memoir, Did I Ever Tell You This?, in which he openly discusses his experience with stage-three blood cancer and his journey towards remission. When asked about his mortality, Neill expressed a pragmatic view, stating, “I’m not afraid to die, but it would annoy me”.Readers are invited to post their questions for Sam Neill by 6pm BST, Thursday 16 April, and The Guardian will publish his answers in their reader interview series. This provides a unique opportunity for fans to engage with one of cinema's most beloved actors and gain insight into his life and career.