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The Defence of Misan Harriman Greta Thunberg, Tracey Emin, and Gary Lineker are among those who have signed an open letter in support of Misan Harriman, chair of the Southbank Centre. The letter describes a 'dishonest smear campaign' by media outlets that accused Harriman of promoting Golders Green attack 'conspiracies' and comparing Reform voters to Nazis. The Controversy Surrounding Harriman Harriman was accused by the Telegraph of sharing a social media post containing a 'conspiracy' about the Golders Green attack. Critics said the repost risked minimising the antisemitic nature of the attack. David Taylor, the Labour MP for Hemel Hempstead, said the posts were 'incredibly inappropriate' for the chair of a charity board. The Data Behind the Support Over 245 people signed the letter in support of Harriman, including Riz Ahmed and David Oyelowo. 53,000 people backed a campaign to lobby the press regulator Ipso about the coverage. The Impact on Free Speech The letter reflects concern that public figures are being silenced for speaking out at a moment of heightened tension over antisemitism. The signatories argue that trying to silence responsible critics of Israel by smearing them as antisemitic does not protect Britain's Jewish community. The Future of the Controversy Harriman has stated that he will not be silenced and will continue to use his voice to help others. The Southbank Centre has condemned all forms of antisemitism, hatred, and discrimination, and stated that its board members have the right to exercise their freedom of expression within the law.

The Cultural Phenomenon Returns On a chilly morning at a Silvertown studio behind London City airport, the sunburst intro to Jimmy Cliff's The Harder They Come is on repeat. Dancers run through a routine studded with reggae and dancehall moves. "Get high," commands associate choreographer Neisha-yen Jones with a smile. "Get low!" The ensemble rise and dip. They do the bogle and whine around each other as their watchful director Matthew Xia nods along. They circle Natey Jones who breaks out the opening line: "Well, they tell me of a pie up in the sky." In the distance, a plane leaves the ground. From Film to Theatrical Celebration It's eight months since The Harder They Come's full-throttle takeoff at Stratford East, where the musical was so popular that it is now returning for a second run which will also serve as a eulogy for Cliff who died in November. Playwright Suzan-Lori Parks' adaptation of Perry Henzell's 1972 Jamaican film is bolstered by a handful of her own songs as well as classics including Israelites and Wonderful World, Beautiful People – plus every number on the film's monumental soundtrack. Jones is reprising the role of Ivan (played on screen by Cliff and inspired by real-life outlaw Rhyging), who arrives in Kingston from the country and is dismissed and exploited, before becoming both a hit singer and a fugitive. The Evolution of a Cultural Narrative The original was akin to cinéma vérité, directly evoked spaghetti westerns and veered into blaxploitation territory; Ivan's tale has gained greater warmth, humour and protest spirit on stage. It was the best musical I saw in 2025. "The story is a tragedy but the theatrical event is a celebration," says Xia of his production. Twenty years ago, the film was adapted as a musical with a book by Henzell, also at Stratford East. "It all started at Ivan's Nine Night," Xia recalls. "There was a massive poster of Ivan on the wall, with everyone coming, and it was told in retrospect with vignettes." Choreography and Cultural Connection Shelley Maxwell, recently arrived from Jamaica, was watching the musical in the audience one night and has since become the choreographer of the new production. She has fused the folk dance forms of revivalism and pocomania, learned in her childhood, with reggae, dancehall and moves that today's teenagers can recognise. "I wanted to tap into the youth market," she says. It's brought some enthusiastic feedback from audience members who may not know the film. "Like: 'Oh my God, they did that step I always do at a party!' It allows them to form a connection." Authenticity and Cultural Representation Xia, wearing trainers in the Jamaican flag's colours, and Maxwell, whose tracksuit has the same black, green and gold trim, were intent on instantly transporting their audience to Kingston. The opening, says the director, is an "establishing shot" with characters coming and going on Simon Kenny's magnificent multi-level set, accompanied by Toots and the Maytals' hit Funky Kingston. To borrow from its lyrics, you really can believe everything they do. Even each move in the dominoes game we see is scripted, explains Maxwell, who mapped out the market scene with precision: "Where are you going to? How heavy is the item that you're holding? This is the swing of the hips." Social Commentary Through Performance Xia, whose father came to England from Jamaica in the 1970s, praises the freewheeling realism of the film. "Lots of the background performers are just whoever happened to be in the market that day, or walking through the shantytown. Lots of the actors were people that Perry knew, they had no training." Henzell, says Xia, showed "the part of Jamaica that had always been hidden, people living hand to mouth". The musical depicts a "quartet of oppression" against Ivan, as he takes a stand against individuals representing hypocrisies of the church, law, drugs trade and music industry. Universal Themes and Contemporary Relevance The Harder They Come was both a pioneering example of independent film-making for Jamaicans and a portrait of a newly independent country. Maxwell, who grew up glued to Hollywood musicals, says it was empowering to discover a film full of the Jamaican songs she loved. "I was probably way too young when I saw it. But what I saw was the world around me." She traces how different forms of music played a pivotal part in the country establishing its identity, moving from African forms and American R&B; to mento, ska, rocksteady, reggae and the rise of Bob Marley and Jimmy Cliff. Maxwell captures that chain reaction with a tantalizing question: "What's this groove becoming?" Transforming the Narrative for Modern Audiences The musical also makes its hero's actions more understandable. "In the film, Ivan becomes a kind of wanton murderer," says Xia. In the musical, "he accidentally shoots a police officer when he's under threat, is remorseful, yet also knows that if he gives himself in then that's the end of his journey". Another significant change is the depth given to the principal women – Ivan's mother Daisy and Elsa, with whom he falls in love under the eye of her authoritarian guardian, the preacher. "The moral heart of the piece now resides in those two women," says Xia. Maxwell transforms a brief sequence from the film, in which Ivan imagines a tryst with the devout Elsa, into a floor-trembling set piece when the preacher's congregation lose their robes to indulge in lustful fantasy. The male gaze of the original scene is duly excised: "it had to be like it was both of them in partnership in that fantasy world," says Maxwell, who adds that the nature of dancehall – "grinding, gyrating on another body" required her to use her skillset as an intimacy director.

Lead: Massive Street Demonstrations Across ArgentinaTens of thousands of Argentines converged in major cities on Tuesday to denounce the Javier Milei administration’s cuts to the public university system, a cornerstone of the nation’s tuition‑free higher‑education model.Thousands Take to Streets as Milei’s Cuts Target Tuition‑Free UniversitiesProtesters marched from central Buenos Aires toward the presidential palace, chanting against budget shortfalls that they claim undermine the foundations of higher education. The public university system has been tuition‑free since 1949 and has produced five Nobel laureates.Estimated protest size: tens of thousands nationwide.Key locations: Buenos Aires, Córdoba, Rosario.Government stance: Alejandro Alvarez, undersecretary for university policy, called the march “completely political”.Budget Shortfalls and Salary Declines Highlight Fiscal StrainCongress approved a law last year to finance operating costs and raise academic salaries in line with soaring inflation, but the Milei government has refused implementation and is challenging the legislation in court.University operating‑cost financing law: passed 2025.Real‑term professor salaries have fallen by about one‑third since Milei took office in late 2023.Unemployment and real wages are also declining, contributing to sliding approval ratings for Milei.Erosion of Higher‑Education Foundations Threatens Social MobilityThe cuts strike at a system that has historically enabled social mobility and scientific achievement. Public anger is amplified by corruption allegations surrounding Manuel Adorni, Milei’s cabinet chief, whose alleged lavish spending contrasts sharply with his official salary.Public universities: tuition‑free, historically elite‑producing.Corruption probe: media reports on extravagant expenses by Adorni.Political climate: protests include a broad cross‑section of ages and political leanings.Future Trajectory: Potential Escalation and Policy Reversal ScenariosIf the government continues to block the financing law, protests may intensify, potentially forcing a legislative or judicial reversal. Conversely, a negotiated settlement could restore funding, stabilizing university salaries and tempering social unrest.

The Trump-Xi Summit: A Pivotal Moment in US-China Relations Donald Trump's state visit to China this week – the first by the US president in nearly a decade – comes amid a time of geopolitical upheaval, a new and intractable conflict in the Middle East, and a sometimes rocky relationship between the world's two major superpowers. There is much for Trump and Xi Jinping to discuss, but a few key issues are likely to dominate the agenda. Five Critical Issues on the Summit Agenda The high-stakes meeting between the two leaders addresses several pressing matters that could reshape the global landscape: The Iran Conflict and Hormuz Strait Crisis Trump is eager for China to lean on Tehran to advance peace talks and reopen the strait of Hormuz. To now, Beijing has sat back and watched the US struggle against Iran, at least publicly. But with about half of China's crude oil imports passing through the strait, Xi does want the waterway unblocked. China knows its exports will suffer if a global recession results from an oil supply crisis. Complicating the picture, the US this week put sanctions on several Chinese firms accused of assisting Iranian oil shipments and supplying satellite imagery allegedly used in Iranian military operations, claims that Beijing denied. Trump's arrival comes after Iran's foreign minister, Abbas Araghchi, visited Beijing last week. Taiwan: The Flashpoint in US-China Relations Beijing is keen to push the US on Taiwan, with Trump saying he is prepared to raise the issue of arms sales to the island, which China claims as a breakaway territory despite never having ruled it. In December, Trump authorised an $11bn arms package for Taiwan, the largest weapons sale ever to the island, but no shipments have been made yet. Xi may seek changes in how the US refers to Taiwan. Ideally, from the perspective of Beijing, this would be a statement from Washington "opposing" Taiwan's independence rather than "not supporting" it. Taiwan will be watching closely. Just two weeks ago, China's foreign minister in a phone call with Marco Rubio urged the US to "make the right choices" on Taiwan. With Trump known to veer off script, John Kirby, a former US state department and Pentagon spokesperson cautioned: "They just have to be so extraordinarily precise when you're talking about Taiwan because, quite frankly, the stakes are enormously high." The AI Cold War: Technological Supremacy at Stake China and the US are locked into a race on artificial intelligence that is becoming something of a technological cold war. In April, the White House accused China of stealing US AI labs' intellectual property on an industrial scale, claims Beijing denied. Meanwhile, Beijing has been frustrated by Washington's reluctance to allow Nvidia to export its most powerful processing chips to China. In January, the White House said Nvidia could export its second most powerful chip, the H200, but no shipments have been sent yet. Analysts and ethics leaders hope Trump and Xi will discuss non-binding AI guidelines, including sharing information about AI misuse and safety, which are seen as critical guardrails amid the advent of AI weaponry and military adoption. Trade War: Rare Earth Minerals and Economic Leverage Trump has repeatedly threatened China over trade, imposing tariffs above 140% last year. But Xi held some cards of his own and did not fold. Instead, China blocked exports of its rare earth minerals and magnets to the US. Trump, finally, backed down. The US has depleted notable levels of its weapons arsenal in the war against Iran, with many weaponry components requiring critical minerals that are linked to supply chains dominated by China. China is expected to announce purchases related to Boeing airplanes, American agriculture and energy, US officials have said. In turn, Beijing wants the US to ease curbs on exports of advanced semiconductors. Beijing also wants to reduce barriers to investment in the US, and hopes to establish a Board of Investment to match the Trump-back Board of Trade. Fentanyl: The Drug War and Political Posturing Fentanyl is a key item on Trump's agenda this week, Politico reported, citing an administration official granted anonymity to preview the closed-door sessions. The US has long accused Chinese businesses of knowingly supplying the chemical precursors to Mexican cartels who use them to make the drug. Trump knows that being seen to press China hard over fentanyl and precursors plays well with his Maga base. But Trump lost important leverage on the fentanyl front when China defied his tariffs threats. In March, the US and China clashed over fentanyl and trade at a UN drugs meeting. China wants to be removed from the state department's annual list of "major drug transit or illicit drug producing countries", due to be updated in September.

A Novel of Female Defiance"Yes, you will leave this place," the chorus of child protagonists in a community of sex workers say at the start of Tahmima Anam's incantatory and fiery new novel of female defiance, Uprising. "This story will save your life," we were told three times in Deepa Anappara's 2020 debut, also featuring precarious children dwelling in the margins. What is the distance between imagination and action, lived realities and dreams? How can solidarities be forged in such circumstances? Uprising holds within its pages some answers and a deep conviction – for a better life, a more just world – and then reaches out and fights for it.The Island Community and Its OppressionAs a journalist, Anam visited the infamous "floating brothel" Banishanta in Bangladesh; her new novel, set on an isolated island "at the end of the country, in the middle of a river that emptied into the sea", fictionalises the island's community and ecological precarity. Here, a generation of daughters grow up watching their mothers trapped in sex work – "we knew that the work was something that was paid for in money, and also in bodies" – and wish a different life for themselves. The women are controlled by the cruel Amma, who was once herself sold into sex trafficking. The victim becomes the perpetrator – and the children are discerning enough to know that their mothers are "not here because they had done something bad, but because something bad had been done to them". The first lesson of the island? No one is coming to save you – and living here changes you, as inexorably as the rising tides.The island is a prison. The mothers are ghosts of their former selves. The children, witnessing the "sexing", are all too grown up, stripped of their innocence. By the time they are born, their mothers' memories have faded "like paint in the sun"; they live on the island "tied to" their daughters. What, or who, will it take to break free from these chains?Feminism and Climate Crisis in LiteratureWhen the waters rise, customers stay away. The mothers speculate: "the swirling river was keeping the smaller boats from making the journey"; "the land was cursed". In a last-ditch attempt to lure men back for business, Amma sends for a new girl. Little does she know that Kusum Khan's arrival will signal the beginning of the end. A girl from the city with a history of participating in protests against the Dictator, she doesn't acquiesce to the island's rules, as the others have been conditioned to; instead, she sows the seeds for what will grow into a life-altering act of resistance. The children start to believe that she is their saviour – maybe even Bon Bibi, a legendary guardian of the forest. A different life seems graspable, just beyond the island's shore. When the titular uprising at last arrives, it summons an all-consuming storm, washing over the island. And the reader, too, is ready to join the revolution – their fist in the open air.Uprising is a feminist novel ("here they were: a wall of women") and a protest novel ("The moment Kusum entered the protest, she felt as if she was becoming a small organ in a living, breathing thing"). It is a coming-of-age novel, and a response to the climate crisis; a story of sisterhood protecting, and failing to protect; of structural inequality and the rotten core of patriarchal corruption; of unlucky women in an unfair world. "When the men came to reclaim the island, we stood rooted in place with our eyes closed, unable to watch. We stood rooted in place with our eyes open, unable to stop watching." While the mothers and daughters in Anam's fictional world are victims of specific generational violence, this observation can be applied to humanity at large: we are all watching – frozen, complicit – as injustices rise the world over.The Power of Rage and Radical HopeThrough her unwaveringly political and unflinchingly forthright novel, Anam shows the power of rage and radical hope. A new world can burn bright from the fires of injustice – and here, it's the mothers that hold the match.

Cristiano Ronaldo's Al-Nassr were denied a historic Saudi Pro League title after goalkeeper Bento inadvertently scored an injury‑time own goal, turning a 1‑0 lead into a 1‑1 draw.The Late Own Goal That Shifted the Title RaceIn the final minutes of the decisive match against rivals Al Hilal, Al‑Nassr were leading 1‑0. A fumbled overhead save by Bento slipped into his own net, equalising the score and extinguishing the immediate celebration.Points, Positions, and the Numbers Behind the DramaAl‑Nassr: 83 points from 33 gamesAl Hilal: 78 points from 32 gamesA win would have secured Al‑Nassr’s 11th league title and Ronaldo’s first domestic trophy with the club.Broader Implications for Saudi Football and Ronaldo’s LegacyThe incident highlights the growing competitiveness of the Saudi Pro League and places additional pressure on Ronaldo to deliver a domestic trophy after his high‑profile move in January 2023. It also underscores the fine margins that can decide championships in a league attracting global talent.What Lies Ahead: Final Match and Title ScenariosAl‑Nassr remain favourites, needing only a point against 15th‑place Damac in their final fixture on May 21 to clinch the crown, provided Al Hilal does not win their remaining game.

The Unparalleled Experience of CannesNothing prepares you for the shock that is the Cannes film festival: the adrenaline, the fatigue, the elation and the emotion, but also the hunger, the anger, the magic and the ridicule. For young cinephiles, and for almost everybody who works in the film industry, it is the mecca of cinema and has been so for nearly eight decades. Anyone going for the first time this week, as I did 25 years ago, should not listen to the old grognards – Cannes' battle-worn veterans – who will lament that the festival has become an abominable circus and swear this year will be their last. It is a circus, and you can bet they will be back for as long as their knees can take it. For there is nothing quite like it.From Resistance to Global Cinema HubBorn to counteract Benito Mussolini's Venice film festival, its first edition was planned for September 1939, but Adolf Hitler had other plans. The previous year, under pressure from Berlin and Rome, the Venice film festival's top prize, the Coppa Mussolini, was handed to Leni Riefenstahl's propaganda film Olympia, prompting the French, British and American delegates to walk out. Hence Cannes, conceived as the festival of the "free world". More than 80 years later, for all its sins, it has remained faithful to that founding promise.The Expansive Scale of Modern CannesOver the decades, Cannes has mutated into an ever-hungrier mammoth, needing more space, and more venues, as it attracts an increasing number of journalists and professionals. A purpose-built Palais des Festivals had to be erected in the 1980s. "The bunker", as we have come to call it, is not exactly beautiful but brutally efficient at managing Cannes' mind-boggling crowds. This year, about 40,000 accredited festival-goers are descending on the French Riviera from 140 different countries, with dozens of films selected across all sidebars. At the same time, the Marché du Film, running alongside the festival since the late 1960s, is gathering about 16,000 participants, with thousands of films and projects up for sale. Cannes is both a summit for the cinema elite and a giant film bazaar.Three Worlds Colliding at La CroisetteFor 11 days in May, three different worlds lead parallel lives – critics, deal-makers and red-carpet royalty – colliding almost by accident on the seafront boulevard known as La Croisette. Hundreds of critics watch multiple films a day with monastic discipline. When they give in to parties, they bitterly regret it the next morning. You can spot some of us sleeping through entire screenings; how some colleagues manage to review films is a mystery. I remember a well-known French critic who had such vivid dreams in the darkness that he became convinced they were scenes in the films. His reviews were full of brilliant analysis of moments that did not exist.We critics rush between screenings, press conferences, interviews, our desks and the bunker's free espresso machines, often forgetting to eat or even pee. Downstairs, in the bunker's basement, and in hotel suites and rented apartments, the film market runs day and night: buyers juggle numbers, producers charm, directors and screenwriters fight for their vision. Above them floats Cannes' top layer – stars and "talent" spending hours in hair and makeup before climbing the 24 steps of the red carpet in borrowed couture and jewellery. When people in the industry groan, "oh God, it's Cannes again", it is this collision of financial anxiety, choreographed glamour and sheer exhaustion they are bracing themselves for.The Magic and Meaning Behind the GlamourThese worlds sometimes collide in the most poetic or grotesque ways. One morning, rushing to my first screening at 7.30am, I was walking along the Croisette when I saw, coming towards me, slightly dishevelled in a tuxedo, Jack Nicholson on his way back to his hotel after a long night. I smiled, he smiled back. He was alone, no bodyguards, no chaperones. Those were the days. I also shared a lift with Takeshi Kitano in full samurai attire, and I will never forget turning into a hotel corridor and finding myself nose to nose with Max von Sydow – Ingmar Bergman's medieval knight from The Seventh Seal. My cinephile heart skipped a beat.One of my favourite sidebars in Cannes, alongside the competition where you watch the year's best crop of films, is Cannes Classics, showing restored world masterpieces and documentaries about cinema. I always start the festival there: it is the best way to reset and begin afresh. Then I am ready for the 10-day onslaught of motion pictures, and for the magic moment that precedes each Cannes screening – the festival's own jingle, a palm ascending the red carpet from underwater and then into the sky, lifted by the ethereal arpeggios of Camille Saint-Saëns's Carnival of the Animals.Cannes: Enduring Symbol of Cinematic ResistanceIn 1955, Cannes gave its first official Palme d'Or to Delbert Mann's Marty; half a century later I found myself befriending its wonderful star, Betsy Blair, on the Croisette. I had the joy of seeing Ken Loach twice climbing those steps to collect the Palme, escorted by police outriders from Nice airport as if he were a head of state. I watched Iranian directors Jafar Panahi and Mohammad Rasoulof showing films at peril to their lives. For all the craziness of the red carpet and the samurai outfits, Cannes never forgets that it was founded as a gesture of resistance. That, as much as the glamour and the exhaustion, is why we keep going back.

The Official Rebuttals from Mexico and the CIA Mexico’s government and the CIA issued statements on Tuesday denying a CNN report that U.S. intelligence agents participated in targeted killings of alleged cartel members in Mexico. CIA spokesperson Liz Lyons called the story “false and salacious,” while Mexico’s Secretary of Security Omar Garcia Harfuch said the nation “categorically rejects” any notion of foreign lethal operations on its soil. Alleged CIA‑Backed Assassinations: What CNN Reported CNN cited unnamed sources claiming CIA operatives “directly participated” in several attacks since last year, including a March car explosion that killed Francisco Beltran, described as a member of the Sinaloa Cartel. Operations allegedly ranged from “passive intelligence sharing” to “direct participation in assassination operations.” The focus was said to be on mid‑level cartel figures. Numbers Behind the Controversy: Reported Deaths and Designations 190+ people killed in U.S. air strikes targeting drug‑trafficking vessels in the Caribbean and Pacific, according to the Trump administration. Nine Latin‑American drug gangs, including the Sinaloa Cartel, have been labeled “terrorist organisations” by the United States. Two alleged CIA operatives died in a car crash after a counter‑narcotics raid, prompting the latest scrutiny. Diplomatic Fallout and Sovereignty Concerns The allegations have intensified existing friction between Washington and Mexico, where President Claudia Sheinbaum recently threatened sanctions against Chihuahua officials for allowing CIA involvement in raids on clandestine labs. Mexico’s 2020 law requires foreign agents to share information with the government and denies them diplomatic immunity, underscoring the sovereignty debate. What Lies Ahead: Potential Shifts in U.S.–Mexico Security Cooperation Both sides stress that cooperation “exists, is important, and has yielded relevant results,” yet future joint operations may be conditioned on stricter oversight and transparent information‑sharing protocols. Analysts warn that continued public denial without independent verification could erode mutual trust, potentially prompting Mexico to seek alternative security partners or renegotiate existing agreements.

The Case Against Yermak A former top aide to Ukraine’s President Volodymyr Zelenskyy has appeared in court as prosecutors seek his arrest on charges of involvement in a multimillion-dollar money laundering scheme. Prosecutors allege that Yermak, 54, funnelled about 460 million Ukrainian hryvnias ($10.5m) into a high-end Dynasty housing complex in Kozyn, near Kyiv. Investigation and Allegations Investigators suspect that funds used in the development may have originated from corruption at Energoatom, Ukraine’s state nuclear energy company. The prosecution has asked the court to remand Yermak in custody, with bail set at 180 million Ukrainian hryvnias ($4m). Yermak denied the allegations. Broader Anticorruption Efforts The case is part of a broader anticorruption operation, dubbed “Midas”, led by the National Anti-Corruption Bureau of Ukraine (NABU) and the Specialised Anti-Corruption Prosecutor’s Office (SAPO). The operation was unveiled last November, when Timur Mindich, a former business associate of Zelenskyy, was accused of orchestrating a $100m kickback scheme at Energaotom. Implications and Reactions Some lawmakers, including members of ⁠Zelenskyy’s governing Servant of the People party, saw a silver lining in the case against Yermak, saying it served as an encouraging sign of Ukraine’s drive to fight corruption. “Partners see that Ukraine has an independent anticorruption system that is performing its function,” said Oleksandr Merezhko, head of the parliamentary foreign-affairs committee.