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The Rise of the Anti-Datacenter Movement Since the 2024 presidential inauguration, the Trump administration has been rolling out the red carpet for Silicon Valley's AI ambitions, doling out billions in federal subsidies and contracts to the cash-rich sector. However, an unlikely coalition has emerged to resist the AI takeover by targeting the industry's core infrastructure: datacenters. Local Opposition to Datacenters In 2025, about 48 datacenter projects worth an estimated $156bn were blocked or stalled by local opposition. The movement is growing, with communities across the US coming together to protest the construction of datacenters. From rural North Carolina to suburban Virginia, and from the foothills of New Mexico to the farmlands of Oregon, ordinary people are organizing to say no to a status quo that allows tech lobbyists to push through datacenter deals at a breathtaking clip. The Data Behind the Resistance 48 datacenter projects worth $156bn were blocked or stalled in 2025 10 counties in Indiana have enacted moratoriums or temporary bans on new AI datacenters The Seminole Nation in Oklahoma recently passed a moratorium for their territory Project after project has been cancelled in New Jersey due to local fury The Impact of the Anti-Datacenter Movement The fight against datacenters is not just about limiting local development; it represents a critical new front in the fight against tech-enabled authoritarianism. Datacenters provide a physical place and focal point where people can show up and directly confront out-of-control and otherwise impossible-to-reach tech billionaires. The movement is also bringing people together across partisan divides, with a shared concern for the environmental and social impacts of datacenters. The Future of AI Regulation The anti-datacenter movement is essential to amassing the political leverage required to implement popular and sensible safety measures. A national moratorium bill has been introduced by Bernie Sanders and Alexandria Ocasio-Cortez, which would force AI regulation. Maine has become the first state to pass a statewide moratorium on hyperscale datacenters. As the movement continues to grow, it's clear that AI is shaping up to be a key fault line in this year's midterms and the 2028 presidential race.

The Director's Supernatural EncountersMulti-Oscar-winning director Guillermo del Toro has revealed his lifelong fascination with the supernatural, from childhood ghost sightings to a UFO encounter at age 14. The filmmaker, currently in the UK to receive a BFI fellowship, shared his belief that these experiences 'cause a crack' in our perception, allowing 'the mystery of the universe' to rush toward us.From Family Hauntings to Hammer HorrorDel Toro's supernatural journey began at age 11 when he first sensed a spectral presence at his family home in Guadalajara, Mexico – which he believes was his late uncle keeping a promise. This experience inspired Santi, the sighing ghost-boy in his 2001 film The Devil's Backbone. The director has since encountered numerous paranormal phenomena, including surround-sound ghostly disturbances in a New Zealand hotel while scouting locations for The Hobbit.'There are certain magical lands for me,' del Toro explains, 'and the land of ghosts is England.' He is currently looking to purchase a haunted house in the UK to house his extensive collection of silicone figures and memorabilia.The Influence of British CinemaThe BFI fellowship holds special significance for del Toro, who cites British cinema as a major influence on his work. He particularly reveres the 'reveries of Powell and Pressburger or Ken Russell' and the entire Hammer horror legacy, including Terence Fisher's Frankenstein films which partly informed his own 2025 adaptation of Mary Shelley's novel.'The 1974 Hammer film Frankenstein and the Monster from Hell had the worst makeup but the most delicate Creature,' del Toro notes. 'As the movie progressed, the Creature became more of an innocent and the Baron more of a pure villain.' This approach shaped his interpretation featuring Jacob Elordi as the Creature.A Legacy of Monsters and Misunderstood BeingsDel Toro has always portrayed monsters as complex beings capable of tenderness alongside violence, reflecting his belief that 'precisely like us.' This philosophy has resonated with fellow artists, including Taylor Swift, who has cited his films as inspiration. After becoming a fan of The Shape of Water, Swift explored his back catalogue during the pandemic, declaring herself 'dazzled' by The Devil's Backbone and Pan's Labyrinth.The influence is mutual, with Swift later invoking Del Toro-esque imagery in her hit single Anti-hero, picturing herself as 'a monster on the hill … slowly lurching toward your favourite city.' This artistic connection demonstrates how del Toro's vision has permeated popular culture beyond cinema.The Future of Fantastic CinemaAs a BFI fellow – joining the ranks of Martin Scorsese, David Lean, Akira Kurosawa, and Orson Welles – del Toro continues to champion the potential of horror and fantasy genres. His teenage years saw him running a film society in Guadalajara, sourcing controversial works like Powell's 1960 serial-killer classic Peeping Tom from the BFI itself.With his upcoming projects and continued exploration of the supernatural, del Toro remains committed to expanding our understanding of the unknown, both on screen and in his personal life. As he puts it, these experiences 'dislocate your sense of self,' revealing the mysteries that exist just beyond our everyday reality.

Armed rebels from the CODECO militia killed at least 69 people in a series of attacks on villages in Ituri province, northeastern DRC, on April 28, 2026, reigniting long‑standing ethnic violence between the Lendu and Hema communities.Deadly CODECO Assault Leaves 69 Dead in IturiThe coordinated raids targeted several villages, including Bassa, after an earlier assault by the CRP (Convention for the Popular Revolution) on FARDC positions near Pimbo. CODECO fighters, claiming to protect the Lendu, launched retaliatory attacks that left civilian casualties and delayed body recovery for days.Attack date: April 28, 2026Location: villages in Ituri province, near the Uganda and South Sudan bordersPerpetrators: CODECO militia (Lendu‑aligned) and earlier CRP assault (Hema‑aligned)Casualty Figures and Militant InvolvementSecurity sources confirmed a death toll of at least 69, including 19 militia members and soldiers. Civil society leader Dieudonne Losa reported that only 25 bodies have been buried, with many remains still unrecovered.Total deaths: 69Militia/soldier deaths: 19Unburied bodies: > 40Escalating Ethnic Tensions and Regional InstabilityThe violence reflects the deep‑rooted rivalry between the Hema and Lendu ethnic groups, a conflict that has persisted for decades over control of Ituri’s gold and other mineral resources. The presence of multiple armed actors—CODECO, CRP, the Allied Democratic Forces (ADF), and the M23 rebellion—stretches the Congolese army (FARDC) and the UN peacekeeping mission (MONUSCO) thinly across the region.Humanitarian agencies warn that the massacre could trigger cycles of retaliation, further displacing civilians and hampering aid delivery.Outlook: Risks of Wider Violence and Humanitarian CrisisExperts, including Amnesty International’s Rawya Rageh, argue that without a decisive security response, eastern DRC will see “more attacks” as armed groups exploit security gaps. The UN has condemned the killings and pledged to protect civilians, but limited troop numbers raise doubts about effective enforcement.Potential developments include:Retaliatory attacks by Hema‑aligned groups against Lendu communitiesIncreased recruitment of child soldiers by groups such as ADF and CODECOEscalated international pressure for a coordinated regional security frameworkContinued instability threatens the extraction of critical minerals—cobalt, copper, uranium—that feed global supply chains, making the conflict a matter of both regional security and worldwide economic interest.

The Lead: Dating's New Social FrontierFor many young people, the dating game has become a thankless task of endless swiping and ghosting, with little hope of finding meaningful connections. As dating apps fall out of favor and a relationship recession looms, singles across England and Wales are discovering a refreshing alternative: talking up their pals to strangers at 'Date My Mate' events.The Event Details: Friend-Powered Matchmaking Takes Center Stage'Date My Mate' events involve pitching a friend to a room of singles, and they're gaining momentum across England and Wales. The night unfolds like a reality TV dating show, where participants are welcomed with a free drink token and a sticker branding them as either a 'date' or 'mate.' The 'mates' have a loosely enforced three-minute time slot to hype their single friend using a presentation projected on a screen.'We've hit a cultural nerve,' said Emily Churchill, who hosts the event in London. 'Single people are sick of swiping, they want real human connection.' What started as a one-off for Valentine's Day earlier this year—selling out in less than 48 hours—has become a recurring series where tickets now sell out within five minutes.The Data Analysis: Declining App Usage and Rising AlternativeThe shift away from dating apps is backed by data. According to a report published by Ofcom in 2024, the number of people using the top 10 most popular dating apps had declined by 16% since the previous year. Research reveals that rather than aiding the search for love, dating apps are designed to be addictive, creating an illusion of choice that ultimately leads to frustration.'It's the saturation of the market,' said Bruna Dalla-Vecchia, 26, who attended a recent event. 'There's far too many people, there's the illusion of choice. They get you to go and pay your premium memberships and you don't really make any meaningful connections.'The Impact Analysis: Changing the Dating LandscapeThese events represent a significant shift in how young people approach dating, moving away from the digital realm to more authentic human connections. The format offers a fun alternative to traditional singles mixers, with participants noting that the structured approach reduces the pressure of approaching strangers.'The dating event structure of going to speed dating is just so intense,' said Sophie Lord, who hosts an LGBTQIA+ Date My Mate event in Cardiff. 'It's really fun to go to regardless of whether you meet someone, instead of feeling like you're in an interview with people.'Although the aim is to combat app fatigue, the presentations often resemble online profiles, listing attributes including height, profession, 'red flags' and 'green flags.' Some presentations even include humorous elements, like embarrassing tweets from 2018 or video testimonials from family members.The Prediction: The Future of Social DatingAs these events continue to grow in popularity, we may see a broader trend toward more socially-driven dating experiences that combine the convenience of curated information with the authenticity of in-person interaction. The gender disparity in participation—mirroring online dating where men are represented more than women—presents an interesting challenge that organizers are addressing through targeted outreach and reserved tickets.For shy individuals like Dalla-Vecchia, these events offer a comfortable middle ground: 'You never know if they're taken or not. This is a good way of being a bit playful about it and taking the stress out of it.' As the dating landscape continues to evolve, the success of 'Date My Mate' suggests that the future of connection may lie not in algorithms, but in the people who know us best.

The Lead Emmy van Deurzen, a Dutch existential therapist, has dedicated her life to helping people navigate mental health crises. Inspired by RD Laing, she moved to the UK in 1977 and began working with the Arbours Association, a therapeutic community based on Laing's ideas. The Event Details Van Deurzen's journey into existential therapy began when she realized that anti-psychiatry had 'lost courage' and wasn't providing adequate support to people in crisis. She established an existential therapy centre at Arbours, the first of its kind in the UK, and went on to popularize this form of psychotherapy. The Data Analysis With over 350 existential therapists accredited by the UK Council for Psychotherapy having trained at one of her schools, Van Deurzen's impact on the field is significant. Her approach focuses on helping people find meaning, courage, and freedom despite life's struggles. The Impact Analysis Van Deurzen's work is changing the way people approach mental health. She believes that depression is a form of oppression and that therapy can help people rediscover their existential courage. Her book, 'Beginning to Live', offers practical advice on cultivating a better life. The Prediction As existential therapy continues to grow, Van Deurzen's influence is likely to expand. Her approach, which emphasizes philosophical exploration and personal growth, may become a more prominent part of mental health care. With her guidance, people may find new ways to navigate life's challenges and cultivate a deeper sense of purpose.

The Week's Entertainment Highlights This week offers a diverse range of entertainment options across cinema, music, and art. From highly anticipated film sequels to live performances and immersive exhibitions, there's something for every cultural enthusiast. New Cinema Releases to Watch The entertainment landscape kicks off with several notable film releases. The most anticipated is The Devil Wears Prada 2, which brings back Meryl Streep, Anne Hathaway, and Emily Blunt to their iconic roles. This sequel has been eagerly awaited by fans since the original 2006 film became a cult classic. Other cinematic offerings include Hokum, an Irish haunted-house horror starring Adam Scott (Severance), and Wild Foxes, a French coming-of-age drama that premiered at Cannes last year. Anime enthusiasts can enjoy That Time I Got Reincarnated As a Slime: Tears of the Azure Sea, which bridges the gap between the third and fourth series of the popular Japanese TV show. Live Music Performances Not to Miss The music scene features several notable acts this week. London-based artist Tsatsamis is touring to showcase his mixtape Tsycophant, with tracks like the pensive 'Secret Boyfriend' and the energetic 'Angelina' drawing attention. Tame Impala begins an arena tour in support of their 2023 album Deadbeat, timed perfectly as the album's single 'Dracula' has gone viral on TikTok and gained international chart success following a remix with Blackpink's Jennie. Jazz legend Courtney Pine celebrates four decades in the industry with his 'Out of the Ghetto: A Modern Day Jazz Story' tour, while Glasgow hosts the Tectonics festival, showcasing cutting-edge classical compositions and experimental performances. Art Exhibitions Worth Visiting Art enthusiasts should make time for the Aleksandra Kasuba exhibition at Tate St Ives, running from May 2 to October 4. This marks the first UK show for the Lithuanian American artist, who pioneered immersive art environments long before the genre became mainstream. The exhibition features early paintings, mosaics, and proto-immersive installations exploring utopian ideals of social space.

Prince’s death in 2016 ignited an unexpected odyssey for an Australian arts administrator. Grieving on a subway platform, she soon found herself in Minneapolis, founding The People’s Museum for Prince and rebuilding her artistic life across two continents.The Catalyst: Prince’s Death and an Unexpected JourneyThe shock of the news hit while she was waiting in a subway station. Within days she was wearing a purple sequined gown, attending nightly screenings of Purple Rain, and feeling a magnetic pull toward Prince’s hometown. A spontaneous flight to Minneapolis led to an encounter with strangers leaving flowers and letters at Paisley Park, confirming that the grief was shared community‑wide.From Grief to Grassroots: Building The People’s Museum for PrinceBack in New York she could not settle. She quit her job, paused a PhD, and redirected her research toward Prince’s cultural legacy. The result was a volunteer‑run museum that archives personal testimonies, artwork, and memorabilia, illustrating how a single artist can inspire a collective memory project.Timeline of Key Milestones2016 – Prince dies; author experiences intense grief.Late 2016 – First trip to Minneapolis; visits Paisley Park.2017 – Leaves New York job and PhD program.2018 – Launches The People’s Museum for Prince.2020‑2021 – Produces short documentary “Dearly Beloved”.2026 – Article published, museum still active, film in development.Impact on Personal Identity and Community CultureThe move reshaped her self‑perception from administrator to creator. By curating community stories, she helped cement Minneapolis as a living memorial space, reinforcing the idea that popular culture can generate lasting civic bonds.Looking Ahead: Expansion, Film Projects, and Ongoing Trans‑Continental LifeThe museum plans to digitise its archive, inviting global contributors. The forthcoming feature‑length documentary will broaden the narrative, while the author intends to split her time between Australia and Minneapolis, continuing to nurture the artistic dialogue sparked by Prince’s legacy.

The Pentagon's AI Partnerships The Pentagon said on Friday it had reached agreements with seven leading artificial intelligence (AI) companies: SpaceX, OpenAI, Google, Nvidia, Reflection, Microsoft and Amazon Web Services. The Scope of the Agreements “These agreements accelerate the transformation toward establishing the United States military as an AI-first fighting force and will strengthen our warfighters’ ability to maintain decision superiority across all domains of warfare,” the Pentagon said in a statement. The Companies Involved SpaceX OpenAI Google Nvidia Reflection Microsoft Amazon Web Services The Impact on AI Development The US Department of Defense is budgeting tens of billions of dollars for numerous technology firms’ cutting edge programs related to intelligence, drone warfare, classified and unclassified information networks and much more. It has requested $54bn for the development of autonomous weapons alone. The Controversy Surrounding Anthropic Anthropic, which makes the popular Claude chatbot, had rejected including the lawful use standard in its contract with the Defense Department in a high-profile feud with the bureau last month. The Pentagon labeled Anthropic a supply-chain risk last month, the first time an American company has been designated as such. The Future of AI in the Military Defense department officials believe signing with Anthropic’s rivals could bring the holdout startup back to the negotiating table. Anthropic’s latest AI model, the cybersecurity-focused Mythos, has rattled government officials and bankers over its ability to find vulnerabilities in well-tested software.

Co​e’s Death Confirmed and Immediate ReactionsDavid Allan Coe, the outspoken outlaw‑country pioneer, died around 5 p.m. on Wednesday, according to his wife Kimberly Hastings Coe and a statement to People. The cause of death was not disclosed.His wife posted a heartfelt tribute, calling him “my husband, my friend, my confidant and my life for many years.” Fans and fellow musicians quickly flooded social media with memories of his rebellious spirit.The Outlaw Legacy: From Prison Blues to Rhinestone CowboyCoe’s career was forged in the margins of Nashville:1963‑1967: Served time in an Ohio prison for possession of burglary tools; wrote songs that would become his debut album Penitatory Blues.1974: Wrote Would You Lay With Me (in a Field of Stone), a hit for Tanya Tucker.1977: Penned “Take This Job and Shove It,” later a chart‑topping single for Johnny Paycheck.1978: Adopted the moniker “Rhinestone Cowboy” after releasing the album The Mysterious Rhinestone Cowboy.His gritty storytelling resonated with bikers, laborers, and anyone who felt sidelined by mainstream country.Songwriting Impact: Hits That Shaped a GenerationCoe’s catalog includes several songs that became standards:“You Never Even Called Me By My Name” – co‑written with Steve Goodman and John Prine, a tongue‑in‑cheek anthem embraced by country radio.“The Ride” – a haunting narrative that cemented his reputation as a storyteller.“Tennessee Whiskey” – first recorded by Coe, later popularized by George Jones and Chris Stapleton.These tracks continue to be covered, proving his influence extends far beyond his own recordings.The Controversial Catalog: R‑Rated Albums and Public BacklashCoe released two explicit albums—Nothing Sacred (1978) and Underground Album (1982)—sold through biker magazines. Critics condemned the material for racist, homophobic, and sexually explicit content. Coe later expressed regret, noting the songs were “meant to be sung around the campfire for bikers.”Legal Troubles and Financial FalloutIn 2016, Coe was ordered to pay the IRS more than $980,000 in restitution for tax evasion, receiving three years’ probation. Court documents revealed he earned income from at least 100 concerts yearly (2008‑2013) but frequently failed to file returns.Looking Ahead: Coe’s Influence on Future Outlaw ArtistsDespite his polarizing persona, Coe’s unapologetic authenticity paved the way for modern rebels like Sturgill Simpson and Colter Wall, who blend traditional storytelling with gritty edge. As streaming platforms revive classic outlaw tracks, Coe’s music is likely to experience renewed discovery among younger audiences seeking “real” country narratives.