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A Critical Portrait of George MichaelIn 1998, George Michael was arrested for public lewdness in an LA lavatory, an incident that finally led the singer to publicly come out. The following day, Sathnam Sanghera found himself unable to leave his room at university: the doorway had been mockingly plastered with tabloid newspaper headlines – "ZIP ME UP BEFORE YOU GO-GO!" – by fellow students aware of his longstanding fandom. As a writer, Sanghera is best known for a series of award-winning books on the British empire, which he calls his "specialist subject". Judging by Tonight the Music Seems So Loud – not a biography so much as a miscellany, a set of themed essays that tend to digress in all kinds of intriguing directions – the life and work of one Georgios Panayiotou runs imperialism and its legacy a very close second.The Complex Legacy of a Pop IconIt is an unashamedly partisan book, although not an uncritical one. Sanghera is as alive to Michael's personal and professional failings (whether the naffness of some of his early work as one half of Wham! or his high-handed treatment of the duo's other half, Andrew Ridgeley) as he is in love with his artistic triumphs. These, of course, range from Careless Whisper and Wham!'s annually inescapable Last Christmas to the 1996 solo masterpiece Older, a peculiar and peculiarly effective cocktail of raw grief at the Aids-related death of his lover Anselmo Feleppa and unrepentant horniness.The Evolution of Critical ReceptionSanghera's love for his subject is evidently sharpened by the opprobrium of others. Indeed if the book has a flaw, it's that the author is old enough to remember an era when George Michael was deemed insufferably uncool by some arbiters of taste (incredibly, when Wham! performed at a 1984 benefit show for striking miners, the only mainstream pop act to show support for the cause, they were received stone-faced by the audience and savaged by the music press for their trouble), and thus has a tendency to underestimate how much both he and his music have been critically re-evaluated in the 21st century.The Artistic Journey of George MichaelHe says one of the spurs to write the book was his belief that "most truly popular music is not generally deemed worthy of serious analysis and George Michael's music most certainly is not". That might have been true once, but certainly not of late: when he died, this newspaper alone ran six features by critics analysing different aspects of his music. "He sang so exquisitely about the marrow of life, about the vital, corporeal things", wrote one, which definitely doesn't amount to taking George Michael insufficiently seriously.double quotation markEven as he skinned up in front of journalists and discussed his drug use and sex life, he was concealing the extent of the addictions that eventually killed himFamily Background and Cultural IdentitySanghera is very good on the climate of homophobia in the 80s, which might have given any gay public figure serious qualms about coming out, and fascinating on Michael's family background: how growing up embedded in north London's Greek Cypriot community impacted on everything from Wham!'s image – not camp, Sanghera suggests, but "the vision of two children of immigrants imagining a kind of glamour they had not actually experienced before" – to his work ethic and control freakery. His dad made good in England by working exceptionally hard, running such a tight ship at his restaurant that he summarily fired his only son for messing up the drinks orders. The fact that the same son went on to hire 12 different saxophonists before finding one that could play the solo on Careless Whisper to his satisfaction doesn't come as a huge surprise.The Perfectionist and Contradictory ArtistThis my-way-or-the-highway perfectionism could yield hugely impressive results – Careless Whisper's sax hook may well be the most famous in pop history – but it could equally lead to intransigence and self-sabotage. Michael worked incredibly hard to transform himself from a member of a teen pop band into a more adult-facing solo artist, but having sold a staggering 25m copies of his 1987 solo debut Faith, he refused to promote its follow-up Listen Without Prejudice Vol. 1, or even make videos for its singles: a better album than its predecessor, it achieved only a fraction of its sales as a result. It was evidence of a deeply contradictory nature that occasionally has Sanghera throwing up his hands in bewilderment.The Public and Private Faces of George MichaelMichael was a polymath, keen to be duly credited as the sole singer, writer, producer and musician on a succession of tracks, but also had a weird habit of talking down his abilities, claiming he couldn't play instruments he was perfectly capable of playing. He was a Stakhanovite who increasingly worked at an agonisingly glacial pace, endlessly fussing over details, a state of affairs not much helped by his gargantuan appetite for marijuana: coupled with bouts of writers' block, it meant he released only six albums of original material in a career that lasted 34 years. He was a Labour voter, booster of the NHS and famously generous philanthropist who also engaged in tax avoidance. After being publicly outed, he became a notoriously frank interviewee ("as if nothing can embarrass him anymore" the Guardian's Simon Hattenstone suggested when he met him in 2009). But even as he skinned up in front of journalists and freely discussed his drug use and sex life, he was concealing the extent of the addictions that eventually killed him.The Decline and Final YearsMichael emerges as a messy, unpredictable but ultimately hugely likable figure, which makes the essay about his demise particularly tough reading. Listed starkly on the page, the facts of his final 10 years make it obvious that he was a deeply unwell man whose life had spun wildly out of control: drug busts, medical emergencies, visits to rehab, rumours of breakdowns and suicide bids and seven incidents in which he either crashed his car or was found comatose at the wheel.The Professional Mask of Personal StruggleThat it somehow didn't appear obvious at the time – that his death at 53 felt like a shock rather than a grim inevitability – seems remarkable, but as Sanghera points out, Michael's professionalism did a lot to paper over the cracks. He was always available to the media and always smart, funny and self-effacing: to use a modern turn of phrase, he controlled the narrative. He was punctilious about his appearance – the star certainly never looked like an ailing drug addict – and unfailingly superb onstage.The Hidden Realities Behind the FameBehind the scenes, it was a different story. He struggled to make new music: at one juncture he booked six months of recording sessions but never turned up to the studio once. His once-acute commercial instincts seemed to desert him: even Sanghera can't muster much enthusiasm for the handful of still-unreleased songs he completed in his final years. He cut off close friends and family who tried to intervene. No one who knew him seems to have been particularly surprised by his death: the list of adjectives used to describe him on his official website now includes not just "icon" "legend" "soul singer" and "philanthropist" but "addict" "repeat offender" and "depressive".An Imagined Alternative LegacyAs the book draws to a close, Sanghera offers a heartbreaking alternative history. He imagines Michael conquering his addictions, coming to a complete accommodation with his musical past (to the end of his life, he was dismissive of Wham!, describing their oeuvre as an exercise in "ignoring my own intelligence" and declining to play most of their hits live) and headlining Glastonbury, "getting pleasure from the audience reaction to Club Tropicana".The Enduring Power of George Michael's MusicIt's affecting because you can imagine it so vividly: the endless succession of hits that anyone with even a passing interest in pop music knows, the pandemonium in the crowd when he breaks out Careless Whisper, the encore of Freedom '90. You don't have to be a fan on Sanghera's level to understand what a triumph it would have been. Tonight the Music Seems So Loud: The Meaning of George Michael by Sathnam Sanghera is published by Picador (£22). To support the Guardian, buy a copy at guardianbookshop.com. Delivery charges may apply.

The Unexpected Bloom in the LawnWhen moving to a new residence, the author discovered that leaving the lawn uncut was not just a matter of self-control but a necessity. This ecological restraint, similar to the 'No Mow May' campaign, allowed the garden to express itself naturally. The highlight of this botanical exploration was the discovery of the Spotted Orchid (Dactylorhiza fuchsii), the most widespread of the UK's 54 orchid species.Population Growth and ObservationInitial Discovery: The first year yielded a single slender pink spike among the green swathe.Current Count: Through systematic searching and marking locations with sticks, the count has risen to 27 plants this year.Visual Impact: The discovery of the lance-like, black-blotched leaves felt like finding something animate, reinforcing the orchid's reputation for mystery.The Subterranean Life CycleThe orchid's reputation for mystery is well-founded, as its life is largely defined by a prolonged, hidden existence. Unlike most plants, orchid seeds are microscopic and lack the food reserves required for germination. Instead, they rely on a mutualistic relationship with mycorrhizal fungi, which infect the seed and provide necessary nutrients.The plant derives its name from the Greek word órchis, meaning 'testicle,' referring to the globular root structure that develops underground. This underground store may take several years to accumulate sufficient energy before a shoot finally erupts above ground, explaining the unpredictability of their sudden appearance.The Future of Ecological GardeningThe observation of such rapid growth in a previously uncut lawn suggests that ecological restraint is a powerful tool for biodiversity. By allowing nature to dictate the pace and pattern of the garden, homeowners can inadvertently create habitats that support complex underground ecosystems, revealing a hidden world of flora that would otherwise remain unseen.

Mayor Khan’s Commitment to Override Soho Society’s Licensing Ban London’s mayor, Sadiq Khan, said he will "call in" and overturn licensing decisions that hinder the city’s night‑time economy. The Soho Society, a residents’ group founded in 1972, voted to challenge every new licence application for pubs and restaurants in the district, including renewals and extensions beyond the council’s "core hours" that end at 11 pm. New Licensing Powers Set to Shift Control from Local Councils Under powers granted by the central government and due to take effect later this year, the mayor can intervene in licensing matters deemed of "strategic importance" to the night‑time economy. This authority allows him to "call in" applications and reverse local council refusals, effectively centralising decision‑making for venues in key entertainment zones. Power to overturn local council licensing refusals. Ability to extend operating hours beyond the current 11 pm limit. Potential to support alfresco dining initiatives previously halted after the pandemic. Nightlife Footfall Trends Highlight Economic Pressure Recent reports indicate a decline in footfall for London’s night‑time venues, with several establishments closing in recent years. While exact figures were not disclosed, industry observers note a steady erosion of patronage that threatens the city’s reputation as a global entertainment hub. Implications for Soho’s Night‑time Economy and Urban Planning The clash pits the mayor’s growth‑oriented agenda against the Soho Society’s concerns about noise, crime, and insufficient infrastructure. Residents argue that intensified nightlife has outpaced upgrades to public services, while hospitality owners warn that the blanket opposition could "destroy Soho’s reputation on the international stage". What the New Powers Could Mean for London’s Late‑Night Scene If exercised, the mayor’s authority may lead to: Extended opening hours for bars and restaurants, boosting revenue for the night‑time economy. Increased alfresco dining options during summer months. Potential push‑back from community groups demanding stronger noise‑abatement and safety measures. Stakeholders anticipate a period of negotiation as the city balances economic revitalisation with quality‑of‑life concerns for local residents.

Rafael Grossi, the director general of the International Atomic Energy Agency (IAEA), told reporters on June 2, 2026 that the next nuclear agreement with Iran will look "very different" from the 2015 Joint Comprehensive Plan of Action (JCPOA). He highlighted Tehran’s increased uranium enrichment capacity, the erosion of trust among negotiating parties, and the broader shifts in global non‑proliferation politics. Grossi Signals a New Framework for Iran's Nuclear Accord The IAEA chief emphasized that any renewed deal must address the reality that Iran now possesses a larger stockpile of low‑enriched uranium and has advanced its centrifuge technology beyond the limits set by the original JCPOA. Grossi called for "a more robust verification regime and clearer enforcement mechanisms" to ensure compliance. Quantifying the Stakes: Sanctions, Enrichment Levels, and Economic Costs Iran’s enrichment capacity has risen to 60% purity, compared with the 3.67% ceiling under the JCPOA. U.S. and EU sanctions re‑imposed in 2024 have cost Iran an estimated $30 billion in oil revenue losses. The IAEA reports a 30% increase in the number of operating centrifuges since 2022. Regional Ripple Effects: Middle East Security and Global Non‑Proliferation Grossi warned that a weaker or ambiguous agreement could embolden other regional actors to pursue nuclear capabilities, destabilising the already volatile Middle East. He also noted that European allies are wary of re‑engaging without stronger guarantees, while Russia and China may push for a more lenient framework. What a Re‑imagined Deal Could Mean for Future Diplomacy Analysts suggest that the next deal may incorporate: Real‑time satellite monitoring of enrichment sites. Automatic sanctions triggers tied to specific enrichment thresholds. Expanded role for the IAEA in on‑site inspections and data sharing. If such measures are adopted, Grossi believes they could restore some confidence among the P5+1 nations and provide a more durable pathway to limiting Iran’s nuclear ambitions.

The Pope’s First Encyclical on Artificial IntelligencePope Leo issued a stark warning in his inaugural papal text, labeling AI as one of the greatest threats to humanity and condemning the “culture of power” driving its unchecked expansion.American Readers Echo the Pope’s ConcernsReaders from coast to coast shared their anxieties, describing the AI industry as “unregulated” and harmful to “too many people.” Key worries included:Surveillance and loss of privacyLabor displacement and new forms of digital slaveryUse of AI in warfare and defenseEnvironmental degradation from AI‑driven resource consumptionDiverse Voices Highlight Specific RisksLinda Given, a 74‑year‑old Boston shop owner, warned that AI threatens human interaction and could be weaponized. Stephen Sincoskie from New Jersey called AI a threat to workers, privacy and even human life.Debra, a 58‑year‑old professor, feared AI erodes critical thinking in students, while Scott Gibb urged moral clarity, dismissing tech CEOs as “soulless.”Lauren of Baltimore highlighted AI’s environmental costs and its role in accelerating conflicts.Skepticism About Papal Authority in Tech DebateNot all respondents saw the Pope’s stance as relevant. Charlie Hinkle, a tech worker from North Carolina, questioned why a religious leader should influence secular AI policy, citing the Church’s inconsistent positions on social issues.Looking Ahead: Calls for Robust RegulationAcross the spectrum, Americans urged stricter ethical constraints on AI development, echoing the Pope’s demand for “the most rigorous” oversight. The consensus points to a need for policy that protects workers, safeguards privacy, curbs environmental impact, and prevents militarization of AI technologies.

The Launch of the Quentin Blake Centre for Illustration The Quentin Blake Centre for Illustration, opening in London's Clerkenwell, is billed as the largest institution of its kind worldwide. It aims to elevate illustration to the heart of British cultural life, serving as a museum, gallery, and creative laboratory. The Art of Storytelling Through Illustration Renowned illustrators like Quentin Blake, Axel Scheffler, and Sarah McIntyre share their insights on the art of storytelling. Blake, known for his work with Roald Dahl, emphasizes that illustration is a language everyone understands. The Underestimated Value of Illustration Illustrators are often overlooked, but they play a crucial role in bringing stories to life. McIntyre's 'Pictures Mean Business' campaign aims to give illustrators proper credit for their work. The process of illustrating a picture book can take months of intensive work, often 9+ hours a day, 6 days a week. The Impact of Illustration on Children's Literature Illustrators like Jim Field and Matty Long discuss how their work adds depth to stories. Field sees illustration as an extra layer that weaves in subplots or reveals character traits. Long believes images should do the bulk of the storytelling. The Future of Illustration The centre will house Blake's archive of 40,000 drawings and serve as a hub for illustration. The goal is to recognize illustration as a vital art form that shapes children's books, animation, fashion, and digital culture.

The Power of Television in Understanding Dementia A longtime fan of Jilly Cooper's works, the author was drawn to the TV adaptation of Rivals, enjoying its lighthearted moments and memorable characters. However, one scene stood out to them - a character named Charles Fairburn reuniting with his partner and sharing the joy of his mother recognizing him despite her dementia. A Personal Connection to Dementia The author's mother was diagnosed with Alzheimer's disease in January 2025, and they struggled to cope with the changes in her behavior and cognitive function. They recall filling out assessment forms for the memory clinic, noting changes in her daily habits and interactions. The author admits to feeling overwhelmed, snappy, and enraged during this period, finding solace only in watching TV. A Moment of Connection The scene from Rivals resonated deeply with the author, who realized that their happiness is closely tied to their mother's wellbeing. They began to seek moments of connection with their mother, whether it's discussing daily life, sharing laughter, or simply being together. These interactions bring the author joy, relaxation, and a sense of normalcy. The Impact of Dementia on Relationships The author's experience highlights the challenges of caring for a loved one with dementia. They note that their mother's orientation to people she has always known is still intact, but she struggles to recognize new individuals, including carers she sees daily. The author emphasizes the importance of finding ways to connect with loved ones with dementia, even in the face of cognitive decline. A Call to Share Experiences The article concludes with a call to action, inviting readers to share their own experiences of how popular culture has prompted them to make significant life changes. The Guardian provides a form for readers to submit their stories, which can be anonymous if desired.

The Week in Pictures A stunning visual recap of the week's major events, told through 20 impactful photographs from various corners of the globe. Photography as a Universal Language The Guardian's weekly photo series continues to demonstrate the power of photography in bringing global stories to life, transcending linguistic and cultural barriers. Diverse Perspectives The photographs cover a wide range of topics, from natural wonders to human interest stories. Each image offers a unique perspective on current events, highlighting the diversity of human experience. A Visual Narrative This collection of images not only informs but also invites reflection on the complexities and beauty of our world.

The Red Carpet and the Private RoomThe Academy Museum of Motion Pictures in Los Angeles has unveiled 'Marilyn Monroe: Hollywood Icon,' a new exhibition that promises to peel back the layers of the silver screen's most enduring myth. While the entrance hall features a red carpet and a massive video screen where Monroe blows kisses, the true depth of the exhibition lies in the juxtaposition of high glamour with intimate personal effects.Pink Dress: The iconic pink dress from 'Diamonds Are a Girl's Best Friend' takes pride of place, though it has rarely been seen publicly.Madison Square Garden Outfit: An elaborately sequined outfit with a feathered tail, worn during her announcement of her new production company on an elephant.Domestic Items: Simple pyjamas from 'The Seven-Year Itch' and a pair of jeans, highlighting her role in popularizing women's denim.From Gowns to Diaries: The Shift in Curatorial FocusCurator Sophia Serrano has moved beyond the typical display of costumes to include items that offer a raw look at Monroe's internal world. The exhibition features a collection of her belongings, including a telephone, marked-up scripts, a wine glass, and an address book. However, the most compelling artifacts are the personal letters and notes.Items on display include handwritten pages of free-associative musings, such as her fears of being perceived as trying to flatter others, and a letter to director John Huston declining a role in a film about Sigmund Freud due to family disapproval. These artifacts provide a psychological profile that contrasts sharply with her public persona.Deconstructing the 'America's Sweetheart' MythThe exhibition captures the tension between Monroe's public image as 'America's sweetheart' and her private struggles with fame. A restored audio recording of her final interview, published in Life magazine the day before her death, encapsulates this duality. In it, she admits, 'I like people, but the public scares me,' revealing a profound anxiety about the loss of privacy.The Future of Celebrity MuseumsThis exhibition, alongside others in London, signals a broader trend in the entertainment industry: a move toward psychological depth in celebrity retrospectives. Future museums are likely to prioritize personal diaries, raw audio recordings, and domestic items over just costumes, offering visitors a more empathetic understanding of the human cost of stardom.