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The Journey of a Reject to Liverpool LegendThere was the Barcelona comeback on the night he ruffled Lionel Messi's hair, the Champions League triumph in Madrid, winning Liverpool's first league title in 30 years and pressing five Manchester City players in one career-defining run at Anfield when 4-1 up. But the best feeling Andy Robertson experienced at Liverpool was "climbing the mountain" with Jürgen Klopp's all-conquering team. Nobody climbed higher or harder.The boy who was rejected by Celtic at 15 and tweeted: "Life at this age is rubbish with no money" after his debut for Queen's Park aged 18 became the man many consider to be Liverpool's finest left-back, and arguably the best in the world at his peak. With 377 fiercely committed appearances in a Liverpool shirt behind him, Robertson will say goodbye on Sunday. The 32-year-old Scotland captain leaves "with no regrets, no bitterness" and "glad that one of our Egyptian friends might take a bit more of the limelight. I can just sneak underneath that."The Climbing of the Mountain Together"We were on the most amazing journey ever, all together," he reflects. "When we started out Mo Salah didn't sign as the best player in the world or the best winger in the world. Virgil van Dijk had the potential to be but wasn't the best centre-back in the world. Alisson wasn't the best goalkeeper in the world. Trent [Alexander-Arnold] wasn't the best right-back in the world. Hendo [Jordan Henderson] was still trying to find his feet as captain. We were all just on this journey from the bottom to the very top together and climbing that mountain was the best feeling ever."Every day we came in knowing we were getting better and better and starting to click as a team. We'd beat teams in the tunnel. Genuinely. When I speak to my Scotland teammates, they were lining up in the tunnel and looking over thinking: 'We're going to need to run our socks off today to get anything.' And more often than not they didn't get anything."We had an unbelievable environment to express ourselves, to play with freedom, but in our minds we knew we had to work at 100%. That was obviously from the manager, from the coaches, and I think then all the staff and people behind the scenes bought into it and you had the whole training ground determined to achieve all our dreams. Everyone was on the same page and we just made magical things happen thankfully."The Impact of Tragedy and TransitionRobertson's reminiscence prompts an inevitable follow-up. Why does Liverpool not feel like that now? His reply stops everyone in their tracks, and brings home the tragic reality of what this season has entailed for the now deposed Premier League champions. "In terms of the club I am leaving behind I think we are not at the 2017 stage, we are at the transition stage," begins one of Diogo Jota's closest friends. The Liverpool forward's death in a car crash alongside his brother in north-western Spain last July cast a dark pall over the campaign."This year hasn't worked out for a variety of reasons. We can't hide away from it, and it is not an excuse, but what we went through in the summer no team will ever go through. No member of staff will go through. I hope they never go through it because the devastation we went through … football didn't matter. We didn't care about football for weeks. None of us wanted to train. You were getting treatment off physios and physios didn't want to treat you. That is the reality of it."As footballers we of course have a duty, we have to move on and we managed that. We started the season fairly well although it was still an emotional time for us. The [season-opening] Bournemouth game was ridiculously emotional with all of Jots' family being there. I think after the 20th minute you saw a real dip in performance because of the emotional impact that it had on all of us.The Future of Liverpool FC"But then the season has been inconsistent. We bought players that we all got excited about, and they will all have an unbelievable career at Liverpool. I have no doubt about that. But they are also young. The one thing I get annoyed about in football is that footballers do not control their price tag. The market controls it. These players will be successful for Liverpool but they probably need a bit of time."Then some players who have played at a ridiculously high level haven't played to that level. If you add all that in then we have had an inconsistent season and that is the huge frustration for us. We have been too easy to play against. There is no hiding away from that but I believe they have more than enough in that changing room to be successful for Liverpool again."

The Grenfell Tower Fire Prosecution Delays Relief at this week’s news that police are sending files to the Crown Prosecution Service, recommending charges against 77 individuals and organisations for their roles in the Grenfell Tower fire, is mixed with grief and anger. On 14 June the disaster’s survivors and their supporters will gather for the ninth annual silent walk around the west London neighbourhood in which the ruined tower stands. Next year marks a decade since the fire. Investigation Findings and Criticisms The public inquiry into the disaster pointed the finger at multiple public and private bodies, decisions and individuals. Three construction firms, Arconic, Kingspan and Celotex, were found to have been deliberately dishonest about their products. Poor regulation of building safety was the fault of central government. Kensington and Chelsea council, and its tenant management organisation, were strongly criticised for poor fire safety and other lapses. So were the architects and contractors commissioned to oversee the block’s refurbishment. The London fire brigade was culpable for its dangerous “stay put” policy, which should have been changed following previous cladding fires, including the one that killed six people in Lakanal House, south London, in 2009. Prosecution Delays and Concerns These conclusions, and the inquiry’s 58 recommendations, were delivered in September 2024. Yet even now, the prospect of criminal trials remains painfully remote. With prosecutors expected to decide on which charges to bring by next June, cases are unlikely to come to court until 2028 at the earliest. One survivors’ group, Grenfell Next of Kin, responded to Tuesday’s announcement with a statement that its confidence in the system has been “shattered”. Another group, Grenfell United, said that survivors “cannot be expected to endure years more of delay”. Calls for Accountability and Change Criminal convictions have never been the only outcome sought. Campaigners welcomed the public inquiry’s findings and recommendations. Multimillion pound settlements of civil suits have been agreed. Earlier this year the government pledged dedicated funding for a long-planned memorial. Building regulation is in the process of being overhauled. A programme of cladding removal continues. Future Actions and Expectations But there is frustration about the pace of change, and concern that the laws on corporate manslaughter and negligence are too weak. Last year the Common Wealth thinktank warned of the “very high threshold for liability” and called for tougher penalties to ensure “meaningful deterrence”. Some of the firms who bear responsibility for the Grenfell fire continue to win public contracts – causing further distress.

The Diplomatic Warning The high representative overseeing the United States-founded Board of Peace for Gaza, Nickolay Mladenov, has warned that the deteriorating status quo in the devastated Palestinian enclave risks becoming "permanent." Speaking to the United Nations Security Council (UNSC), Mladenov presented a roadmap detailing obligations for Israel and Hamas to implement a permanent ceasefire. "Let me say this clearly: the implementation cannot advance through Palestinian obligations alone," Mladenov said, speaking via video call. "The continued killings and Israeli restrictions affecting humanitarian flows are not abstract issues." He urged the UNSC to use "every means at its disposal" to press Hamas to disarm, while also saying that Israel must uphold its commitment under a ceasefire agreed in October. The Humanitarian Crisis The war that Israel launched following the October 7, 2023 attacks on southern Israel by Hamas and other armed Palestinian groups was halted by a ceasefire in October 2025. More than 72,775 Palestinians have been killed in the conflict. But the Israeli military maintains a strict security regime, and many hundreds more have been killed in the past seven months. Conflict monitors warn that since the ceasefire in the US-Israel war on Iran was struck last month, Israeli bombardment of Gaza has accelerated. Violent raids by settlers and the military in the occupied West Bank have also been increasing. On Thursday, an Israeli drone attack killed a 26-year-old in Gaza's al-Mahatta area, east of Deir el-Balah city, according to Wafa news agency. The Stalled Peace Process In January, the US announced that the Gaza "ceasefire" was moving to phase two, which is supposed to focus on Hamas's disarmament, long-term governance and the establishment of a panel of Palestinian technocrats to lead post-war Gaza. It also calls for the gradual retreat of the Israeli army, which still controls more than 50 percent of the Palestinian territory, and the deployment of an international stabilizing force. But with the war in Iran drawing the world's attention amid a global energy crisis, the transition to the second phase has been stalled for weeks. Mladenov, a veteran Bulgarian diplomat, warned of the risks of inaction by both parties. The Regional Implications "The risk is that the deteriorating status quo becomes permanent: a divided Gaza, Hamas holding military and administrative control over two million people across less than half the territory," Mladenov said. "Those people are likely to remain trapped in the rubble, dependent on aid with no meaningful reconstruction, because reconstruction financing will not follow where weapons have not been laid down." "And the result? Another generation growing up in tents in fear, with despair as the most rational thing for them to feel." This, he said, is a scenario that Israelis, Palestinians and the region "should all fear and mobilize to avoid."

Spotify‑UMG Deal Enables Fan‑Made AI Covers and Remixes Spotify announced a licensing agreement with Universal Music Group (UMG) that will let Premium subscribers use generative AI tools to create covers and remixes of catalog songs. The feature will be offered as a paid add‑on and will include a revenue‑share model for participating artists. Alex Norström, Spotify co‑CEO, said the initiative is “grounded in consent, credit, and compensation for the artists and songwriters that take part.” Sir Lucian Grainge, UMG Chairman and CEO, called it a way for artists to deepen fan relationships while opening new revenue streams. Revenue‑Sharing Model and Pricing Details Remain Vague Tool will be a paid add‑on for Spotify Premium users; exact price not disclosed. Participating artists receive a share of revenue generated from AI‑derived tracks, though the split percentage was not revealed. The agreement follows earlier Spotify teasers involving Sony, Warner, Merlin and Believe. Implications for Music Rights and AI Competition Spotify emphasizes “consent, credit, and compensation,” positioning itself against platforms like Suno that have faced lawsuits. Recent legal settlements: Suno settled a $500 million lawsuit with Warner Music Group; UMG settled its suit with Udio. The deal could set a precedent for label‑first AI licensing, potentially reducing litigation risk for AI music services. Future Outlook: More Label Partnerships and an Expanded AI Music Ecosystem UMG may be the first of several major‑label agreements; Spotify hinted at a broader roll‑out. Combined with other AI announcements (audiobook creation, podcaster tools, concert‑ticket reservations), Spotify is positioning AI as a core growth engine. Industry observers expect increased competition among streaming platforms to offer AI‑enhanced creator tools.

The Democratic Autopsy Report: Incomplete and InconclusiveThe Democratic Party in the United States has released its long-awaited report examining why former Vice President Kamala Harris failed to beat Donald Trump in the 2024 presidential election. However, the so-called autopsy document was incomplete and inconclusive – riddled with factual mistakes and annotations questioning its assertions. DNC Chair Ken Martin acknowledged the report's shortcomings, stating that transparency was paramount and releasing it in its current state was better than withholding it entirely.The Omission of Gaza: A Critical OversightLeading up to the 2024 vote, Israel's genocidal war on Gaza was one of the most contentious and divisive issues for the Democrats and Harris. The Biden-Harris administration provided nearly $18bn to fund Israel's assault on Gaza and vetoed several UN Security Council resolutions calling for a ceasefire. This uncompromising pro-Israel policy caused some segments of the Democratic base to turn against Harris. Yet, there are zero mentions of Gaza and Israel in the 192 pages of the autopsy report, despite polls suggesting it was a top issue for voters who abandoned Harris.The Report's Flaws: Missing Sections and Factual ErrorsThe DNC released the report in its unvarnished format, revealing significant problems. Several sections – including the executive summary and conclusion – were entirely missing, replaced with the word 'pending' and the annotation 'this section was not provided by author.' The document also makes numerous questionable and false assertions, with annotations such as 'claim contradicts public reporting' and 'data appears to be inaccurate and contradicts public reporting.' Basic facts were wrong, including the number of gubernatorial races Democrats won in 2024.Campaign Strategy Failures: Insufficient Support and Negative MessagingThe report highlighted several strategic failures in the Harris campaign. It criticized the Biden administration for not adequately supporting Harris, noting that polling was done for how Jill Biden could support Joe Biden, but no similar research was done for Harris. The audit also faulted the White House for assigning Harris immigration responsibilities without adequate political training. Additionally, the campaign's 'not Trump' approach failed to effectively define Harris beyond her opposition to Trump, and when negative messaging was used against Trump, it did not highlight his flaws effectively.The Transgender Ad: A Campaign-Defining MomentOne of the most memorable commercials of the campaign season – an ad featuring Harris saying she supports access to sex change surgeries for 'every transgender inmate' – proved particularly damaging. The commercial played video of Harris making that statement and concluded with a narrator saying, 'Kamala is for they/them'; President Trump is for you.' Pollsters recognized the attack as very effective, leaving the campaign 'boxed' with no effective response. The report noted that given the stakes and timing, the focus needed to be on attacking Trump rather than defending on this issue.Future Implications for Democrats: Lessons from a Flawed AnalysisDespite its flaws, the autopsy report offers some insights for the Democratic Party as it looks ahead to future elections. The DNC chair acknowledged that the report did not meet his standards and that actionable takeaways were lacking. The absence of a substantive analysis on key issues like Gaza suggests the party may still be grappling with how to address divisive topics within its base. Moving forward, Democrats will need to develop more positive messaging, better support for candidates, and more effective strategies for addressing controversial issues that alienate key segments of their potential voting coalition.

Celebration Unveiled: Fans Crash Arsenal’s Title Party at Mayfair’s Tape NightclubLong‑time supporter Daniel Bull and two friends paid a steep entry fee to join Arsenal’s title‑winning squad at the ultra‑exclusive Tape nightclub in Mayfair after the club secured the Premier League for the first time since 2004.Inside the Exclusive After‑Party: Who Was There and What Went DownFans were greeted by former Gunners legend Ian Wright sharing champagne.Players spotted included Noni Madueke (MC for the night), Mikel Arteta, Declan Rice, Bukayo Saka, Viktor Gyökeres, Jurriën Timber, Eberechi Eze, Myles Lewis‑Skelly, Ethan Nwaneri, and set‑piece coach Nicolas Jover.Fans reported a short video of Arteta shouting “champions of England” that went viral.Cost of Access and Player Appearances: Numbers from the NightEntry described as “not the cheapest” and a “small fortune” for a table near the private room.Approximately a dozen Arsenal players and staff were present in the main area.Why the Night Matters for Arsenal’s Growing Global FanbaseThe spontaneous mingling of supporters with the squad underscores Arsenal’s shift toward more open, fan‑centric celebrations, reinforcing the club’s brand as a community‑driven powerhouse after a historic title win.What This Signals for Future Title‑Winning CelebrationsGiven the buzz generated on social media, future title celebrations are likely to feature more publicized after‑parties, potentially blending exclusive venues with live streaming to engage the worldwide Arsenal fanbase.

Google’s AI‑First Search Redesign at I/O 2026At the Google I/O 2026 keynote, Google unveiled a complete overhaul of its search product, introducing an optional AI mode and embedding an AI Overview chat box directly into results. Elizabeth Reid, head of Search, called it “the biggest upgrade to our iconic search box since its debut over 25 years ago.” The new experience aims to let users enlist AI agents for tasks such as automatic tour notifications for favorite bands.Pricing and Feature Shifts Highlight User ConcernsAI Overviews will appear even for non‑AI mode searches, adding a chat‑style interface.Google’s ad‑supported model remains unchanged, but the AI layer raises questions about data usage.Early feedback labels the change as “another AI‑forced adjustment,” recalling the controversial “stare into the sun” rollout.Why Users Are Turning to Alternative Search EnginesThe backlash stems from two main pain points: intrusive AI features and growing distrust of Google’s market dominance, reinforced by a 2024 U.S. District Court ruling on monopoly practices. Users seeking privacy, ad‑free experiences, or simple AI‑free results are exploring other options.Top Alternatives and Their Unique Value PropositionsKagi – Subscription‑based ($5/month or $10 for unlimited searches). Ad‑free, customizable “lenses” for academic or niche queries, and optional AI “Quick Answer” summaries.DuckDuckGo – Free, ad‑supported but privacy‑first; no tracking of search, browsing, or purchase history. AI answers can be disabled in settings.Startpage – Acts as a proxy to Google, stripping personal data before forwarding queries. Offers AI toggle and a more private Google experience.&udm;=14 – Open‑source script (available on GitHub) that appends a parameter to Google searches to suppress AI Overviews automatically.Brave – Chromium‑based browser with its own search engine; supports “Goggles” to filter results by source type and lets users enable or disable AI features.Ecosia – Chrome‑compatible, ad‑supported, and pledges ~80% of revenue to global reforestation projects, with transparent financial reporting.Looking Ahead: The Future Landscape of SearchIf Google’s AI integration continues to alienate a segment of its user base, the market share of privacy‑centric and subscription‑based engines could grow, pressuring Google to refine its approach or offer clearer opt‑out mechanisms. The competition may also accelerate innovation in AI‑free search experiences and sustainable monetization models.

Tinie Tempah and Skye Newman used their Ivor Novello Awards platform to flag a growing class divide in British music, urging the industry to protect small venues and create pathways for artists from disadvantaged backgrounds.Tinie Tempah and Skye Newman Warn of a Growing Class Divide in UK MusicSpeaking on the red carpet, Tempah said the lack of diverse scenes across the country makes the industry “not representative.” Newman, who grew up on council estates in south‑east London, described the structural barriers that make it harder for working‑class artists to break through.The Economic Toll of Venue Closures on Emerging TalentSmall venues act as “training grounds” where artists can log the 10,000‑hour practice myth, testing material in front of live audiences.Loss of these spaces reduces “soft power” – the cultural influence the UK wields globally through music.Without dedicated programmes, talent from under‑served areas remains undiscovered, limiting future revenue streams for the industry.Why Excluding Working‑Class Artists Threatens the UK's Musical InnovationThe duo highlighted that many breakthrough genres – grime, UK garage, drill – originated in grassroots scenes. If those ecosystems shrink, the UK risks missing the next wave that could dominate charts worldwide.What the Future Holds for Inclusive Music PolicyTempah has joined the Save Our Scene campaign, calling for government and industry support to protect venues and fund talent‑search programmes. Newman urges “more programmes to find talent in places where they’re struggling,” suggesting a coordinated effort between charities, local councils, and record labels could reverse the trend.

The Play's Concept Imagine if One Day was set in Long Eaton. Now, take its sweeping, time-spanning love story, but make it platonic, and about two theatre-obsessed best mates. That’s the foundation for Jane Upton’s luminous, heart-exploding play, which catches Jess and Billy in a series of snapshots across their friendship. The Story Unfolds Beginning in the early 90s, during their school days, and then moving through their 20s, 30s and into their mid-40s, the play threads together teenage crushes, career decisions, breakups, marriages, births and children. Jess (Katie Redford) is an oversharer while Billy (Benedict Salter) has secrets. Their early years together pass through play rehearsals, parties, personal revelations and betrayals, but even in their lowest moments, the two are always pulled back to each other’s side. The Evolution of Friendship As their lives move in different directions, with Billy heading to London for drama school and later building a career as a high-flying agent, and Jess staying at home in a “suburban bubble” before eventually tiptoeing her way back into the creative scene as a playwright, they turn their noses up at the other’s choices. Still, in times of turmoil, they can’t help but pick up the phone or race across the country just to be there for their old friend. Their dialogue accurately captures people who know each other’s lives inside out. The Production Directed by Hannah Stone, the production shows friendship as something defining. Redford and Salter make their characters people we want to stay with across the decades. In fact, time here slips through our fingers. One moment they’re 15 in 1995, and Jess is getting advice from More! magazine; the next it is 2022, and a 42-year-old Billy is considering surrogacy for his next child. Abby Clarke’s design evokes nostalgia, with the back wall composed of white, Polaroid-inspired squares that shift from photographic outlines to mirrors. The Verdict With so much life to fit into 95 minutes, there are inevitable gaps in Billy and Jess’s stories. We could learn more about the structure of their families and the other relationships in their lives. But really, this is a play about the complicated, beautiful bond between two people. It leaves you desperate for more days with them. Where to Watch At Nottingham Playhouse until 12 June