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The Congressional Vote A congressional panel in the United States has rejected an effort to revoke a provision from the defence budget that would further integrate the US and Israeli militaries. An amendment to sink the pro-Israel measure, introduced by Democratic Congressman Ro Khanna, failed in a voice call on Thursday in the House Armed Services Committee. The Provision Details Section 224 would require the Pentagon chief “to designate an executive agent responsible for synchronising cooperative efforts between the United States and Israel”. That official would be in charge of overseeing several joint initiatives, “including bilateral defence technology research, development, testing, evaluation, integration, and industrial cooperation”, the NDAA reads. The Impact Analysis Critics have raised concern that Section 224 may make US military aid to Israel more opaque, concealing the assistance as cooperation rather than a separate expense. The measure also risks tethering the US military to its Israeli counterpart technologically at a time when the American public is rapidly turning against Israel, according to recent public opinion polls. The Future Outlook Republican Congressman Thomas Massie has promised to introduce an amendment to revoke Section 224 when the NDAA goes to a full House vote. The vote on the amendment was taken by calling on committee members to say aloud either “yes” and “no”, and the “nays” clearly were more numerous.

The Controversy Surrounding Trump's Settlement Fund Republicans in the United States Senate have renewed their push to pass a controversial $70bn immigration-enforcement funding bill, a top policy priority for President Donald Trump. However, the effort faced a series of hurdles, with Democrats forcing votes on several amendments that highlighted controversies related to the Trump presidency. The 'Vote-a-Rama' Process The rapid-fire votes on the amendments were dubbed a 'vote-a-rama', and they are slated to include issues ranging from Trump's White House ballroom to his tariff policies and the US-Israel war on Iran. 'Amendment after amendment, vote after vote, Republicans are going to have to answer to the American people,' Senate Minority Leader Chuck Schumer said. The Data Analysis: Trump's $1.8bn Settlement Fund Early on, Republicans were forced to confront a topic that has dominated headlines in recent weeks: Trump's proposed $1.776bn 'anti-weaponisation' fund. The fund has been controversial on both sides of the aisle, with critics calling it a slush fund for Trump's allies. Several Republicans indicated that the optics of such a fund could be politically catastrophic ahead of November's midterm elections, and the Department of Justice has since backed away from the scheme. The Impact Analysis: Immigration Funding Bill The situation on Thursday was the result of a standoff between Democrats and Republicans over the Trump administration's approach to immigration enforcement. Democrats had pledged not to approve further funding for Immigration and Customs Enforcement (ICE) and Customs and Border Protection (CBP), following the killing of two US citizens during immigration operations in Minneapolis, Minnesota. The Prediction: Future of the Immigration Funding Bill If Senate Republicans remain unified, they are expected to pass the funding bill late Thursday night or early Friday. The Republican-controlled House of Representatives is expected to take up the bill shortly after.

GLP‑1 Medications Show Promise in Reducing Breast Cancer IncidenceRecent analyses presented at the American Society of Clinical Oncology (ASCO) annual meeting in Chicago suggest that patients using GLP‑1 receptor agonists—a class of weight‑loss drugs—experienced a 30% lower likelihood of being diagnosed with breast cancer compared with non‑users.Study cohort: 110,000 women aged 45‑80.Risk reduction: 30% for breast cancer onset.Lead researcher: Dr Elizabeth McDonald, University of Pennsylvania.Adjunctive Use of GLP‑1 Drugs Cuts Breast Cancer MortalityA separate investigation involving 27,000 breast‑cancer patients in Italy reported that adding a GLP‑1 agent to standard therapy was associated with a 30% decrease in cancer‑related death.Institution: IRCCS Istituto Romagnolo per lo Studio dei Tumori Dino Amadori, Meldola.Outcome: 30% lower mortality risk.Broad Cancer‑Spread Benefits Observed Across Multiple Tumor TypesData from the Cleveland Clinic, covering 12,000 patients with breast, lung, colorectal or liver cancer, indicated a 38‑50% reduction in progression to stage‑four disease among GLP‑1 users.Study size: 12,000 patients.Risk reduction range: 38%–50% for metastatic spread.Why These Findings Matter for Public Health and OncologyThe consistency of risk‑reduction signals across incidence, mortality and metastasis points to a potential paradigm shift: drugs originally designed for diabetes and obesity may become adjunct tools in cancer prevention and treatment. If confirmed, the impact could be substantial given the prevalence of obesity and the high incidence of breast cancer worldwide.Next Steps: Clinical Trials and Regulatory ConsiderationsExperts caution that the current evidence is observational. Ongoing randomized controlled trials will be needed to disentangle the effects of weight loss from direct pharmacologic actions of GLP‑1 agonists. Regulatory bodies may eventually evaluate these agents for oncologic indications, pending robust trial data.

The Lead: Roni Horn's Artistic JourneyAt 70 years old, renowned artist Roni Horn presents "Seizure of Hope," her first solo exhibition in London in a decade at the prestigious Hauser and Wirth gallery. The exhibition features 76 graphite drawings exploring the complex emotion of being "paralysed with hope," a phrase that has become central to Horn's recent work. This comes after a notable incident where Horn was removed from a flight due to a dispute with a flight attendant, an experience that reflects her androgynous identity and quiet rebellion against authority in today's world.The Exhibition: Visualizing ParadoxStepping into the gallery on Savile Row, visitors encounter 76 drawings rendered in "very, very soft" graphite pencil with wax pencil, each repeating the handwritten phrase "I am paralysed with hope." The installation is deliberately arranged with uneven gaps between frames, creating spaces where meaning slips and falters. Horn describes these works as capturing "an endless silent scream feeling," born from her experience of losing friends and observing how "the last thing to go is hope" during illness.The exhibition also includes a solid cast glass sculpture resembling a large ice cube, titled "What Happens to the Hole When the Cheese is Gone?"—a reference to Bertolt Brecht. This piece, made by pouring molten glass into a mould that hardens slowly over months, embodies Horn's fascination with ambiguity and the in-between states of existence.Artistic Philosophy: Embracing AmbiguityHorn's work consistently explores themes of mirroring, doubling, and repetition. She deliberately avoids direct answers, embracing ambiguity as a core artistic principle. Her approach is described as "serenely anti-authoritarian, revelling in the absurd and the contradictory." The unpindownable nature of her work, which spans photography, drawing, sculpture, and film, gives it vitality and presence without ostentation.The phrase "I am paralysed with hope" first captured Horn's attention around the time of "the political downfall of America" and has since appeared in multiple works, including her conceptual diary LOG created during lockdown and her 2023 exhibition at Centro Botin. The smudged, varied handwriting in the drawings reflects Horn's self-described "atrocious" handwriting that once required multiple signatures for banking purposes.Cultural Context: Art in Turbulent TimesHorn's work resonates particularly strongly in contemporary society, where contradictions and uncertainties abound. Her exploration of hope as both paralyzing and enduring speaks to the collective experience of living through political and social upheaval. The artist's experience of being removed from a flight due to a seemingly minor incident underscores the tensions present in today's world, particularly for those who don't fit conventional expectations.The exhibition's title, "Seizure of Hope," suggests both a capture and a taking of hope—a complex relationship that Horn explores through her repetitive, meditative drawings. This approach to hope as something that persists even in darkness offers a nuanced perspective on human resilience in challenging times.Future Directions: The Persistence of HopeAs Horn continues to create work that embraces ambiguity and contradiction, her exploration of hope appears likely to remain central to her artistic practice. The artist's commitment to staying "in the unknown and the in-between" suggests future works that will continue to challenge viewers' expectations and offer spaces for reflection on the complexities of human experience.The exhibition at Hauser and Wirth represents not just a showcase of Horn's current work but a continuation of her decades-long exploration of material, form, and meaning. As she approaches her eighth decade, Horn shows no signs of diminishing her artistic ambition or her willingness to confront difficult emotions and ideas through her distinctive visual language.

The Power of Theatre in Adversity What happens when the basic requirements of theatre-making are narrowed to their most extreme limits? Companies like Belarus Free Theatre and the Freedom Theatre have shown that theatre can still thrive even in the midst of danger. This is evident in 'Tomorrow Will Be a Palestinian Day', a collection of nine short plays written by Palestinian playwrights, poets, and artists. The Birth of a Collection Directed by Ahmed Masoud and Micaela Miranda, the show was rapidly produced with just one week of rehearsals. Four writers are currently in Gaza, while two are former political prisoners, including Walid Daqqa, one of the longest-serving Palestinian prisoners who died in custody in 2024. A Glimpse into the Plays The collection features a range of plays, including 'The Martyrs Return to Ramallah', which is both absurdist and haunting. Other plays, such as 'The Last Letter' by Mohammed Al Qudwa and 'Ruins' by Jehad Abu Dayya, showcase the intersection of lived experience and political theatre. The Impact of Lived Experience The plays take the audience on a journey from hospitals to morgues to refugee camps, highlighting the harsh realities faced by Palestinians. For example, 'We Are… Doctors' by Dareen Tatour features a Palestinian medic who is told that words of sympathy towards injured Palestinians 'can be crimes'. A Message of Hope Despite the darkness, a message of hope cuts across several of these plays. In 'Santa Claus on Holiday' by Nahil Mohana, Santa visits the bombed-out terrain of Gaza, emphasizing the importance of laughter and hope. Conclusion 'Tomorrow Will Be a Palestinian Day' is a powerful collection of plays that showcases the resilience of theatre in the face of adversity. The show will run at Theatre 503 in London until June 6.

Authors and Readers Share Their Favorite Reads of May In a recent article, The Guardian shared recommendations from writers and readers on the books they enjoyed in May. The list includes a diverse range of titles that have captured the hearts of readers. Recommendations from Madeleine Thien Madeleine Thien, author of 'The Book of Records', shared her favorite reads, including: Dorothy Tse's 'City Like Water', a novel translated from Chinese by Natascha Bruce Karen Hao's 'Empire of AI' Hsiao-Hung Pai's 'Scattered Sand: The Story of China's Rural Migrants' Hannah Lillith Assadi's 'Paradiso 17' Michael Ondaatje's selected poems, 'The Distance of a Shout' Stephen's Recommendation Stephen, a Guardian reader, recommended: Francis Spufford's 'Nonesuch', a mystical and captivating read set in early wartime London Sufiyaan Salam's Recommendations Sufiyaan Salam, author, shared his favorite reads, including: Monika Radojevic's 'Strangerland', a story about immigrant parents' love story in pre-smartphone London Alan Moore's 'From Hell', a graphic novel weaving together London's past, present, and future The Oxford Shakespeare, for its insight into the playwright's life and times Sue's Recommendation Sue, a Guardian reader, recommended: Lisa Ridzén's 'When the Cranes Fly South', a moving story about love, friendship, and the end of life

The Shocking Conclusion of EuphoriaThe HBO series Euphoria concluded with an 88-minute finale that delivered everything viewers had come to expect: shocking deaths, gruesome imagery, and biblical references. The episode ended with the words "May God bless us all," a stark contrast to the nihilistic themes that dominated the season. The finale featured the death of Laurie, the drug boss who commits suicide when faced with arrest, and most significantly, Rue's fentanyl-related overdose, which occurs 45 minutes into the episode.Character Arcs and Narrative ShiftsRue's death marks a pivotal moment in the finale, as the show loses its lead and narrator unexpectedly. In her absence, Ali (Colman Domingo), Rue's sponsor and mentor, becomes the voice of the final act. This shift is particularly jarring given that Ali had previously been a side character, while Jules— who shared the most with Rue—is barely acknowledged. Similarly, Cassie, whose storyline dominated much of the season, is relegated to a minor role. This narrative choice highlights the central problem with Euphoria's final season: its uncertainty about what kind of show it wanted to be.Gangster Elements and Moral AmbiguityThe finale centers on a turf war between drug bosses Laurie and Alamo, making the series feel more like a gangster movie than a character-driven drama. This shift is particularly evident in the Tarantino-style shootouts and the showdown at Alamo's strip club, where Ali arrives dressed in a military uniform to avenge Rue's death. While these scenes work individually, together they create a jarring narrative experience that feels like being told a story by an intoxicated person who keeps missing key details and jumping between dramatic moments.Religious Imagery and Societal CommentaryThe motif of religion in the finale is unexpected for a show that has focused on young people who have abandoned traditional value systems. However, this religious imagery may be intentional. In a poignant monologue, Ali states that "everyone" is complicit in Rue's fentanyl overdose, from the government to the cartels, the corrupt cops, and the politicians. This parallel extends to the online extremes seen in Cassie and Maddy's OnlyFans activities, suggesting a commentary on our collective addiction to outrage and extreme content in the digital age.The Cultural Reflection of EuphoriaBeyond the distracting shootouts and drug cartel wars, season three of Euphoria was strongest when it reflected the increasingly nihilistic world young people consume online, where they're being raised to believe they must be either the hunter or the prey. The show's ending, with the American flag rippling in the wind, echoes Jia Tolentino's argument in "Trick Mirror" that scamming is becoming central to American life. This is evident in Alamo's strip club, where men treat women as disposable sex toys, and in Cassie's plan to turn her former marital home into a #content house for OnlyFans performers.The Legacy of a Confused FinaleEuphoria's finale may not have been a lesson on morality, but rather a study in the hypocrisy of our media-saturated society. The show's creator, Sam Levinson, was at his best when combining cinematography with an examination of how algorithms groom young people into extreme behaviors. However, the finale's focus on gangster elements and its jarring narrative shifts left viewers with more questions than answers. As the series concludes, it serves as both a reflection of our current cultural moment and a cautionary tale about the dangers of a society obsessed with shock value and extreme content.

The Call to Cut Ties with Israel Nearly 5,000 staff, students, and honorary degree recipients from across Belgian universities are pushing for their institutions to sever all ties with Israel over its genocidal war on Gaza and attacks in the occupied West Bank. The Open Letter and Its Demands An open letter titled 'No Honour in Complicity' was published on Tuesday by the group of 4,700 signatories – including 1,100 professors and 50 honorary doctorate recipients – urging Belgian universities to 'terminate all institutional collaborations with Israeli institutions involved in violations of international law'. The group has four main demands: the termination of all existing collaborations with Israeli institutions and companies involved in violations of international law; a moratorium on new collaborations; pressure from universities on Belgian and European authorities to comply with international legal obligations; structural support for Palestinian higher education through scholarships, research programmes and institutional partnerships. The Impact of Israeli Actions The move comes as near-daily Israeli attacks in Gaza have killed more than 900 Palestinians and injured more than 2,700 others since an October 'ceasefire', according to Gaza's Ministry of Health, and as Israeli army raids and settler attacks have intensified across the occupied West Bank since the start of the genocidal war in Gaza. The Significance of the Academic Mobilisation The list of signatories includes Francesca Albanese, the United Nations special rapporteur on the occupied Palestinian territory; Amnesty International Secretary-General Agnes Callamard; climate justice activist Greta Thunberg; Nobel Prize-winning author JM Coetzee; and actor and writer Stephen Fry. The letter claimed the group represents more than 10 percent of the entire Belgian professoriate, making it one of the largest academic mobilisations in Belgian higher education. The Future Outlook The initiators place the Belgian appeal within a broader international movement of academic institutions, researchers and civil society organisations calling for institutional measures against Israeli apartheid and the destruction of Palestinian educational institutions.

The Lead Nepal's Prime Minister Balendra Shah has reignited a border dispute with India after claiming in parliament that Nepal has also encroached on Indian territory – a departure from Nepal's usual stance, which has largely focused on accusing its bigger neighbour of occupying its land. Shah's Comments on Kalapani-Lipulekh “You will be surprised to know a fact that I have learned recently, only after becoming prime minister: Not only has India encroached Nepali territory, but Nepal has also encroached Indian territory in many places,” Shah said during his address to parliament. He did not elaborate on which parts of India he believed Nepal had encroached on. The Data Analysis The long-running dispute between Nepal and India over border territories including Limpiyadhura, Lipulekh and Kalapani has periodically bubbled up over the years. The conflict is a mix of contested history, geography, politics and mapping. The Impact Analysis India responded on Tuesday, saying it has bilateral mechanisms in place with Nepal to resolve issues of disputed territory. Dinesh Paudel, a professor in sustainable development at the North Carolina-based Appalachian State University, told Al Jazeera that Shah's mention of British intervention “will not go well with India”. The Prediction Despite this friction, Paudel said Shah's remarks would not substantially impact Nepal's relationship with India or China. “India is trying to learn how to deal with Balen and his government,” he said, referring to Shah – who is popularly known as Balen, a shorter version of his first name.