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Israel has been accused of using white phosphorus in southern Lebanon, a move that has reignited concerns over the country's adherence to international laws of war. Human Rights Watch (HRW) researchers have verified and geolocated images showing airburst white phosphorus munitions exploding over residential areas in the southern Lebanese town of Yohmor.The use of white phosphorus, a chemical substance that ignites when exposed to oxygen and burns at up to 800C, is controversial when used over civilian areas due to its potential to ignite fires, cause serious burns, and emit toxic fumes. Military forces often use it as a smokescreen, but its use in populated areas raises significant ethical and legal questions.Over 800,000 Lebanese people have been displaced from the region following Israeli forces' orders to leave, and many more uses of white phosphorus may have gone undocumented. Researchers have documented nearly 250 uses of white phosphorus by Israeli forces between October 2023 and November 2024, with 39% of these uses occurring in residential areas.The environmental impact is also significant, with over 2,000 hectares of southern Lebanese countryside burned, including dense forests and agricultural lands. The use of white phosphorus can lead to long-term soil contamination, reducing microbial diversity and agricultural productivity.An Israeli military spokesperson has cautioned against making factual determinations based on visuals alone, while Israel's ambassador to the UN has stated that the country takes steps to minimize civilian casualties. However, allegations of war crimes and the use of prohibited weapons continue to mount, highlighting the need for further investigation and accountability.

When future generations examine television trends, they might be surprised by the glut of dramatisations about famous men caught in sex scandals. Jimmy Savile and Prince Andrew have both received multiple treatments, and now, with almost crushing inevitability, comes Channel 5's Power: The Downfall of Huw Edwards.Edwards, the high-profile BBC newsreader who resigned in 2024 before being charged with three counts of making indecent images of children, remains defensive. Prior to the broadcast, he released a statement claiming the drama is unlikely to convey reality while asserting: I am repelled by the idea that some people enjoy viewing indecent images of children.The drama earns its title by portraying a powerful man utilizing a queasy power dynamic to manipulate a teenage boy into fulfilling his sexual desires. While not the pinnacle of drama, the film succeeds in capturing a sickening feeling in the pit of your stomach.The main draw comes from its casting. Martin Clunes, known for roles that rely on his innate likability, creates an impressively accurate Edwards. He captures the fascinating mix of swagger and vulnerability, along with Edwards' distinctive accent and diction. Even during disturbing scenes, his performance never wavers.For much of the film, Edwards remains a figure of distant menace. Instead, this is really the story of Ryan (Osian Morgan), a teenage boy who finds himself being groomed by Edwards. The drama is constructed around first-hand interviews with Ryan (using a pseudonym to protect his identity), showing how Edwards validated his desire for connection before making the relationship transactional.Most powerfully, the film depicts the effect on Ryan's parents, as their dismay at his increasing waywardness first becomes anger directed at Edwards and then fear that they had become the bad guys.Still, the producers face challenges with a story that isn't visually interesting. Much of the relationship happened over text, meaning excessive time is spent watching people type or narrate messages. The film makes odd stylistic choices, including framing everything around the Queen's death and ending with Edwards reporting on his own charges.Edwards has promised to tell his side of the story, but as the reviewer notes, few will have the stomach to hear it when that day arrives.

The amount of AI-generated child sexual abuse material found online surged by 14% in 2025, according to the Internet Watch Foundation (IWF). The watchdog identified 8,029 AI-made images and videos of realistic child sexual abuse material (CSAM) last year.The IWF reported a 260-fold increase in videos, with 65% of the 3,443 videos classified as category A, the most severe type under UK law. This is compared to 43% of non-AI videos. Kerry Smith, IWF chief executive, emphasized that advances in technology should not come at the expense of a child's safety and wellbeing.The IWF also found that offenders are discussing the potential of AI systems to create more realistic and violent content, including adding audio to videos or manipulating imagery of real children. The UK government has announced plans to test AI tools to prevent CSAM and introduced legislation to ban AI models designed to generate child sexual abuse material.Eight out of 10 UK adults want the government to introduce legislation ensuring AI systems are developed with safety as a priority. The IWF operates a hotline and has a global remit to monitor child sexual abuse content.

Huw Edwards, the former iconic BBC newsreader, has publicly denounced Channel 5's forthcoming dramatization of his downfall. In a lengthy statement, Edwards expressed his disapproval of the drama, stating that mental illness is often misunderstood and should not be used as an excuse for criminal behavior. Edwards has been open about his struggles with persistent mental illness over the past 25 years. However, his decision to use this as an explanation for his actions has been met with criticism, particularly given the severity of his condition and the conviction for possessing multiple indecent images of children, including category A images. The drama, titled 'Power: The Downfall of Huw Edwards,' stars Martin Clunes as Edwards and has sparked controversy over its portrayal of Edwards' actions. Edwards has questioned the production values of the drama and suggested that it will not accurately convey the reality of his situation. He also expressed concerns about the allegations made against him and whether those involved were paid for their contributions. Edwards' statement has been seen as an attempt to shift the focus away from his own actions and onto his mental health struggles. Critics argue that this approach downplays the severity of his crimes and the impact on his victims. The drama is part of a larger trend of 'true story' dramas that have become increasingly popular in recent years. Marina Hyde, the author of the article, criticizes Edwards for not taking responsibility for his actions and instead using his mental illness as an excuse. Hyde also questions Edwards' motives, suggesting that he is trying to rehabilitate his image and portray himself as a victim.

The Iranian women's football team was given a hero's welcome in Tehran on Thursday after returning from the Asian Cup in Australia, where some players had sought asylum. The team, including captain Zahra Ghanbari, was greeted by several thousand people in Valiasr Square, waving Iranian flags and cheering.Earlier this month, six players and one backroom staff member sought asylum in Australia, prompting criticism from hardliners in Iran for not singing the national anthem before their first match. However, five of them later changed their minds and returned home with the rest of the team.Activists accused Iranian authorities of pressuring the players' families, including summoning their parents for interrogation, while Tehran alleged that Australia sought to force the athletes to defect. Iranian football federation President Mehdi Taj said on stage, “These athletes are loyal to the homeland, flag, leader and revolution.”The welcome ceremony featured a giant billboard with the slogan “My Choice. My Homeland” and a screen projecting AI-generated images of the players pledging loyalty to the Iranian flag. The team also sang the national anthem, a central feature of the ceremony.Two squad members remain in Australia, but the rest of the team, including the five who initially applied for asylum, arrived in Iran on Wednesday after a long journey home via Malaysia, Oman, and Turkiye. Iranian government spokeswoman Fatemeh Mohajerani told the team, “All Iranians were waiting for you; welcome to Iran.”

Huw Edwards, the former BBC presenter, has publicly criticized Channel 5 for producing a drama about his downfall without first verifying the facts with him. The two-part show, titled Power: The Downfall of Huw Edwards and starring Martin Clunes, aired on Channel 5.Edwards was suspended from his role as a leading news anchor in 2023 after allegations surfaced that he had paid a teenager £35,000 for intimate images and conversations. He has since disputed the principal allegations made in the Sun.In a statement, Edwards expressed his disapproval of the production company Wonderhood, stating that they made no attempt to check the truth of their narrative before producing the drama. He also criticized Channel 5 for not allowing him to respond to the allegations before the show aired.Edwards added that he plans to produce his own account of the events and expressed deep regret and remorse for his crimes, having received a six-month sentence suspended for two years for possessing indecent images of children.A Channel 5 spokesperson defended the drama, stating that it was based on extensive interviews with the victim, his family, and court reporting, and that all allegations were put to Edwards via his solicitors before transmission.

Satellite images of Tehran have revealed that toxic fires caused by Israeli bombings on oil depots were still burning days after the strikes, posing serious health risks to millions of residents in the Iranian capital.The bombings, which occurred on March 7, caused clouds of smoke to blanket the city with pollutants ranging from soot to oil particles to sulphur dioxide. A passing storm then showered Tehran with poisonous, oil-filled rain.Residents have reported headaches, eye and skin irritation, and difficulty breathing. Experts have warned that these symptoms could be just the beginning, with long-term risks of cardiovascular disease, cognitive impairment, DNA damage, and cancer.Four fuel facilities in and around the capital were hit, including the Shahran depot in the north-west, the Aqdasieh oil depot in the north-east, the Tehran refinery in the south, and the Shahid Dolati facility in the west.Satellite images taken two days after the strikes showed the Shahran depot and the Tehran refinery were still burning. Another image taken by the European Space Agency satellite on Tuesday – 10 days after the strikes – showed that those two fires had smouldered, but smoke and flames were visible at the Aqdasieh oil depot.Iran has described the attacks as “ecocide”, which is described as wanton acts of environmental destruction.The United Nations Environment Programme (UNEP) has warned that heavy smoke from burning oil was “directly inhaled by people in Iran – including young children – raising serious concerns about long-term impacts on both human and environmental health”.