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At 19,000 miles above the lunar surface, the Artemis II astronauts heard the voice of Apollo‑13 commander Jim Lovell greeting them from beyond the grave, a message recorded shortly before his death at 97. Mission control transmitted the tribute on the morning of 6 April, when astronaut Reid Wiseman held a silk square bearing the original Apollo 8 patch—handed to him by Lovell’s son—before the crew’s launch. Launch director Charlie Blackwell‑Thompson secured a unanimous "go" from every console, a moment the author describes as a snapshot of humanity’s capacity to honor the past while reaching for the future. The ceremony stood in stark contrast to the Pentagon’s agenda. Two decades after a 2006 Iraqi kill‑board note reading “Let the bodies hit the floor,” the current defense chief pledged “death and destruction from the sky all day long” against Iran, a stance legal scholars warn could constitute a war crime. That rhetoric accompanies a proposed $1.5 trillion defense budget, including an additional $200 billion earmarked for operations against Iran—figures that dwarf NASA’s entire annual budget of $24.4 billion. Amid this fiscal disparity, crew members reflected on their place in history. Victor Glover, the first Black astronaut to travel deep space, described the view of Earth as an "oasis" in the void, while Christina Koch, the first woman to orbit the Moon, pressed her face to the window and formed a heart with her hands, calling the mission’s spirit "humility." Reid Wiseman watched the planet rotate beneath him, noting the sight of Africa, Europe, and the aurora‑lit north, saying it "paused all four of us in our tracks." Canadian astronaut Jeremy Hansen broke Jim Lovell’s 56‑year distance record and asked mission control to name a lunar feature after his late wife, Carroll. The crew agreed, designating a bright spot on the Moon as "Carroll," a tribute that will endure beyond any single lifetime. When Koch announced the spacecraft’s descent, she radioed, "We are now falling to the moon rather than rising away from Earth," a poetic reversal that underscored the mission’s symbolic return. The article recalls the author’s 2022 reflection on the James Webb Space Telescope, noting how humanity’s finest inventions now aim outward, seeking answers to our origins rather than turning inward toward conflict. Artemis II’s vessel, named Integrity, carried four breathing humans who, in a moment of collective grief, pressed their faces to the glass and imagined the faces of every loved one ever lived, captured in a single frame. Beyond the spacecraft, cultural threads wove through the mission: Hansen’s patch displayed the Seven Sacred Teachings of the Anishinaabe people, and the Chinese myth of Chang’e reminded viewers of the Moon’s timeless allure. As Carl Sagan famously wrote, "We are made of star‑stuff," the Artemis crew embodied that sentiment—not as passive observers, but as active participants in a fragile, hopeful narrative that rises above the relentless tally of bodies on Earth’s battlefields.

Director Luca Guadagnino has come to the defense of actor Timothée Chalamet after Chalamet faced backlash for suggesting that ballet and opera are art forms that "no one cares about" anymore.Guadagnino, who cast Chalamet in his breakthrough role in Call Me By Your Name, stated that the reaction to Chalamet's comments was disproportionate. "I am not on social media and don’t understand how one [single] comment can become a planetary polemic," Guadagnino said in an interview with Italian newspaper La Stampa.Guadagnino, who made his opera debut in 2011 with a production of Verdi’s Falstaff, noted that Chalamet "could have spared himself … but he’s young, smart, sensitive, and he fears that cinema could become marginal." He emphasized the importance of nurturing all forms of imagination and uniting the arts, rather than separating them.Chalamet's remarks sparked significant backlash from the ballet and opera communities, including Jamie Lee Curtis and Whoopi Goldberg, who publicly criticized him. The Maggio Musicale Fiorentino invited Chalamet to attend Guadagnino's production of The Death of Klinghoffer, saying, "Come and see for yourself that opera is alive, kicking and actually matters to people."

Plans to alter the size of HS2 trains, aimed at maximizing capacity, may result in increased costs and fewer seats, potentially leading to slower services north of Birmingham. A senior government and rail industry figure, Chris Gibb, has warned against changing the train order.The original £2bn order for 54 high-speed trains, to be built by a joint venture of Alstom and Hitachi, was placed in 2021. However, the project has been under review since the cancellation of the northern leg of HS2 by Rishi Sunak in 2023. The initial plan was for the 200-metre, eight-carriage units to double into 16-carriage trains, similar in size to a Eurostar. But this will only be feasible on the new line between London and Birmingham, as existing stations like Manchester Piccadilly cannot accommodate a 400-metre train.Gibb, a non-executive director of DfT Operator, expressed concerns that if HS2 opens with eight-coach trains, they would be full, leaving people behind. He suggested that instead of varying the train order, which could incur extra costs and delays, the government should retain the original order and plan to replace the current Pendolino fleet with longer, faster, modern versions around 2040.This approach, Gibb argued, would provide a significant increase in capacity, revenue, and a reduction in journey times on all routes without the need for further railway construction. Lord McLoughlin, former transport secretary, and Lord Berkeley, a long-term HS2 sceptic, have backed Gibb's idea, emphasizing the importance of consistent rolling stock for future use.A spokesperson for HS2 Ltd stated that no changes have been made to the original order, and they are still working closely with the manufacturer and the DfT to finalize train designs. The trains will be built in Derby and Newton Aycliffe.

Goldman Sachs's chief executive, David Solomon, has expressed heightened awareness of the capabilities of Anthropic's Mythos AI model and is collaborating closely with the tech firm following warnings about the cybersecurity risk it poses.The US bank has been closely monitoring the rapid advancements in artificial intelligence, including large language models (LLMs), as part of broader efforts to protect itself from hackers.“Obviously the LLMs are making rapid progress and we’re hyper-aware of the enhanced capabilities of these new models with the help of the US government and the model publishers,” Solomon told analysts on an earnings call on Monday.Anthropic, the company behind the Claude family of AI tools, claimed last week that its latest model, Mythos, posed an unprecedented risk due to its ability to expose flaws in IT systems. The company warned that AI models have reached a level of coding capability where they can surpass all but the most skilled humans at finding and exploiting software vulnerabilities.Solomon emphasized that Goldman Sachs is working closely with Anthropic and all of its security vendors to harness frontier capabilities. “We are very focused on supplementing our cyber and infrastructure resilience. And this is part of our ongoing capabilities that we have been investing in, and are accelerating our investment in.”The news comes after the US Treasury secretary, Scott Bessent, summoned Solomon and other big American bankers to Washington to discuss the Mythos model last week. The meeting focused on heads of so-called systemically important banks, where regulators believe that a major disruption to their operations, or their potential collapse, would put financial stability at risk.On Monday, the UK government’s AI Security Institute (AISI) warned that Mythos was a “step up” over previous models in terms of the cyber threat it posed. AISI said Mythos could carry out attacks that required multiple actions and discover weaknesses in IT systems without human intervention.

Tottenham Hotspur have lost their captain Cristian Romero for the remainder of the 2025‑26 Premier League campaign after sustaining medial knee‑ligament damage in a clash with Sunderland striker Brian Brobbey. The injury, expected to require around eight weeks of rehabilitation, forces Romero off the pitch for the final six matches that will decide whether the club remains in the top flight.Romero left the Stadium of Light in tears after 70 minutes of a 1‑0 defeat, the goal coming from his own goalkeeper Antonín Kinský following the collision. The Argentine defender’s absence adds to an already extensive injury list that includes James Maddison, Dejan Kulusevski, Wilson Odobert and Mohammed Kudus. Goalkeeper Guglielmo Vicario is also sidelined after a hernia operation, leaving Kinský as the starter.Spurs sit 18th after a season that has seen them lose 16 league games and fail to register a domestic win in 2026. Manager Roberto De Zerbi admitted the blow could be “a big problem” but stressed the need for the squad to rally: “He’s a good guy, a top player, and we need him to finish the season and achieve our goal.”The incident also sparked a backlash against Brobbey, who was targeted with racist abuse on social media. Sunderland issued a statement pledging full support for the striker and confirming that the matter has been reported to the Premier League, relevant platforms and the police.With the relegation battle intensifying, Tottenham’s ability to replace Romero’s defensive leadership will be crucial as they fight to stay in the Premier League.

A 10-metre long humpback whale that became stranded on a sandbar in the Baltic Sea last month has left experts and the German public in a state of distress. The male whale, which has repeatedly stranded and freed itself, is now stranded once more and in the throes of death.The drama has captivated the country, drawing politicians, shamans, and animal rights activists to the scene. Experts have faced death threats and accusations of worsening the whale's plight, with some calling for the far right to take power.The local mayor has admitted: 'We have all been totally out of our depth.' A leading humpback whale expert has even stopped allowing her name to be quoted in the media, citing the danger of talking about humpback whales in Germany.The whale's condition has rapidly declined due to a fishing net caught in its jaw, weakening it and leading to a loss of direction. The Baltic Sea's low salt levels and shallow waters are not suitable for the whale's survival. Wounds and infections have been detected on its body, with experts describing it as 'very sick.'Despite the emotional public outcry and various rescue suggestions, including using cranes, planes, and inflatable pontoons, authorities have declared the whale beyond saving. The environment minister of Mecklenburg-Vorpommern, Till Backhaus, has pleaded with the public to leave the animal in peace to die, saying it has been one of the most demanding operations of his 27 years in office.

The Olivier Awards, a prestigious event in the theatre world, recently took place, and among the many memorable moments were the quotes shared by the winners. Host Nick Mohammed kicked off the ceremony with a lighthearted remark about the opening gondola scene from Phantom of the Opera, joking that it wasn't Cunard's boat, but rather Andrew Lloyd Webber's mode of transportation.Cole Escola, playwright of Oh, Mary!, expressed gratitude to a rather unconventional recipient: "my amazing husband, who doesn’t exist". This humorous comment set the tone for a night filled with both laughter and heartfelt acknowledgments.Elaine Paige, a special award winner, shared the secret to her long-lasting career, attributing her success to her father's motto: "perseverance furthers". This insight into her personal life added a touching element to the evening.Rachel Zegler, winner of the best actress in a musical for her role in Evita, recalled her experience performing in the Palladium balcony, calling it "the honour of a lifetime". Her sentiment encapsulated the pride and gratitude felt by many of the winners.Rosamund Pike, best actress winner, reflected on the challenges of balancing life and art, acknowledging the support of her family and partner. Her words resonated with the audience, highlighting the importance of a strong support system.The ceremony also saw Jack Holden win the surprise best actor award, who, upon hearing his name, jokingly asked, "It was definitely me, was it?". This lighthearted moment brought humor to the event.Throughout the evening, winners shared their appreciation for their loved ones and mentors. James Hameed thanked his dad, who had come to London to chase his dreams, showcasing the impact of family on one's journey to success.

Meta, the company behind Facebook and Instagram, is reportedly working on an AI version of its CEO, Mark Zuckerberg. This AI clone is being trained on Zuckerberg's mannerisms, tone, and public statements to allow employees to interact with a digital version of their boss.The rationale behind this project is to make Meta's 79,000 employees feel more connected to one of the most influential figures in Silicon Valley. The AI character will be developed using images and the voice of Zuckerberg, with the CEO reportedly taking part in the training process.This move is part of Meta's broader effort to integrate AI into its business operations. The company aims to use AI to lower costs and accelerate work pace. Zuckerberg has emphasized the importance of efficiency, stating that the goal is to 'get more done' by elevating individual contributors and flattening teams.The development of this AI character follows Meta's previous experiments with digital avatars. In 2022, Zuckerberg shared his own avatar in the metaverse, which received public criticism for its graphic quality. The company has since scaled back its metaverse vision, focusing on AI-generated 3D characters for everyday conversations.Meta's investment in AI is part of a larger strategy to remain competitive with tech rivals. The company is pouring billions of dollars into AI research to create 'superintelligence,' a system capable of performing any cognitive task far better than a human.

West Bromwich Albion has denied any wrongdoing regarding the EFL's financial rules, despite growing fears of a points deduction that could significantly impact their relegation battle in the Championship. The Daily Telegraph reported that the EFL's Club Financial Reporting Unit (CFRU) had filed a compliance report against West Brom, alleging a breach of the loss limits for the 2024-25 season under the profitability and sustainability rules (PSR). If a points penalty were imposed, it would affect West Brom in the current campaign, with the club currently sitting 20th in the Championship, just two points above the relegation zone. West Brom responded by stating, “The club considers that it has fully complied with the rules.” They emphasized their commitment to cooperating with the EFL and resolving the matter, while also thanking fans for their support. Under PSR rules, Championship clubs are required to keep losses under £39m over a three-year assessment period. Certain expenditures, such as investments in infrastructure, youth, and women’s football, are ‘added back’ in the PSR calculation. West Brom, having competed in the Championship last season, was required to submit their annual accounts for 2024-25 by December 31. The EFL has declined to comment on the matter, and decisions on sanctions by the Club Financial Reporting Panel (CFRP) are typically published after discussions between the club and the EFL remain confidential.