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Congresswoman Yassamin Ansari – an Iranian‑American representative from Arizona – publicly labeled President Donald Trump an “evil human being” who aspires to be an emperor, and urged that he be removed from office in light of the escalating war with Iran. Ansari, whose parents fled the Iranian regime in the 1970s, issued a statement after Trump’s threat to annihilate Iran’s civilization was followed by a tentative two‑week cease‑fire. She expressed relief for the 90 million Iranians who had spent a harrowing day fearing a nuclear catastrophe. In a phone interview, the 34‑year‑old lawmaker described Trump as “mentally unstable, deeply troubled, and solely self‑interested,” adding that his policies have stripped basic services from average Americans while enriching his family. Ansari warned that Trump’s rhetoric – promising an “America first” stance yet launching strikes on seven nations – constitutes a clear danger to both Iran and the United States, and she called for the cabinet or Congress to intervene under the 25th Amendment. She cited a series of controversial foreign‑policy moves, including the alleged illegal kidnapping of Venezuelan leader Nicolás Maduro, threats to seize Greenland, erosion of NATO credibility, and talk of taking over Cuba. In Iran, she argued, the administration has already committed war crimes by targeting schools, bridges and hospitals. Ansari also highlighted the broader humanitarian fallout: destroyed civilian infrastructure, a collapsing economy, soaring food‑security risks, and mass starvation. She relayed a conversation with a young Iranian doctor who described doubled prices and a dire economic outlook, urging the U.S. to cease attacks on civilian targets. Beyond Trump, the congresswoman announced plans to introduce articles of impeachment against Defense Secretary Pete Hegseth, accusing him of repeatedly violating his oath by facilitating war‑crimes. She criticized Vice‑President JD Vance for not mobilising the cabinet to remove Trump, and warned that the current crisis represents a “five‑alarm‑fire moment” unprecedented in modern American history. Ansari’s remarks come amid a shifting Iranian diaspora sentiment. While some Iranian‑American groups initially celebrated the war’s onset, many now view the U.S. and Israeli bombing campaigns as counter‑productive, fearing they bolster the hard‑line regime. Following the death of Supreme Leader Ayatollah Ali Khamenei, the regime’s grip appears tighter, with his son Mojtaba Khamenei assuming leadership. Ansari stressed that the Islamic Revolutionary Guard Corps remains entrenched, and that the regime continues to exploit civilian suffering for propaganda. She concluded by urging Americans to recognise Iran’s rich cultural heritage and to reject the notion that bombing will liberate its people, emphasizing that the United States must avoid actions that only strengthen an authoritarian government.

Britain’s recent reversal of the on‑shore wind ban, announced by Energy Secretary Ed Miliband, has set in motion a wave of proposals to install more than one hundred colossal turbines across the Cambrian Mountains of mid‑Wales. The Cambrians, a 500‑square‑mile stretch of moorland and high ground that remains the most extensive wilderness south of Scotland, could soon host turbines reaching 220–230 metres – roughly 50% taller than any existing on‑shore turbine in England and Wales and more than twice the height of Big Ben. Each turbine would sit on a 2,000‑tonne concrete foundation and require at least 100 tonnes of steel. The scheme also envisions over 200 km of new pylons to link the farms to the National Grid, alongside roads, repair bays and storage depots. Analysts note that the construction phase would generate a substantial carbon footprint, especially given the turbines’ relatively short operational life of 20–25 years. Environmental organisations, including the Wild Wales Trust and the Campaign for the Protection of Rural Wales, have rallied against the plans, warning that they would "degrade and industrialise huge areas of the uplands and valleys" and could encroach on Wales’s sole UNESCO biosphere reserve in the Dyfi valley. Local opposition is hampered by the region’s sparse population, but activists have been posting hand‑drawn notices on the Glaslyn uplands and highlighting the visual impact of proposed turbine clusters – for example, a hilltop site slated for 26 turbines that would dominate the skyline across the country, and a location dubbed “Artists Valley” that could be renamed after a row of 37 similar structures. Critics argue that Wales, which is moving toward renewable self‑sufficiency and already exports surplus power, does not need these installations for its own energy security. Instead, the turbines appear designed to feed the broader UK grid, echoing historic instances where Welsh resources were harnessed for the benefit of other regions, such as the 1960s water transfers to Liverpool. With the Cambrian Mountains lacking any national‑park protection – a status denied in the 1950s due to local farming opposition – the landscape remains vulnerable to large‑scale industrialisation. The proposed developments raise a fundamental question: should a politician’s ambition for renewable credentials outweigh the preservation of one of Britain’s most pristine natural areas?

Mom’s mantra – “don’t borrow trouble” – became the compass that steadied Feimster during the uncertain early years of her comedy career. She says the simple advice helped her shift focus from endless worry to actually performing. Growing up, Feimster was captivated by Carol Burnett’s slapstick brilliance, a love sparked by her grandmother’s nightly reruns. The legendary comedian’s on‑ and off‑screen silliness shaped Feimster’s own comedic sensibility. When she was cast as the beaver Nibbles in the upcoming Zootropolis 2, the process was anything but typical. “The script was top‑secret,” she recalls, noting that she entered the recording booth with only a brief scene description from director Jared Bush, never knowing how pivotal her character would become. Feimster also laughs about a nightmare charity gig in a Virginia biker bar, where the stage was literally a wooden crate, the lighting resembled a construction site, and a karaoke machine served as the sound system. “Nobody, including me, enjoyed the show,” she admits. Unlike many performers, she has no elaborate pre‑show rituals. She arrives minutes before the curtain rises, chats with the audience, and treats each performance like a regular day, much to the amusement of co‑host Tom Papa. The relentless travel schedule is a double‑edged sword. Feimster describes the constant touring as exhausting, with the added pressure of having to write fresh material after every special. “You finish one project and must start from scratch,” she says, highlighting the creative churn that fuels her growth. On set with Arnold Schwarzenegger for the film Fubar, Feimster found the experience inspiring. She notes that the legendary actor’s varied career – from bodybuilding champion to governor – made every day on set feel like a master class. Looking ahead, Feimster has wrapped two Netflix comedies: one starring Will Ferrell as a washed‑up pro golfer where she plays his caddie, and another ensemble with Kim Kardashian, Nikki Glaser and Brenda Song. She hints at a future shift toward a more serious, less self‑referential role. Meanwhile, her current stand‑up show “Takin’ Care of Biscuits” continues its North American and European leg, with a stop at London’s Hackney Empire on 3 June and the tour running through 9 August.

Tori Amos has taken to the stage, delivering a dramatic deep dive into her vast and sprawling back catalogue. Her 18th studio album, In Times of Dragons, and first tour in three years have generated significant excitement among fans. The allegorical tales that make up her forthcoming record – a metaphorical story about the fight for democracy over tyranny – are evident in her live performances.The concert featured a range of tracks from Amos's extensive discography, including the delicate deep cut Ruby Through the Looking-Glass and the atmospheric, slow-burn jazzy grooves of Little Amsterdam. The love in the room for Amos is palpable, with her songs, voice, and masterful piano playing bringing out an almost devotional following.Amos's musicianship was on full display, accompanied by a drummer, bass player, and three backing singers, whom she refers to as 'angels.' While their presence occasionally detracted from the raw intimacy expected from Amos, it mostly elevated the performance to new levels. Tracks such as Pandora's Aquarium and Witness were lifted to stirring new heights by the vocal back and forth.The setlist may not have been hit-stuffed, but Crucify was a beautiful closer, delivered in a way that felt both tight and loose, detailed yet expansive, tender and rousing. The encore of early career favourite Cornflake Girl had the whole venue on its feet and in dizzy awe. As Amos navigates the brutal state of the world, she has an audience that will gladly follow her deep into the heart of any dragon's den.

Netflix's vast library of content often includes films that were initially intended for theatrical release but end up being off-loaded to the streaming platform. The latest example is 'Thrash', a shark thriller that was previously known as 'Beneath the Storm' and 'Shiver'. Despite its promising premise, the film fails to deliver, with critics calling it a messily made, choppily edited and entirely misfiring cavalcade of bad decisions and dodgy accents.The film, directed by Norwegian director Tommy Wirkola, tells the story of a hurricane that destroys a town while also thrusting a pack of bull sharks into the streets and homes of those unlucky enough to still be there. However, the film's distracting sense of inauthenticity and lack of suspense make it a disappointing watch. The cast, including Bridgerton's Phoebe Dynevor and Djimon Hounsou, struggle to elevate the poorly written characters and lackluster dialogue.'Thrash' is now available on Netflix, but it's unlikely to be a hit with viewers. The film's cheap production values and lack of originality make it feel like a low-budget B-movie, rather than a film that was once intended for theatrical release. With Netflix spending around $18bn on content last year, it's surprising that they would accept a film of such poor quality.

In the 1970s and 80s, fewer than 250 mountain gorillas survived worldwide, prompting dire predictions of extinction. Decades of focused protection have lifted that number to over a thousand, and the trend continues upward.Recent patrols on the Democratic Republic of the Congo side of the Virunga range have documented an extraordinary event: two pairs of twin gorilla infants were born within a three‑month span. Twins are exceptionally uncommon in this species, representing less than 1% of all births, making the double occurrence a remarkable indicator of population health.Jacques Katutu, head of gorilla monitoring at Virunga, emphasized that the twin births “provide another vital indicator that dedicated conservation efforts… support the growth of the endangered mountain gorilla population within Virunga National Park.” Rangers suggest the thriving families are robust enough to meet the added demands of raising twins.Infant mountain gorillas face high mortality, often succumbing to infanticide, injury or disease. Yet the first twin pair, born in January, is reported to be alive and thriving, with troop members assisting the mother, Mafuko, in caring for her male infants.The achievements occur against a backdrop of extreme danger for park staff. More than 220 rangers have been killed protecting wildlife in the DRC over the past two decades, while rebel groups such as M23 continue to operate with impunity.Integral to this success are the Gorilla Doctors, a veterinary NGO whose interventions are credited with about half of the species’ population increase. Their teams trek daily through the dense forest, identifying each gorilla by name and providing medical care for injuries and disease in the isolated habitats of Virunga and Uganda’s Bwindi Impenetrable National Park.Dr. Benard Ssebide, a leading Gorilla Doctor, guided the author through the gorilla family on Mount Muhabura, narrating each animal’s story as they foraged for thistles, leaves and wild blackberries.These twin births serve as a powerful reminder that, even amid global environmental challenges, concerted human effort can foster tangible recovery for one of the planet’s most iconic endangered species.

Elon Musk's artificial intelligence company, xAI, has taken legal action against the state of Colorado over a new law regulating AI systems. The law, set to take effect in June, aims to protect state residents from 'algorithmic discrimination' in sectors such as education, employment, healthcare, housing, and financial services.The lawsuit, filed in US district court in Colorado, seeks to block the state from enforcing the law, which xAI claims infringes on its First Amendment free-speech protections. The company argues that the law would force xAI to 'promote the state's ideological views on various matters, racial justice in particular.'Colorado was the first state to pass comprehensive legislation to regulate AI. The law has been met with resistance from xAI, which makes the chatbot Grok. Grok has faced accusations of spewing racist, sexist, and antisemitic content. The company is seeking an injunction to block the enforcement of the Colorado law and a court declaration saying the legislation is unconstitutional.The lawsuit comes as battles rage at the state and federal level over how to regulate the fast-growing technology. States such as California and New York have been working to rein in AI with regulations, while the Trump administration has been trying to loosen the rules and place a moratorium on state laws.Katie Miller, a former spokesperson for xAI and the wife of Trump adviser Stephen Miller, heralded the lawsuit in a post on X, stating that Colorado wants to force Grok to follow its views on equity and race, instead of being maximally truth-seeking.Jared Polis, Colorado's Democratic governor, signed the bill into law in 2024 but said it was 'with reservations'. He has called on state legislators to amend it. The legislation was intended to go into effect in February but was pushed until June 30.

President Donald Trump has launched a scathing attack on NATO, expressing disappointment with the alliance's reluctance to support the US in its conflict with Iran. In a post on his TruthSocial platform, Trump wrote in capital letters: "NATO wasn't there when we needed them, and they won't be there if we need them again".The remarks came after a two-hour meeting with NATO's Secretary-General, Mark Rutte, at the White House. The meeting took place a day after the US and Iran agreed to a ceasefire. Trump's comments have raised concerns about the future of the transatlantic alliance, which he has repeatedly called a "paper tiger".Rutte, known as the "Trump whisperer" for his ability to maintain a productive relationship with the US president, said that Trump was "clearly disappointed with many NATO allies". However, Rutte also pushed back against some of Trump's broader criticism, highlighting the contributions of many European nations to NATO.In addition to his criticism of NATO, Trump also appeared to revive his threat to seize Greenland from Denmark, a move that had previously roiled the alliance. "Remember Greenland, that big, poorly run, piece of ice!!!" he wrote.The Wall Street Journal reported that Trump was considering punishing some NATO members he believed were unhelpful during the conflict by moving US troops out of their countries. However, Rutte declined to comment directly on the report.NATO, formed in 1949 to counter the Soviet Union, has been the cornerstone of Western security. The alliance has only activated its mutual defence clause on one occasion, following the September 2001 attacks on the World Trade Center in the US.

NASA unveiled a historic photograph showing Earth disappearing behind the Moon’s edge, taken by the Artemis II crew aboard the Orion capsule during a record‑setting lunar flyby. The image, dubbed “Earthset,” arrives more than 57 years after the famed Apollo 8 Earthrise shot that first revealed our planet from lunar orbit.The four‑person crew—American astronauts Reid Wiseman, Christina Koch, Victor Glover and Canadian astronaut Jeremy Hansen—captured the view on April 6, 2026, deliberately echoing Bill Anders’ December 1968 photograph. Their mission, part of NASA’s broader Artemis program, is designed to lay the groundwork for a 2028 crewed Moon landing.After sharing the image on X, the White House highlighted its significance, noting it as “the first photo from the far side of the Moon, showing humanity from the other side.” The administration also posted a separate NASA picture of a solar eclipse observed during the flyby, describing it as “a view few in human history have ever witnessed.”Beyond the Earthset, the Artemis II astronauts have provided detailed observations of lunar topography and reported witnessing a solar eclipse when the Moon passed in front of the Sun—an event rarely seen from that perspective.The original Earthrise photograph, taken during Apollo 8’s ten lunar orbits, has been celebrated as one of the most influential images ever captured, featuring in Life magazine’s 2003 compilation “100 Photographs That Changed the World.” The new Earthset image adds a contemporary counterpart, reinforcing the enduring power of space photography to shape public perception of Earth’s place in the cosmos.