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Iran has strongly condemned YouTube's decision to ban a pro-Iranian group, Explosive Media, which creates Lego-style artificial intelligence videos. The group was suspended for allegedly posting 'violent content', specifically a video mocking US President Donald Trump and declaring 'Iran won' after a recent ceasefire agreement. The ban has sparked outrage from Iran's Ministry of Foreign Affairs, with spokesman Esmaeil Baghaei accusing YouTube of trying to suppress the truth about the US-Israel war on Iran. Baghaei questioned the ban, highlighting that YouTube hosts content from major animation studios like Pixar, DreamWorks Animation, and The Walt Disney Company. Explosive Media's videos often use US popular culture to portray Trump as isolated and prone to childish tantrums. One video depicted Trump with an oversized yellow head and a flaming backside, holding a sign that read: 'VICTORY! I am a loser'. The group describes itself as independent but is widely suspected of having ties to the Iranian government. The ban has been seen as an attempt to shield the American administration's false narrative from competing voices. Iran's Foreign Ministry has expressed concern that such actions could limit the free flow of information and perspectives on the ongoing conflict.

Italy has suspended the automatic renewal of its defence agreement with Israel, Prime Minister Giorgia Meloni said on Tuesday in Verona. The pact, originally approved in 2006 and set to renew every five years, encompasses joint development of military equipment, technology research, training of personnel and information‑technology cooperation. Meloni explained that the decision reflects “the current situation,” referring to a recent episode in which Israeli forces allegedly fired warning shots at an Italian peacekeeping convoy in Lebanon, damaging a vehicle but causing no injuries. In response, Italy summoned the Israeli ambassador to protest the incident, while Israel later called Italy’s ambassador after Foreign Minister Antonio Tajani, also deputy prime minister, condemned the “unacceptable attacks” on Lebanese civilians. Tajani was in Beirut for talks with Lebanese President Joseph Aoun and Foreign Minister Youssef Raggi, and posted on X that he was conveying Italy’s solidarity with Lebanon. Until now, Meloni’s right‑wing government has been one of Israel’s closest allies in Europe. The suspension marks a notable shift in the relationship, although the Israeli government has not issued an immediate reaction. The defence accord, which automatically renews every five years, includes cooperation across defence industries, education and training of military personnel, research and development, and information‑technology initiatives.

Spanish cyclist Jaume Guardeno continues to fight for his life in the intensive care unit (ICU) of Tauli Hospital in Sabadell, two weeks after a severe training accident. The 23-year-old rider from Spain was involved in a collision with a vehicle on March 31, which resulted in serious head injuries.Guardeno's condition remains critical but stable, with his team, Caja Rural-Seguros RGA, providing regular updates on his progress. He is under constant monitoring and is scheduled to undergo further medical procedures in the coming days to aid his recovery.The young cyclist had shown promise in the sport, finishing 14th in the Spanish Vuelta last year and 29th in the Volta a Catalunya just days before the accident. His team is set to make its Tour de France debut this year, highlighting Guardeno's potential.Cycling has seen a resurgence in popularity with riders like Tadej Pogacar, Mathieu van der Poel, and Wout van Aert, but the sport still carries significant risks. Recent incidents include Olympic champion Tom Pidcock pulling out of the Volta a Catalunya after a crash and Italian cyclist Debora Silvestri being hospitalized after a crash during the women's Milan-San Remo.

Why does the war in Sudan persist three years after it began? According to the latest episode of Al Jazeera’s podcast The Take, the answer lies in the network of external actors that continue to fund and arm the warring factions – the Sudanese Armed Forces (SAF) and the Rapid Support Forces (RSF). The episode, hosted by journalist Malika Bilal and featuring political analyst Dallia Abdelmoniem, explores how regional and global rivalries have turned Sudan into a proxy battleground. With the United States and Israel engaged in a broader confrontation with Iran, and tensions in the Strait of Hormuz inflating oil prices, the cost of fuel and food in Sudan has surged, worsening an already dire famine situation. Key insights from the discussion include: Foreign financing and arms supplies keep both the SAF and RSF operational, preventing a decisive military outcome. US‑Israel‑Iran dynamics divert international attention and resources, allowing the Sudanese conflict to fester. Rising global fuel prices driven by Strait of Hormuz instability increase transport costs, making humanitarian aid more expensive and less accessible. Food price spikes exacerbate famine risk for millions of displaced Sudanese, deepening the humanitarian crisis. The podcast also notes that without a coordinated diplomatic push to address the external backers and the broader geopolitical tensions, a sustainable cease‑fire remains unlikely. Production credits go to Tamara Khandaker (producer), with contributions from Noor Wazwaz, Sari el‑Khalili, Spencer Cline, Chloe K Li, and Tuleen Barakat. Editing was handled by Alexandra Locke, while Alex Roldan provided sound design and Hisham Abu Salah and Mohannad al‑Melhem managed video editing. Listeners can follow the conversation and future episodes on X, Instagram, Facebook, and YouTube.

Barcelona's young star Lamine Yamal is drawing inspiration from two sports icons as he attempts to lead his team to a remarkable comeback in the Champions League quarterfinals. Yamal, just 18 years old, changed his Instagram profile picture to a photo of LeBron James holding the NBA trophy after the Cleveland Cavaliers' historic comeback against the Golden State Warriors in 2016. The Cavaliers trailed 3-1 in the series before winning the title, a feat Yamal hopes to replicate with Barcelona against Atletico Madrid.“He’s one of the figures who can inspire me for this match,” Yamal said during a news conference. “I’ll think about how he did it, and hopefully it works out the same for me.”Yamal also spoke highly of his idol, Neymar, who led Barcelona to a stunning 6-1 victory over Paris Saint-Germain in the 2017 Champions League, coming back from a 4-0 deficit in the first leg. “I’ve watched [the 6-1 match] several times, and I watched it live as well,” Yamal said. “Neymar is a player who was very important for me during my childhood. He’s my idol, and I’ll always be grateful to him for everything he’s given to football.”Barcelona coach Hansi Flick expressed confidence in his team's ability to pull off the comeback, stating, “I believe in my team, and I think we can do it. It’s possible.”The match against Atletico Madrid is crucial, with the winner advancing to face either Arsenal or Sporting Lisbon in the semifinals.

Celebrating two decades since its West End debut, Avenue Q is back at London’s Shaftesbury Theatre until 29 August, offering a refreshed version of the Broadway‑to‑London hit that originally won Tonys for Best Musical, Book and Score.The revival, billed as a “love letter to the original”, is helmed once again by Jason Moore – the director who first staged the show in 2006. At 55, Moore admits that returning to a work he originally conceived is unusual, but he sees the anniversary as an opportunity to upgrade the show’s scale, technical ambition and cultural sensitivity.Created by composers Robert Lopez and Jeff Marx with book by Jeff Whitty, the musical blends colourful Sesame‑Street‑style puppets with adult themes such as sex, racism, housing crises and existential angst. While the core story remains, the production team has added contextual notes to jokes that might puzzle Gen‑Z audiences – for example, the reference to 1980s sitcom star Gary Coleman is retained but clarified for modern viewers.Moore’s casting criteria emphasise a youthful “innocence” and a strong aptitude for puppeteering. As actor Emily Benjamin explains, performing through a puppet is an “ego death” that forces the performer to shift focus from self to the character, reducing vocal anxiety and deepening emotional honesty.Behind the scenes, puppet director Iestyn Evans coordinates a complex choreography where human actors operate hand‑and‑rod puppets in full view, interacting simultaneously with fellow performers. This layered performance style demands precise timing, especially when tackling songs like “Everyone’s a Little Bit Racist” and “If You Were Gay”, which have sparked whole‑company discussions about their relevance and sensitivity today.Moore acknowledges that the show’s transgressive edge – famously illustrated by “naked puppets having sex” – still feels bold, even as contemporary West End productions such as Oh, Mary! and The Book of Mormon have pushed similar boundaries. He argues that the musical’s core questions – “how do you give your life meaning?” – remain timeless, and that the updated production aims to engage a new generation of audiences.As Benjamin puts it, “they might just be little cloth things, but people can often empathise with something that isn’t real more directly than with a human being telling the same story.” The revival therefore hopes to prove that puppetry can still provoke, entertain and resonate in today’s cultural climate.

Gordon Ramsay's latest reality TV venture, Secret Service, has taken the Kitchen Nightmares formula to new heights by sending the famously fiery chef undercover to expose the horrific conditions at a struggling Washington DC restaurant, Parthenon. Ramsay arrived at the Parthenon in the early hours of the morning, donning a baseball cap and driving a SUV. He had been contacted by a whistleblower from within the restaurant, who arranged for him to break in overnight to investigate the kitchen's state. Upon entering, Ramsay was met with a scene that looked like the aftermath of a crime, with fatty burnt-orange goo covering the prep surfaces and a black light scan revealing a kitchen in a shocking state of disarray. The kitchen's condition was so bad that Ramsay predicted "rats the size of my grandmother's cat" could be present. He then descended into the sticky horror of the basement, where he found a bandsaw used to slice racks of lamb with fleshy residue on it, and a plastic bag of raw chicken sitting in bloody ice-water. A bacteria expert later confirmed the presence of tiny things wriggling in the samples. The next day, Ramsay sat in a broadcast truck, monitoring the restaurant's service via a wall of monitors and headphones. He directed the filming, barking orders and reacting to the listeria-flavoured fiasco unfolding before him. The footage was then edited with special spy effects, including a green light blinking in the corner and the name of the room displayed at the top of the screen. Ramsay's team also sent in two young chef pals to pose as diners, wearing body-mounted cameras to gather evidence. When they ordered the bandsaw lamb, Ramsay shouted into their earpieces, "Don't eat those lamb chops!", before bursting into the restaurant to confront the staff. The intervention led to a dramatic showdown with the restaurant's owner, Pete, and his family. Ramsay's tough love approach and emotional truths helped to bring about a watershed moment in their lives. The restaurant was subsequently refitted and a new menu implemented, with Pete's son Mikey taking charge. The show's mix of kitchen reality and cheesy espionage did not detract from the emotional impact of the transformation, as Pete tearfully thanked Ramsay for his intervention. The identity of the secret insider who contacted Ramsay was also revealed, adding a gripping mystery to the episode.

Javokhir Sindarov, the 20‑year‑old Uzbek grandmaster, sealed his place as the challenger for Gukesh Dommaraju’s world chess title after winning the Candidates tournament in Cyprus with a game to spare. Playing Black against Dutch veteran Anish Giri, Sindarov drew a calm 58‑move game that lifted him to 9½ points out of a possible 14, leaving the world No. 9 two points behind with one round remaining. "After the queen exchange I felt no pressure at all; the game was comfortable for me," Sindarov said, reflecting the composure that defined his wire‑to‑wire triumph. The Candidates, a double‑round‑robin featuring eight of the world’s best, saw Sindarov dominate with six wins and seven draws, an unbeaten run rarely achieved on such a cut‑throat stage. He will finish the event with a dead‑rubber white game against China’s Wei Yi. His victory not only earns him a shot at the world title—likely in November—but also a winner’s share of €70,000 from the €700,000 prize fund, plus an extra €5,000 for each half‑point scored. The result highlights a broader shift in elite chess. Former top‑seed Americans Fabiano Caruana and Hikaru Nakamura failed to mount serious challenges, underscoring the rise of a younger generation. Gukesh, who became the youngest world champion in history two years ago by defeating Ding Liren, will defend his title against another teenager. This will be the second consecutive world‑championship match featuring two Asian players under 21, a historic first in the 138‑year legacy of the event. While Gukesh’s recent form has dipped—he finished joint‑last at the Prague International Chess Festival—he remains a formidable opponent. Sindarov praised his challenger, noting Gukesh’s "strong skills" and "excellent team," and wished him luck. Having risen to a career‑best world ranking of No. 11 after winning the 2025 FIDE World Cup, Sindarov’s rapid ascent contrasts with Gukesh’s recent struggles, which the Indian prodigy attributes to a deliberate reduction in tournament intensity to regain form. When asked if the prospect of playing for the sport’s most coveted title had sunk in, Sindarov replied, "A year ago I would never have believed it, but I have improved dramatically and I am eager to keep getting better." The exact date and venue for the best‑of‑14‑games world championship match remain to be announced.

In a tense showdown at Wembley, England’s women’s national team edged past Spain 1‑0 to keep their World Cup qualifying campaign flawless. Lauren Hemp opened the scoring in the third minute, a strike that set the tone for a match defined by English resolve. Coach Sarina Wiegman entered the game with a clear plan: abandon possession‑heavy play and adopt a compact low‑block to frustrate Spain’s technical superiority. Captain Keira Walsh echoed this approach, noting that “you can’t go toe‑to‑toe with Spain for possession”. The strategy paid off as England held the ball for only 36.7% of the time, yet limited the visitors to 21 chances, just three of which were on target. Defensively, England were razor‑sharp. The side recorded 21 tackles with a 61.9% success rate, and the newly‑formed partnership of Lotte Wubben‑Moy and Esme Morgan kept the Spanish attack at bay. Goalkeeper Hannah Hampton cemented the clean sheet with a world‑class save from Edna Imade’s close‑range header, preserving the lead. Beyond Hemp’s early goal, the attacking trio of Lauren James on the left and Lucy Bronze on the right added width and defensive cover, showcasing the squad’s evolution since last year’s goalless draw. While Wiegman admitted the team “could have been higher up the pitch”, she praised the collective effort that made Spain uncomfortable once the English side entered the opponent’s half. The victory propels the Lionesses to the top of their qualifying group with three wins from three games and a healthy goal difference. A return fixture in Mallorca in June now looms, but England have already secured a psychological edge.