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During the Jewish festival of Passover, thousands of Israeli settlers converged on natural springs in the occupied West Bank, areas that were previously used by Palestinian communities. Videos circulating on settler chat groups show settlers wading and splashing in the same natural pools where Palestinian children once swam. Their parents barbecued nearby, expressing elation and crediting the 'hilltop youth' – young settlers carrying out systematic violence against Palestinians – for making this possible.The celebrations come as 1,727 Palestinians from 36 communities in the West Bank were displaced in the first three months of 2026 due to settler violence and access restrictions, according to the United Nations' Office for the Coordination of Humanitarian Affairs (OCHA). This already exceeds the highest annual figure recorded in any of the previous three years.For Palestinians like Haitham al-Zayed, 24, who was forcibly displaced from Shallal al-Auja by Jewish settlers, watching the videos was 'very hard to see' but unsurprising. He described the escalating violence and intimidation his community faced, including armed settlers on all-terrain vehicles funded by the Israeli government, chasing livestock and children, and raiding homes to interrogate or detain residents.Allegra Pacheco, chief of party of the West Bank Protection Consortium, described the videos as more than provocation, potentially evidence of the celebration of the intentional use of violence by Israeli settlers to forcibly displace Palestinians – a serious violation of international law. 'The praising of ethnic cleansing carried out by these settler youth,' she said, 'it’s really showing both the impunity and the lack of accountability we are seeing right now.'The displacement and violence have left many Palestinians, like Muhammad from Hammam al-Maleh, refusing to leave their homes despite the danger. 'I was born here. I was raised here. I am not willing to leave. Even if I die here – I will die happy, because I stayed on my land,' he said.

Prime Minister Benjamin Netanyahu announced that Spain will no longer take part in the Gaza ceasefire coordination centre, labeling Madrid’s actions as a diplomatic assault on Israel.In a video posted on X, Netanyahu warned that Israel will not stay silent when faced with what he described as attacks on its legitimacy.Foreign Minister Gideon Saar echoed the prime minister’s sentiment, condemning Spanish Prime Minister Pedro Sánchez for allegedly spreading "blood libels" against the Israeli Defence Forces.Saar added on X that Spain’s persistent anti‑Israel stance under Sánchez has rendered it incapable of contributing constructively to the U.S. President’s peace initiative and the operations of the coordination centre.Relations have deteriorated since Israel’s October 2023 offensive in Gaza, after which Spain recognised a Palestinian state and repeatedly criticised Israel’s conduct. Sánchez’s government also opposed the U.S.–Israel campaign against Iran and even closed Spanish airspace to U.S. warplanes involved in that conflict.The Civil‑Military Coordination Centre (CMCC), a U.S.–led facility created under former President Donald Trump’s 20‑point plan, serves to monitor the declared ceasefire and facilitate the delivery of humanitarian aid to the enclave.Despite the formal ceasefire, Israel continues to conduct near‑daily strikes in Gaza, and significant constraints on aid shipments remain in place.

Oppdal, a mountain village in central Norway, hosted its first interspecies council on a snowy morning at the Bjerkeløkkja conference centre. Thirty‑eight local participants each represented a different species – from a northern bat to a birch tree – and voiced the needs of the natural world in a structured decision‑making process.The council draws on the legacy of the Council of All Beings, a practice created in the 1980s by environmentalists John Seed and Joanna Macy. Phoebe Tickell, a scientist and “moral imagination” activist mentored by Macy, adapted the ritual into a governance methodology that expands representation beyond humans.Facilitators first identified the multispecies stakeholders in the region, then briefed human representatives – chosen either randomly or for expertise – on the perspectives they would embody. The session concluded with a manifesto of principles for human governance and an impact‑evaluation plan to track participants’ connection to nature six months later.Oppdal’s mayor, Elisabeth Hals, noted that the village’s population swells from 5,000 to over 30,000 in winter as tourists flock to private cabins (hytter). The municipality plans to add 1,000 new apartments by 2035 to promote year‑round tourism, a move that has sparked debate over land use, farming, and conservation.During the council, a birch “worried there’s too much of me,” while a rockfoil flower urged humans to “slow down and listen to where nature can tolerate more activity.” The River Driva lamented being treated as a mere resource, and a fox enthusiastically pointed at a wader, highlighting the emotional range the exercise seeks to capture.Proponents argue that such empathy‑building exercises are crucial as wildlife populations have fallen by roughly 70 % over the past 50 years. Tickell contends that “imperfect representation beats exclusion” and envisions interspecies councils becoming as routine as environmental impact assessments.Across the UK, 13 councils have recognised river rights since 2023, and a coalition of artists, ecologists, lawyers and policymakers is exploring similar biodiversity governance around the North Sea. In London, multispecies assemblies have already informed stewardship of the River Roding and land‑use consultations.Oppdal’s experiment aims to create “institutional trace” – genuine decision‑making power backed by robust methodology and longitudinal research – rather than a tokenistic green‑washing exercise. If successful, the model could be replicated internationally, giving non‑human nature a formal seat at the policy table.

Argentina's glacier law has been in effect since 2010, and was the first legislation in Latin America to protect glaciers. It has been a point of contention for mining companies and provincial authorities ever since.The law bans 'any activity' that can affect the 'natural condition' of a glacier or the periglacial frozen land surrounding it, or that results in 'its destruction, movement or interferes with its advance'. That includes the construction of infrastructure not for scientific purposes and any industrial activity. Mining companies, including Barrick, have previously sought to have the law deemed unconstitutional, but the supreme court rejected the challenge.However, a recent reform to the glacier law driven by the far-right government of Javier Milei will relax restrictions, paving the way for mines in high-altitude areas blanketed with ice and snow, which are sources of water. The new law, approved on Wednesday by 137 votes to 111, with three abstentions, will enable provincial authorities to decide which glaciers are protected and which are open for development based on whether they represent a 'relevant water function'.Environmentalists and community members such as Zeballos, a 51-year-old accountant turned activist, have long alleged that Veladero, owned by Canada-based Barrick Mining Corporation and China's Shandong Gold, is operating illegally in an area considered off-limits by Argentina's Ley de Glaciares – or glacier law. The reform has sparked a wave of protests, with Greenpeace activists staging a demonstration on the steps of the National Congress.'What is at stake is the protection of key water reserves in Argentina,' says Andrés Nápoli, a lawyer and executive director of the Foundation of Environment and Natural Resources (Farn), an environmental and human rights NGO. 'Saying that you have to destroy glaciers to guarantee the energy transition is an oxymoron.'About 7 million people, 16% of the population in Argentina, live in areas that depend on glaciers, according to environmental organisations. Glaciers don't just feed rivers; they balance fragile ecosystems hit hard by a heating planet. In Argentina's northwest, scientists say they have shrunk by 17% in the past 10 years.

Jim Jarmusch, the 73-year-old director known for his offbeat Americana films, has spent seven years crafting his latest project, 'Father Mother Sister Brother'. The film, which won the prestigious Golden Lion at the Venice film festival, is an anthology drama that explores the complexities of family relationships through three distinct stories set in New Jersey, Dublin, and Paris.Jarmusch's approach to filmmaking is characterized by his unique ability to elicit low-key performances from big stars and his focus on the quotidian aspects of life. He cites influences from filmmakers like John Cassavetes and David Lynch, but emphasizes his own humanist approach. 'I make films out of the things other people would leave out,' he notes, highlighting his attention to detail and ability to find beauty in everyday moments.The film features a star-studded cast, including Cate Blanchett, Adam Driver, Mayim Bialik, and Tom Waits. Jarmusch's process involves casting first and then writing the script quickly, often in a matter of days. 'I cast first then write fast,' he explains, showcasing his collaborative approach with actors.Jarmusch reflects on his career, mentioning the challenges of getting films made without compromising his artistic vision. 'It's harder every time to get a film made,' he acknowledges, but remains committed to his unique approach. The director also touches on themes of mortality and the cyclical nature of life, emphasizing the importance of living in the present.The film 'Father Mother Sister Brother' is set to release in UK cinemas on April 10, offering audiences a glimpse into Jarmusch's distinctive filmmaking style and thematic explorations.

The television landscape is witnessing a surge in AI-powered villains, with recent shows like 'The Capture' and 'Paradise' featuring sinister artificial intelligence as central characters. In 'The Capture', the AI villain, named Simon, is a sophisticated system used by the military to plan and execute operations, showcasing the potential dangers of relying on AI in warfare.The show's writer, Ben Chanan, notes that the tech used in the series is eerily plausible and reflects current advancements in AI technology. The use of AI in TV dramas serves as a commentary on the risks and uncertainties associated with emerging technologies.In another example, the TV series 'Paradise' features an AI-controlled quantum computer named Alex, which develops exponential processing power and becomes capable of manipulating time and creating a potential parallel multiverse. This portrayal highlights the concerns about AI's potential to surpass human control.The trend of AI villains in TV dramas is not limited to sci-fi shows. Even comedy series like 'The Comeback' are incorporating AI into their storylines, often as a commentary on the rapid advancements in AI technology and its potential impact on society.Experts and show creators alike are cautious about the implications of AI on our daily lives, warning that it could lead to significant changes in various industries and potentially even threaten jobs. As AI technology continues to evolve, it's likely that we'll see even more complex and nuanced portrayals of AI in television and other forms of media.

Jonathan Freedland contends that the record of Benjamin Netanyahu’s recent wartime conduct is one of stark failure, despite the spotlight it has received alongside former U.S. President Donald Trump.While Trump has dominated headlines with his rhetoric on Iran and a self‑announced cease‑fire, Netanyahu has quietly overseen a continuation of hostilities across the region. Israel’s air campaign on Lebanon—the most lethal single strike in recent memory—targeted roughly 100 sites in a ten‑minute window, leaving at least 303 dead and more than 1,150 injured, many of them civilians.Israel maintains that the U.S.‑brokered deal with Tehran does not extend to Lebanon, a claim disputed by Iran and Pakistani mediators. Netanyahu, meanwhile, has pledged to sustain “full‑force” attacks on what Israel labels Hezbollah launch positions, even as he publicly agrees to diplomatic talks with Beirut.Internationally, Netanyahu is already wanted by the International Criminal Court for alleged war crimes in Gaza, and his reputation abroad is that of a war‑time villain. Domestically, his supporters still view him as a security hawk, a perception that matters most as Israel faces elections no later than 27 October.Freedland highlights that the October 7, 2023 Hamas onslaught—Israel’s deadliest terrorist attack—occurred under Netanyahu’s watch, a fact that would have toppled most leaders in comparable democracies. Yet the prime minister promised “total victory” over Hamas, a promise that remains unfulfilled after a two‑year bombardment that has claimed roughly 70,000 lives in Gaza while leaving Hamas in control of the enclave’s unoccupied areas.Claims of having neutralised Hezbollah have also proved hollow. Although Israel announced the death of the group’s leader, Hezbollah continues to rebuild its arsenal and resumed rocket fire, undermining the narrative of a decisive Israeli triumph.Similarly, the 12‑day 2025‑2026 confrontation with Iran—branded by Trump as an obliteration of Tehran’s nuclear programme and by Netanyahu as a historic victory—has not diminished Iran’s strategic capabilities. The nation still possesses enriched uranium, a robust missile stockpile, and the ability to threaten global shipping through the Strait of Hormuz, effectively holding a lever over the world economy.Freedland argues that Netanyahu’s doctrine of perpetual military pressure yields only temporary relief, likening it to repeatedly cutting off a snake’s head only for it to regrow. Former Israeli general‑turned‑politician Yair Golan is quoted as saying that Netanyahu “does not know how to translate battlefield successes into lasting political security.”The human cost of this approach is evident not only in the casualties of Gaza, the Bekaa Valley and Israeli cities, but also in Israel’s deteriorating diplomatic standing. Recent legislation in the Knesset—pushed by far‑right minister Itamar Ben‑Gvir and supported by Netanyahu—introduces a death‑penalty provision for Palestinians convicted of terrorism, a move condemned internationally as discriminatory.As Israelis endure nightly bomb‑shelter drills and semi‑lockdown conditions, the electorate faces a stark choice. Polls suggest that even if Netanyahu is ousted, his successor may continue a similar hard‑line stance, albeit with different execution. Freedland concludes that Israel’s long‑term security cannot rely solely on force; a negotiated accommodation with neighbours, especially the Palestinians, may finally become politically viable after the exposure of Netanyahu’s repeated strategic failures.

The acclaimed HBO series Hacks is set to conclude with its fifth and final season, which promises to be a joyful and lighter chapter in the story of its two lead characters.Created by Paul W. Downs, Lucia Aniello, and Jen Statsky, Hacks has been a critical darling since its debut in 2021, earning a 99% Rotten Tomatoes score and 12 Emmy wins, including Outstanding Comedy Series in 2024.The show revolves around the unlikely partnership between Deborah Vance (played by Jean Smart), a veteran comedian, and Ava Daniels (played by Hannah Einbinder), a young comedy writer. Their relationship evolves over four seasons, navigating the challenges of comedy, fame, and personal growth.Paul W. Downs, who plays Jimmy on the show, revealed that the creators had the ending in mind from the beginning. The final season focuses on Deborah's comeback and her relationship with Ava, which has deepened into affection, mutual respect, and love.The new season features a more playful tone, with episode ideas that include anxiety dream sequences, a meditation on AI, and a farcical episode where Deborah forces Ava to lean into a misunderstanding. Downs describes the season as “sunnier, more playful, but with just enough heart and pathos” to provide a satisfying conclusion.Hacks has been praised for its unique take on comedy and its ability to transcend the entertainment industry, exploring themes of identity, dignity, and human connection. The show's conclusion will be available on Sky and NOW in the UK, HBO Max in the US, and Stan in Australia.

The recent threat by the US President to commit genocide against Iran is a stark reminder of the dangers of normalizing violence and aggression. This threat comes on the heels of Israel's continued bombing in Lebanon, which has resulted in the killing of over 200 people in a single day.The connection between these events and the situation in Gaza is clear. The destruction of Gaza, which has been described as a "civilization wiped out", has been normalized by western politicians and media outlets. The killing of thousands of Palestinians, including 20,000 children, has been met with relative silence and inaction.The article highlights the role of lobbying and strategic interests in shaping western policy towards Israel and Palestine. The American Israel Public Affairs Committee (AIPAC) has spent $221m since December 2021, influencing political campaigns and shaping public opinion.The author argues that the normalization of genocide in Gaza has paved the way for the current war with Iran. The use of similar rhetoric and tactics, such as the targeting of critical infrastructure and the dehumanization of enemies, has created a template for violence that is now being applied to Iran.The article concludes that the price of cowardice and complicity in these atrocities will be paid by innocent civilians in the Middle East and beyond. The normalization of genocide and violence has created a world where barbarism is accepted and the line between the permissible and the unthinkable is constantly shifting.