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Burkina Faso’s military government announced on Wednesday the dissolution of 118 non‑governmental organisations and associations, citing compliance with existing legal provisions and imposing an immediate ban on their activities.The move, described by rights advocates as an "attack on basic freedoms", follows a series of repressive actions since the 2022 coup that brought Captain Ibrahim Traoré to power.All of the dissolved entities operate within Burkina Faso, many of them dedicated to defending human rights. The Ministry of Territorial Administration and Mobility, through Minister Emile Zerbo, warned that any non‑compliance with the July 2025 law governing civil‑society groups will attract penalties under current regulations.Amnesty International condemned the decision as a "flagrant attack on the right to freedom of association", noting that it contradicts both the Burkinabe constitution and the country’s international human‑rights obligations. Senior Sahel researcher Ousmane Diallo urged the authorities to rescind the decree immediately, emphasizing that the crackdown is part of a broader strategy that includes abusive legislation, intimidation, arbitrary detention, and prosecution of activists.Earlier this year, the regime forced all national and international NGOs to transfer their bank accounts to a newly created state‑controlled bank, dissolved all political parties after a three‑year suspension, and publicly urged citizens to "forget democracy."Burkina Faso continues to grapple with an insurgency linked to al‑Qaeda and ISIL affiliates; the government frequently accuses internationally funded NGOs of espionage or collusion with these armed groups, further justifying its restrictive measures.

The International Monetary Fund (IMF) has downgraded its global growth forecast for 2026 from 3.3% to 3.1%, citing the impact of the US-Israeli war on Iran and the shutdown of the Strait of Hormuz on the world economy. In a worst-case scenario of a prolonged war, global growth could fall to 2.5% in 2026, with low-income and developing economies hit the hardest by soaring commodity and energy prices. However, some industries are benefiting from the uncertainty: Wall Street Investment Banks Wall Street investment banks are thriving due to increased trading activity, with Morgan Stanley reporting a profit of $5.57bn, up 29% year on year, and Goldman Sachs reporting a profit of $5.63bn, up 19% year on year. Aerospace and Defence The aerospace and defence industries are booming due to increased global defence spending, with the MSCI World Aerospace and Defence Index reporting net returns of 32% year on year. Artificial Intelligence The AI industry is expected to grow from $189bn in 2023 to $4.8 trillion by 2033, with Taiwan Semiconductor Manufacturing Company posting a net income of $18.1bn for the first three months of 2026, up 58% year on year. Renewable Energy The renewable energy sector is also benefiting from the war, with 150 countries having active policies to advance renewable and nuclear deployment, and the S&P; Global Clean Energy Transition Index up 70.92% year on year.

Al Jazeera published a detailed analysis on April 17, 2026 titled “The three clocks of the Iran war.” Authored by Jasim Al‑Azzawi, the piece explores three interlocking timelines that together define the dynamics of the Iran conflict. The first "clock" looks at the historical backdrop, tracing the roots of regional tensions and past confrontations that continue to influence current strategies. The second clock focuses on the present operational tempo, assessing ongoing military maneuvers, diplomatic engagements, and the immediate humanitarian impact on the ground. The third clock projects the future trajectory of the war, considering scenarios ranging from escalation to negotiated settlement, and the potential ripple effects across the broader Middle East. By framing the conflict through these three temporal lenses, the analysis aims to provide readers with a nuanced understanding of how past grievances, current actions, and future possibilities intertwine, shaping the geopolitical landscape of the region.

Despite a ceasefire that has been in place for seven months, Israeli attacks have killed several Palestinians in the Gaza Strip over the past two days. The violence has resulted in the deaths of at least six people, including brothers Abdelmalek and Abdel Sattar al-Attar, who were killed in an Israeli drone strike in Beit Lahiya.Nine-year-old Saleh Badawi was also shot dead by Israeli forces in the Zeitoun neighbourhood east of Gaza City. Additionally, Mohsen al-Dabbari, 38, was killed by Israeli fire south of Khan Younis.On Friday, three more Palestinians were killed, including brothers Mohammed and Eid Abu Warda, who were shot dead on Mansoura Street in the Shujayea neighbourhood east of Gaza City. An Israeli drone strike on a water desalination facility in the same neighbourhood killed one Palestinian and wounded several others.The Gaza Government Media Office has reported that Israel has committed 2,400 violations of the ceasefire, which began in October. These violations include killings, arrests, blockades, and starvation policies.The violence has also spread to the occupied West Bank, where Israeli forces and settlers have carried out raids and attacks. Israeli settlers set fire to two vehicles during an attack on Palestinian homes in the southern West Bank, while Israeli forces stormed ar-Ram town north of Jerusalem and arrested a number of Palestinians.The United Nations has expressed concern over the continued violence, with UN Women reporting that an average of at least 47 women and girls were killed each day during the war in Gaza.

World-renowned tennis player Novak Djokovic has announced that he will not participate in the upcoming Madrid Open, citing ongoing injury concerns and a need for continued recovery.The 38-year-old Serb has struggled with fitness issues this year, playing only two tournaments: the Australian Open in February, where he lost to Carlos Alcaraz, and the Indian Wells in March. His shoulder injury has been a significant setback, forcing him to skip several tournaments, including the Doha Open, Miami Open, and Monte Carlo Masters.Djokovic expressed his disappointment at missing the Madrid Open, a tournament where he is a three-time champion, stating: 'Madrid, unfortunately, I won’t be able to compete this year. I’m continuing my recovery in order to be back soon.'Despite these challenges, Djokovic remains focused on his goal of competing at the French Open, which begins on May 24. He is next scheduled to compete at the Italian Open in Rome from May 6-17, where he will aim to regain his form ahead of the Grand Slam event.The withdrawal from the Madrid Open raises concerns about Djokovic's fitness levels and his ability to perform at his best in the French Open. As the 24-time Grand Slam champion prepares for the next major tournament, his fans and fellow competitors will be closely watching his progress.

Hungary’s political landscape shifted dramatically last weekend when Peter Magyar secured a landslide victory, ending Viktor Orban’s 16‑year rule. Magyar, now head of the centre‑right Tisza party, has pledged to steer the nation back toward the European Union and to eliminate Russian oil imports by 2035. Under Orban, Hungary deepened its energy ties with Moscow, opposing EU sanctions and blocking military aid to Ukraine. The country became a key conduit for Russian oil and gas into the EU, largely via the Druzhba pipeline, which delivered up to 93% of Hungary’s crude by 2025, up from 61% in 2021, according to a 2026 Center for the Study of Democracy (CSD) report. Gas dependence is similarly stark: the CSD data show that roughly three‑quarters of Hungary’s annual gas imports come from Russia, amounting to an estimated €15.6 billion ($18.4 bn) since the invasion of Ukraine. Long‑term contracts with Gazprom and reliance on the TurkStream pipeline have locked Hungary into Moscow’s re‑engineered gas export system. Hungary’s nuclear sector also ties it to Russia. The Paks plant, which supplies 40‑50% of the nation’s electricity, is being expanded with financing from Russia’s state nuclear corporation Rosatom. The expansion would raise nuclear output to 60‑70%, reducing overall import needs but preserving a strategic link to Moscow. Magyar acknowledges the difficulty of a swift break. "The geographical position of neither Russia nor Hungary will change. Our energy exposure will also be here for a while," he told voters before the election. Yet he insists that ending dependence does not mean abandoning all contracts, emphasizing a need to balance existing obligations with a political shift away from Russia. Analysts note that diversification will be costly. Russian oil has been purchased at discounted rates due to Western sanctions, and alternatives—such as the Adria pipeline delivering non‑Russian crude to Hungarian refiner MOL—are more expensive. A 2025 joint study by CSD and the Center for Research on Energy and Clean Air suggests the Adria route could help, but price differentials remain a barrier. The EU has set a binding deadline to phase out Russian oil and gas by late 2027. Magyar’s 2035 target therefore exceeds the bloc’s timetable, raising questions about Hungary’s compliance and its future relations with Brussels. European Council on Foreign Relations senior fellow Pawel Zerka warns that Hungary lacks easy substitutes, especially given global supply disruptions like the Strait of Hormuz closure, which has halted 20% of world oil and LNG shipments. Domestically, public sentiment appears hostile to Russia; a recent ECFR poll shows a majority of Tisza voters view Moscow as an adversary. This political pressure limits Magyar’s ability to maintain cordial ties with President Vladimir Putin while pursuing energy security. In summary, Hungary faces a complex transition: it must untangle decades of energy interdependence, manage higher costs for alternative supplies, and align its timeline with EU mandates—all while navigating domestic expectations and regional geopolitical tensions.

In the midst of escalating tensions, a heart-wrenching story emerges from Gaza. Inaam al-Dahdouh, a 62-year-old mother, sits in her makeshift tent with her six grandchildren, clinging to a photograph of her three sons, who have been detained by Israeli forces for two years. As Palestinian Prisoners' Day is marked on April 17, Inaam's anguish deepens. Her sons, Mahmoud, Alaa, and Diaa, were arrested during an Israeli attack on al-Shifa Hospital in December 2023. They were bound, blindfolded, and taken away, leaving behind a family torn apart. The situation worsens with the recent approval of an Israeli law allowing the execution of Palestinian prisoners convicted of killing Israelis. This move has sparked international condemnation and fears among families like Inaam's. Over 9,600 Palestinians are currently imprisoned, a nearly 83% increase since the war began, with 350 children and over 3,530 administrative detainees held without charge. Inaam's sons are civilians; Mahmoud is a father of six, Alaa had completed his law degree, and Diaa was about to start life after high school. Despite reassurances that the new law targets specific categories of prisoners, Inaam cannot shake off the fear that her sons might be affected. “They can endure hunger … we tell ourselves they can endure it. But execution? Not to that extent,” Inaam says, fighting back her emotions. She urges a global stance to pressure Israel to reverse its decisions against prisoners, emphasizing that a prisoner has the right to live and dignity. Inaam tries to fill the void by caring for her grandchildren and teaching them the Quran, a gift for her imprisoned sons. Her story highlights the human cost of the ongoing conflict and the desperate need for a resolution to protect the rights and lives of Palestinian prisoners.

Arsenal manager Mikel Arteta has called on his side to view the forthcoming clash with Manchester City as a "huge privilege" rather than a source of pressure, stressing the importance of character in what could be a title‑defining encounter. The Gunners currently enjoy a six‑point lead over Pep Guardiola’s City ahead of the Sunday showdown at the Etihad Stadium, but City hold a game in hand that could swing the balance in their favour during the season’s final weeks. Recent form adds drama: Arsenal have dropped three of their last five matches across all competitions, including a League Cup final defeat to City, a shock FA Cup quarter‑final loss to second‑tier Southampton, and a home league loss to Bournemouth. In Europe, Arsenal scraped past Sporting Lisbon, drawing 0‑0 to clinch a 1‑0 aggregate win in the Champions League quarter‑finals, yet their domestic performances have been below the standards expected of a title challenger. Addressing criticism of the squad’s mental resilience, Arteta told reporters, "We have earned the right to be in this position and to be challenging, with an opportunity to win against arguably the best team and best manager this league has ever seen. That is a huge privilege." He added, "Who is more privileged to be in this position? I feel very privileged to have earned the right to play such a big and great game." Arsenal are chasing their first English league title since 2004 after finishing runners‑up for three consecutive seasons. In both 2023 and 2024, they squandered substantial leads, allowing City to overtake them. Artura believes a victory at the Etihad would place Arsenal in a "virtually unassailable" position. "Winning at this stage brings us a bit closer," he said, noting there are six games remaining and the match is "really important for both teams." Reflecting on the recent League Cup loss, Arteta urged his players to channel that pain into motivation: "The pain we felt afterwards, we need to use the right way on Sunday. Learn from that game and the things we want to change for the next one." He also dismissed rumors of a motivational fire‑lighting stunt at the training ground, explaining that the club employs varied themes to prepare for each match, with the players' own initiative being the most valued. Statistically, Arsenal have failed to win any of their last ten league visits to the Etihad, losing seven of those encounters—a barren run that stretches back to 2015. When asked whether he might advise his side to settle for a draw to protect their six‑point cushion, Arteta was unequivocal: "We prepare every game to win, that is why we are where we are, and we are going to continue to do the same."

Disney introduced InfinityVision at this year’s CinemaCon, positioning it as a certification for premium large‑format (PLF) auditoriums that meet or exceed undisclosed standards for screen size, brightness and sound quality. While the name sounds like a Marvel spin‑off, the label applies to any film, not just superhero titles. Disney claims roughly 300 screens worldwide already carry the badge, though a public directory has yet to appear. The timing is strategic: Disney’s Avengers: Doomsday is slated for a December debut that coincides with the release of the third Dune film, which has secured a limited run on coveted Imax screens. By promoting InfinityVision, Disney hopes to reassure audiences that alternative PLF venues—such as Dolby, RPX and other branded auditoriums—can deliver an equally spectacular experience, a tactic the author dubs screenmaxxing. Screenmaxxing has become a lifeline for a theatrical sector under pressure from streaming and rising ticket prices. Even the smallest multiplex PLF screens dwarf the televisions owned by the majority of consumers, yet theatres cannot simply charge a $5 premium for a larger screen; they need to sell a demonstrably superior visual and auditory package. Today’s market offers a bewildering array of PLF options, especially in cities where multiple chains compete. Directors like Ryan Coogler (Sinners) and the team behind Project Hail Mary use the variety of formats as a marketing hook, explaining aspect‑ratio differences and visual nuances to fans. Even legacy formats have resurfaced: Paul Thomas Anderson’s One Battle After Another revived the rarely used VistaVision, an analog high‑definition process dormant for half a century, alongside traditional 70mm and Imax prints. Adding to the mix, a new digital projector brand—HDR by Barco—is being rolled out to compete with Dolby‑branded auditoriums. The technology promises deeper blacks, heightened contrast and unprecedented brightness, and has already been adopted by the Alamo Drafthouse chain for its dine‑in locations. Many of these Barco‑equipped rooms also feature Dolby Atmos sound, though the author cautions against conflating sound systems with projection technologies. To gauge HDR by Barco’s performance, the writer visited the Brooklyn Alamo Drafthouse, one of three New York venues using the system (the others are Regal locations equipped with RPX screens). While the recent Super Mario Galaxy movie showcased the projector’s vivid palette, the reviewer chose a more demanding test: Lee Cronin’s horror‑reimagining The Mummy. Compared with a prior Dolby projection of the same film, the Barco version delivered a noticeable boost in clarity—especially in shadow‑heavy scenes—without the oversharpening or motion‑smoothing artifacts sometimes seen on consumer TVs. The experience was “brighter” yet retained natural colour balance, offering a subtle but real upgrade over standard cinema projection. Despite the technical gains, the piece questions whether another premium brand can truly shift audience habits. The author argues that healthy competition among laser‑projection systems may prevent theatres from settling for “dim” images, encouraging cinephiles to seek out PLF venues. However, blockbuster spectacles like the climactic battle in Avengers: Endgame remain visually underwhelming even on an InfinityVision‑certified screen, suggesting that format alone cannot rescue a film’s visual impact. Ultimately, the most compelling case for premium formats may be the construction of genuine Imax theatres, not retrofits. True Imax auditoriums prioritize height over width, delivering an immersive field of view that even high‑end digital projectors struggle to match. Yet only a few dozen such venues exist worldwide; most “Imax” screens are simply Dolby, Barco or RPX rooms equipped with the brand’s hardware. Screenmaxxing, therefore, is likely to remain a niche pursuit rather than a universal solution for the exhibition industry. While hunting for the loudest, sharpest presentation can be entertaining, an overabundance of competing formats may reinforce the perception that a standard movie‑going experience is insufficient—potentially undermining the very audience the industry hopes to attract.