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The Lebanon Ceasefire Extension Lebanon has welcomed an agreement with Israel to extend a fragile ceasefire by 45 days beyond Sunday's deadline following talks in the United States. The ceasefire extension comes as Israeli forces continued attacks on towns and villages in southern Lebanon, resulting in at least 12 people killed on Friday, including three paramedics. Iran's Openness to US Talks Iran's Foreign Minister, Abbas Araghchi, said during a BRICS meeting that Tehran had received communication from the administration of US President Donald Trump indicating openness to new negotiations aimed at ending the war. However, Araghchi noted a 'deadlock' remained over the issue of Iran's enriched nuclear material. The US Proposal Trump suggested he could be open to Iran placing its civilian nuclear programme on hold for two decades, provided Tehran demonstrates a genuine commitment to a broader agreement. Key Developments Iran open to China's help: Iran's Foreign Minister Abbas Araghchi said the US had sent messages indicating it was willing to continue talks, and that he was open to any support – including from China. Tehran details toll of attacks on Iranian capital: The municipal government said US-Israeli attacks during the war caused at least 650 impact incidents across the capital, killing more than 1,260 people and wounding at least 2,800. More ships pass through Hormuz: Iran is allowing more ships to pass through the strategic Strait of Hormuz, state television has reported, because 'many countries have accepted the new legal protocols' it has put in place. War Diplomacy China signals likely veto on Hormuz resolution: China's UN envoy Fu Cong criticised a proposed US-backed Security Council resolution on the Strait of Hormuz as 'not right' in both timing and content, signalling Beijing would likely oppose the measure alongside Russia. Israel, Lebanon extend ceasefire: Lebanon and Israel on Friday extended a ceasefire for 45 days, despite a new flare-up in violence, the US State Department said after mediating talks. Lebanon sees path to 'lasting stability': Lebanon's delegation at the talks in Washington said on Friday that the truce extension and the establishment of a US-facilitated security track pave the way for 'lasting stability'. The Impact on the Region The ongoing conflict and diplomatic efforts have significant implications for the region, with Lebanon's Ministry of Public Health reporting Israeli attacks have killed at least 2,951 people and wounded 8,988 others since renewed air raids and the ground invasion began on March 2. The Future Outlook The extension of the ceasefire and the signals of openness to talks between Iran and the US may pave the way for a de-escalation of tensions in the region. However, the situation remains fragile, and the impact of the conflict on civilians continues to be a major concern.

Villa clinch Champions League berth with 4‑2 win over LiverpoolAston Villa secured a coveted Champions League spot after a 4‑2 triumph over Liverpool at Villa Park, propelled by a brace from Ollie Watkins. The victory leap‑frogged Liverpool in the league table and came just days before Villa’s Europa League final.Watkins’ brace and set‑piece mastery break Liverpool’s defensive recordThe match opened with Morgan Rogers curling in the first goal from a well‑rehearsed corner. Watkins equalised within 90 seconds and later added a second from another set‑piece, exploiting Liverpool’s league‑high 20 goals conceded from dead‑ball situations.Goal timeline: Rogers (13'), Watkins (0' & 73'), McGinn (45'), Van Dijk (90+2')Key players: John McGinn (captain), Virgil van Dijk, Arne Slot (Liverpool manager)Statistical snapshot: set‑piece goals and league standingsLiverpool have now allowed 20 set‑piece goals this season, the highest in the Premier League. Villa’s win moves them into the top‑four, while Liverpool slip to fifth, jeopardising their Champions League qualification.Implications for the title race and Europa League finalThe result underscores Liverpool’s defensive frailties and raises questions about Arne Slot’s squad depth, with nine first‑team players unavailable. For Villa, the confidence boost arrives ahead of the Europa League final, where they aim to claim their first major European trophy in 44 years.Looking ahead: what the next weeks hold for both clubsVilla will focus on maintaining momentum into the Europa League final and the final league fixtures, hoping to finish the season in the Champions League places. Liverpool must tighten set‑piece defending and recover lost points to re‑enter the top‑four before the season concludes.

The Lead: A Beethoven Performance Like No OtherOn the face of it, Beethoven's Violin Concerto, the opening work of this BBC National Orchestra of Wales concert, might have seemed unexceptional. Soloist Veronika Eberle immediately proved it otherwise. Sweet, pure tone, clarity of line and an almost reverential approach with not a trace of bombast distinguished her playing from the outset. The rapport with conductor Alexandre Bloch was implicit and, in the deeply reflective central Larghetto, the music was imbued with an air of serenity.The Innovation: Widmann's Revolutionary CadenzasYet what made for a wholly different experience here was Eberle's use of new cadenzas in all three movements, boldly commissioned from her fellow German, Jörg Widmann. Widmann realised a balance between the expected virtuosity and a highly imaginative, improvisatory feel, references to key Beethoven motifs tightly embedded. Moreover, bringing first the timpanist then the principal double bass to collaborate with the soloist threw further elements into the dynamic mix, with Tom Aldren – leading the orchestra in this work – also duetting with Eberle. This verging on the subversive – interventions that extended an already long concerto – could have have been bothersome but, overall, the sheer bravado and vibrancy spelled riveting listening.The Artistry: Benjamin's Homage to KnussenThe BBCNOW players got to display considerable virtuosity and to have their own moments in the limelight in George Benjamin's Concerto for Orchestra. A heartfelt tribute to the genius of Benjamin's close friend and collaborator, the late Oliver Knussen, this 18-minute piece was originally written for the crack ensemble that is the Mahler Chamber Orchestra. But there was no compromise on technical brilliance here. The ear was beguiled by the finesse and intricacies of the textures, particularly in woodwind and brass, with the unusual prominence of solo lines for tuba, two timpanists and, finally, the first violins offering teasing, playful elements in the spirit of the inimitable Knussen.The Climax: Strauss's Death and TransfigurationRichard Strauss's tone poem Tod und Verklärung (Death and Transfiguration) brought the evening to a thrilling climax. Bloch, whose energetic conducting style embraces expressive detail and warmly expansive gestures, inspired a performance that was both sensuous and sumptuous, underlining the remarkable vision of the 25-year-old Strauss. It crowned a fine night for timpanist Steven Barnard, the players all clearly in their element.Broadcast on BBC Radio 3 on 29 June.

The LeadAs Eurovision celebrates its 70th anniversary, some of the most iconic figures from the competition share their untold stories. Not many 70-year-olds spend their nights with pop singers in sparkly catsuits or nightmarish monsters barking out heavy metal, but these Eurovision veterans have experienced it all. From winning while sick with fever to becoming internet memes overnight, their tales reveal the unique magic and challenges of Europe's most beloved music competition.The Metal Monster's VictoryMr Lordi, frontman of Finnish metal band Lordi and winners in 2006, recalls how their journey began with no expectations: "When we were invited to enter the Finnish national contest to be the Eurovision entry, we thought we had absolutely no chance. We just wanted some free TV for our new album." Despite their casual approach, they won the popular vote by a landslide.Their arrival in Athens created a media frenzy: "We'd arrive in the press room in our full costumes, you know, just minding our own business. Then the press would go: 'Oh, fucking hell, that's Lordi!' and run to us." Their unconventional approach drew both attention and complaints from other contestants.Despite their eventual victory, Lordi's performance was far from perfect: "On the night, that performance was one of the worst versions I personally have ever delivered of Hard Rock Hallelujah. I was sick with a fever. And it's so hot in that costume you have your own mobile sauna with you."The aftermath was unexpectedly harsh: "Within a year, the backlash started. A lot of metal and rock people really resented us for winning. They thought we had sold out. But then, surprisingly fast, normal people started joining in."The Saxophone SensationSergey Stepanov, saxophonist of Moldovan band SunStroke Project who placed 22nd in 2010 and 3rd in 2017, shares how Eurovision changed his life completely. "Going to Eurovision was always a dream for me. When I was young, I would watch with my mother, and the artists performing seemed so different from us they were like spacemen."Their first experience in Oslo was modest but impactful: "We did not have a lot of money. All we had to make people remember us was our energy, our music – and how much fun we had." Their unexpected fame came later: "After we came back, my friend called me and said: 'You are a meme: Epic Sax Guy. You are famous in the United States!' Until that moment, I had no idea what a meme was."Their return in 2017 brought even greater recognition: "When we went back in 2017, we were about to go on stage when our producers gave me the phone. It was the president of Moldova. He said: 'Guys, are you ready to do a miracle?' We went out and came third."Steppanov describes the transformative power of that moment: "The moment I started to do my moves in 2017, the crowd got so loud I couldn't even hear what I was playing. At that point, I knew my life wouldn't be the same afterwards."The Zero Points ExperienceJames Newman, who represented the UK in 2021 and became the second British act to score nul points, shares his experience of the competition. While the article cuts off before detailing his full story, the heading suggests a dramatic experience that contrasts with the triumphs of other Eurovision participants.

Veteran prop Jake Woolmore is on the brink of eclipsing the Bristol Bears' Premiership appearance record in a crucial fixture against Northampton, while still hunting for his first try after 142 league outings.Breaking the Bristol Premiership Appearance RecordWoolmore, 35, will surpass the club’s previous benchmark set by fellow prop Darren Crompton if he takes the field on Friday night. The milestone comes as Bristol sit fifth in the table, chasing a win over league leaders to keep their playoff hopes alive.Current tally: 142 Premiership games, 184 in all competitions.Target: Become the most‑capped Bristol player in top‑flight history.Team context: Five points behind fourth‑placed Exeter with three regular‑season games remaining.Try‑less Streak: Numbers Behind the RecordDespite his durability, Woolmore remains one of the league’s most prolific non‑scorers. The all‑time Premiership record for games without a try belongs to Kieran Brookes at 158 matches, with former Newcastle forward Mark Sorenson second at 144. Woolmore sits just 16 games shy of Brookes’ mark.Current try‑less count: 142 league appearances.All‑time leader: Kieran Brookes – 158 games.Second place: Mark Sorenson – 144 games.What Woolmore’s Longevity Means for the Bears and Rugby CultureWoolmore’s career underscores the value of consistency, professionalism, and off‑field balance. He runs an award‑winning sauna and ice‑bath business with teammate Harry Thacker, promoting mental and physical wellbeing for younger players. His approach—emphasising fitness, resilience, and a life beyond rugby—offers a template for aspiring pros in a sport increasingly focused on holistic development.Off‑field venture: Sivo Wellness – saunas and ice baths for athletes.Mentorship: Encourages younger players to engage in activities like yoga, citing lower injury rates.Team impact: Provides leadership and a steady presence in the front row, complementing star players such as England’s Ellis Genge.Future Outlook: Can the Try‑less Record Hold?With Bristol’s season hanging in the balance, Woolmore’s immediate focus is helping the Bears secure a win against Northampton and later fixtures against Bath, Sale Sharks, and Saracens. While the try‑less record may eventually be broken, his durability and off‑field contributions suggest he will remain a pivotal figure for Bristol and a role model for the next generation of front‑row forwards.

The LeadEnsemble Modern and HK Gruber's album "Dancing on a Volcano" presents an eclectic snapshot of musical Germany between 1920 and 1933, capturing a creative era that would be suppressed by the Nazi regime. This live recording features works by composers who ultimately fled Germany, their music deemed "too modern, too jazzy, too Jewish" by the rising fascist power.The Musical Landscape of Pre-War GermanyThe album showcases four distinct voices from this turbulent period. Hindemith's Kammermusik No 1, premiered in 1922, was controversially described as having "a lewdness and frivolity only possible for a very special kind of composer." Gruber's performance embraces its neo-classical spikiness and jazz-age energy with almost cartoonish glee.In contrast, Korngold's 1920 music for Shakespeare's Much Ado About Nothing represents Viennese neo-Romanticism, which Gruber leavens with a pinch of acerbic wit. Schoenberg's Accompaniment to a Cinematographic Scene, premiered in 1930 under Klemperer, offers eight minutes of existential angst in Johannes Schöllhorn's lean-textured 1993 chamber version.The Historical Context and Cultural SignificanceThe period represented by this album—1920 to 1933—encompasses the Weimar Republic, a time of extraordinary cultural flourishing in Germany despite economic and political instability. The featured composers represent the diversity of musical expression during this era, from Hindemith's modernism to Korngold's Romanticism to Schoenberg's atonality.What makes this recording particularly significant is how it captures music that would soon be suppressed by the Nazi regime. The album's title itself, "Dancing on a Volcano," evokes the sense of living on the edge of catastrophe that characterized this period.The Legacy of ExileAll four composers featured on this album ultimately left Germany and settled in the United States, forced into exile by the Nazi regime. Their departure represented a profound brain drain for German musical culture, as these composers had been at the forefront of musical innovation.The jewel in the crown of this recording is Gruber and Christian Muthspiel's Kurt Weill Foundation-sanctioned arrangement of The Seven Deadly Sins. Wallis Giunta's performance, more opera diva than Weimar chanteuse, delivers no shortage of bite, while Amarcord's male quartet kvetch and wheedle as her rapacious family. Gruber's razor-sharp yet flexible interpretation drips idiomatic venom.Contemporary Relevance and Musical ResilienceThis album serves as both a historical document and a vibrant musical experience. The works featured demonstrate not only the creativity of this period but also the resilience of art in the face of political oppression. By recording these pieces today, Ensemble Modern and HK Gruber ensure that this important chapter in musical history continues to be heard and appreciated.The recording is available on streaming platforms, making this historically significant music accessible to new audiences who might otherwise never encounter these works. In an era where political polarization once again threatens artistic freedom, this album serves as both a reminder of what was lost and a celebration of what endures.

The Lead Iran's foreign minister, Abbas Araghchi, has stated that ships entering the Strait of Hormuz must cooperate with Iranian naval forces. This comes after a ship was seized outside a UAE port and taken towards Iranian waters. Iran's New Shipping Rules Araghchi described Iran as invincible and said: "In our view, the strait of Hormuz is open to all commercial ships, but they must cooperate with our naval forces." He made these comments during a meeting of the Brics group of nations in India. The Data Analysis The Strait of Hormuz previously carried about a quarter of the world's seaborne supply of oil and gas. However, Iran has largely closed the strait since the start of the US-Israeli bombing campaign. Last month, the US imposed a counterblockade of Iranian ports, stranding thousands of ships. The Impact Analysis Araghchi called on Brics nations to condemn what he described as violations of international law by the US and Israel. He also stated that regional instability is a lose-lose situation for all parties, including the aggressors themselves. The Prediction Iran is trying to fend off a large rebuff at the UN, where more than 110 nations are co-sponsoring a security council resolution tabled jointly by Bahrain and the US condemning the Iranian blockade. A previous resolution was vetoed jointly by Russia and China on 7 April.

The Dangers of Eliminating State Income Tax Hannah Rejali, a mother of four from Missouri, lived through the failed "Kansas Experiment" in the 2010s, when the Republican governor cut the state's income tax, resulting in a $900m budget shortfall and forcing at least eight school districts to end their academic year early. The Event Details Missouri is now considering a constitutional amendment to eliminate the state income tax, which would be the first such move in over a century. Advocates argue it would attract new businesses and put extra money in residents' pockets, while critics argue it would hurt lower- and middle-income residents and only help the wealthy. The Data Analysis Eliminating an income tax could lead to a reduction in state funding for schools, with some experts warning it could be "devastating" for public education. In Kansas, five years after the income tax cuts, the Republican-led legislature voted to roll back most of the tax cuts, overcoming the governor's veto. An Institute on Taxation and Economic Policy analysis found that people making between $49,000 and $80,000 would pay an average of $535 more annually if Missouri increases its sales tax to recoup the revenue lost to its reduction in income taxes. The Impact Analysis Experts warn that eliminating state income taxes could have significant impacts on lower- and middle-income residents, who would likely see their taxes increase through other means, such as sales tax expansions. The move could also lead to a decrease in state funding for public services, including education. The Prediction If the trend of eliminating state income taxes continues, it could lead to a "frog in boiling water" situation, where the quality of public services gradually degrades over time. Experts argue that the evidence that reducing or eliminating state income taxes attracts new businesses is mixed, and that the benefits of such a move are often overstated.

The LeadRenowned actress Linda Bassett reflects on her distinguished career spanning decades of theatre work, her celebrated collaboration with playwright Caryl Churchill, and her upcoming role in Alexander Zeldin's "Care" at the Young Vic. Known for her understated yet powerful performances, Bassett shares insights into her approach to acting and the profound impact of theatre on her life.The Career JourneyBassett's path to acting wasn't conventional. Despite coming from a non-theatrical family, she discovered her passion at age four when she was unexpectedly thrust into a Sunday school Easter play. "I was in bliss," she recalls. Her formative years included ushering at the Old Vic during Laurence Olivier's legendary tenure, where she witnessed groundbreaking performances and even sold ice creams during intermissions.After briefly studying English at Leeds University, where she focused on drama rather than academics, Bassett began creating devised work in Leeds and Coventry. This experience, she suggests, "made me a bit gobby," developing her confidence to make suggestions as an actor, though she admits she sometimes oversteps when working with certain playwrights.The Churchill ConnectionBassett's most significant artistic relationship has been with playwright Caryl Churchill, beginning with "Fen" in 1983 and continuing through to "What If If Only" in 2021. She describes auditioning for Churchill as "enormous" because it launched her on a particular trajectory. Her disconcerting clarity has made her a peerless interpreter of Churchill's work, which some audiences find forbidding."They're not hard to watch," Bassett protests of Churchill's plays. She recalls her iconic monologue in "Escaped Alone" where the phrase "terrible rage" is repeated 25 times in succession. "It was the only thing to say at that point. The words fed the feeling, and it was the audience who felt it, not me, which is ideal." Churchill's writing, she notes, is "so distilled, no excess baggage," requiring actors to find "the one way" to play them.From Call the Midwife to CareDespite notable film roles including "East Is East" and "Calendar Girls," many audiences know Bassett as stern nurse Phyllis in the BBC's "Call the Midwife." "Complete strangers come up and say, I love you. My wife loves you, my mother loves you. It's extraordinary," she remarks of the public's connection to the character. Despite playing Phyllis for over a decade, she found fresh aspects to explore, learning "how to be" more matter-of-fact and practical than her natural disposition.Currently rehearsing Alexander Zeldin's "Care" at the Young Vic, Bassett plays Joan, a woman who after caring for her family begins showing signs of dementia and needs care herself. "She's convinced, as many people are, that she's just in for respite. She never loses the idea that she's going home," Bassett explains. The role draws from personal experience; after a heart attack, she spent two weeks recuperating in a care home, giving her "an insight into what it's like when you become helpless."The Actor's Philosophy"Every part is an education," Bassett states. "That's the glory of being an actor. You learn about human feelings and frailty and rottenness. The writer puts their soul on the page, and you inhabit that. I've always felt I was a writer's actor." This philosophy has guided her selective approach to roles, resulting in a "remarkably free of crap" CV despite turning down numerous opportunities.Though she hasn't performed as many classics as she might have hoped—"I think I'm seen as a working-class actress"—Bassett values the authenticity she brings to her roles. With Zeldin directing "Care," she appreciates his desire for "absolute truthfulness," which "suits me down to the ground." As she prepares for this new challenge, she acknowledges the nerves: "Every new part you're starting again. It's a bit scary, but I think we'll be all right."The Future of TheatreAs a veteran performer who has witnessed theatre's evolution, Bassett remains committed to the medium's power. She recalls the impact of Ronald Pickup's messenger speech in Peter Brook's production of Seneca's "Oedipus": "People fainted every night. You didn't see anything, his voice was enough. That's the power of theatre, isn't it?"Looking ahead, Bassett continues to seek roles that challenge her and explore the human condition. Whether through her meticulous interpretation of complex playwrights like Churchill or her willingness to portray the vulnerability of aging in "Care," she remains dedicated to the craft that has defined her life. "Every part is an education," she reiterates, and with each new role, Linda Bassett continues to learn, grow, and enrich the theatrical landscape.