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The Guardian’s March reading roundup gathers a diverse set of recommendations from both its writers and its readership, offering a snapshot of the titles that captured their attention over the past month.John Lanchester highlights two recent British novels that resonated with him after completing his own manuscript: Drayton and Mackenzie by Alexander Starritt, a story of friendship intertwined with business, and The New Life by Tom Crewe, which explores gay life in the 1890s. His European picks include Eurotrash by Christian Kracht, a darkly comic road‑trip tale, Perfection by Vincenzo Latronico, a critique of the digital‑nomad lifestyle, and Olga Tokarczuk’s genre‑defying Drive Your Plow Over the Bones of the Dead. Lanchester also notes his own recent release, Look What You Made Me Do, available from Faber for £20 via the Guardian bookshop.James, a regular Guardian reader, is immersed in Tom’s Crossing by Mark Danielewski. He describes the 1,200‑page modern western as a masterclass in character depth and meticulous detail, urging readers not to be deterred by its length.Patmeena Sabit turns to shorter forms when time is scarce, recommending Hue and Cry by James Alan McPherson for its understated humanity, Fifty‑Two Stories (a new Chekhov collection translated by Richard Pevear and Larissa Volokhonsky) for its blend of classics and previously untranslated pieces, and Ada Limón’s poetry collection Bright Dead Things for its poignant beauty. Sabit also promotes her own work, Good People, published by Virago at £16.99.David praises Zbig: The Life of Zbigniew Brzezinski, America’s Cold War Prophet by Edward Luce, calling it a dense yet illuminating autobiography that traces U.S. and global power dynamics from the 1960s to the early Trump era, and recommending a piecemeal reading approach.Arash finds profound resonance in Mother Mary Comes to Me by Arundhati Roy. He describes the memoir as an emotionally powerful tribute to Roy’s mother, noting its refusal to fall into gendered clichés while championing compassion and resistance against chauvinism.

Johannes Radebe, also known as Jojo from Strictly, is a natural performer who shines brightly as Lola in the musical Kinky Boots. His stage presence is magnetic, and his dancing is mesmerizing. Radebe's portrayal of the drag queen Lola is captivating, with impressive entrances and a strong performance.The musical, based on the 2005 film, tells the story of a Northampton shoe factory that switches to making boots for drag queens. The show features a riot of colors and sparkle, with impressive costumes designed by Robert Jones and Tom Rogers. The story follows Charlie Price, who returns to his hometown to take over the family business and, along with Lola and her friends, devises a plan to save the factory.Radebe's performance is supported by a talented cast, including Courtney Bowman as Lauren and Scott Paige as George. While Radebe's singing voice may not be as strong as his dancing, he brings a unique energy to the role. The show's direction by Nikolai Foster ensures that the cast delivers the right tone, but the musical may lack depth in its storytelling.Overall, Kinky Boots offers an enjoyable night out, with a blend of music, dance, and comedy. The show runs at the London Coliseum until July 11.

James McAvoy, a renowned British actor, has spoken out about the challenges of being typecast due to his Scottish accent. In an interview, McAvoy discussed his directorial debut, 'California Schemin', a film based on the true story of two Scottish men who posed as Los Angeles rappers.McAvoy emphasized the importance of authenticity in storytelling, particularly when it comes to regional accents and cultural representation. He shared his own experiences of being reduced to a "noise" due to his accent, highlighting the need for more nuanced portrayals of Scottish characters in film.The film, which stars Séamus McLean Ross and Samuel Bottomley as the two Scottish protagonists, explores themes of friendship, circumstance, and the limits of authenticity. McAvoy expressed his desire to make films that showcase working-class Scottish stories, saying, "I don’t think we make enough to satisfy the cultural needs of the 6 million people that live in this country."McAvoy also touched on the issue of limited opportunities for Scottish actors, citing the lack of greenlit projects and the dominance of a few established stars. He praised Screen Scotland for its efforts to boost the country's film industry, which aims to be worth £1 billion within five years.'California Schemin'' is set to release in UK and Irish cinemas on April 10, offering a fresh perspective on Scottish storytelling and the complexities of cultural identity.

The latest film from Chloé Robichaud, 'Two Women', is a remake of the 1970 French-Canadian sex comedy of the same name. Unfortunately, it hasn't aged well, coming across as silly, clumsy, and dated in its modern retelling.The story follows two unsatisfied women, Florence (Karine Gonthier-Hyndman) and Violette (Laurence Leboeuf), who live next door to each other in a suburban condo development. Both are unhappy in their marriages – Violette's husband Benoît (Félix Moati) is often away, supposedly on business, but actually having affairs, while Florence has a bland, sexless relationship with David (Mani Soleymanlou). The two women form a friendship and, without explicitly planning it, begin having sex with men they invite into their homes for repairs or odd jobs while their partners are away.The film's sex scenes feel both cynical and naive, lacking the eroticism of softcore erotica and the plausibility of drama. The movie attempts to draw comparisons to the 'Confessions of a Window Cleaner' series but falls short. One notable moment includes a discussion on how Tinder promotes addiction rather than love, but such insightful moments are few and far between.Overall, 'Two Women' is a tiring and mediocre film that fails to deliver on its promise of a modern take on female desire and infidelity. It is set to release in UK cinemas from 3 April.

The Idiot – A fresh five‑part series from the New York Times and Serial Productions, narrated by columnist M. Gessen, follows the unsettling tale of Allen, a self‑styled “idiot” who allegedly orders a hit on his ex‑wife. The narrative blends the investigative depth of earlier Serial hits like We Were Three and S‑Town, delivering a dark, character‑driven thriller that drops new episodes weekly.Friends Keep Secrets – Pop star Selena Gomez teams up with producer Benny Blanco, rapper‑actor Lil Dicky, and his wife Kristin Batalucco for a podcast that pushes the envelope of celebrity banter. Listeners can expect unfiltered conversations that even feature an unexpected Ed Sheeran interview, complete with the kind of raw, off‑beat humor that borders on “brain‑rot” territory.Screwed by AI – Hosted by Avantika Chilkoti of The Economist, this series travels to the Adult Video Network expo in Las Vegas – dubbed the “Oscars of porn” – to explore how the adult‑entertainment sector often foreshadows broader AI trends. The podcast examines the ripple effects on human relationships and the tech landscape, releasing new installments each week.Jacob Reed and Me – Described as an “investigative comedy,” writer Jacob Reed embarks on a nationwide quest to locate every other person sharing his name. The journey becomes a quirky storytelling experiment, featuring encounters with beach‑scene painters, economists, and even porn stars, all while the show’s advertisements are humorously sourced from fellow Jacob Reeds.Raven – This character‑driven investigation follows Raven Chanticleer, the founder of the African American Wax Museum in Harlem. The series weaves together Chanticleer’s flamboyant life story with the mystery surrounding the disappearance of his wax figures after his 2002 death, delivering a richly detailed narrative that unfolds weekly.All six podcasts are widely accessible across major platforms and release new episodes on a weekly schedule, offering a broad spectrum of content for listeners seeking true‑crime intrigue, celebrity insight, technological commentary, and off‑beat humor.

Bruce Hornsby, the acclaimed pianist and musician, has experienced an unexpected resurgence in his career, releasing four studio albums in just five years. His latest album, Indigo Park, marks a significant shift towards more personal and reflective songwriting.In a recent interview with The Guardian, Hornsby shared insights into his life and music, revealing a dry and zany personality with an innocence that belies his years. He discussed his upbringing in the segregated south, where his aunt was a prominent voice in support of integration, and how these experiences influenced his music, including his hit song The Way It Is.Hornsby's musical journey has been marked by eclectic influences, from jazz and classical to rock and folk. He studied jazz in Miami and later attended the prestigious Berklee College in Boston. His respect for the everyday beauty of American music is evident in his work, which often combines atonality with satisfying resolutions.The artist has had a long and varied career, playing with notable artists such as Sheena Easton and Huey Lewis, and even being an unofficial member of the Grateful Dead. His political activism is also reflected in his music, with songs like The End of the Innocence and The Don of Dons, a satire of Donald Trump.Indigo Park, described as "an old bastard looking back on life," showcases Hornsby's musical genius and emotional depth. The album was inspired by personal experiences and dreams, including one where his late father appeared in his bedroom. Hornsby's creative process involves driving to the center of Williamsburg to play his music for friends and family, seeking their reactions and validation.As Hornsby continues to tour and perform, he remains cautious about his health and selective about his engagements. His music halls and festival tours with his jam band, the Noisemakers, are highly anticipated events.

Ella Hopkins recounts her experience of walking in London while wearing noise-cancelling headphones, absorbed in her own world, until one evening when she noticed a stranger in distress on the pavement. Without her headphones, she was able to respond and call for help. The incident made her realize how much she had been missing by being isolated in her own bubble of sound. She decided to ditch her headphones and become more aware of her surroundings. As she started to notice the world around her, Hopkins discovered a new appreciation for the city. She heard hedges humming with bees, snippets of conversations between friends, and preachers shouting about saving souls. She became more open to talking to people and even started learning about bird calls. Hopkins reflects on the benefits of being present, including a greater sense of connection to her community and a newfound appreciation for the beauty of nature. While she still enjoys listening to music and audiobooks, she now does so more consciously, as a choice rather than a crutch. The experience taught her the importance of being aware of her surroundings and the positive impact it had on her life. She concludes that sometimes, it's the simple act of being present that can make all the difference.

The documentary 'Being Ola' offers a poignant look into the life of Ola Henningsen, a man in early middle age with learning and developmental disabilities residing in a village community in eastern Norway. Director Ragnhild Nøst Bergem provides an intimate portrayal of Ola, who describes himself as 'slow' yet appears intelligent and articulate.The film primarily focuses on Ola's relationship with Lasse, a Danish care worker who was part of the community. Ola considered Lasse his 'best friend,' but was deeply hurt when Lasse had to leave due to the end of his employment term. The documentary follows Ola on a trip to see Lasse, where he confesses his feelings of abandonment.While the film resolves Ola's story in a seemingly painless manner, it leaves the audience wondering if there's another, more complex story to be told. The documentary refrains from delving deeper into Lasse's perspective on their relationship, opting for a more straightforward narrative.'Being Ola' will be released in UK and Irish cinemas from April 3, 2026.

The latest documentary about Paul McCartney, 'McCartney: The Hunt for the Lost Bass', tells the story of the 1961 Höfner bass guitar that McCartney bought for £30 in Hamburg and became an iconic part of the Beatles' image. The instrument went missing after the band split and was finally recovered in 2024 thanks to the efforts of Nick Wass, a Höfner employee, and Steve Glenister, an ambulance service worker.The film is an amiable tale with a happy ending, but it struggles to fully absorb the sadness and shame associated with the theft. The documentary reveals that the bass was stolen from the back of a Wings roadie van in Ladbroke Grove, London, in the early 1970s. McCartney only recently recalled the incident and revealed that he wasn't particularly bothered at the time, having owned a second Höfner bass.The investigation into the theft took several paths, including suspicion falling on the band Hawkwind and their roadie Michael 'DikMik' Davies. However, the true culprit was someone who stole the bass out of opportunity and later gave it to a pub landlord, leading it to end up in Hastings. McCartney reflects on the theft, saying that he and his friends might have done similar things in their youth.The documentary will be released in UK cinemas on April 2 and 4, and on BBC Two and iPlayer on April 11.