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The Bizarre Premise Behind One Night Only For the most part, the trailer for the upcoming film One Night Only looks like the sweetest possible version of a romcom. A handsome, sensitive-looking man (played by Callum Turner) flirts relentlessly with a big-eyed oddball in a sexy dress (played by Monica Barbaro). They bump into each other, nudge each other, roll their eyes at each other. As a YouTube comment underneath the trailer (that has been liked more than 3,000 times) says: "Romantic comedies are back." A Government-Mandated Night of Passion However, tucked away in this adorable little trailer is a premise that might just be the most confusing in living memory. As Turner's character walks lovelorn through the streets of New York City, his voiceover says: "Finding love is hard enough. Try doing it on the one night of the year single people are legally allowed to have sex." The trailer then hurries along to another procession of meet-cutes and prolonged eye contact. But that doesn't really matter, because you're left thinking: "Wait, the one night of the year where single people are legally allowed to have sex? What the hell?" This, apparently, is the movie. Two cuties meet by chance, and are separated, and have to race across the city to find each other before the sun comes up so that they can enjoy a bout of government-mandated sexual intercourse. It's a tale as old as time. The Practical Implications of a Legal Sex Night Clearly, this raises far more questions than it answers. Is One Night Only basically The Purge, but with all the terror of violence replaced by an increased risk of contracting chlamydia? More importantly, if there really is only one night a year where single people can have sex with impunity, how the hell is this even governed? Judging by the state of the trailer, it seems to mean that everyone just claps eyes on someone and then starts banging them wherever they happen to be, whether that's a restaurant or just in the street like a pair of horny rats. Why is this? Why don't people just go back to their houses and then have sex? Does Sex Night also happen to fall upon a citywide taxi strike? Also, how is this even enforced? Is there a government department that spends its days working out, with precise clarity, the point at which someone stops becoming single, and is therefore allowed to have as much sex as they want on any day of the year? Is it marriage? Is it the first time someone declares their love? If you wanted to be particularly Scandinavian about it, you might argue that sex itself is an act of union, and therefore any moment of penetration instantaneously suspends the notion of singledom. And if that's the case, then surely everyone can just have sex whenever and there's nothing illegal about it. And what about all the unexpected pregnancies this will cause. Should there be a sequel set nine months to the day after One Night Only, full of people mournfully staring into the eyes of all the newborn infants whose sheer existence causes a permanent sense of regret to weigh down their souls? Will this even be addressed in One Night Only? Is anyone going to answer me? Possible Metaphors in Contemporary Society Clearly this has to be a metaphor for something, but clearly the current level of evidence isn't giving much away. Through one lens, you could suppose that it's possible that One Night Only is a clever satire on the US right's crackdown on reproductive rights, and the whole thing is an important and timely statement about the looming threat of a post-Roe worldview that may soon devour the country. But at the same time, maybe this is about Covid? There's something quite pandemicky about the notion that people would have to keep their primal urges at bay in a wholly unnatural way for an extended period of time. Remember how giddily we threw ourselves at each other once restrictions were lifted? Perhaps this is all just an allegory for that. Or both. Or more. Maybe One Night Only is really about capitalism, or ChatGPT or the climate crisis. Maybe it's none of them. Maybe it's just the manifestation of a screenwriter who wished that, just once a year, people would be slightly more inclined to have sex with them. It's honestly hard to say. The Future of "The Purge, but X" Movies Nevertheless, if One Night Only is successful, then it's bound to start an avalanche of "The Purge, but X" movies. What if there was only one night a year when you could have surgery? What if there was only one night a year where you could get a haircut? What if there was only one night a year where you could eat spaghetti with your bare hands? Because, if we're already doing sex, then clearly there are no limits to the Purgiverse's silliness. One Night Only is out in Australian cinemas on 6 August, US cinemas on 7 August and in the UK on 28 August

Executive Overview: WPP’s Role in the US Oil Advertising MachineWPP, the London‑based advertising conglomerate, has been identified as the primary conduit for a $1.5 bn (£1.1 bn) spend by four major oil companies in the United States since the 2015 Paris Agreement. The spend, uncovered by climate‑investigations platform DeSmog, highlights a systematic effort to shape public perception of fossil‑fuel producers while contradicting declared climate goals.WPP’s $1.5 bn Campaign Fuelling US Oil Advertising Since the Paris AccordThe DeSmog analysis shows that ExxonMobil, Chevron, Shell and BP relied on WPP’s global network—including agencies Ogilvy and Wavemaker—to design, place and optimise ads across TV, social media and outdoor venues. WPP was the only major holding company to partner with all four majors on US projects, accounting for roughly two‑thirds of the total ad volume.Period covered: 2015‑2025Total US ad spend by the four oil majors: $1.5 bnWPP’s share of that spend: ~66%Comparable visual: enough to fill Times Square billboards daily for a decadeFinancial Scale: $1.5 bn in US Ad Spend Across Four MajorsThe $1.5 bn figure translates into millions of dollars in annual revenue for WPP, despite the firm’s 2022 policy that purportedly barred work “frustrating” the Paris goals. By contrast, rival agencies Omnicom and IPG together accounted for less than half of WPP’s exposure.Omnicom & IPG combined spend: ~$800 mFourth‑place holder Dentsu: $255 mFifth‑place holder Havas: $230 mHow WPP’s Greenwashing Undermines Climate CommitmentsInternal testimonies describe “deceptive and misleading” messaging designed to stall policy action, from slogans likening fossil‑gas‑renewable blends to a “peanut butter and jelly sandwich” to claims that “we see possibilities in planes that fly on garbage.” Employees report that senior managers framed the work as promoting “cleaner business models,” yet the ads largely served to normalise continued fossil‑fuel dependence.These practices appear to breach WPP’s own 2022 sustainability policy, which forbids projects that could “frustrate” the Paris Agreement. The exposure adds pressure on regulators and investors demanding transparent climate‑aligned advertising practices.What Lies Ahead for WPP and Industry RegulationWith new CEO Cindy Rose set to outline a turnaround strategy at the May 8 AGM, sustainability has not featured prominently in the previewed agenda. However, the report’s revelations could trigger:Heightened scrutiny from US congressional committees and European regulators.Potential shareholder resolutions demanding stricter green‑ad policies.Increased demand from climate‑focused investors for disclosure of fossil‑fuel ad contracts.If pressure mounts, WPP may need to overhaul its client‑vetting processes, adopt third‑party audit mechanisms, and publicly report ad spend linked to high‑emission industries to restore credibility.

The Digital Roundabout: Understanding Phone AddictionWake up, 100 messages from group chat overnight about something – what? another assassination attempt; a village destroyed in Lebanon; the football result in England; the weather in Iran being manipulated; the pesticides causing lung and bowel cancer, so everyone who eats salads is now at risk of cancer; meditate for 20 minutes, then fire up x.com, a place I thought I'd never want to revisit, with its carnival barkers and supplement salesman, and have you seen the Lego thing calling Trump a paedo?, you gotta see the Lego thing, and this is before my first coffee, yet x.com is the coffee and the tea, whatever Elon has done to the For You algorithm is evil genius, it's like the global collective id, nasty and funny and addictive and compelling – like gawking at a car crash, like soaking in a hot bubble bath of anger, and memes, and geopolitical dramas, and Trump, Trump, Trump – soaking in Trump, and then, For Me (just as Elon promised).So begins the circuit around my phone, that goes all day and night, around the tiny screen with its icons (when a born-again Christian once told me he had favourite icons, for a long time I thought he meant apps, not pictures of the Virgin Mary). I started to feel like I was in Canberra, on one of those enormous roundabouts, rotating between the icons – not Joseph, not Jesus, but X and WhatsApp and TikTok and even LinkedIn for Christ sakes – round and round from one app to the next, just checking, checking in case something is happening. I watched tiny videos and maybe, occasionally, got distracted by the novel I am meant to be writing, which is due on 31 July. But the novel is boring, just a static Word doc on a screen, it's not giving; it's taking hard work. So I spend six minutes with my novel, and then it's time to go back to my phone, to circle the roundabout visiting all my icons again, like a demented Stations of the Cross, because I can't focus, I just can't focus on work right now when there is so much good scrolling to do …Clearly, this had to stop or I would become deranged and my novel wouldn't get finished by 31 July.But what could break the hold of a phone that seemed more and more addictive every day?The Physical Solution: Brick and Locked DevicesThen, while listening to a Guardian podcast (on my phone) I came across an author talking about a device that locked her phone and gave her her time and attention span back.I had tried apps to lock my phone before, but somehow having them embedded in the phone itself was like placing a piece of fruit in a box of chocolates. Sure you go in there to retrieve the fruit, but you end up distracted by the chocolates. Before you know it, the chocolates have been eaten! The fruit, of course, remains untouched and rotting.I needed an external device to lock my phone. This author was talking about something called Brick ($59US; £54 or $120 AUD including postage), a small plastic puck that you place on your phone which locks its most appealing apps. Hard!The Brick and its cheaper rival Locked ($39USD; £32; $59AUD) use Near Field Communication (NFC) technology to block whatever apps you nominate. To unblock them, you have to physically return to the puck and tap it against your phone. You can set a timer – I set it for one or two hour blocks when I want to focus on my novel – and if you try to unBrick beforehand, it asks you if you want to have a life, or if you want your phone back. That prompt is enough to make me affirm that, yes, I want a life.The Economics of Digital AttentionWhat Brick understands, and what every app-based screen time limit fails to grasp, is that the problem is not information or intention. I already knew I was using my phone too much. The problem is friction, or rather the total absence of it. Digital guardrails collapse the moment you need them most: one tap and you're back on Instagram. Brick makes that tap a physical hurdle.Using the Brick at night has been transformative. The hours I was losing in the roundabout, I now spend reading, thinking and occasionally just sitting in silence.The novel is moving again and I can focus in longer and longer increments.The algorithm doesn't get me after 8pm any more, and it turns out the algorithm, deprived of its evening session, has less purchase on me during the day too.The Psychology of Digital BoundariesBrick hasn't cured my addiction, but it has restored the thing addiction most destroys, which is the moment of pause between impulse and action.These physical devices represent a growing recognition that our relationship with technology requires more than just self-control – it needs environmental design and intentional friction to counteract the sophisticated algorithms designed to capture our attention.As digital products become increasingly sophisticated at capturing and holding our attention, the market for tools that help us reclaim our time and focus is likely to expand beyond simple app blockers to more comprehensive systems of digital wellbeing.The Future of Digital WellbeingLooking ahead, we can expect to see more innovative solutions that address the fundamental design principles of digital products. The success of devices like Brick suggests that consumers are becoming more aware of how their attention is being monetized and are seeking ways to regain control.As awareness of digital addiction grows, we may see regulatory interventions that require technology companies to build more ethical design principles into their products, potentially creating a market for both wellbeing tools and more responsibly designed digital experiences.Ultimately, the journey toward healthier digital habits will likely involve a combination of personal discipline, technological solutions, and systemic changes in how digital products are designed and monetized.

The Lead: Arctic Monkeys' Humble Beginnings In 2005, Sheffield's music scene was buzzing with energy, enough that NME coined the term "New Yorkshire" to describe the explosion of talent in the region. Among these bands, Arctic Monkeys were just beginning their journey, a group of childhood friends from High Green who would go on to revolutionize British indie music. Their story is one of youthful determination, local influences, and a rejection of the mainstream music industry's expectations. The Sheffield Divide: Art vs. Traditional Indie Sheffield's music landscape in the mid-2000s was characterized by a distinct split between two types of bands. On one side were the more artier, often student-led indie bands like The Long Blondes, who deliberately positioned themselves against the local scene. The Long Blondes famously declared in their press materials: "Our shared influences include the Mael Brothers, Marx Brothers and the Bewlay Brothers. We do not listen to the Beatles, the Rolling Stones, Jimi Hendrix, the Doors or Bob Dylan." This intentional pomposity was perceived as arrogance by some, but represented a deliberate rejection of what they saw as staid, male-dominated music. On the other side were more traditional local indie outfits like Milburn, formed in 2001 by a group of teenagers in their mid-teens. These bands were influenced by the punk ethos of doing it yourself, often with little regard for what came before. As Milburn's Joe Carnall recalled: "If you had said Longpigs to me, I'd have gone, what? And if you'd have said Pulp, I'd have been like, he's a bit poncey isn't he? We were just angry young lads, so everything was shit. Which I think is great because it means you try and do something new." The Regional Rivalry: North vs. South Sheffield The divide in Sheffield wasn't just musical—it was geographical and cultural. As Jon McClure of Reverend and the Makers explained: "Culturally, it's different. I'm from north Sheffield where the accent is different. It's a lot thicker and harder, and the people are more brusque." This regional tension created a competitive environment where bands were suspicious of each other, with Carnall admitting: "It was very regional. We were suspicious of other bands. Like, [arty band] the Long Blondes, what's that? I'm not proud of it but that fuelled what we did." Milburn's Influence: The First Local Success Formed in 2001, Milburn quickly became a significant presence in Sheffield's music scene. They released a demo called "Steel Town" and built a substantial following, selling out the 500-capacity Boardwalk venue (locally known as "The Mucky Duck"). Their success demonstrated that bands from Sheffield could achieve local recognition without being based in London or other major music centers. Arctic Monkeys drummer Matt Helders later acknowledged Milburn's impact: "Milburn were the first people we saw doing it that were kids our age. We didn't think it was a thing that people did where we were from. We had this naive, or even maybe cynical attitude that all bands were just put together in London and that it doesn't happen to people like us." Arctic Monkeys' Formation: From Street Corners to Stage Arctic Monkeys emerged from High Green, a suburb of north Sheffield near the Barnsley border. The band consisted of childhood friends Alex Turner, Matt Helders, and Andy Nicholson (soon joined by Jamie Cook). Their formation was organic and spontaneous, as Helders explained: "This band came about from us hanging out on the street. Instead of deciding which house to go and egg that night, we were like, why don't we start a band? It really came from those kinds of conversations when you're on a field somewhere and people are smoking and drinking cider." Before Arctic Monkeys gained recognition, Helders and Turner briefly played in a funk ensemble called Judan Suki (Japanese for "being kicked in the weak spot") organized by Jon McClure. The experience was formative, even if the band was "fucking horrendous" according to McClure. For Helders, it was crucial: "I can see why Jon looks back and cringes but for me it was really important. And also for Al, because we'd never played onstage before. So it made it seem more accessible and realistic." The Practice Regimen: Building From Scratch Unlike some bands that might have emerged fully formed, Arctic Monkeys dedicated themselves to rigorous practice before performing publicly. They practiced consistently for nearly a year before their first public shows, demonstrating their commitment to developing their craft. This dedication would later pay dividends as they honed their distinctive sound and tight musical chemistry that would become their trademark. The Legacy: How Sheffield Shaped a Global Phenomenon The story of Arctic Monkeys' early years reveals how a specific local environment can nurture unique musical talent. The band's success wasn't just about their songwriting or performance abilities—it was about their authenticity and connection to their roots. They emerged from a vibrant but divided scene, influenced by but distinct from their contemporaries, and maintained their identity even as fame came their way. As the band members themselves acknowledged, they were "stubborn teenagers" who didn't want to be famous—at least not in the conventional sense. This attitude allowed them to create music on their own terms, which ultimately resonated with audiences worldwide and helped redefine what British indie music could be in the 21st century.

The Dark Side of Critical Minerals Critical minerals such as lithium, cobalt, and nickel are becoming the 'oil of the 21st century' as the scramble for precious metals deepens poverty and creates public health crises in some of the world's most vulnerable communities. The Environmental and Health Impacts The investigation by the United Nations University Institute for Water, Environment and Health (UNU-INWEH) concluded that the growing demand for lithium, cobalt, and nickel used in batteries and microchips is draining water supplies, eroding agriculture, and exposing communities to toxic heavy metals. An estimated 456bn litres of water were used to extract 240,000 tonnes of lithium in 2024. About 700m tonnes of waste, enough to fill 59m bin lorries, were generated by global rare-earth production in 2024. The Human Cost The report found that while EVs may reduce emissions by consumers in North America and Europe, the environmental and health costs are borne by communities far away, in the mining regions of Africa and Latin America. In the Democratic Republic of the Congo, one of the world's biggest cobalt producers, extraction has caused the widespread contamination of rivers used for drinking, fishing, and irrigation. About 64% of people in the country lacked basic access to water in 2024. 72% of those near mining sites reported skin diseases. 56% of women and girls reported gynaecological problems. The Future Outlook The UN is warning that the transition to green energy cannot be at the expense of vulnerable communities and the environment. “Critical minerals are quickly becoming the oil of the 21st century,” said Kaveh Madani, director of UNU-INWEH. “What we are selling as a solution to sustainability is actively hurting people somewhere else in the world. How can we then call the transition green or clean?”

The End of an Era: George North's Rugby Retirement Wales great George North has announced he will retire from rugby at the end of the season. The 34-year-old began his career with Scarlets and joined Northampton Saints in 2013, where he won the Premiership. A Legendary Career The wing or centre made the move to Ospreys in 2018, spending five years there before joining French side Provence. North retired from international rugby in 2024 with 121 caps for Wales and toured twice with the British and Irish Lions during his career. Tribute and Next Chapter In a video posted on X, North said: “Hi guys, I just want to come on here and let you know at the end of the season I’ll be retiring. For me, it’s the right time. I’ve been able to live out my childhood dream for many seasons playing with some of the best players, coaches and the staff behind. “I can’t thank my family, my friends and you guys enough for the support you’ve shown me over the years. Honestly it’s meant the world to me. The next chapter? Still working on that one, but I’m excited to see where that journey takes me. “So again, from the bottom of my heart, thank you. Diolch.”

Britain's Silent War: The New Reality of Hybrid Conflict We are at war. Four words that sound ludicrously melodramatic on a sunny spring day, when all may not be exactly right with the world – but when you can still shut your eyes to a lot of it just by switching off the news and cracking on with life. No bombs are falling, no bullets flying, no sirens sounding. Though the idea that Britain is already under a form of hybrid attack is commonplace in defence circles, politicians still mostly skirt around it. The Five Fronts of Modern Hybrid Warfare If war can be considered an assault on five fronts – against a country's political leadership, critical infrastructure, essentials such as food or fuel supplies, civilian population and armed forces – then Britain is arguably now being attacked on the first four without a shot being fired. Think of rampant, Russian-generated political disinformation on social media and attempts to bribe British politicians; of Russian submarine surveillance of the British undersea cables carrying most of our internet traffic, or the four "nationally significant" cyber-attacks recorded every week; of the blockading of food and fuel supplies through the strait of Hormuz. The Shadow War Tactics Think, too, of Keir Starmer's warning in the Sunday Times last week of conflict with Iran coming home to British civilians via "the use of proxies in this country". He didn't elaborate, but counter-terrorism police say they are investigating whether a spate of arson attacks on synagogues, Jewish-owned businesses and Iranians living in Britain may have been sponsored by Tehran – a thugs-for-hire tactic familiar from the Russian playbook for sowing division and hate. The Strategic Defense Review's Warning It's 10 months since the strategic defence review, commissioned by the former Labour defence secretary George Robertson, similarly argued that Britain must urgently equip itself not for the expeditionary foreign wars against non-state actors we're used to fighting alongside the US, but for homeland defence against a well-armed peer country in a sustained conflict. To strip away the jargon: if when you imagine Britain at war, you think of the Iraq and Afghanistan conflicts, you're out of date. The Political Response Gap Forgotten in the resulting row over how to find more money for defence – to which Bailey's answer, incidentally, is a mix of new instruments for borrowing and reforming procurement – is Robertson's call for a national conversation, levelling with the public about what exactly all this means in practice. After much public prodding, Starmer seems now to be engaging, though arguably too little and too late for the review's frustrated authors. Societal Resilience as Defense Despite seeing the damage that cheap, mass-produced drones can do in Ukraine and across the Gulf, she warned last week, Britain still isn't properly prepared for a drone flying through the window of a strategically important building. Our overstretched NHS may not be able to handle mass casualties – and we lack the stockpiled food supplies or analogue backups to digital systems that would help us ride out a successful cyber-attack or serious act of sabotage. The Path Forward: Two Imperatives for Survival Preparing for this unfamiliar form of attack isn't just about buying tanks and fighter jets, but also about two things that most Labour voters probably expected a Labour government to do anyway: shoring up the public realm to cope in a crisis, and forging a more mutually trusting and tolerant society that is resilient to extremism, where neighbour does not fear neighbour and people willingly help each other in a crisis. The Leadership Challenge Ahead Starmer hasn't found the words to articulate any of that yet – and if May's anticipated local election drubbing is bad enough he may not be here to make the case for much longer. But anyone with ambitions to succeed him must be able to show both that they are capable of leading a country under attack, and of explaining the puzzling nature of that attack without inducing panic to a public heartily sick of being asked to make sacrifices. A war this hard to discern, even when it's supposedly upon you, may not feel yet like much of a threat. But lives may in future depend on seeing clearly into the shadows.

The UAE's Shocking Exit from Opec The United Arab Emirates has quit the Opec oil cartel in a heavy blow to the group and its de facto leader, Saudi Arabia, amid the global energy shock caused by the Iran war. Reasons Behind the UAE's Decision The UAE's energy ministry said that the constraints on the strait of Hormuz meant the decision to leave would not have a huge effect on the market. Leaving Opec will give it greater “flexibility” and was in line with its “long term strategic and economic vision”, he said. Impact on Opec and the Oil Market The UAE's departure will come into effect on Friday. The move came after the UAE, a regional business hub and one of Washington’s most important allies, criticised fellow Arab states for not doing enough to protect it from numerous Iranian attacks during the war. The Brent crude oil price has reached as high as $119.50 a barrel since the outbreak of the war in Iran. On Tuesday, it rose 3.4% to $111.67. Future Implications for Opec Jorge León, an analyst at Rystad, said: “The UAE withdrawal marks a significant shift for Opec. Alongside Saudi Arabia, it is one of the few members with meaningful spare capacity – the mechanism through which the group exerts market influence. “While near-term effects may be muted given ongoing disruptions in the strait of Hormuz, the longer-term implication is a structurally weaker Opec.”

The Evolution of AI Meeting Notetakers AI meeting notetaker apps have realized that transcribing meetings and providing summaries alone is not enough to justify their business models and valuations. They now want to act as a full workspace where users bring in data from different sources, search across all of it, and make decisions about their business. Following notetakers like Read AI, Fireflies.ai, and Fathom, Otter is now launching enterprise search by acting as a Model Context Protocol (MCP) client. Otter's New Enterprise Search Feature Otter has been around for nearly a decade now, but it has been making moves toward becoming an enterprise productivity tool in the last few months. With this launch, users can connect their Gmail, Google Drive, Notion, Jira, and Salesforce accounts and query that data along with existing meeting data. The company said that it will soon allow connections with Microsoft Outlook, Teams, SharePoint, and Slack. Users can not only search for data across these tools but can also push meeting summaries to Notion or draft a Gmail message. AI Assistant Redesign The company said that it has also redesigned its AI assistant to be consistently present across the whole interface, so users can ask questions anytime. The assistant can understand the context of the screen, such as a particular meeting or a channel, and answer questions accordingly. Botless Meeting Capture and Enterprise Preferences Meanwhile, most notetakers are following Granola’s lead and allowing for a botless meeting capture — recording meetings using a device’s system audio rather than having a bot join the call. Otter said that it brought this feature to the Mac app late last year, and is now launching a Windows app with a similar feature. Otter CEO Sam Liang said that the company’s enterprise customers prefer when a meeting notetaker joins the call. User Growth and Financials 25 million users and $100 million in annual recurring revenue last year Now has 35 million users Otter said that it has a deduplication feature that prevents a swarm of bots from joining a meeting simultaneously to avoid situations where there are more bots than humans on a call.