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Manila, Philippines, is experiencing a rare phenomenon - empty streets. For years, the city's transport congestion has been notorious, ranking worst globally in 2024, according to the TomTom traffic index. However, a 26km drive from the Manila airport to the Quezon City Hall now takes just 45 minutes, instead of the typical two hours, according to Google Maps.The reason behind this sudden change is the surge in fuel prices following the United States and Israel's joint military operation against Iran almost a month ago. This has resulted in a significant decrease in vehicular traffic, with fewer buses, jeepneys, and ride-hailing vehicles plying the streets.The impact is being felt by vendors and transport workers, such as Ruben, a 27-year-old parking attendant, who earned less than half his usual collection on a typical Wednesday. Emily Ruado, a 59-year-old paper napkin vendor, also reported a decline in her daily income from $10 to $5.The financial difficulties faced by individuals like Ruben and Emily reflect a bigger headache for the Philippines, as worries of a sharp increase in prices of basic goods and sudden loss of employment for thousands of people could quickly lead to a stagnating economy. The country's GDP growth rate of 5 percent is now becoming more unlikely.The surge in fuel prices has also exposed the acute insufficiency of Manila's limited railway network, with commuters swelling during rush hour at metro stations. This highlights the need for improved infrastructure and the multibillion-dollar infrastructure corruption scandal still roiling the country.

In a fascinating collection of wildlife discoveries, a flying rodent has captured attention, alongside a duty-free possum and an emerald viper. These unusual finds have been highlighted in The Guardian's weekly wildlife roundup.The flying rodent, known for its unique abilities, has sparked interest among wildlife enthusiasts. Meanwhile, the duty-free possum and the emerald viper have also made headlines due to their distinct characteristics and the circumstances of their discovery.

Andris Nelsons' tenure with the Boston Symphony may have been cut short, but his work with the Gewandhaus Orchestra is a testament to his exceptional skill. This collection of Mendelssohn's symphonies and oratorios, recorded live between 2021 and 2024, highlights Nelsons' ability to bring out the best in the orchestra. The tempi are brisk but never rushed, and it's the phrasing that truly brings these performances to life. The Italian Symphony's opening movement is ultra-lithe, and the Scottish Symphony's scherzo features intricate woodwind work. Nelsons elevates the often-overlooked First Symphony to stand alongside its more colorful counterparts. The set includes two oratorios, Elias (Elijah) and Paulus (St Paul), sung in German. Elias boasts a distinguished lineup, including Golda Schultz and Wiebke Lehmkuhl, with Andrè Schuen delivering a standout performance in the title role. Nelsons' interpretation of Paulus is particularly noteworthy, bringing out the drama in this lesser-known work. This collection is a must-listen for classical music enthusiasts, offering a unique insight into Mendelssohn's works and Nelsons' exceptional conducting style. Stream it now on Apple Music or Spotify.

Legendary musician Paul McCartney has unveiled his 18th solo album, titled The Boys of Dungeon Lane. The album's title is a nod to the route from Liverpool to the Speke shoreline, an area where McCartney spent his early childhood. Described as McCartney's most introspective album to date, The Boys of Dungeon Lane offers 'a collection of rare and revealing glimpses into memories never-before shared, along with some newly inspired love songs'. The musical styles on the album span McCartney's entire career, including 'Wings-style rock, Beatles-style harmonies, McCartney-style grooves, understated intimacy, melody-driven storytelling, character songs'. The lead single, Days We Left Behind, references Dungeon Lane and was debuted on BBC Radio Merseyside. McCartney, 83, shared that the song is 'very much a memory song for me', reflecting on his days in Liverpool and his friendship with John Lennon. The album was produced by Andrew Watt and features 14 tracks, including As You Lie There, Lost Horizon, and Ripples in a Pond. McCartney and Watt worked on the album between dates on McCartney's five-year global tour, in studios in Los Angeles and Sussex. The Boys of Dungeon Lane is credited solely to McCartney, following the style of his 1970 solo debut McCartney and its 1980 counterpart McCartney II. The album promises to offer listeners a glimpse into a world that existed before the Beatles, 'offering memories never previously shared and revealing, with extraordinary honesty, the human story behind a global icon'.

A light-up C-3PO head used in Star Wars: Episode V – The Empire Strikes Back has fetched more than $1 million at an auction. The prop was part of a collection of film and TV memorabilia that went under the hammer on Wednesday as part of the Spring Entertainment Memorabilia Live Auction at Propstore auction house in Los Angeles.It is the only known example of the fictional droid’s head to appear on the collector market and sold for $1,058,400 (£790,440 or A$1,519,259), having received a pre-sale estimate of $350,000 to $700,000.The C-3PO head was the top lot at the auction, which also saw the harpoon gun used by the actor Robert Shaw in Jaws, accompanied by its original case, fetch $327,600.Elsewhere, a Wilson volleyball used by Tom Hanks in 2000’s Cast Away sold for $189,000 after receiving a pre-sale estimate of $150,000 to $300,000.The auction also featured broken pieces of a sword used in The Lord Of The Rings, which sold for $252,000.The first day of the auction fetched $6.5 million and also included items such as a golden ticket from the 1971 film Willy Wonka & the Chocolate Factory.Brandon Alinger, Propstore’s chief operating officer, said: “We’ve seen a strong start to the auction, with competitive bidding right from the outset.“At Propstore, Star Wars material continues to resonate with collectors and the C-3PO head from The Empire Strikes Back was a real highlight of the day.“The Jaws collection also delivered an impressive overall result, coming just after the film’s 50th anniversary and reflecting its enduring appeal with collectors.“With such a diverse lineup of material still to come, we’re excited to see how the rest of the auction unfolds.”The final day of bidding, 27 March, will be dedicated to animation, with more than 200 lots celebrating the artistry of animation in film and television.

The Wu-Tang Clan, a legendary hip-hop group, is being showcased in a stunning photo series by The Guardian. This rare visual collection offers fans a glimpse into the group's history like never before.Briana Ellis-Gibbs curates this photographic tribute, providing an intimate look at the artists who have shaped the hip-hop landscape. The images capture the essence of the Wu-Tang Clan's impact on music and culture.

Partridge Boswell's poem, 'The Gathering', has been crowned the winner of this year's National Poetry Competition, a prestigious award that attracted over 21,000 entries from poets across 113 countries. The poem delves into themes of language, love, and the struggle to make sense of global suffering, state violence, and war.Boswell's work is a reflection of his attempt to process the emotional burden of following distressing global events. He describes how he wrote elegies, parodies, and rants to cope with his discomfort and disbelief. The poem specifically addresses the challenge of maintaining language's potency in the face of the relentlessness of the news cycle and the difficulty of resisting false narratives.The judges praised 'The Gathering' for its ambition, emotional stakes, and philosophical perspicacity. They noted that the poem reflects on the tensions between personal grief and state violence, particularly in Gaza. The poem questions how to preserve the potency of language amid the overwhelming nature of global events.Boswell, who is also the author of the Fool for Poetry prize-winning chapbook Levis Corner House and the Grolier prize-winning collection Some Far Country, will receive £5,000 for his winning poem. His work, along with the runner-up and third-place poems, will be published in the spring 2026 issue of The Poetry Review.The National Poetry Competition, founded in 1978, has a history of recognizing talented poets. Past winners include Carol Ann Duffy, Sinéad Morrissey, James Berry, and Tony Harrison. This year's competition saw seven commended poets receive £500 each, while Damen O'Brien's poem Axe secured the runner-up position with a £3,000 prize.

A newly launched green thinktank, Verdant, proposes that a 'Doge of the left' could save UK taxpayers up to £30bn annually by rooting out waste, fraud, and tax avoidance. This initiative is part of a broader effort to influence the future manifesto of the Green Party, led by Zack Polanski.The thinktank, co-chaired by James Meadway, a former adviser to Labour shadow chancellor John McDonnell, and civil society campaigner Deborah Doane, argues that a crackdown on waste could free up significant resources. This approach differs from the ideologically driven methods of Elon Musk's former Department of Government Efficiency in the US.Meadway emphasized that the political right has monopolized discussions about savings in government spending, leading to disastrous effects. He stated that a 'Doge of the left' would focus on eliminating tax avoiders, profiteers, and fraudsters, ultimately delivering high-quality public services.The report suggests several measures, including:Appointing a 'chief savings officer' to identify waste and fraud.Granting the National Audit Office the power to halt overspending projects.Opening public procurement to more transparent competition.Establishing an internal consultancy function to reduce reliance on costly private consultants.The proposed £30bn in savings is largely based on independent estimates of annual losses due to fraud, waste, under-collection of tax, and lack of competition in procurement. Additionally, Verdant recommends scrapping £3.6bn in tax reliefs and government support for oil and gas producers.Polanski's economic policy speech last week highlighted sweeping changes, including rent caps and a new wealth tax. He also emphasized the importance of protecting consumers from rising energy prices and expressed skepticism about using GDP as a measure of economic performance.

Robyn, the self-proclaimed Fembot, has always been known for pushing boundaries with her music. Her latest album, Sexistential, is no exception. The Swedish pop star's ninth album is a collection of songs that explore a new philosophy on love, relationships, and emotions.The album's lead single, Dopamine, sets the tone for the rest of the record. With its glittering, arpeggiated synths and introspective lyrics, the song finds Robyn questioning the nature of love and emotions. “I know it’s just dopamine, but it feels so real to me / I’m tripping on our chemistry,” she muses.Sexistential is a departure from Robyn's previous work, with a focus on electronic sounds and lyrics that challenge traditional notions of romance. The album's title track is a case study in Robyn's new mentality, with Robyn rapping about hooking up while undergoing IVF as a solo parent. The song's counterpart, Blow My Mind, is a revamp of her 2002 single, made psychedelic and faster, with lyrics that focus on loving her young son.The album's themes of love, relationships, and emotions are explored through a variety of songs, each with its own unique sound and style. From the thumping, claustrophobic drum machine of Really Real to the retro vocoder and Ministry of Sound piano of Talk to Me, each song showcases Robyn's ability to craft catchy, thought-provoking pop music.The album's finale, Into the Sun, is a surging electro-ballad with tangled religious imagery that makes it tricky to parse. However, the album's defining moment falls on Dopamine, where Robyn finds a way to hold two truths at the same time: feelings are chemical, and some feelings feel amazing. “When I let go, it’s so easy,” she spins, giddy, before hitting a high note that comes straight from the gut.