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The New Victims A prosecutor in France has revealed that about 10 new suspected victims have come forward in the European country’s probe into the network of late US sex offender Jeffrey Epstein. Speaking with the RTL broadcaster, Paris Public Prosecutor Laure Beccuau said on Sunday that about 20 suspected victims had made themselves known after she, in February, urged potential victims to speak up. Investigation Details While some were already known to investigators, she said, “new victims come forward, ones we didn’t know at all”. “There are around 10 of them,” she added, noting, “The choice we’ve made for the time being is to listen to these victims.” “A certain number of them are abroad, so the investigators have tried to set up meetings to suit when they are able to come to Paris,” the prosecutor said. The Ongoing Probe Following the release of the cache of files from the investigation into the disgraced financier by the United States Justice Department, France also opened a human trafficking investigation. French magistrates are seeking to investigate possible offences committed in France or involving French perpetrators who facilitated Epstein’s crimes. “We have also once again pulled out Mr Epstein’s computers, his telephone records, his address books,” she said, adding that her team would be “making requests for international assistance”.

The LeadAs UK faces growing pressure to fund public services while defending progressive policies against rising anti-tax populism, a proposal suggests millionaires should automatically pay additional taxes unless they actively opt out. This approach, based on behavioral research showing opt-out systems generate higher participation than voluntary contributions, could potentially raise significant revenue for the Treasury.The Behavioral Economics Behind Opt-Out SystemsResearch repeatedly shows that opt-in systems produce dramatically lower participation than opt-out systems – the core principle behind so-called nudge theory. Successive UK governments have already relied heavily on the latter approach in areas ranging from pension auto-enrolment to organ donation frameworks. The author, James Kyle, suggests that participation would rise sharply when contribution is the default position rather than requiring active enrolment.The Current Tax Landscape for the WealthyCurrently, wealthy individuals can make voluntary payments to HMRC, but the sums raised remain negligible. The Treasury's standard response is that such voluntary payments already exist. However, behavioral economists argue that this approach fails to account for human psychology, where default options significantly influence decisions.The Potential Revenue ImpactWhile critics may dislike the fact that participation would remain technically voluntary, the proposal maintains that existing taxes would remain fully compulsory and progressive. The tax surcharge would apply automatically unless individuals confidentially chose to opt out in their tax returns. The relevant comparison is not between this and an imaginary world of perfect tax compliance, but between securing additional contributions from many wealthy individuals or securing nothing at all while increasing incentives for avoidance, relocation and political backlash.The Political ImplicationsIn politically challenging times, ideas that combine behavioral realism with fiscal pragmatism deserve closer consideration. The proposal comes as research shows three-quarters of UK millionaires say they would be willing to pay more tax, creating a potential opportunity for policymakers to implement a system that aligns with both behavioral science and revenue needs.

Swatch Stores Shut Amid Crowd Turmoil Over Royal Pop LaunchSwatch was forced to close multiple stores across Europe and the United States after queues of hundreds turned chaotic during the launch of its limited‑edition Royal Pop timepieces, a collaboration with luxury watchmaker Audemars Piguet. Police in the Paris region deployed teargas to disperse a 300‑person crowd, while fights broke out in Milan and stores in Amsterdam, Utrecht, London and six other UK cities remained shut for safety.Mass Queues and Police Intervention Across Europe and New YorkHundreds camped overnight in France, the Netherlands, Italy and the UK.Police used teargas in the Paris region after a metal shutter and two security gates were damaged.In Milan, a fight erupted at opening time; in New York’s Times Square the crowd was described as a "mosh pit".Swatch stores in Amsterdam, Utrecht, London and six other UK cities stayed closed pending security reviews.Resale Prices Skyrocket as Retailers Struggle to Meet DemandRetail price of a Royal Pop watch: $400 (≈£300).One buyer resold a watch for $4,000, a ten‑fold markup.Another purchaser paid $2,400, roughly $2,000 over retail, citing the difficulty of acquiring an Audemars Piguet piece.Retail Security and Brand Reputation Under ScrutinyThe incidents highlight the challenges luxury‑fashion collaborations face when demand outstrips supply. Swatch’s underestimation of security needs led to property damage and police involvement, while the chaotic scenes risk tarnishing both Swatch’s and Audemars Piguet’s brand images.Future Limited‑Edition Drops May Require Tightened ControlsAnalysts expect brands to adopt stricter crowd‑management protocols, pre‑sale reservations and limited‑quantity online allocations for upcoming collaborations. Without such measures, future launches could repeat the safety concerns and market distortions seen with the Royal Pop release.

No‑Bid Contract to Paint the Reflecting Pool ‘American Flag Blue’The White House awarded a no‑bid contract to Virginia‑based Atlantic Industrial Coatings to waterproof and repaint the 2,000‑ft Lincoln Memorial reflecting pool. President Donald Trump highlighted the firm’s prior work on a pool at his Sterling golf club and ordered the floor to be painted a patriotic shade of blue ahead of the nation’s 250th anniversary celebrations.Cost Overrun: From $1.8 Million to $13.1 MillionInitial public estimate: $1.8 millionInvestigative reports reveal actual contract value: $13.1 millionComparison: Obama‑era effort cost > $35 million and lasted 18 months without lasting resultsUnion and Safety Concerns Amid Rushed RenovationThe International Union of Painters and Allied Trades (IUPAT) sent a representative, Herbert Zaldivar, to monitor the site. He warned that:Workers are operating under a tight 22 May deadline, increasing the risk of shortcuts.Interior Department staff reported bubbles, holes, and uneven blue shading in the waterproofing layer.Hazardous chemicals, likely volatile organic compounds, are being applied without clear safety protocols.Union officials argue the non‑competitive award denied opportunities to union‑affiliated contractors and may have compromised worker protections.Potential Legal Battles and Political FalloutDocumented deficiencies and the dramatic cost increase have already prompted a lawsuit seeking to halt the makeover. The Department of the Interior has publicly defended its compliance, but internal complaints suggest deeper issues. If the pool is not completed to spec by the July deadline, the administration could face:Further litigation from unions and environmental groups.Increased scrutiny of Trump’s use of non‑competitive contracts.Public backlash over perceived disregard for historic preservation and worker safety.Analysts predict that the controversy will intensify as the deadline approaches, potentially influencing upcoming political narratives around federal procurement and heritage site management.

The Rise of Modest Fashion At Paris Modest Fashion Week last month, influencers, buyers and journalists crowded into the historic halls of Hotel La Marois as models prepared to emerge onto the runway in embellished satin tailoring, corseted silhouettes and full-coverage eveningwear. Breaking Cultural Barriers The country’s fraught relationship with visible expressions of Muslim identity makes it a meaningful, if not ironic, destination for the latest instalment of Modest Fashion Week, which is organised by Think Fashion and has previously held events in cities like Jakarta, Istanbul, Abu Dhabi and Amsterdam. The Data Analysis Over the past decade, modesty has been reshaping retail, influencing fashion houses far beyond the Gulf. Muslim spending on fashion is forecasted to reach $433bn by 2028, according to DinarStandard’s State of the Global Islamic Economy report, as luxury brands, department stores and trend forecasters increasingly recognise modest fashion as one of the industry’s fastest-growing consumer markets. The Impact Analysis Modest fashion’s mainstream makeover must also credit Muslim influencers and designers on social media, who built highly engaged global audiences long before luxury fashion fully understood their commercial value. By the late 2010s, brands were flying hijabi influencers like British-Egyptian Dina Torkia, Kuwaiti Ascia al-Faraj and Palestinian-Puerto Rican Maria Alia, to fashion weeks in New York, London and Milan, dressing them in curated looks and positioning them within the front rows of luxury culture. The Prediction As modesty increasingly expands from a retail niche to a much larger sector with international demand, new opportunities have emerged — from hijabi models and content creators to behind-the-scenes jobs in marketing, design and development. A decade ago, the industry barely existed in institutional terms, reflects Rabia Zargarpur, who has evolved from a clothing designer to a consultant, mentoring entrepreneurs and helping build fashion ecosystems.

The Alarming Rise of Wealth Inequality in Britain The wealth of Britain's 157 billionaires is now equivalent to more than a fifth of the country's entire GDP, according to analysis by the Equality Trust – a fivefold increase since 1990. The 'Ghost GDP' Phenomenon The charity describes the trend, based on data in this year's Sunday Times rich list, as Britain's 'ghost GDP': headline economic growth increasingly disconnected from everyday life. The Data Analysis When the Sunday Times first published its rich list in 1989, 15 billionaires held a total of £27bn – about 4p in every pound of GDP at the time. Today, the Equality Trust calculates that 157 billionaires hold just under £670bn – more than 22p in every pound. 1989: 15 billionaires held £27bn (4% of GDP) 2023: 157 billionaires hold £670bn (22% of GDP) The Impact Analysis 'Workers have endured the longest pay squeeze in living memory,' said Priya Sahni-Nicholas, co-executive director of the Equality Trust. 'But the richest 50 families now hold more wealth than the poorest 34 million of us combined.' The Prediction Gabriel Zucman, an economist at University of California, Berkeley and the Paris School of Economics, said that while in the postwar decades GDP growth numbers were broadly indicative of how income was growing for most of the population, 'today, there is a total disconnect between macroeconomic indicators and the reality of income gains for most people.'

The Convergence of Political and Urban UnpopularityThe current political landscape in Western capitals suggests a troubling convergence of declining public approval for both national leaders and urban environments. The narrative surrounding Keir Starmer is inextricably linked to the broader context of city management in London and Paris.Starmer's Governance ChallengesThe analysis points to a specific trajectory for the UK government. The 'down and then out' phrasing suggests a period of initial promise followed by a sharp decline in public sentiment. This mirrors the struggles faced by other major political figures in the region, indicating a systemic issue rather than an isolated incident.The Paris-London ComparisonBy juxtaposing the UK situation with that of Paris, the article highlights that the dissatisfaction is not isolated to the British Isles. Both cities face similar pressures regarding public services, cost of living, and political representation, creating a shared environment of public fatigue.Implications for Future GovernanceThe shared struggle of these leaders implies a need for a fundamental reassessment of how governments address urban infrastructure and public trust. The 'popularity problem' is likely to persist unless these structural issues are addressed to reverse the declining trend.

The LeadFalling seriously ill, like falling in love, can happen all of a sudden – although this film is not exactly about either. Ryusuke Hamaguchi's new movie, co-scripted with the Franco-Japanese screenwriter Léa Le Dimna and his first not set entirely in Japan, is a bold and high-minded if rather pedagogic work that spreads itself over three hours. It's tender and sometimes beautifully made, but also contrived and occasionally features some too-good-to-be-true caring characters. Frankly, it's rather precious.The Film's International VisionHamaguchi and Le Dimna have taken as their starting point the nonfiction book "You and I: The Illness Suddenly Get Worse" by Makiko Miyano and Maho Isono, a meditative correspondence between a philosopher and medical professional on the subjects of love and mortality. Hamaguchi has opened this out to create a drama set in Paris and Kyoto, and it's incidentally hard not to suspect that Hamaguchi, like many a celebrated movie director spending so much time on the international festival circuit, has been led to create an uneasy international mixture.Care Home Dynamics and CharactersMarie-Lou (Virginie Efira) is the director of a private care home in Paris called the Garden of Freedom, where they practise a care technique called "humanitude," a time-consuming patient-centred approach that exasperates old-fashioned nurse Sophie (Marie Bunel). It needs more staffing facilities than the home is prepared to provide and, in any case, Marie-Lou has a bad habit of being patronising to those who question her. For all that, there are some lovely scenes with caregivers and patients, and these observant, unfussily compassionate moments are where the film works best.Cross-Cultural ConnectionsMarie-Lou is stressed and overworked, and her life is upended when she encounters an autistic Japanese teen called Tomoki (Kodai Kurosaki) in the street, apparently lost; he is being looked after by his grandfather, Gorô (Kyōzō Nagatsuka), an actor in town performing in an experimental piece about psychiatric care in which Tomoki is encouraged to take part if he feels like it. The show is directed by Mari (Tao Okamoto), and her stylish calm and intelligence entrances Marie-Lou; they are clearly on the verge of an intense friendship and perhaps more, although the film is reticent on this last point.Philosophical Exchanges and Narrative ConcernsMarie-Lou comes to a performance, stays for the Q&A; afterwards and reveals herself to be fluent in Japanese, asking questions of Mari in that language which touch on Mari's very serious illness. Some in the audience rather plaintively – and understandably – call for the conversation to be in French, though this film comes close to being insufferable when Gorô solemnly tells everyone that their exchange was so intimate and meaningful that the audience should be content with simply sensing that.The Film's Strengths and WeaknessesAll of a Sudden works best entirely outside the exotically overwritten, overthought bond between Mari and Marie-Lou. The realist set pieces are very moving, showing us patients with dementia surrounded by their families, and also showing us, often with photos of their younger selves in demanding jobs, how these patients have changed. The film's high concept is a little self conscious.All of a Sudden screened at the Cannes film festival.

Executive Summary: Farhadi Condemns Civilian Deaths in IranAt a press conference on the Cannes Croisette, Oscar‑winning Iranian filmmaker Asghar Farhadi described the recent loss of civilian lives in Iran as “extremely cruel and tragic”. He stressed that condemning state violence and war‑related bombings are not mutually exclusive positions.Farhadi’s Cannes Press Conference Highlights Dual TragediesSpeaking after the premiere of his new Paris‑set drama Parallel Tales, Farhadi was asked about artistic freedom in France, the ongoing Iran‑US‑Israel conflict, and the repression of protesters at home. He recounted two recent events that have haunted him:The killing of innocent civilians, including children, in the war.The death of demonstrators shot during protests in Tehran.“Both events are extremely painful and will never be forgotten,” he said.Quantitative Context: Lack of Reported Casualty FiguresThe Guardian article provides no specific casualty numbers, making it impossible to quantify the scale of the tragedies. Farhadi’s remarks therefore rely on moral weight rather than statistical evidence.Implications for Iranian Cultural Dissent and International PerceptionFarhadi’s statements reinforce a growing chorus of Iranian artists speaking out against state repression and the humanitarian toll of the war. By linking artistic expression with political condemnation, he:Highlights the moral responsibility of filmmakers in exile.Adds pressure on the Iranian regime, which has already forced several directors, including Jafar Panahi and Mohammad Rasoulof, into exile.Signals to the international community that cultural platforms like Cannes can serve as stages for human‑rights advocacy.Future Outlook: Potential Escalation of Artistic ProtestFarhadi has vowed not to work in Iran while censorship persists and has urged fellow filmmakers to denounce the war as a “war crime”. If his stance resonates, we may see:Increased participation of exiled Iranian artists in high‑profile festivals.Greater scrutiny of Iran’s human‑rights record by global media and policy makers.Potential backlash from Iranian authorities aimed at silencing dissenting voices abroad.