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The Lead This week's art world offers a diverse mix of exhibitions, from a copyright-bending green ogre to monochrome grey paintings and a recovered Vermeer masterpiece. The Guardian's art roundup brings together the most significant shows and stories from across the UK art scene. Exhibition Highlights Bruce Asbestos: Bootleg Shreg 2 brings the artist's wacky comic style to Exeter Phoenix Gallery, featuring Shreg, a green ogre that breaches absolutely zero copyright rules. The show runs from 25 April to 20 June. Roy Oxlade presents rough, scrappy, primitive painting at Alison Jacques in London, showcasing the work of this major figure in 20th-century British art. The exhibition continues until 30 May. May Morris: Crafting a Legacy at Lady Lever Art Gallery in Liverpool showcases embroidery, wallpaper, watercolours, costumes and jewellery by the hypertalented youngest daughter of Arts and Crafts pioneer William. The exhibition runs from 25 April to 1 November. 30 Years at Timothy Taylor in London features works by big hitters including Philip Guston, Alex Katz and Antoni Tàpies alongside younger artists, celebrating three decades at the top of the art game for this commercial gallery. The show continues until 30 May. Alan Charlton presents new works at Annely Juda Fine Art in London, featuring paintings made exclusively in one colour: grey. The exhibition runs from 30 April to 7 June. Image of the Week Photographer Jon McCormack captured a rock formation on Kangaroo Island that resembles a modern sculpture by Barbara Hepworth or Henry Moore. This hollowed out form, created by wind and rain over thousands of years, serves as a reminder of nature's awesome power. Art World News This year's Turner prize nominees played it safe Martin Parr's first posthumous exhibition is a dazzling final chapter The story of Black British music is told in the first exhibition at V&A; East Portugal's newest art festival takes an anarchistic approach Isaac Julien's new show is a bombastic meditation on human connection Picasso's Guernica is being used in Spain's partisan squabbles The finalists for museum of the year have been announced Masterpiece of the Week The Guitar Player (Lady With a Guitar), c.1670-1720 by Johannes Vermeer, currently on display at Kenwood House in London. Despite a guide's comment that the subject "looks like a boiled egg," the painting's ghostly quality and the subject's quiet amusement make it a remarkable work of art. The painting has an intriguing history, having been stolen in the 1970s and recovered with the help of a clairvoyant.

Humanity & Inclusion UK warns that the number of amputees in Gaza could climb further as Israel continues to restrict medical aid, leaving thousands without prosthetic care.Escalating Amputation Crisis Amid Aid BlockadeThe NGO reports that amputations in Gaza have reached “unprecedented” levels during the ongoing conflict, describing the situation as a humanitarian catastrophe.Humanitarian Data Highlights Record Amputation Rates5,000‑6,000 people have undergone amputations as of early October 2025 (World Health Organization estimate).At the height of the fighting, up to 10 children per day were reported to receive leg amputations.Overall, 42,000 Palestinians have sustained life‑changing injuries over the two‑year war.Since the cease‑fire, more than 700 Palestinians have been killed and 2,000 injured (UN data).Broader Implications for Gaza’s Health System and Civilian MobilityOnly nine prosthetists remain active, operating under “immense pressure” due to a shortage of critical components and the inability to train additional local teams. The blockade prevents the entry of materials, technical expertise, and even basic prosthetic supplies, turning basic movement into a “life‑threatening activity,” according to UN Human Rights chief Volker Turk.Outlook: Prospects for Aid Access and Rehabilitation EffortsWithout an immediate change in Israel’s approval process for humanitarian shipments, the severity and number of amputations are expected to keep rising. International pressure and diplomatic negotiations will be crucial to reopen channels for prosthetic components and specialist training, otherwise Gaza’s disability burden could become one of the highest per‑capita globally.

The Human Cost of Climate DisastersThe water mark on Naira Santa Rita's wall told the story before she could find the words for it. High and brown, like a scar, it was the line left by the floodwater on 15 February 2022 – the night Petrópolis drowned. Within minutes, the mountain city she called home became a war zone. From her window, she watched bodies float past in the streets below. More than 230 people died that night, in what was until then Brazil's worst climate disaster.But Santa Rita's story extends far beyond that single tragedy. She is one among millions in a global crisis that remains largely invisible: climate displacement, a phenomenon that disproportionately destroys women's lives.Three Disasters in Three YearsBrazil has become a laboratory for this accelerating crisis. Three disasters in three years trace an upward curve of devastation: Petrópolis in February 2022, which killed 233 people; Recife three months later in May, when 130 people died; and Rio Grande do Sul in May 2024 – the state's largest natural disaster, affecting 2.4 million people across 478 municipalities, killing 183, and causing economic losses estimated in the billions of reais.That February afternoon, Santa Rita, then 24, had cancelled her two-year-old son Cainã's medical appointment. The rain was intensifying. "The city becomes chaotic when it rains," she says. The decision saved their lives – two buses full of passengers were swept away in the city centre.The Global Data on Climate DisplacementThe numbers are staggering. Over the past decade, climate-related disasters have displaced 250 million people globally – equivalent to 70,000 people forced from their homes every day.According to the UN high commissioner for refugees (UNHCR), more than 120 million people worldwide are now forcibly displaced. Of these, about 90 million live in countries with high or extreme exposure to climate risks, and half exist in the brutal intersection of conflict zones and severe climate threats.In Latin America and the Caribbean – the region most exposed to extreme climate events after Africa – an average of 2.4 million people a year have been displaced within their own country over the past decade. And the future looks even darker: by 2040, the number of countries facing extreme climate risks is expected to jump from three to 65. By 2050, most refugee camps will endure twice as many days of dangerous heat as they do today.Why Women Bear the Brunt"With the intensification of climate change, a significant increase in cyclical and prolonged displacements is expected," warns Sílvia Sander, protection officer at UNHCR. "Women who return to disaster-prone areas face successive displacements – being forced to move again and again – making life reconstruction difficult. Each new climate event destroys resources, increasing dependence on humanitarian aid.""You think you're safe in a building – you're not; it's an illusion," Santa Rita recalls. "I saw water coming in, not through the drain, but through the walls. You can't control water, tell it, 'Stop, don't come in.' You see it, and everything's already gone."The Future Outlook for Climate DisastersAs climate change accelerates, the pattern of women being "the first to die" in disasters is likely to continue without targeted intervention. The intersection of gender inequality and climate vulnerability creates a deadly combination that requires specific policy responses.Climate experts warn that without significant global action to reduce emissions and adapt to changing conditions, the number of climate-displaced people could grow exponentially, with women and children making up the majority of those affected. The situation in Brazil serves as a warning for other nations facing similar climate challenges.

The Viral Celebration That Captured HeartsIn the moments after Southampton's stunning victory over Arsenal secured their place in the FA Cup semi-final, a camera operator captured an image that would become an internet sensation. Shea Charles, with a playful 'how-about-that-then?' expression, tilted his head and raised his eyebrows toward the camera. This snapshot, taken as the crowd swayed to Doris Day's 'Que Sera, Sera,' snowballed into a viral meme viewed by millions across social media platforms.The 22-year-old midfielder's spontaneous reaction perfectly encapsulated the joy and disbelief surrounding Southampton's achievement. 'I just looked at the camera as if I was looking at my mates down the lens,' Charles explains. 'I've seen it's gone all over.' The club even asked players to recreate the moment in recognition of its cultural impact.From Manchester Roots to Southampton StardomCharles' journey to this moment began in Flixton, on the outskirts of Manchester, where he joined Manchester City's academy at the tender age of eight. A photograph from that era shows Charles and his wide-eyed teammates meeting Vincent Kompany during a training ground tour—a surreal experience for the youngster who idolized the Belgian defender.'That was such a mad day for all of us,' recalls Charles. 'At that age, there were a lot of City fans in the group. All the boys that were signing on for under-nines got a little treat to see some of the players and then we went to the game where City beat United 1-0, when Kompany scored the header. His kind of era at City was my childhood; him and Yaya Touré were my favourite players.'The Making of a Midfield MaestroCharles' progression through City's ranks was marked by significant milestones. He first trained with Pep Guardiola's first-team squad at 17 during the COVID-19 pandemic when several senior players were absent. The experience was both overwhelming and educational.'When you first go up, as a City fan, I was a bit starstruck: 'Woah!' Suddenly I'm training with Mahrez. Fernandinho was there, someone I always tried to ask things. He helped me with little details – positioning, knowing when to drop at the right time. I tried to get bits of information from him. And Rodri as well,' Charles remembers.His final act for City was captaining the side to retain the Premier League 2 title, followed by his Premier League debut under Guardiola at Brentford. 'I came on around the 63rd minute,' he details. 'I got told to warm up and I remember making sure it was me that they were talking to. Then he said: 'You know how good you are, just go and do what you do in training.'Transforming Southampton's SeasonSince joining Southampton in a £15m deal three years ago, Charles has evolved into a key player for the Championship side. His ice-cool finish against Arsenal, controlling the ball on his left foot and finding the corner with his right, represented another clutch moment in a season filled with them.His contributions extend beyond goals. There was his 96th-minute winner in February's extraordinary 4-3 turnaround at Leicester, with Saints having trailed 3-0 after an hour; and a goal-of-the-season contender against Oxford—a first-time strike into the top corner from 30 yards with an xG of 0.011. Last weekend, after entering at half-time against Swansea, he equalised in a game Southampton won to fuel unlikely automatic promotion hopes.'If we go behind in a game, I like to think that I'm a cool head that people can turn to as a leader. It's just always been a kind of strength of mine,' Charles states, highlighting his growing influence in the dressing room.Wembley Showdown Against His Former ClubThis Saturday marks a significant milestone as Southampton, 50 years on from winning the Cup under Lawrie McMenemy, return to Wembley to face Manchester City—the club Charles left for Southampton. The timing is particularly poignant as Southampton were 21st when Tonda Eckert took the reins as head coach in November, initially on an interim basis, but are now three points off second-placed Ipswich.Charles acknowledges the challenge ahead but remains focused on the opportunity. 'When you're playing against Rodri, Pedri and Fabián Ruiz, it's tough,' he admits of a previous international encounter. 'He makes the right decisions 99% of the time. He moves the ball so quickly, it's hard to get near him.'As Southampton's unlikely season continues, Charles stands at the center of their remarkable journey—from viral internet sensation to FA Cup semi-finalist, with dreams of Wembley glory still very much alive.

The Phoenix Rising"Please close the door. It conserves heat and keeps the organ in tune," requests the notice inside the church door. It's pleasantly warm inside, on this chilly April morning. But on the night of 16 September 1998, temperatures here exceeded 1,000C, when fire consumed the old organ, along with the floors, window, roof and 900 years of history, leaving a charred shell.Seven years of reconstruction and renewal followed, creating a light, airy interior: simple pale oak has replaced the darker, more intricate furnishings, and a new east window portrays an exotic floral paradise.A Paradise RestoredHelen Whittaker's Paradise window in St Brandon's church. Photograph: Phil GatesHelen Whittaker's vibrant stained glass Paradise window celebrates the quest of the Irish traveller St Brandon, better known as St Brendan, who spent a lifetime searching for an earthly Garden of Eden. Early-morning sunlight, streaming through the glass, casts rainbow shadows of subtropical flowers that he might have encountered: strelitzia, jacaranda, hibiscus and angel's trumpets. Below panes of red, orange, purple and blue, the artist has left clear glass panels, revealing the natural beauty of native trees in the churchyard beyond, itself a paradise for local wildlife.Wildlife SanctuaryFebruary's drifts of the snowdrops and winter aconites, around the grave of Jack Warner – a much-missed former colleague – gave way to daffodils in March. Today, bee-flies are darting between primrose flowers, in longer grass between mown paths. A buff-tailed queen bumblebee, searching for a nest site, explores a vole tunnel around an old tree stump. A seven-spot ladybird ambles across a lichen-encrusted table-tomb. The loudest sound comes from a song thrush. Otherwise, it is so quiet that I can hear the scratchy claws of a treecreeper climbing the bark of an ash tree.Pollen-producing cones on a St Brandon's churchyard yew. Photograph: Phil GatesThe Balance of LifeSympathetic churchyard management like this achieves a fine balance between respect for those whose life journeys ended here and the needs of nature, where another cycle of life is beginning.Pollen of RenewalOne of the ancient churchyard yews is covered in tiny male, pollen-producing cones. On the way out, I give its branch a gentle shake and, for a second or two, a ghostly cloud of yellow pollen is suspended in a shaft of sunlight, then dissolves like smoke in the air as it rises through the branches.

Lead: Gold’s Unaffordability Redefines Bridal TraditionsRecord highs in gold prices have turned a centuries‑old symbol of marital dignity into a financial burden for many South Asian families. Brides like Uzma Bashir in Srinagar and mothers in New Delhi are now opting for "one‑gram gold"—base‑metal pieces thinly coated with 24‑carat gold—or fully imitation jewellery to meet cultural expectations without crippling debt.Rising Gold Prices Trigger Shift in Bridal Jewellery ChoicesIn early 2026, gold peaked at $5,595 per ounce (January 29) and settled around $4,861. India’s flagship gold‑buying festival, Akshaya Tritiya, saw futures at $1,670 per 10 grams, a 63% increase over the previous year. The World Gold Council reported a 24% drop in Indian gold‑jewellery demand for 2025, while Pakistani traders noted a 50% decline in sales over the past year.Price Surge and Market StatisticsGold price per ounce: $5,595 (peak) → $4,861 (current)10‑gram futures during Akshaya Tritiya: $1,670 (+63% YoY)India jewellery demand: –24% YoY (2025)Pakistan gold sales: –50% YoYBangladesh 22‑carat gold: $2,200 per 11.668 g (record)Imitation earrings in Bangladesh: 200–500 taka ($1.5‑$4)Socio‑Economic Ripple Effects on Weddings Across South AsiaThe cultural weight of gold—seen as a marker of dignity, security, and dowry—means its unaffordability reshapes marriage negotiations. Families replace pure gold with:One‑gram gold jewellery (base metal with a thin 24‑carat coating)Gold‑plated sets (40,000‑60,000 PKR vs. hundreds of thousands for real gold)Fully artificial pieces, often imported from IndiaWomen like Fatima Begum in New Delhi and Sadia Islam in Dhaka cite safety concerns and financial strain as drivers for the shift. Gold’s role is moving from a mandatory dowry item to an investment asset, with many families buying small quantities solely for future resale.Future Outlook: Imitation Jewellery Market and Gold Investment TrendsAnalysts expect the imitation and one‑gram segment to grow double‑digit percentages as price volatility persists. Jewellery retailers are expanding designs, and online platforms are popularising affordable gold‑look alternatives. Meanwhile, the perception of gold as a pure status symbol may continue to erode, especially among middle‑class households, leading to a longer‑term re‑balancing of cultural expectations and financial realities.

US Stance on Iranian Athletes for the 2026 World CupThe State Department, represented by Marco Rubio, confirmed that the United States has no objection to Iranian players traveling to the 2026 FIFA World Cup. However, the administration will block any accompanying individuals linked to the Islamic Revolutionary Guard Corps (IRGC) from entering the country.Rubio’s Clarification on IRGC‑Related Accompanying PersonnelDuring a press briefing, Rubio emphasized that the restriction targets “people they would want to bring with them, some of whom have ties to the IRGC,” not the athletes themselves. He warned that the U.S. would not allow “a bunch of IRGC terrorists” to masquerade as journalists or trainers.“Nothing from the US has told them they can’t come,” Rubio said.U.S. policy treats the IRGC as a “foreign terrorist organisation.”Geopolitical Context and Visa ImplicationsThe announcement comes amid the ongoing US‑Israel‑Iran conflict that began on February 28, 2026. Iran’s group‑stage matches are slated for venues across the United States, raising security and diplomatic concerns. Donald Trump, speaking alongside Rubio, reiterated that the ban is not intended to affect the athletes’ participation.Potential Ripple Effects on Tournament Logistics and Diplomatic RelationsThis policy could force Iranian officials to adjust travel plans, potentially straining relations with FIFA and the host nations (U.S., Mexico, Canada). It also fuels speculation about alternative arrangements, such as relocating Iran’s matches—an idea previously rejected by FIFA.Iran requested its group matches be moved to Mexico; FIFA denied the request.Italian‑American envoy Paolo Zampolli suggested Italy replace Iran, a proposal rebuked by Italian officials.What the Next Steps Could Mean for Iran and the Host NationsIranian Football Federation President Mehdi Taj affirmed that the team will proceed as planned, complying with “the decisions of the authorities.” The U.S. stance sets a precedent for future sporting events where security concerns intersect with geopolitics, and it may prompt stricter vetting of support staff for other nations.The World Cup kicks off on June 11, 2026 across the United States, Mexico, and Canada, and the final outcome will hinge on how both sides navigate the visa restrictions while maintaining the tournament’s integrity.

Carla dal Forno returns with Confession, an eight‑track record that walks a thin line between icy post‑punk minimalism and unexpected bursts of sunlight from dub and indie‑pop. The album frames a friendship turned emotionally charged, delivering a narrative that feels both intimate and unsettling.‘Confession’ Unpacks a Charged Friendship Through Sparse Post‑Punk SoundscapesThe opener “Going Out” launches with a bass line worthy of New Order, immediately setting a tone of shame‑filled obsession that hardens into determination. Dal Forno’s vocal delivery remains chillingly detached, while the title track layers bright, skanking rhythms that mask deeper emotional currents. Throughout, the record oscillates between naive twee‑pop melodies, peppy cold‑wave textures, and moments of erotic tension, especially on “Nighttime”.Album Metrics: Eight Tracks, Four Instrumentals, and a New Wave BasslineEight songs total, including four instrumentals that serve as atmospheric bridges.Running time hovers around the 35‑minute mark, emphasizing brevity over indulgence.Production leans heavily on sparse guitar lines, reverberant synths, and a bass that anchors each track in a post‑punk tradition.Why Dal Forno’s Minimalist Approach Reshapes Australian Indie‑PopBy stripping back arrangements, Dal Forno foregrounds lyrical nuance, turning personal confession into a universal commentary on desire and restraint. The contrast between stark instrumentation and occasional sun‑lit moments challenges the prevailing lushness of contemporary Australian indie, suggesting a shift toward more austere, narrative‑driven releases.What’s Next for Dal Forno? Anticipating a Brighter Sonic HorizonIf Confession signals a willingness to blend darkness with light, future projects may explore richer harmonic palettes while retaining her signature storytelling. Listeners can expect collaborations that pull in more dub and synth‑pop influences, potentially broadening her audience beyond the post‑punk niche.

Kyushu as the New Frontline of Japan's Defence StrategyIn late March, Japan positioned long‑range missiles in Kumamoto Prefecture on Kyushu’s southwest coast, marking the first installation capable of striking China. Defence Minister Shinjiro Koizumi warned that the nation faces “the most severe and complex security environment in the post‑war era,” prompting the rollout of the so‑called “southern shield.”Budget Surge and Weapon Systems Fueling the Build‑upFiscal year 2026 defence budget reached a record $58 bn.Planned acquisition of 400 US‑made Tomahawk missiles for submarine and surface launch.Deployment of electronic‑warfare units, air assets, and anti‑access/area‑denial (A2/AD) layers across the Nansei/Ryukyu Islands.Strategic Repercussions for Regional SecurityThe “southern shield” reinforces the U.S.‑led “First Island Chain” by creating A2/AD zones that complicate Chinese operations near Taiwan and in the East China Sea. Analysts note that Japan’s shift toward “counter‑strike capability” stretches the constitutional definition of self‑defence, aligning the JSDF more closely with the militaries of South Korea and France in the 2026 Global Firepower Index.Eroding Confidence in the U.S. Nuclear UmbrellaSurveys show 77 % of Japanese respondents doubt the United States would defend Japan in a crisis, reflecting concerns over Washington’s “America First” stance and the uncertain commitment of former President Donald Trump. Consequently, Tokyo is deepening ties with regional partners such as the Philippines and Australia while expanding its own deterrent capabilities.Looking Ahead: 2026‑2030 Security RoadmapJapan will unveil the next phase of its national security strategy later this year, expected to incorporate lessons from the Ukraine and Iran conflicts, especially regarding drones and supply‑chain vulnerabilities. The roadmap will likely cement the “southern shield” as a permanent fixture, further normalising Japan’s counter‑strike posture and reshaping the security calculus in the Indo‑Pacific.