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England fast bowler Josh Tongue has candidly shared his journey, from making his Test debut in 2023 to overcoming injuries and achieving milestones.Tongue, 28, has been refreshingly honest about his career, including his 18 wickets in three Ashes Tests and his five-wicket haul against Australia at the MCG.He opens up about his struggles with thoracic outlet syndrome, a condition that led him to consider early retirement. However, Botox injections helped him recover, and he made his Test debut for England.Tongue's laid-back and reflective personality has earned him praise from coaches Brendon McCullum and Peter Moores. His dream is to become England's opening bowler and take on top-order players like Steve Smith, whom he has successfully bowled out multiple times.Despite facing challenges, Tongue remains focused on playing cricket for England and making fans happy. A pivotal summer lies ahead, and wickets will be the currency that keeps Tongue's name on people's lips.

Liverpool's recent performances have been under scrutiny, particularly their slump in form following a promising start to the season. Manager Arne Slot's tactics and team selection have come under fire, with some questioning his ability to lead the team to success.Slot's romantic connection with Paris Saint-Germain is well-documented, with the manager often citing the French club as an inspiration for his playing style. Liverpool's upcoming match against PSG in the Bigger Cup has generated significant interest, with Slot's team looking to bounce back from a disappointing FA Cup loss to Manchester City.In the midst of this turmoil, Slot's past performances against PSG have been recalled, including a thrilling match last year that ended in a penalty shootout. Slot's passion for the game and his desire for an open and entertaining match have been praised, but his team's recent form has raised concerns about their ability to compete at the highest level.The pressure is on Slot to turn things around and lead Liverpool to a strong finish in the season. With a 20th league title already secured, the team's focus now shifts to the Bigger Cup and a chance to make a statement against one of Europe's top clubs.

Anna Wintour, the legendary global editorial director of Vogue, has graced the cover of the fashion magazine alongside her Hollywood counterpart, Meryl Streep. The striking image, captured by renowned photographer Annie Leibovitz, features Wintour and Streep, who is famously known for her portrayal of Miranda Priestly in The Devil Wears Prada.In a candid interview with Greta Gerwig, Wintour expressed her admiration for Streep, calling it 'such an honour to be played by Meryl.' However, she noted that the character of Priestly was 'distant' from her real self, describing it as an 'extraordinary gift.'Wintour also shared her thoughts on aging, stating, 'I like my age. I feel as alive, excited and aware as ever, and I like to learn from my children and from all my teams around the world. It’s always exciting.'When asked about swapping roles with Streep, Wintour humbly replied, 'There’s no way. I have no gifts. I have absolutely no gifts at all.' The film The Devil Wears Prada, based on the novel by Lauren Weisberger, was a critical success and cemented Streep's portrayal of the ruthless fashion editor.Interestingly, a genealogy report by Ancestry claims that Wintour and Streep are sixth cousins, adding a fascinating twist to their long-standing connection.

Mircea Lucescu, a Romanian football great who achieved immense success as both a player and a coach, has passed away at the age of 80. His death was confirmed by Bucharest's university emergency hospital on Tuesday, following a reported heart attack on Friday morning.Lucescu was one of the most successful Romanian football coaches and players, remembered for qualifying the national team for a European Championship in 1984. He had a lengthy coaching career, managing teams across Europe and winning multiple titles, including the Uefa Cup with Shakhtar Donetsk in 2009.As a player, Lucescu won 64 caps and captained Romania at the 1970 World Cup. His coaching career included stints with Galatasaray, Shakhtar Donetsk, Zenit Saint Petersburg, Dynamo Kyiv, and the Turkish national team. He returned to coach Romania in an attempt to qualify for the World Cup, despite his health issues.Lucescu's legacy is celebrated by fans and fellow clubs, with tributes pouring in from Galatasaray and Shakhtar Donetsk. His dedication to Romanian football and his achievements have left a lasting impact on the sport.

On Halloween night in 2022, the 33‑year‑old Los Angeles‑based musician Angelo De Augustine collapsed at home, experiencing a cascade of sensory failures that left him unable to see, hear or move properly. Family members rushed him to the hospital, where doctors ran extensive tests but could not pinpoint a diagnosis, ultimately sending him home with a warning to return only if he became completely deaf or blind. Faced with a semi‑incapacitated body, De Augustine’s sole focus became completing the album he had been crafting for the previous year, Toil and Trouble. He admits he believed he might not survive the illness, yet he pushed through the pain, hoping to finish the record before his presumed death. De Augustine’s career had been gaining momentum. After his 2014 debut Spirals of Silence, he joined Sufjan Stevens’ label Asthmatic Kitty for 2017’s Swim Inside the Moon and later co‑produced the acclaimed 2021 collaboration A Beginner’s Mind. A 2019 track, “Time,” from the album Tomb, amassed over 31 million streams after featuring in Zach Braff’s film A Good Person, but the artist was too ill to capitalize on its success. Recovery was gradual and arduous. Over three years De Augustine relearned basic functions—walking, speaking, hearing, and playing instruments. Those challenges informed his newest work, Angel in Plainclothes, an album that contemplates mortality and the fleeting nature of life through ethereal soundscapes. Musically, the record draws on influences ranging from Nick Drake’s wistfulness to early Paul Simon’s lyricism. Tracks such as “Spirit of the Unknown” celebrate simple joys, while the lead single “Mirror Mirror” uses a reflective metaphor to describe his feeling of being a ghost watching life from the sidelines. He records from a studio he calls “A Secret Place,” emphasizing the intimate, introspective tone of the project. Recent research, De Augustine notes, suggests that chronic stress can overload the central nervous system, causing the body to shut down—a possible explanation for his 2022 episode. He points to the relentless pressures of the music industry as a likely source of that prolonged anxiety. Born to musical parents—his mother Wendy Fraser sang on the Dirty Dancing soundtrack—De Augustine originally pursued soccer before injuries redirected him toward music. Largely self‑taught, he began writing original material without formal lessons, a factor he believes gives his songs a distinctive edge. During his convalescence he moved back in with his mother, unable even to prepare meals. A breakthrough came when he discovered that immersion in water alleviated his symptoms, prompting a deeper awareness of his stress levels. A disciplined regimen of physical and mental exercises helped rewire his nervous system, gradually restoring his ability to play guitar and sing. When his health permitted, De Augustine returned to the studio, this time enlisting collaborators such as string arranger Oliver Hill, harpist Leng Bian, producer Thomas Bartlett (aka Doveman), and his mother on percussion. Drummer Jonathan Wilson contributed drums and offered his Topanga Canyon studio for the track “The Cure,” a song that likens illness to addiction. The album’s sonic palette is enriched by antique instruments—a bowed psaltery, aquarion, Marxophone, bass recorder, train whistle, 1960s German guitaret, miniature accordion, and a 1990s synthesiser version of a Japanese koto harp—underscoring De Augustine’s penchant for unconventional textures. After a five‑year hiatus from live performance, he returned to the stage last year, describing the experience as “amazing” despite its challenges. Though he acknowledges he is not yet fully healed, he feels he is emerging as a blend of his former self and a newly humbled individual who no longer takes life for granted. Reflecting on his journey, De Augustine says, “For so long my only focus was to be a great songwriter, and perhaps I paid the price for that. Now I’m trying to live a good life rather than chase outcomes.” Angel in Plainclothes was released via Asthmatic Kitty on 24 April, offering listeners a glimpse into his renewed perspective and artistic resilience.

The threat of bombing Iran back to the 'stone ages' by US President Donald Trump has raised concerns about the morality, legality, and utility of such a campaign. In 2006, Israel bombed Lebanon's Jiyeh power station, causing a massive oil spill and significant damage. However, this did not prevent Hezbollah from rearming and continuing to fight. Similarly, Russia's sustained bombardment of Ukraine has not forced the country to concede. History has shown that bombing campaigns, including the British 'area bombing' of Germany in World War II and the US Rolling Thunder campaign against North Vietnam, have not always achieved their desired outcomes. Experts argue that bombing Iran's infrastructure would not change the regime's strategic calculus and would likely give the Iranian government a powerful propaganda tool. The US lacks a credible military option to force Iran into submission, and pressure alone may not be enough to break Tehran. The effectiveness of bombing campaigns in achieving war objectives is highly contested. The article cites the example of the British bomber command's promise to bring about the collapse of Germany within four months, which ultimately proved unsuccessful. Trump's threat to bomb Iran's infrastructure has been met with skepticism by experts, who argue that it is unlikely to achieve its desired outcome and may instead escalate the situation.

Researchers at Rothamsted Research in Harpenden, Hertfordshire, have made a groundbreaking discovery in the field of food safety. By utilizing Crispr genome editing, they have successfully developed wheat that can be used to make bread with reduced levels of acrylamide, a toxic compound classified as a probable carcinogen.The innovation lies in the reduction of free asparagine, an amino acid in wheat that converts into acrylamide when bread is toasted, fried, or baked. Field trials over two years demonstrated that gene-edited wheat can have significantly lower concentrations of free asparagine without impacting crop yields. This translates into lower acrylamide formation in food products, making toasted bread safer for consumption.In tests, bread and biscuits made from the edited wheat showed substantially reduced acrylamide levels, with some bread samples having concentrations below detectable limits even after toasting. The Crispr editing targeted the gene responsible for asparagine production, achieving a reduction of up to 93% in free asparagine in dual-edited lines.Compared to conventional methods that achieved a 50% reduction in free asparagine but resulted in a 25% yield penalty, the Crispr-edited wheat offers a more efficient and effective solution. Dr. Navneet Kaur, a lead researcher, highlighted the potential of Crispr technology to deliver precise, beneficial changes in crop genetics, emphasizing the importance of supportive regulatory frameworks to unlock benefits for agriculture and food systems.The UK has become a global hub for gene editing research since Brexit, with the Genetic Technology (Precision Breeding) Act of 2023 facilitating the development and marketing of genetically modified crops. However, the future of these advancements may be influenced by negotiations with the EU over sanitary and phytosanitary agreements.Prof. Nigel Halford, who led the study, noted that low-acrylamide wheat could help food businesses meet safety standards without compromising product quality or incurring major costs, ultimately reducing consumers' dietary exposure to acrylamide.

On day five of the Artemis II mission, NASA announced that the Orion spacecraft successfully executed a lunar flyby, marking a pivotal milestone on its journey back to the Moon. The agency released a collection of high‑resolution photographs taken during the maneuver, showcasing the spacecraft against the stark backdrop of space and the Moon’s illuminated surface. These images not only provide a visual record of the mission’s progress but also underscore the technical precision required for the upcoming crewed lunar landing.

Meg Jones has been appointed as the new captain, with Amy Cokayne and Alex Matthews as her deputies. Jones expressed her pride in leading the team, emphasizing continuity and a shared vision for success. Despite the changes, England remains a strong contender for the Six Nations title.