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Evan Williams, a 55-year-old horse racing trainer from Wales, has been jailed for three years for attacking a dog walker, Martin Dandridge, 72, with a hockey stick on his land in Llancarfan, south Wales, in December 2024.Williams, who has had significant success in horse racing, including winning the Welsh Grand National with Secret Reprieve in 2020, repeatedly struck Dandridge, causing him serious injuries, including a fractured arm. The incident led to Williams being convicted of causing grievous bodily harm with intent by a unanimous jury at Cardiff Crown Court in March.The judge, Recorder Angharad Price, criticized Williams for taking the law into his own hands, stating, “It is never acceptable to take the law into your own hands. This sentence will be a lesson to you that it is always better to call the police if you think a crime is being committed.” Williams had previously experienced a threatening incident with poachers on his land six weeks before the assault.Williams's barrister, David Elias KC, noted that “If he isn’t there, there is no business,” suggesting that Williams's imprisonment could jeopardize his training business. Williams established Evan Williams Racing in 2003 and has been one of Wales's most successful trainers, achieving top-four finishes in five consecutive Grand Nationals at Aintree between 2009 and 2013.

“You can be the thickest bloke and still think you know more about football than a woman,” declares Jo, a Newcastle supporter, in the opening section of the Away From Home: The Untold Stories of Women Football Fans exhibition. The line sets the tone for a showcase that confronts the stereotype that only men can truly understand the game.Curated by Professor Stacey Pope, a leading sociologist of women’s football, and Durham University’s David Wright, the exhibition occupies the Beacon of Light pop‑up beside Sunderland’s Stadium of Light. It chronicles the presence of women on the terraces of the North‑East since the 1950s, using archival footage, hand‑sewn silk scarves and newly commissioned soundscapes to recreate match‑day rituals.The display is anchored by 22 recorded interviews with Newcastle and Sunderland fans, complemented by a broader research base of 200 interviews conducted over two decades. Pope notes that while the last thirty years have seen a “feminisation of sports fandom,” true gender parity remains elusive.Recent data underscore the exhibition’s relevance. In a survey of 2,000 male fans, three‑quarters expressed overt or covert misogynistic attitudes toward women in football. Moreover, the anti‑racism charity Kick It Out reported that sexist incidents at matches have doubled from the start of the season to the end of February compared with the previous campaign.Beyond statistics, the exhibition explores structural barriers: stadium designs that prioritize male comfort, safety concerns on public transport, and societal expectations that push women out of the stands after marriage or motherhood. As Pope explains, “football is sexist, what do you expect?” – a reality the exhibit seeks to expose and challenge.Visitors can experience mixed‑media installations that blend personal anecdotes with broader themes of loss, renewal, and the collective euphoria of a match. One soundscape, for example, transforms complaints of cold, mud, and hunger into the roar of a crowd as the game begins, illustrating how football has resonated with women for generations.The exhibition runs until the end of the season and is also available online for a wider audience.

Arsenal manager Mikel Arteta remains optimistic about his team's chances despite mounting injury concerns, particularly with star player Bukayo Saka sidelined with an achilles issue.Arteta insists he has 'zero fear' that Arsenal could end the season without silverware, but admits there are significant doubts over Saka's return. Saka has not played since the Carabao Cup final defeat to Manchester City last month and Arteta is uncertain when he will be back.'Hopefully it's going to be a matter of days and not weeks,' Arteta said. 'But he has to see when he's loading more, how he responds to that kind of progression.'Arsenal are also facing doubts over Jurrien Timber, Riccardo Calafiori and captain Martin Ødegaard for their Champions League match against Sporting. Additionally, Arteta will make a late call on Declan Rice's fitness after the England midfielder missed training on Tuesday.Despite recent setbacks, including a home defeat to Bournemouth in the Premier League, Arteta remains positive. 'Fire. I'm on fire. I'm on fire,' he said. 'Nothing else. I'm dreaming so much. I've done so much to be in this position because I know how this club was. I just see beauty, opportunity, and I want to get it done for all these people that have been in this journey with us.'

The head of the United Kingdom’s Royal Ballet and Opera publicly thanked Hollywood actor Timothée Chalamet for inadvertently driving a surge in ticket sales after his candid remarks about the art forms during a March interview promoting his upcoming film.Chalamet, whose family has ballet ties, quipped that he was relieved to work in cinema rather than “opera or ballet, where it’s like, ‘Hey, keep this thing alive, even though no one cares about this any more.’” The comment sparked swift backlash from fellow actors and cultural institutions, but also ignited a wave of public interest.Speaking to the Times, RBO chief Alex Beard described the reaction as “just fantastic” and highlighted the organisation’s measured response. “We chose not to issue a hoity‑to‑ity reply,” Beard said. “Instead we invited people to see what we’re doing – for example, the fact that the largest slice of our audience is aged 20‑30.”Beard revealed that a single Instagram post about the controversy generated 2.5 million engagements and 500,000 shares, translating into an immediate lift in ticket sales. “So cheers, Timmy!” he added, acknowledging the actor’s unintended promotional impact.Other cultural bodies quickly turned the spotlight into a marketing opportunity. The Seattle Opera launched a ticket discount for its production of Carmen using the code “TIMOTHEE,” directly leveraging the buzz.Chalamet’s director, Luca Guadagnino, defended the actor in an interview with Italy’s La Stampa, calling the public outcry “disproportionate.” Guadagnino argued that a single comment should not become a “planetary polemic” and urged unity across artistic disciplines, emphasizing that “every form of imagination should be nurtured.”

The Royal Opera House is set to unveil its new season, featuring a range of classic and new productions, including a new Parsifal and Un Ballo in Maschera. The season will also see the return of Richard Jones's acclaimed production of Janáček's Kát'a Kabanová.However, the company is facing challenges due to aggressive Arts Council England cuts, which have affected the national opera scene. Glyndebourne and Welsh National Opera are touring less, and English National Opera has been semi-removed from London to Greater Manchester.The Royal Opera House is committed to nurturing emerging talent, with recent successes including Philip Venables' 4.48 Psychosis and Oliver Leith's Last Days. The company is also investing in research and development to find new works that will have "audiences on the edge of their seats".The company has faced controversy in the past, including an incident where a performer unfurled a Palestinian flag during an opera curtain call. The company's director, Oliver Mears, has defended his reaction to the incident, stating that "the curtain call is not a place for an impromptu personal political protest".The Royal Opera House has also faced criticism for its decision to host Russian soprano Anna Netrebko, who has received honours from Russian President Vladimir Putin and has been photographed holding a flag of "Novorossiya", an emblem used by Russian-backed separatists.Mears has emphasized the company's commitment to being "as impartial as we can" in its approach to difficult matters, while also highlighting the importance of "big emotions and huge stories" in opera.

Israeli ambassador to Germany Ron Prosor publicly rebuked far‑right finance minister Bezalel Smotrich for a recent tirade aimed at Chancellor Friedrich Merz, stating that the remarks “erode the memory of the Holocaust.”Smotrich invoked Nazi‑era language, claiming Merz should bow and apologize repeatedly, and likened the Hamas attackers of October 7, 2023 to all Palestinians, prompting widespread condemnation.The controversy follows Merz’s outspoken criticism of Israel’s settlement expansion in the occupied West Bank and his call for a halt to Israeli military exports that could be used in Gaza, underscoring a deepening diplomatic rift.Prosor stressed that political debate with Germany is legitimate but affirmed that Merz remains “a great friend of Israel” and that Germany continues to be Israel’s “number one friend” despite occasional disagreements.Berlin frames Israel’s security as a cornerstone of its post‑Holocaust foreign policy, yet recent months have seen Israeli officials bristling at even cautious German criticism, especially regarding settlement projects and the prospect of a de facto annexation of the West Bank.Senior analyst Mairav Zonszein of the International Crisis Group warned that Israel’s repeated attacks on German statements defending Palestinian rights risk alienating its strongest European ally, urging Berlin to reassess its support for policies that conflict with its own human‑rights standards.

The arrest of Ahmed Shihab-Eldin, a Kuwaiti national and US-born journalist, has sparked fears about the erosion of free speech in Kuwait and the wider Middle East. Shihab-Eldin, who has worked for prominent outlets like PBS, HuffPost, and Al Jazeera English, was detained on March 3 during a visit to Kuwait. Shihab-Eldin's reporting focused on a friendly fire incident on March 2, where Kuwaiti air defenses shot down three US planes, fortunately without any pilot casualties. He published footage of a US F-15E Strike Eagle crashing in al Jahra, west of Kuwait City, and described local residents assisting the crew in a civilian truck. Campaigners worry that Shihab-Eldin might face charges under new security laws being introduced in Kuwait, possibly in a new security court. These laws have been criticized for restricting publicity about attacks on infrastructure and allowing the government to label certain reporting as terrorism. The Committee to Protect Journalists (CPJ) has expressed concern over Shihab-Eldin's detention, highlighting a broader trend of escalating censorship of journalists and news outlets across the world related to the Iran war. Sara Qudah, CPJ's Middle East regional director, stated, 'We are seeing escalating censorship of journalists and news outlets across the world in relation to the Iran war... He must be freed immediately.' Kuwait has recently passed laws that define terrorism broadly and propose significant fines and sentences for publishing statements that could weaken confidence in military entities. The country has also been using citizenship laws to expel alleged dissidents and has withdrawn visas for Iraqi citizens following protests. The detention of Shihab-Eldin and these new laws reflect a wider crackdown on dissent in Kuwait and the Gulf region. Critics argue that these measures are transforming Kuwait into a police state that suppresses dissenting opinions and imprisons those who express them.

The increasing adoption of artificial intelligence (AI) in the workplace is having an unintended consequence: the creation of 'workslop'. Workslop refers to the flawed or inaccurate work generated by AI that needs to be heavily corrected, cleaned up, or completely redone. This phenomenon is causing frustration and decreased productivity among employees, who are often pressured by their employers to use AI to produce more work.Ken, a copywriter for a large cybersecurity firm, is one example of an employee struggling with workslop. After his company implemented AI chatbots, Ken found that the initial drafts were easy to create, but the rewriting and correction process was time-consuming and laborious. In fact, Ken and his coworkers had to spend more time rewriting and correcting errors than if they had never used AI at all.A recent survey of 5,000 white-collar US workers found a significant disconnect between employees and executives when it comes to AI. While 92% of high-level executives believe that AI makes them more productive, 40% of non-managers say that AI saves them no time at all. This disparity highlights the challenges of implementing AI in the workplace and the need for clearer mandates and use cases.The driving force behind workslop is complex and multifaceted. Companies have invested billions in enterprise AI, and some have laid off human workers, attributing the cuts to AI's potential productivity. However, workers who remain feel pressured to use AI to produce more work, often with little guidance or training. This has led to a situation where employees are outsourcing judgment to chatbots, with unclear consequences.Researchers have found that 40% of workers encounter workslop within a month, and spend an average of 3.4 hours a month dealing with it. This translates to significant lost productivity and costs for organizations. To address this issue, experts recommend that companies provide clearer mandates and use cases for AI, as well as more worker input and control over how the technology is used.

The European Union is set to implement a sweeping reform of steel import duties from July, doubling tariffs and halving duty‑free quotas in an effort to stem a surge of low‑priced Chinese steel. EU lawmakers approved the measures after late‑night negotiations, targeting a 47% reduction in quota allowances. While exact country allocations remain pending, the policy will apply to all non‑EEA members, leaving Norway, Iceland and Liechtenstein exempt. EU Industry Commissioner Stéphane Séjourné hailed the deal as the "strongest ever" safeguard for European steel, framing it as a victory for domestic mills, workers and industrial sovereignty. European steel lobbyist Axel Eggert of Eurofer argued the steps will create space for EU producers to add 15 million extra tonnes of steel to meet local demand, thereby pulling the sector "back from the brink". Recent import data underscore the urgency: steel inflows rose to a record 9.9 million tonnes in the final quarter of 2025, up from 7.4 million tonnes a year earlier. The new regime will cap total EU steel imports at 18.7 million tonnes annually, with quotas to be negotiated across 28 product categories. For the United Kingdom, the timing is critical. The EU remains the UK's largest steel market, absorbing roughly 1.8 million tonnes of British steel each year—about 10% of the new quota. UK Steel, the industry body, warned that a failure to secure reciprocal quota access could cripple export flows. Britain is preparing its own counter‑measures, announcing a 50% tariff on third‑country steel imports from 1 July and a 60% cut to its own quotas, a stricter stance than the EU’s 47% reduction. Union representatives echo the alarm. The Community union described the EU quotas as an "existential threat" to British steel and urged the Labour government to guard against a potential "tide of diverted steel" entering the UK market. Both sides acknowledge the deep integration of their steel sectors. Eurofer’s deputy director Karl Tachelet called for preferential treatment for the UK, emphasizing that the two industries share a common interest in avoiding punitive measures. As negotiations unfold, the outcome will shape not only the future of European steel production but also the broader post‑Brexit trade relationship between the EU and the United Kingdom.