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Brazil coach Carlo Ancelotti has not ruled out the possibility of Neymar Jr earning a spot in his 26-man squad for the FIFA World Cup, giving the forward two months to demonstrate he has the necessary qualities.Ancelotti has consistently stated that Neymar will be in contention if he is fully fit, but the attacker was omitted from Brazil's squad for last month's warm-up matches against France and Croatia.Neymar, Brazil's all-time leading scorer with 79 goals, has not played for the national team since suffering a serious knee injury in October 2023 and has struggled to maintain a consistent run of matches since returning to Santos last year.Ancelotti has suggested that Neymar remains part of his thinking as Brazil assess their options in the run-up to the World Cup, which takes place from June 11 to July 19 in the United States, Canada, and Mexico.“He’s a great talent, and it’s normal that people think he can help us win the next World Cup,” Ancelotti said in an interview with French newspaper L’Equipe.“He’s currently being evaluated by the CBF [Brazilian Football Confederation], by me, and he still has two months to show that he has the qualities to play in the next World Cup.“After his knee injury, Neymar has made a good comeback; he’s scoring goals. He needs to continue in this direction and improve his fitness. He’s on the right track.”Brazil are in Group C alongside Morocco, Haiti, and Scotland in the World Cup and will begin their campaign on June 13 in New Jersey.

Paddington: The Musical was the big winner at the Olivier Awards, taking home seven prizes, including Best New Musical. The show, which features music and lyrics by Tom Fletcher and a book by Jessica Swale, dominated the ceremony at the Royal Albert Hall in London.The duo who play Paddington, James Hameed and Arti Shah, won Best Actor in a Musical for their performances. The show's baddies, Tom Edden and Victoria Hamilton-Barritt, also won awards for Best Supporting Actor and Best Supporting Actress in a musical, respectively. Luke Sheppard was named Best Director for the production, which also picked up awards for Costume Design and Set Design.The ceremony was hosted by Nick Mohammed, who joked about being asked how he got the gig. Performances on stage included stars like Rachel Zegler, who won Best Actress in a Musical for Evita, and Fabian Aloise, who won Best Theatre Choreographer for Evita.Rosamund Pike won Best Actress for her performance in Inter Alia, while Paapa Essiedu won Best Supporting Actor for All My Sons. The awards also recognized regional theatre triumphs, including Kenrex and Punch.The Olivier Awards, overseen by the Society of London Theatre, celebrate the best in London theatre productions. This year's ceremony marked the 50th anniversary of the awards.

Inter Milan put one hand on the Serie A title with a thrilling 4-3 comeback win over Como on Sunday, moving nine points clear of Napoli, who could only manage a 1-1 draw against Parma.The match at Como saw Inter trail 2-0 at halftime, but Marcus Thuram scored twice, including a stoppage-time equalizer, to help his team secure the win. Denzel Dumfries then scored twice in the second half to complete the turnaround.Napoli's title defense suffered a setback as they drew 1-1 at Parma. Scott McTominay scored Napoli's equalizer, but they struggled to break down Parma's defense.In other news, Union Berlin appointed Marie-Louise Eta as their new manager, making her the first female head coach in Bundesliga history. Eta, 34, will take over for the remainder of the season and has already committed to leading Union Berlin's women's team next season.Elsewhere, Genoa moved closer to safety with a 2-1 win over Sassuolo, despite being down to 10 men for the second half due to a tunnel bust-up.

Tyson Fury, the Gypsy King of boxing, has once again called out Anthony Joshua for a highly anticipated superfight, but the question remains: will it ever happen? The two British boxing legends have been talking about facing each other for over 10 years, but the bout has been plagued by delays, postponements, and cancellations. Following his dominant victory over Arslanbek Makhmudov at Tottenham Hotspur Stadium, Fury expressed his desire to fight Joshua next, stating, "I've no idea" if the fight will happen. Despite Joshua's presence ringside, he refused to give a definitive answer, citing the need for time to recover from a tragic car crash in Nigeria that claimed the lives of two of his close friends. Fury, who has been chasing Joshua for a decade, sounded perplexed by Joshua's evasive response. "He didn't give an answer," Fury said. "In my opinion, he didn't want no smoke. He didn't look like he wanted it. He was shell-shocked." Fury emphasized that he has given Joshua the respect and space he deserves, especially after his recent personal tragedy. Joshua, on the other hand, appeared dismissive, stating "Contracts are being sent over and you’ll probably see us in the ring next, more than likely." When asked if he needed a warm-up fight, Joshua quipped, "Good question. That [Fury] could be a warmup fight, based on what I saw tonight." Fury dismissed the suggestion that Joshua needed a proper test against a real boxer before stepping into the ring with him. "It’s another stumbling block. He’s just knocked a man spark out," Fury said. "I’ve just come off a win. Let’s get it on. He’s 36. I’m 37. What’s the holdup?" The two fighters have had a long and complicated history, with Fury noting, "If it ain’t Anthony Joshua next I’m not interested in boxing. I’ll eat a thousand Easter eggs, go up to 35 stone. I’m out. It’s either him or I’m gone again. I’m not interested in up-and-comers. I’m not interested in someone trying to prove a point over me. I don’t care about rankings or belts. I only care now about AJ. That’s the defining fight for British boxing."

GSK has revealed promising early results for its treatment for gynaecological cancers, Mocertatug Rezetecan (Mo-Rez), as its chief executive, Luke Miels, seeks to speed up drug development at the group.The company reported that in an early-stage trial, Mo-Rez shrank or eliminated tumours in 62% of patients with ovarian cancer where chemotherapy had failed, and in 67% of those with endometrial cancer.GSK acquired the Mo-Rez cancer treatment, an antibody-drug conjugate (ADC), from China’s Hansoh Pharma in late 2023, and has trialled it in 224 patients around the world, including the UK, over the past year. Few patients needed to stop treatment because of side-effects, the most common being nausea. It is administered every three weeks via intravenous infusion.Combined with data from a separate, intermediate trial in China, these results give GSK the confidence to go straight to late-stage trials, with five clinical studies planned globally in the next few months, including on patients in the UK.Presenting the results at the Society of Gynecologic Oncology’s annual meeting on women’s cancer in Puerto Rico, Hesham Abdullah, GSK’s global head of cancer research and development, said: “Treatment of gynaecological cancers remains a major challenge, with a pressing need for new therapies that offer improved response rates. With Mo-Rez we now have compelling evidence of a promising clinical profile.”Endometrial cancer affects 1.6 million women globally, with 417,000 new cases each year. Ovarian cancer affects 843,000 people, with 240,000 new cases annually.Abdullah described Mo-Rez as a “key asset” in the company’s growing cancer portfolio, expected to be a blockbuster drug with peak annual sales of more than £2bn, which GSK hopes will help it achieve its 2031 sales target of £40bn.

When a Toronto reader confessed to always using "please" and "thank you" with Alexa, the Guardian invited its audience to share their thoughts on the etiquette of speaking to artificial assistants.One camp warns against treating AI as sentient beings, arguing that these systems merely mimic social cues and that confusing imitation with reality can erode our language’s power to challenge dehumanisation. As User30000 put it, we should avoid both de‑humanising language toward people and humanising language toward machines.Conversely, several contributors argue that politeness serves as a useful human default. Lauk notes that courteous phrasing may reinforce positive behavioural cues for AI that learn from user input, while also keeping the speaker grounded in genuine social norms.From an ecological standpoint, extra words translate into measurable energy and water waste. Superspartan highlights that each unnecessary token adds processing load to already energy‑intensive models, and that the cumulative effect of polite phrasing across millions of daily interactions could be substantial.Academic research supports the idea that courteous language can improve AI performance. A linked study finds that polite prompts often elicit more helpful replies, treating modern models as "statistical parrots" that mirror the tone they receive. Yet Sam Altman has publicly estimated that responding to thank‑you notes costs OpenAI tens of millions of dollars, underscoring a tangible financial dimension to the debate.Some readers take a lighter view, extending politeness to elevators, SUVs and even low‑battery iPads, while others, like Martin from Dorset, argue that the practice protects the human soul rather than the machine.There is growing concern that habitual rudeness toward AI may spill over into real‑world interactions. Poridgeoates observes that younger users, who spend more time with technology than with people, risk weakening empathy and emotional‑intelligence muscles if they treat conversational agents dismissively.Louise adds that the way we speak to objects can shape broader social behaviour, especially where power imbalances exist. While AI itself may not feel insulted, the act of being rude can reinforce undesirable character traits in the speaker.Overall, the discussion reveals a split between those who see politeness as a harmless habit that can improve AI responses, and those who view it as an unnecessary drain on resources and a potential threat to human civility.

The story of Eva Dumani, a 20-year-old Albanian woman who was kidnapped at the age of nine and held in a Syrian camp for 12 years, has shed light on the plight of thousands of foreign nationals still detained in similar conditions. Dumani's emotional reunion with her uncle, Xhetan Ndregjoni, after escaping from the al-Hawl camp, has highlighted the urgent need for governments to repatriate their citizens held in these camps. The collapse of al-Hawl camp and the uncertainty over the future of the smaller al-Roj facility have raised concerns about the security and well-being of those left behind, including women and children from over 40 countries with alleged ties to Islamic State. According to Devorah Margolin, a senior fellow at the Washington Institute for Near East Policy, governments can no longer ignore the issue and must take proactive steps to repatriate their citizens and provide them with trauma-informed care and reintegration support. The humanitarian crisis in these camps has been well-documented, with Human Rights Watch describing the conditions as “inhuman, degrading, and life-threatening”. Many women and children have been held without charge or trial for years, and there are concerns about their vulnerability to exploitation and recruitment by extremist groups. In a recent development, Belgium has arrested a woman charged in absentia for IS membership upon her return from Syria, while Australian authorities are working to repatriate over 30 Australians who attempted to leave the al-Roj camp. The Albanian government has faced criticism for its handling of the situation, with Ndregjoni calling on the government to bring back home the remaining Albanians still trapped in northern Syria.

Springtime in a typical British suburb is a chorus of birds, buzzing insects and the occasional rumble of a mini‑digger. While sparrows spar and tits clash over territory, a crew of contractors is often busy erasing hedges, bushes and trees, leaving behind a stark trench of bare earth. In one April afternoon, a once‑lush front garden was reduced to a skip full of uprooted branches and a strip of exposed soil. Despite the nation’s reputation as a garden‑loving society, the trend toward concrete is accelerating. An RHS audit published last year found that 42% of domestic garden space in the United Kingdom has been paved over, with timber fences replacing wild privet and driveways smothering mossy lawns. The loss is not merely aesthetic; it erodes habitats that support a remarkable share of the country’s wildlife. According to the Royal Horticultural Society, over 50% of Britain’s butterflies, amphibians and reptiles, and more than 40% of its bird and mammal species rely on garden habitats. The new David Attenborough series Secret Garden underscores this, describing urban gardens as “almost as diverse as a tropical rainforest.” Yet, as the series aired, another garden was being stripped to the ground, highlighting the tension between media‑driven reverence and on‑the‑ground reality. Socio‑economic factors compound the issue. One in eight households in the UK has no garden at all, and lower‑income families and ethnic minorities are disproportionately deprived of green space. Even owners of gardens often lack the time, money, or confidence to cultivate biodiverse oases, viewing gardening as a burdensome chore. Experts suggest a radical, yet simple, alternative: do nothing. Allowing dandelions, thistles, and stray grasses to flourish provides nectar for pollinators, while bare patches become nesting sites for bees and birds. Unraked leaves serve as winter shelters for insects, and dead stalks become food for aphids, which in turn feed higher‑up predators. The “negative space” of an untended garden can therefore become a hotbed of ecological activity. Conservationists argue that embracing this messiness could reverse the decline of urban biodiversity. As one commentator mused, “If Sir David Attenborough could return for a bonus episode, he might show us that a tangled, overgrown garden is not a failure but a vibrant ecosystem in its own right.” By Emma Beddington, 12 April 2026

Asha Bhosle, the iconic voice of Bollywood, passed away at age 92 after being hospitalized in Mumbai with severe exhaustion and a chest infection, her family confirmed.Her son, Anand Bhosle, told reporters that his mother died on Sunday and that her last rites would be performed the following day at Shivaji Park in Mumbai.Over a career that stretched across nearly eight decades, Bhosle recorded more than 12,000 songs, pioneering cabaret and Western‑influenced styles that broadened the sonic palette of Indian cinema.India’s Prime Minister Narendra Modi expressed deep sorrow, noting that her "extraordinary musical journey" enriched the nation’s cultural heritage and will continue to inspire future generations.Born on 8 September 1933 into a musical family, she was the younger sister of the celebrated vocalist Lata Mangeshkar, often referred to as “India’s nightingale.” While comparisons were inevitable, Bhosle forged a distinct path, embracing genres from pop to folk.Her early years were marked by hardship, including a turbulent marriage at the age of 16, yet she rose to become one of Indian cinema’s most versatile singers, earning the prestigious Dadasaheb Phalke Award in 2000 and receiving two Grammy nominations.Even in her later years, Bhosle remained artistically active, collaborating with the British virtual band Gorillaz on their album The Mountain, demonstrating her enduring global appeal.Beyond music, she pursued a passion for cuisine, establishing the Asha’s restaurant chain in Dubai and the United Kingdom, further cementing her status as a cultural entrepreneur.Agence France‑Presse and Associated Press contributed to this report.