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The Film’s Core Concept: Turning Internet Liminality into CinemaThe Guardian review details how *Backrooms* follows architect‑turned‑store‑owner Clark (played by Chiwetel Ejiofor) as he discovers a portal to an endless maze of fluorescent‑lit, drop‑ceiling rooms. The film expands the viral “backrooms” meme—originally a series of YouTube shorts made with Blender and After Effects—into a feature‑length narrative while retaining its minimalist visual language.Production Insight: A 20‑Year‑Old Director’s Low‑Budget MasteryDirector Kane Parsons, the youngest ever to helm an A24 feature, built the original series using free software, demonstrating how low‑cost tools can generate high‑impact horror aesthetics. The movie’s production emphasizes practical set design—repeating office‑style corridors, yellow lighting, and drop ceilings—to evoke the “junkspace” described by architects like Rem Koolhaas.Financial Snapshot: A24’s Continued Investment in Indie HorrorBudget details were not disclosed, but A24’s recent horror slate averages $5‑10 million per film.Box‑office expectations align with the studio’s strategy of modest budgets paired with strong niche appeal.Why It Matters: Architecture as a New Horror FrontierThe film taps into academic concepts such as Mark Augé’s “non‑places” and Juhani Pallasmaa’s idea of architecture as mental space, positioning the built environment itself as the antagonist. By visualising bureaucratic infinity, *Backrooms* expands horror beyond monsters to the sterile, endless corridors of modern capitalism.Looking Ahead: The Future of Liminal‑Space HorrorParsons’ success suggests a growing appetite for horror that interrogates everyday environments. Expect more studios to mine internet subcultures and architectural theory, blending low‑budget VFX with philosophical storytelling to attract both genre fans and critical audiences.

The Netherlands' World Cup Quest: Breaking the Final Jinx The Netherlands enter the 2026 FIFA World Cup with a talented squad that has been unbeaten in qualifying, yet carries the weight of history as three-time runners-up who have never lifted the trophy. Coach Ronald Koeman returns for his second stint at the helm, hoping to guide this more cohesive Dutch side beyond the final hurdle that has eluded previous golden generations. Reijnders: The Midfield Engine Manchester City's Tijjani Reijnders has emerged as the Netherlands' midfield heartbeat, establishing himself as one of Europe's finest midfielders. After two outstanding years at AC Milan where he was named Serie A Best Midfielder, he has adapted well to life under Pep Guardiola. While his five goals and two assists in 28 Premier League appearances don't tell the full story, his all-action style—linking defense and attack, breaking up opponents' play, and providing a classy presence on the ball—makes him indispensable for the Netherlands. When he performs well, the team typically follows suit. A Solid Foundation with Injury Concerns The Dutch boast a formidable defensive core led by Liverpool legend Virgil van Dijk, complemented by Micky van de Ven, Jurrien Timber, and Jan Paul van Hecke. In midfield, Ryan Gravenberch provides both defensive stability and attacking threat, while Cody Gakpo offers significant danger out wide and in front of goal. However, the squad faces significant injury concerns, with playmaker Xavi Simons ruled out for the tournament after an ACL rupture, Memphis Depay struggling with a hamstring injury, and Jurrien Timber sidelined with a groin issue. These absences could severely impact the team's balance and creativity. Koeman's Challenge: Managing Talent and Egos Returning to the national team for a second stint, Ronald Koeman faces the delicate task of balancing world-class talent with a squad that has inconsistencies. After previous Dutch sides were undermined by fractious egos and strong personalities, this current squad appears more cohesive. Koeman's experience as both a player and manager, coupled with his popularity with the players, positions him well to navigate these challenges. His ability to integrate the returning Depay while managing the fitness concerns of key players could determine the Netherlands' fate in the tournament. Group Stage: A Path to the Knockouts Drawn in Group F alongside Japan, Sweden, and Tunisia, the Netherlands should have a relatively comfortable path to the last 32. The opener against Japan presents the toughest challenge, as the Japanese side is considered a dark horse after defeating England at Wembley. Sweden, despite a poor qualifying campaign, possesses dangerous players like Victor Gyokeres and Anthony Elanga. The final match against Tunisia should be more straightforward, though the North Africans have a reputation for being obdurate opponents in major tournaments. World Cup Prediction: Last 16 Hurdle While the Netherlands boast undeniable talent, Al Jazeera predicts they will fall at the last 16 stage. The squad lacks the elite quality and cohesion to become a team greater than the sum of its parts. Historical patterns suggest the Dutch often underperform in major tournaments despite their star players, and the current injury concerns further diminish their chances of finally breaking their final curse and lifting the trophy. Netherlands' Group Stage Fixtures June 14: Netherlands vs Japan (Dallas, United States), 4pm ET (20:00 GMT) June 20: Netherlands vs Sweden (Houston, United States), 1pm ET (17:00 GMT) June 24: Tunisia vs Netherlands (Kansas City, United States), 7pm ET (23:00 GMT) Squad to Watch Goalkeepers: Bart Verbruggen (Brighton), Robin Roefs (Sunderland), Mark Flekken (Bayer Leverkusen) Defenders: Jurrien Timber (Arsenal), Micky van de Ven (Tottenham), Virgil van Dijk (Liverpool), Nathan Ake (Manchester City), Jorrel Hato (Chelsea), Denzel Dumfries (Inter), Jan Paul van Hecke (Brighton) Midfielders: Ryan Gravenberch (Liverpool), Tijjani Reijnders (Manchester City), Frenkie de Jong (Barcelona), Teun Koopmeiners (Juventus), Marten de Roon (Atalanta), Quinten Timber (Marseille), Guus Til (PSV Eindhoven), Mats Wieffer (Brighton) Forwards: Brian Brobbey (Sunderland), Memphis Depay (Corinthians), Cody Gakpo (Liverpool), Justin Kluivert (Bournemouth), Noa Lang (Galatasaray), Donyell Malen (Roma), Crysencio Summerville (West Ham), Wout Weghorst (Ajax)

Victor Wembanyama delivered a dominant 28‑point, 10‑rebound, 3‑block night to push the San Antonio Spurs past the Oklahoma City Thunder 118‑91, tying the Western Conference semifinals at 3‑3 and setting up a winner‑takes‑all Game 7 in Oklahoma City.Spurs Force Decisive Game Seven with Wembanyama’s 28‑Point PerformanceThe Spurs surged early, opening a 9‑2 lead after a quick three‑pointer from Julian Champagnie and two buckets from Wembanyama. A barrage of eight three‑pointers in the first quarter set the tone, while a 20‑0 run in the third quarter blew the game open. The Thunder struggled, missing 13 straight shots and scoring only 13 points in the third period.Stat Sheet: 28 Points, 10 Rebounds, 3 Blocks and a 20‑0 RunVictor Wembanyama: 28 points, 10 rebounds, 3 blocksDylan Harper (bench): 18 pointsSpurs three‑pointers Q1: 8 (most in any postseason quarter this year)Spurs third‑quarter run: 20‑0Final score: Spurs 118, Thunder 91What This Means for the Western Conference LandscapeThe victory keeps the Spurs alive for a first‑ever back‑to‑back NBA Finals appearance since the Golden State Warriors in 2019. For the Thunder, the loss erases a chance to become the first team to clinch the conference on the road this postseason. Meanwhile, the New York Knicks await the Western champion after sweeping the Cavaliers and 76ers.Looking Ahead: Game Seven Preview and Potential NBA Finals MatchupCoach Mitch Johnson warned his squad to expect a hostile environment in Oklahoma City, while Thunder coach Mark Daigneault emphasized execution in the final showdown. If the Spurs carry their defensive intensity, they could force a historic Finals rematch with the Knicks; a Thunder win would give them a chance to rewrite the narrative of a defending champion’s resilience.

Former Scottish National Party chief executive Peter Murrell admitted to diverting over £400,000 of party funds for personal luxuries, a revelation that has ignited fresh debate over governance, accountability and the personal dynamics that allowed the fraud to persist for more than a decade.Murrell’s £400k Embezzlement: A Shopping Spree UnveiledThe court documents detail a bewildering list of purchases: three Fortnum & Mason advent calendars, a pair of Lalique crystal salt and pepper grinders, hundreds of pounds worth of Le Creuset cookware, and six Nintendo consoles. Smaller items such as parking tickets, Avon Skin‑So‑Soft body spray and a £3,070 robotic lawnmower also appear, illustrating a pattern that blended trivial expenses with conspicuous luxury.Breakdown of the Misappropriated ExpendituresHigh‑end kitchenware and home décor – Fortnum & Mason, Lalique, Le Creuset.Technology and entertainment – six Nintendo consoles.Personal accessories – Smythson bags, Bremont watches, fountain pens.Everyday indulgences – body spray, parking tickets, a robotic lawnmower.These items were bought over a 12‑year period that began shortly after Murrell and Nicola Sturgeon married, blurring the line between party resources and household spending.Financial Toll on the SNP and Public TrustThe misappropriation represents a material loss for a party that relies heavily on donor confidence. While the exact impact on the SNP’s campaign budget is unclear, the scandal arrived just weeks after the party’s vote share slipped in the Scottish Parliament elections, potentially compounding voter disillusionment.Implications for Scottish Political CultureThe case highlights two broader concerns: first, the lack of robust financial oversight within the SNP’s internal structures; second, the danger of conflating marital and professional roles in political leadership. Critics argue that keeping financial control within a family unit created an environment where “frosty defensiveness” could flourish, discouraging staff from questioning expenditures.What the Future Holds for SNP GovernanceIn the wake of Murrell’s guilty plea, the SNP faces pressure to institute stricter audit mechanisms and to separate personal finances from party accounts. Nicola Sturgeon has publicly stated she was unaware of the spending, but the episode may prompt a broader review of governance practices across UK parties, reinforcing the need for transparency to restore public confidence.

The Dallas Tragedy: A Night of Devastation in the Heart of Texas A devastating fire has struck the Dallas area, resulting in a tragic loss of life and the complete destruction of a residential apartment complex. The incident, reported by Al Jazeera on May 29, 2026, has left the local community in shock and has triggered an immediate emergency response from local authorities. The Blaze that Ravaged the Complex: Technical Breakdown of the Incident The event unfolded rapidly, turning a typical evening in the residential complex into a scene of chaos and emergency. While specific details regarding the origin of the fire are still emerging, the scale of the destruction is significant. Location: Dallas, Texas Date: May 29, 2026 Source: Al Jazeera Impact: Complete destruction of the apartment complex structure Quantifying the Loss: Casualties and Structural Damage The human cost of this incident is the most critical metric. Reports confirm that at least three people have lost their lives in the blaze. This figure serves as a grim reminder of the potential lethality of residential fires, particularly in high-density housing units where escape routes can be compromised by rapid fire spread. Rethinking Urban Safety: The Ripple Effect on Dallas Housing This tragedy highlights the critical need for rigorous building safety inspections and updated fire suppression systems in older or aging apartment complexes. The destruction of the building suggests that the fire may have spread with unusual speed, potentially due to construction materials or a lack of adequate fire barriers. This event will likely force a re-evaluation of safety codes in the region, particularly regarding fire alarms, sprinkler systems, and emergency evacuation plans. The Road to Recovery: Future Implications for High-Rise Living Looking ahead, the focus will shift from immediate firefighting to recovery and investigation. Authorities will likely conduct a thorough review of the incident to determine the exact cause and liability. This disaster will serve as a catalyst for stricter enforcement of safety regulations, ensuring that future developments prioritize life safety over cost-cutting measures in construction.

The LeadSam Campbell's new Channel 4 mockumentary, Make That Movie, has been crowned the funniest TV show of the year. The series, which follows a former big-shot director helping ordinary people create bizarre, low-budget films, is a chaotic celebration of 'outsider art' and unhinged creativity.The Surreal Premise of 'Make That Movie'At the heart of the show is a high-concept premise that defies logic. Campbell plays a version of himself who was once a successful director but now spends his time driving around in a van with a giant model film camera on top. His mission is to help people in need by producing bizarre low-budget productions based on their outlandish ideas.Snake Transformation Thriller: A Da Vinci Code-style story where a couple changes into snakes (but not simultaneously).Cyber-Thriller for Pensioners: A Lawnmower Man-style plot where seniors physically enter computers by singing songs and inserting USB cables into their mouths.Animated Feet: A project designed to cheer up a couple trapped in a cave.A Refreshing Pivot from Trauma to AbsurdityThe show arrives at a critical cultural moment. The review highlights a 'decade-long tailspin' where television was dominated by trauma-focused narratives. Had *Make That Movie* been attempted a few years ago, executives would likely have forced a subplot about dissociating from an abusive childhood. Instead, the show offers pure, unadulterated silliness.Celebrating the 'Outsider Art' of Bad CinemaSam Campbell is described as having an 'alien' quality, a stark contrast to the typical 'everyman' comedian. His stock in trade is looking like a frozen Paul McCartney, and this unique persona drives the show's success. By worshipping films like Birdemic: Shock and Terror, Campbell validates 'bad' cinema as a form of glorious outsider art.The Future of Sam Campbell's Comedy EmpireWhile the format is packed with content—23 minutes to meet characters, hear ideas, and watch the finished product—the sprinting pace is by design. The review suggests that nothing will kill the show faster than lapsing into formula. As long as Campbell and his uncomprehending face remain fixtures on television, the show is poised to become a lasting cult classic.

Sonny Rollins' Enduring Legacy: 10 Essential Recordings Sonny Rollins, a jazz icon, has left an indelible mark on the music world. With a career spanning over seven decades, Rollins has consistently pushed the boundaries of jazz, showcasing his mastery and innovation. Here are 10 of his greatest recordings: Tenor Madness (released on Craft/OJC, 1956) A 30-year-old Sonny Rollins had already made his unique mark with Miles Davis and Thelonious Monk by the time this 1956 session was cut. Hooking up with his contemporary and admirer John Coltrane happened by chance on the two-tenor blues chase of this album's title. Saxophone Colossus (Prestige, 1957) This writer's first connection with Sonny Rollins' music was occasioned not by music but words: poetic New Yorker writer Whitney Balliett's evocative review of Sonny Rollins' 1957 Saxophone Colossus. Rollins was partnered on this classic set by pianist Tommy Flanagan, bassist Doug Watkins, and bebop-pioneering drummer Max Roach. Way Out West (Contemporary, 1957) When UK jazz musician Courtney Pine was blossoming as a teenage saxophonist in the early 80s, he would recall that Sonny Rollins' 1957 recording Way Out West was a key inspiration. The format was a Rollins favourite in his own early years – the demanding setup of a sax improviser with just bass and drums in support. A Night at the Village Vanguard (Blue Note, 1957) Rollins' live recordings are not as abundant as his genius in open situations deserves, but this music from New York's Village Vanguard makes up a lot of the ground. Freed from the march of chords by the absence of a pianist, he's in storming form in the company of rock-solid bassist Wilbur Ware and soon to be legendary Coltrane drummer Elvin Jones. Freedom Suite (Riverside, 1958) Rollins was never a natural composer – like Miles Davis, he preferred tunes that could be sketched on the back of envelopes. But Freedom Suite was an interesting departure for him, occasioned by the political climate of US race relations and civil rights in the late 1950s. The Bridge (RCA, 1962) Rollins took a creative break between 1959 and 1961, and his return came with The Bridge, named after the eccentric refuge he found: practising alone on New York's Williamsburg Bridge with only passing trains for company. Live at Ronnie Scott's (Gearbox Records; recorded January 1965) Rollins' visits as a solo performer to London's Ronnie Scott's club in the late 50s and early 60s introduced his mesmerising magic to UK audiences, and also helped to galvanise the local scene's confidence at a time when European jazz became increasingly emancipated from the US. Sunny Days, Starry Nights (Milestone, 1984) From the 1980s onwards, Rollins settled into a concert groove that was predictable – by his exacting improvisational standards – and frequently dazzling for audiences new to him. Sunny Days, Starry Nights showcased him with partners who would regularly join him on stage for the rest of his life. This Is What I Do (Milestone, 2000) The best and most affectionately closeup manifestation of Sonny Rollins' genius as he hit his 70s. The saxophonist's later-life partners are present, and so is one of contemporary jazz's greatest drums pioneers in Jack DeJohnette. Without a Song: The 9/11 Concert (Milestone; recorded 2001) Sonny Rollins and his wife, Lucille, lived close to the World Trade Center, witnessed the buildings' collapse on 9/11, and had to evacuate their apartment shortly afterwards. Four days later, the saxophonist performed and recorded this evocative session with his regular sidemen at the Berklee School of Music in Boston.

The Remix of a Classic Words, words, words. Can Hamlet retain its tragic force without using most of them? This hour-long dance-theatre remix by the late South African choreographer Dada Masilo preserves few speeches and its opening is not auspicious, crashing straight into “To be, or not to be” shorn of context and characterisation. The Dance of Ophelia and Hamlet There follows, as is customary, a meeting between the prince and Ophelia, but Masilo replaces the usual cruel encounter with stolen moments amid a ceremony, as if they are meeting anew like Romeo and Juliet at the Capulet ball. Matching each other’s movements, amid clapped hands, thrusting shoulders and rippling chests, they grow closer with a hint of tango footwork. From this flashback, Masilo practically fast-forwards their choreography with a sense of doom. The Emotional Depth of Gertrude Letting the pair share a tender duet reinforces their romance but also heightens the violence of the nunnery scene where they are traditionally first seen together. Masilo adds another new scene to show Gertrude’s despair upon receiving news of Old Hamlet’s death rather than introducing her as sanguinely remarried to his brother. We see her seek strength amid grief, supported by courtiers whose pulsing, grounded movement is a message of persistence. This is dancing felt in the gut. The Impact of Movement and Music Wooed offstage, Gertrude returns for a convivial ceremony where a young couple are ticked off for getting too raunchy on the dancefloor. Movement styles across generations and cultures are blended by Masilo, who drew attention for remoulding ballet’s classics. Her ensemble is often an industrious force, driven by relentless percussion, as each scene breaks like a wave against Thuthuka Sibisi’s compositions. The Tragic Conclusion The latter stages lose focus but the choreography’s omnipresent sense of returning to the earth foreshadows a climax where all are struck down by the kingdom’s collective sickness, stressed by the lighting of Suzette le Sueur (who also provides some of the elegant costumes). It’s a collection of often piercing scenes that never quite establish full collective power – a tragedy out of joint. At Sadler’s Wells, London, until 26 May

The Filmmaker's Foray into Documentary Lucrecia Martel, the celebrated director of films like La Ciénaga and The Headless Woman, has expanded her creative horizons with Landmarks, a documentary that scrutinizes a murder trial with far-reaching implications. The film navigates the intricate dynamics between Indigenous communities and the descendants of colonists, set against the backdrop of Argentina's Tucumán province. The Case at the Heart of the Story The documentary centers on the tragic killing of Javier Chocobar, a 68-year-old member of the Indigenous Chuchagasta people. Chocobar was fatally shot during a confrontation with men claiming rights to mine the land. Martel weaves the grainy, shaky footage of the incident into her narrative, juxtaposing it with breathtaking drone shots that capture the vast, poetic landscapes. Exploring Themes of Land and Legacy Martel's concerns extend beyond aesthetics; she places people at the core of her story. Through interviews and personal stories, the film sheds light on Chocobar's life, his family, and the struggles of the Chuchagasta community. A particularly chilling aspect of the documentary reveals how the state and local landowners have attempted to erase the Chuchagasta people, claiming they became extinct in the 19th century. A Quiet yet Powerful Testimony Martel allows the subjects of her film to present their case with quiet dignity, steering clear of strident rhetoric. The documentary is described as beautiful yet occasionally soporific, with a stately pace that allows for deep reflection on the issues presented. What's Next for Landmarks Landmarks is set to screen at Bertha DocHouse in London starting from May 29. This documentary promises to be a significant cultural and cinematic event, offering viewers a chance to engage with pressing social issues through Martel's unique lens.