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Guardian launches interactive Eurovision quiz for the 2026 contest The Guardian has added a new interactive element to its Eurovision coverage, inviting readers to take a timed quiz that covers the history, trivia and recent developments of the competition ahead of the 2026 final in Vienna. Quiz format and range of questions Multiple‑choice questions covering past winners, host countries and memorable performances. Specific 2026‑related items such as the UK entry, the presenting team and the first African participant. Visual cues accompany each question, using images of artists like JJ, Sam Battle and Loreen. Instant feedback reveals correct answers and short explanatory notes. Engagement and social buzz The quiz is embedded directly in the article, allowing readers to submit answers without leaving the page. Social sharing buttons encourage fans to compare scores, creating a viral loop that amplifies discussion on platforms such as Twitter and TikTok. Eurovision’s cultural relevance in 2026 With the contest now a staple of both European and Australian television schedules, the quiz underscores how Eurovision continues to shape pop culture, fashion and even tourism, as millions tune in to watch the Vienna show. Future of interactive music quizzes By blending editorial content with gamified elements, The Guardian demonstrates a growing trend among media outlets to deepen audience participation. Expect more themed quizzes around major live events as publishers seek to retain readers in an increasingly interactive digital landscape.

The Historic VictoryBulgaria has won the 2026 Eurovision song contest after singer Dara swept to victory with the song Bangaranga. The 27-year-old singer's triumph is a first victory in the 70-year history of the song contest for Bulgaria, which only joined Eurovision in 2005 and sat out the last three editions.Described by its performer as 'pop music with folklore bones', Bangaranga is a pulsating party anthem inspired by kukeri – an ancient Bulgarian ritual where men roam through villages dressed in furry costumes with bells and animal masks.The Cultural SignificanceThe precise meaning of 'bangaranga' became one of the running jokes of the night. Singer Dara said 'bangaranga is a special energy that everyone has got in themselves, a feeling that everything is possible.' This cultural reference highlights how Eurovision increasingly embraces diverse cultural expressions from across Europe.Bulgaria's surprise win means the European Broadcasting Union (EBU) and other participating broadcasters will be spared a major headache. Had second-placed Israel won, organisers would have faced difficult questions over where to host the song contest's 2027 edition.The Scale of the EventThe 70th anniversary of the musical extravaganza took place in Vienna, after Austria's operatic contestant JJ triumphed last year. About 10,000 spectators watched the show at Vienna's Wiener Stadthalle venue, with an expected TV audience in excess of 100 million. It was the third time the Alpine republic has hosted the event.The grand final saw musical acts representing 25 countries, with Bulgaria, Moldova and Romania returning after being absent in previous years. Controversially, Eurovision's anniversary was celebrated without five nations who boycotted the event over the continued participation of Israel while attacks continue in Gaza.Geopolitical TensionsIreland, Spain, the Netherlands, Slovenia and Iceland all declined to participate after the EBU changed the rules around multiple votes and state-sponsored promotion of songs, but stopped short of preventing Israeli broadcaster Kan participating. In December, Nemo, the Swiss singer who won the 2024 Eurovision song contest said they were handing back their trophy in protest over Israel's presence in Vienna.Police said about 2,000 people turned out for a protest against Israel's inclusion in Vienna's city centre earlier on Saturday. On the night, Israel's entry Michelle, a romantic pop song about a toxic relationship performed by Noam Bettan, came in at second place after performing strongly in the public vote.Voting ControversiesThis year, fans were allowed to cast ten individual votes, down from 20 in previous years. Voting for the same act ten times was allowed, but voting for the act from the country fans are calling from wasn't. During the read-out of the jury votes, the presenter representing Israel's broadcaster KAN appeared to reference last year's voting controversy when he said he already knew who was going to win this year.In the run-up to the final, KAN was forced to apologise after mocking Croatian group Lelek by comparing their traditional makeup to 'henna tattoos in Eilat.' Lelek condemned the comments as a disrespectful slight against their culture and the history of oppressed women.Future ImplicationsBulgaria's victory provides a moment of celebration for the contest amid ongoing political divisions. The win highlights the enduring appeal of Eurovision as a platform for cultural exchange despite the challenges of international tensions. As the contest moves forward, the EBU will need to balance artistic expression with political sensitivities while maintaining the event's unity.The UK's continued poor performance, with Look Mum No Computer finishing last and receiving nul point in the public vote, raises questions about the country's approach to Eurovision participation. With the exception of Sam Ryder's Space Man in 2022, the UK has enjoyed poor fortune in the competition over the last decade or so, including picking up the dreaded nil points with James Newman in 2021.

The Innovative Surfboard Designs of Lucas Lecacheur French designer and surfer Lucas Lecacheur has been making waves with his unconventional surfboard designs. His creations, which range from a surfboard split in the middle to resemble crab pincers to a board shaped like a stingray, are not only visually striking but also functional. The Inspiration Behind the Designs Lecacheur's experiments in surfboard design grew out of his lifelong passion for performance and surfing. As a rock musician, he was always looking for new sounds and energy, and he sought to bring that same creative spirit to his surfboard designs. The Design Process Lecacheur's boards are made using traditional surfboard materials and techniques, but with a unique twist. He has created boards with webbed bottom contours, like a duck's foot, and even a fire-engine red skateboard shaped like a cartoon flame. The Reaction from the Surfing Community When Lecacheur takes his boards to the beach, they often attract a lot of attention. "It's always an event on the beach," he says. "People are drawn to the unique designs and often ask for his Instagram. The Future of Surfboard Design As Lecacheur continues to push the boundaries of surfboard design, it's clear that his work is having an impact on the surfing community. With his recent residency in Melbourne for design week, Lecacheur is inspiring a new generation of designers and surfers to think outside the box.

The Charismatic Performer Midway through the opening night of his world tour, Harry Styles asks where the audience in the Johan Cruijff Arena have come from. To judge by their response, residents of Amsterdam are vastly outnumbered by those who have travelled vast distances to be here: further investigation on the part of the singer reveals audience members from Switzerland and Ireland. The Event Details It’s evidence of what – to use a modern term – a huge flex the Together, Together tour is. There are doubtless sound reasons for performing lengthy residencies at single venues rather than dutifully dragging yourself around the globe – Styles’ 10 shows in Amsterdam are the only gigs he’s playing in mainland Europe, followed by similarly lengthy sojourns at venues in London, São Paulo, Mexico City, New York City, Melbourne and Sydney – but it also helps underline the enormity of the former One Direction star’s solo success. The Data Analysis Twelve consecutive nights at Wembley is a feat not even Taylor Swift’s Eras tour could match. Here, it suggests, is a man who’s not only pulled off one of the hardest tricks in pop – the journey from manufactured boyband member to respected solo artist is a notoriously thorny one – but done it with an almost unparalleled degree of aplomb. The Impact Analysis But Styles’ dominance has looked a little shakier in the wake of the release of his fourth album, the abysmally titled Kiss All The Time. Disco, Occasionally. That it received very muted reviews indeed from critics unimpressed by its understated music and lyrics so opaque they sounded suspiciously meaningless is beside the point – if the general public cared what critics think, Ed Sheeran would still be a busker – but the similarly muted commercial response is another matter. The Prediction In a live setting at least, you see their point. Tracks from said album that sounded flat on record feel noticeably punchier on stage. Sometimes they’ve been obviously zhooshed-up – Taste Back now comes interpolated with a whopping sample from Underworld’s Born Slippy – and sometimes they just feel potentiated by their live incarnation. Harry Styles’ Together, Together tour runs until 13 December

The Return of Quirky Detective DuoDeath Valley returns to BBC One at 8.15pm, bringing back the enjoyably quirky murder mystery comedy featuring retired actor John Chapel (Timothy Spall) and Welsh detective Janie Mallowan (Gwyneth Keyworth). This season, John has a new goatee and girlfriend, which doesn't sit well with Janie, especially since he's now dating her mother. Despite this family complication, they reunite as an unlikely detective duo when a man doing community service is found dead at an outdoor rave site.Adventure in Russia's Far EastAt 7.15pm on BBC Two, Expedition With Steve Backshall begins its second thrilling series at the Kronotsky River in Russia's far-east Kamchatka Peninsula. The explorer and his team of top kayakers attempt a descent that's never been done before, facing additional challenges from active volcanoes and brown bears in this remote wilderness.Documentary on Justice for Rape VictimsBelieve Me airs on ITV1 at 9pm, offering an unrelenting look at the gaslighting and retraumatisation of rape victims as they seek justice. The show continues to follow the case of John Worboys as he continues his attacks while police make glacial progress. Viewers witness the ongoing effects on victims such as Sarah, who has given birth to her second child while navigating the justice system.Amateur Singing Competition Reaches Grand FinalYour Song: The Grand Final on Channel 4 at 9pm brings the amateur singing competition hosted by Alison Hammond to its climax with a sold-out concert at London's Hackney Empire. After heartstring-tugging public heats in Liverpool, Edinburgh, London and Birmingham, five finalists compete for the title. Supportive mentors Sam Ryder and Paloma Faith face the difficult task of deciding the winner.Jools Holland Marks Milestone with New SeriesThe eternal live music show Later … With Jools Holland begins its 68th series on BBC Two at 10pm, coinciding with host Jools Holland turning 68. Despite his age, his passion for new sounds that can be decorated with boogie-woogie piano remains undimmed. The opening episode welcomes Niall Horan, Tomora, Aja Monet, Getdown Services and Jools's old muckers Squeeze to the Ally Pally theatre.Australian Thriller Explores Neighborhood SecretsAt 10.20pm on ITV1, The Family Next Door presents an aesthetically pleasing Australian thriller about secrets hidden in an otherwise idyllic suburb. When Isabelle (Teresa Palmer) rents a home on Pleasant Court cul-de-sac in a seaside town, she becomes obsessed with her neighbors and discovers a mystery to solve.Film Choices Explore Complex Family DynamicsOn BBC Three at 10.40pm, God's Creatures examines how far a mother's love can go when Emily Watson's Aileen faces a life-changing question after her prodigal son, Brian (Paul Mescal), returns home from Australia. When Sarah (Aisling Franciosi), her young colleague at the seafood processing factory, is raped and accuses Brian, Aileen provides him with a false alibi. The claustrophobic drama reveals how tight-knit communities often respond to challenges with denial and exclusion, with women typically bearing the consequences.Following that, at 10.50pm on BBC Two, Brother presents a heartfelt sibling drama about the long reach of trauma. Directed by Clement Virgo, the film follows Lamar Johnson's young Jamaican-Canadian Michael as he ekes out an existence with his grief-numbed single mother, Ruth (Marsha Stephanie Blake). In a parallel timeline, the teenage Michael is guided to adulthood by his older brother, Francis (Aaron Pierre), a charismatic would-be hip-hop musician struggling to rise above police racism, gang violence, and homophobia.Live Sport Action Across Multiple ChannelsSports fans have multiple options tonight, beginning with Women's Six Nations Rugby: Wales v Italy at noon on BBC Two, followed by France v England at 4.25pm on BBC One. Football enthusiasts can catch Premier League matches with Man United v Nottingham Forest at noon on Sky Sports Main Event and Newcastle v West Ham at 5pm.

Steven Soderbergh’s AI‑Driven Take on Lennon’s Final InterviewThe film John Lennon: The Last Interview centers on the poignant conversation recorded on 8 December 1980 in New York’s Dakota building, just hours before Lennon’s murder. Directed by Steven Soderbergh, the documentary intersperses the full interview with archival photos, footage, and a series of AI‑generated image sequences that aim to visualize Lennon’s thoughts on peace, love, and the fading counterculture.Interviewers: Dave Sholin, Laurie Kaye, Ron Hummel (KFRC radio, San Francisco)Key moment: a stalker‑fan, later identified as Lennon’s assassin, is given a copy of Double Fantasy during the interview’s aftermath.Premiere: screened at the Cannes film festival in May 2026.Numbers Behind the Film’s Reception and ProductionThe documentary references a historic date (8 December 1980) and was released 46 years later. While specific box‑office or streaming figures are not disclosed, the review notes that the AI visuals are “second‑rate” and likened to “knockoff animated Hipgnosis album covers.” The film’s runtime and budget are not mentioned, underscoring that its critical reception hinges more on artistic choices than financial metrics.How AI Visuals Undermine Historical Documentary StorytellingThe reviewer argues that the AI‑generated clips are “blandly generic” and “heartsinkingly literal,” pulling viewers out of the intimate atmosphere of Lennon’s last words. The irony of Lennon warning that “one day we may all finally be replaced by computers” is diluted by the very AI imagery meant to dramatize his speech, creating a dissonance that weakens the documentary’s emotional resonance.What This Means for Future Music DocumentariesBy opting for AI over traditional animation or reenactment, Soderbergh sets a precedent that could encourage other filmmakers to experiment with synthetic media. However, the mixed reception suggests that without a clear artistic purpose, AI may feel like a gimmick rather than an enhancement, potentially prompting future creators to balance technological novelty with narrative integrity.

The Documentary’s Long Road to CannesIn 1972 William Greaves filmed a four‑hour cocktail party at Duke Ellington’s Harlem townhouse, gathering the last surviving figures of the Harlem Renaissance. Though the footage was intended for a feature titled From These Roots, it remained unfinished for 50 years. The project finally resurfaced when Greaves’ son David and granddaughter Liani completed the edit, earning a spot in Cannes’ Directors’ Fortnight in 2026. Restoring 60,000 Feet of 16mm FilmOriginal shoot: 60,000 feet of 16mm film captured.Restoration: Digitisation and colour correction undertaken by David and Liani Greaves.Archival work: Material passed from William to his widow Louise Greaves, then to the next generation after her death in 2023. Voices of the Harlem Renaissance ResurfaceThe film features painters, poets, musicians and activists such as Aaron Douglas, Richard Bruce Nugent, Arna Bontemps, Eubie Blake, Noble Sissle, James Van Der Zee and Ida Mae Cullen. Their conversations drift from jazz’s revolutionary impact to debates over terminology—whether to use “Negro” or “Afro‑American”—mirroring discussions that persist today. Contemporary Resonance: Race, Memory, and Global PoliticsDavid Greaves draws parallels between historic footage of Haile Selassie’s 1936 appeal to the League of Nations and modern leaders like Volodymyr Zelenskyy. The documentary also confronts America’s ongoing racial violence, juxtaposing archival anti‑lynching poetry with present‑day activism, underscoring how three generations are still voting on the same struggle. Looking Ahead: Release Plans and Cultural LegacyFollowing its Cannes debut, the team aims to release the full film ahead of William Greaves’ centenary in October 2026, with retrospectives slated for New York and the Barbican in London. Critics such as Richard Brody have already hailed it as “one of the greatest talking pictures,” positioning the documentary to cement Greaves’ reputation as a chronicler of African‑American history.

The Crisis in Vienna: A Historic BoycottEurovision 2026 has evolved from a celebration of sequins and song into a flashpoint of international tension. The contest, marking its 70th anniversary in the Austrian capital, is being boycotted by five nations: Spain, the Netherlands, Ireland, Slovenia, and Iceland. These countries are protesting Israel's inclusion in the competition, citing the ongoing conflict in Gaza and what they describe as "illegal war and genocide." Prime Minister Pedro Sánchez of Spain stated, "In the face of illegal war and also genocide, silence is not an option," announcing that his nation would not attend but would instead air alternative programming.Boycotting Nations: Spain, Netherlands, Ireland, Slovenia, IcelandHost City: Vienna, AustriaControversial Participant: IsraelViewership and Participation MetricsThe scale of this mutiny represents the largest boycott in Eurovision history, threatening to dent the event's image as a unifying force. Despite the political turmoil, the contest remains a massive global spectacle. Last year's event drew 166 million viewers, making it the world's most watched non-sporting cultural event. However, the absence of five major broadcasters and the potential for blackouts in participating nations signal a significant drop in engagement and reach.The EBU's Struggle for NeutralityThe European Broadcasting Union (EBU), which oversees the contest, is facing accusations of spinelessness and an inability to navigate propaganda. The organization is caught between two opposing narratives: supporters of Israel argue that the boycott is driven by antisemitism, while protesters accuse the contest of "art-washing" atrocities against Palestinians. Security has been ramped up in Vienna, and police are preparing for a febrile atmosphere, particularly surrounding Israel's performance by contestant Noam Bettan, during which chants of "stop the genocide" were reportedly heard.The Future of the ContestHistorically, Eurovision has always had a political undercurrent, from the 1969 boycott of Franco's Spain to the 2007 "Russia goodbye" controversy. However, experts suggest this year marks a departure where the EBU has lost control. As the contest moves further from its idealistic roots of "united by music" to a proxy battleground for global conflicts, the EBU faces a critical decision. The organization may need to establish stricter rules regarding political participation or risk further fragmentation, potentially turning the contest into a fractured event rather than a pan-European celebration.

The Allure of Sonic ExtremesBowel-shuddering basslines. Drum fills that bounce off the walls like gunfire. Guitars resembling a pneumatic drill drilling into another pneumatic drill. A truly loud gig stays with you, figuratively and literally, as anyone who has spent the days after one accompanied by a troubling ringing in their ears can confirm.Last week, prompted by an old Alistair Cooke column suggesting that Janis Joplin's group Big Brother and the Holding Company was noisy enough to cause permanent hearing damage in guinea pigs, The Guide asked readers to share their own loudest gig experiences. The response was overwhelming, with countless readers sharing memories of eardrum-piercing encounters with all manner of bands and artists, across genres and decades.The Technical Frontiers of Live SoundWe should probably insert the obligatory disclaimer here: loud gigs can be genuinely bad for your ear health – just look at the brilliant early 80s post-punk band Mission of Burma, who had to disband for the best part of two decades due to guitarist Roger Clark Miller's punishing tinnitus. The environments that Burma and bands before them played in were a sonic wild west, with minimal soundproofing in venues or, in the ear canals of the people performing in those venues.Thankfully technology has moved on since then: many concertgoers now carry decent pairs of earplugs, and venues often provide free alternatives at the bar. Yet some still succumb to the cheap, inadvisable thrill of experiencing music completely unprotected.The Auditory Cost of Musical PassionThe physical consequences of extreme volume are well-documented. Mission of Burma's hiatus due to tinnitus represents just one example of how loud performances can have lasting health effects. The human ear can withstand approximately 85 decibels continuously for eight hours, but at 110 decibels – the level of many rock concerts – safe exposure time drops to less than two minutes.Despite these risks, the pursuit of sonic intensity continues. As one reader noted about seeing Swans in 1987: "You couldn't think of anything other than the noise while it was happening. People streamed out. I stayed and now wear hearing aids. But it was extraordinary." This trade-off between auditory safety and musical transcendence remains central to concert culture.Cultural Significance of VolumeVolume in live music has always been tied to cultural significance. From Deep Purple in the 1970s to modern experimental acts, extreme sound has been used to create immersive experiences that transcend mere entertainment. Guardian critic Alexis Petridis described seeing My Bloody Valentine: "Earplugs were distributed at the door. Even wearing them, the quite extraordinary volume was inescapable. It made your clothes move, independently of your body."Different genres approach loudness differently. Doom metal acts like Sunn O))) use volume as an atmospheric tool, while electronic artists such as Rosalía incorporate orchestral elements at jet-landing volume. Each approach creates a unique sensory experience that defines the relationship between performer and audience.The Future of Loud Music and Hearing ProtectionAs awareness of hearing health grows, the future of loud concerts may involve a balance between intensity and safety. Advances in hearing protection technology – from high-fidelity earplugs that preserve sound quality while reducing volume to in-ear monitors for performers – suggest that extreme sonic experiences need not come at the cost of long-term hearing damage.Yet the fundamental appeal of overwhelming sound likely remains. As Laura Snapes wrote about experiencing Angine de Poitrine: "I felt like I'd been lashed to the prow of Mad Max's rig as it screamed through the desert (this is a compliment)." The pursuit of transcendent musical experiences – even when they leave our ears ringing – appears to be an enduring aspect of human culture.