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US Secretary of State Marco Rubio has assured that the Strait of Hormuz will reopen after the ongoing conflict with Iran. In an exclusive interview with Al Jazeera, Rubio emphasized that the strait will be reopened either with Iran's consent or through an international coalition including the US.The conflict began on February 28 with US-Israeli strikes on Iran. Despite US President Donald Trump stating that the US is pursuing diplomacy, Rubio mentioned ongoing direct talks between the US and Iran, primarily through intermediaries. Iran has denied these talks are happening.Rubio called on Iran to take concrete steps to end its nuclear programme and cease manufacturing drones and missiles. He accused Iran of seeking nuclear weapons to threaten and blackmail the world, which Tehran denies.The situation remains volatile, with speculation about a possible US troop deployment in Iran. Rubio warned of severe consequences if Iran keeps the strait closed after the conflict ends. The White House has considered various military options, including a special forces operation to seize enriched uranium stored in Iran.

The conflict between the US and Israel against Iran has entered its 31st day, with overnight strikes hitting Tehran and other cities, targeting power infrastructure in the Iranian capital and causing a blackout that has since been restored. US President Donald Trump has stated that he wants to "take the oil in Iran", while Tehran has accused Washington of plotting a ground attack despite publicly pushing for a negotiated deal. Trump also mentioned that he is "pretty sure" a deal with Iran will be made. In a diplomatic effort, Pakistan is set to host meaningful talks in the coming days, with the Pakistani Foreign Minister stating that regional foreign ministers discussed ways to bring an early end to the war. The conflict has spread to other regions, with Saudi Arabia intercepting five ballistic missiles heading towards its Eastern province, and Kuwait reporting an attack on a service building and electric power plant, resulting in the death of an Indian worker. The economic impact of the conflict is significant, with Brent crude prices rising 2.98% to $115.93 a barrel, and Asian markets experiencing a decline, including Indonesia's main stock index and Malaysia's FTSE Bursa Malaysia Top 100.

Lahore Qalandars batter Fakhar Zaman has been charged with ball-tampering in a recent Pakistan Super League (PSL) match against Karachi Kings, the Pakistan Cricket Board (PCB) announced.The incident took place in the final over, with Karachi needing 14 runs to win. Fakhar, Lahore captain Shaheen Afridi, and fast bowler Haris Rauf were involved in a brief discussion, during which Fakhar and Rauf passed the ball between them.The umpire then approached Rauf and asked to see the ball. Following consultations with the square-leg umpire, the officials awarded five penalty runs to Karachi and ordered the ball to be changed.The penalty proved costly, as Karachi went on to chase down a target of 129 with three balls to spare, and Abbas Afridi hitting a four and a six to seal a four-wicket victory.“Fakhar denied the charge levelled against him during a disciplinary hearing led by the match referee Roshan Mahanama,” the PCB said.“Another hearing is set to take place within the next 48 hours after which the match referee will share his verdict.”Fakhar, 35, could face a ban of one or two matches if found guilty of ball tampering for a first offence in the PSL.

Desmond Williams, a pioneering architect renowned for his contributions to modern Catholic church design, has passed away at the age of 93. His architectural style was characterized by a unique blend of liturgical function, architectural ambition, and artistic collaboration, setting him apart as a leading figure in post-war British architecture. Williams's work was significantly influenced by the Second Vatican Council in the early 1960s, which led to a shift towards more inclusive and dynamic church designs. His buildings, such as St Mary's church in Dunstable, completed in 1964, showcased his innovative approach. The church's circular form and tetrahedral ceiling, composed of 600 aluminum pyramids, created a modern and immersive worship space. Throughout his career, Williams collaborated with various artists, including Robert Brumby and Pierre Fourmaintraux, to create unified and powerful liturgical spaces. His work was recognized with the listing of four of his churches, a testament to his impact on British architecture. Beyond his architectural achievements, Williams played an influential role in the profession, serving as chair of RIBA's north-west region and president of the Manchester Society of Architects. He was also a generous mentor to young architects and was appointed OBE in 1988.

The Idiot – A fresh five‑part series from the New York Times and Serial Productions, narrated by columnist M. Gessen, follows the unsettling tale of Allen, a self‑styled “idiot” who allegedly orders a hit on his ex‑wife. The narrative blends the investigative depth of earlier Serial hits like We Were Three and S‑Town, delivering a dark, character‑driven thriller that drops new episodes weekly.Friends Keep Secrets – Pop star Selena Gomez teams up with producer Benny Blanco, rapper‑actor Lil Dicky, and his wife Kristin Batalucco for a podcast that pushes the envelope of celebrity banter. Listeners can expect unfiltered conversations that even feature an unexpected Ed Sheeran interview, complete with the kind of raw, off‑beat humor that borders on “brain‑rot” territory.Screwed by AI – Hosted by Avantika Chilkoti of The Economist, this series travels to the Adult Video Network expo in Las Vegas – dubbed the “Oscars of porn” – to explore how the adult‑entertainment sector often foreshadows broader AI trends. The podcast examines the ripple effects on human relationships and the tech landscape, releasing new installments each week.Jacob Reed and Me – Described as an “investigative comedy,” writer Jacob Reed embarks on a nationwide quest to locate every other person sharing his name. The journey becomes a quirky storytelling experiment, featuring encounters with beach‑scene painters, economists, and even porn stars, all while the show’s advertisements are humorously sourced from fellow Jacob Reeds.Raven – This character‑driven investigation follows Raven Chanticleer, the founder of the African American Wax Museum in Harlem. The series weaves together Chanticleer’s flamboyant life story with the mystery surrounding the disappearance of his wax figures after his 2002 death, delivering a richly detailed narrative that unfolds weekly.All six podcasts are widely accessible across major platforms and release new episodes on a weekly schedule, offering a broad spectrum of content for listeners seeking true‑crime intrigue, celebrity insight, technological commentary, and off‑beat humor.

Photographer Alexander Meininger was inspired to create Playrise after seeing the destruction caused by the Ukraine war. He realized that children in disaster zones needed play equipment to help them cope with their situations. Meininger teamed up with UK architect firm OMMX and engineers Webb Yates to develop a prototype of modular play equipment. The Playrise prototype consists of iroko hardwood beams and planks fixed with metal bolts, which can be customized with add-ons like ropes, monkey bars, and basketball hoops. This system allows for easy reconfiguration to meet the needs of different locations and users. Research has shown that play is vital for child development, fostering motor skills, cooperation, teamwork, and social skills like sharing and communication. However, with close to 50 million children living in forced displacement globally, access to such opportunities is limited. The first Playrise set is set to be deployed to the Aysaita refugee camp in Ethiopia, where some children have lived their entire lives in the desert encampment. The equipment is designed to be easily assembled by the children themselves, providing them with hands-on experience with building and construction. Meininger's goal with Playrise is to scale the project and ensure that the play sets are available when needed by NGOs and young people. He emphasizes the importance of not imposing a Western perspective on what children should do but rather understanding that all children want to thrive and play, regardless of their circumstances.

Lonely lives, falling between the gaps, are at the heart of this 1935 psychological thriller by Rodney Ackland, adapted from Hugh Walpole's novel. It's an atmospheric period piece, but isn't entirely a stretch to reflect on our own concerns about solitude in an ageing population.The three ladies in an English cathedral town are without partners, families or much of an income. They eke out their genteel poverty in a rickety boarding house. They weren't raised to work; Miss Beringer, in desperate need of a job, can only imagine becoming a paid companion or, possibly, flower arranging.In Brigid Larmour's finely etched production, irritable passions ferment beneath the frowsty knits and beads. The characters are prey to spite and greed, nerves and night terrors. Voices are tremulous; eyes glance at a fearful future.Beringer is the new lodger: Catherine Cusack, whittled by anxiety, timidly nibbles on a scallop-edged biscuit. She is welcomed by Julia Watson's Mrs Amorest, flustered but keeping up appearances. Down to her last £10, she writes into the void to a long-absent son.The third lady is Agatha. Fruitily overblown in the novel, that's how Edith Evans played her in 1935. Abigail Thaw makes her disconcertingly eccentric: forbidding in jet black, she mocks and snaps at quivering Miss Beringer. She covets Beringer's one cherished possession – a translucent chunk of amber from a beloved female friend.It's a play of cross-hatched conversations and melodramatic plotting. Larmour's design team help turn the screw: the dank-toned house and clothes in tones of moth and cobweb, a bitter wind blowing.Ackland's plays about rackety lives are increasingly revived. He, Walpole and John Gielgud, the play's original director, were all queer artists, and it's tempting to imagine them drawn to these lives on the margins of British society. Though these ladies don't so much rage against the dying of the light as wait, fearfully, to be snuffed out.

The BBC has been accused of creating 'glossy propaganda films' for Saudi Arabia's sovereign wealth fund, Public Investment Fund (PIF), which has raised concerns about the corporation's impartiality and potential damage to its reputation.BBC Storyworks, the corporation's commercial arm, has entered into a partnership with PIF to produce a series of films and written articles lauding Saudi Arabia's progressive attitude towards women and eco-friendly credentials. These content pieces are hosted on a mini-site bearing BBC branding, but are not accessible in the UK unless users employ a VPN.Critics argue that this partnership is inappropriate, especially given Saudi Arabia's human rights record and the 2018 murder of journalist Jamal Khashoggi in the Saudi consulate in Istanbul. The BBC's reputation as an unbiased news outlet is at risk, according to former Baghdad bureau chief Patrick Howse: 'The BBC's existence depends on its reputation as an unbiased and reliable news outlet that is beholden to no one and pursues the truth without fear or favour.'The partnership comes as the BBC seeks alternative funding sources due to a dwindling number of licence fee payers, with a loss of about £50m in revenue. Saudi Aramco, the world's largest oil exporter, is also promoting its green credentials through a BBC Storyworks piece funded by PIF, despite significant investments in fossil fuels.Human rights organizations, including Human Rights Watch and Amnesty International, have criticized PIF's investments as tools of Saudi soft power and influence, aimed at whitewashing government abuses. They argue that businesses should avoid activities that bolster the reputation of government entities or officials accused of serious abuses.In response, a BBC Studios spokesperson stated that 'BBC News maintains clear separation between its commercial and editorial departments' and that journalists continue to report impartially and without fear or favour.

Bruce Hornsby, the acclaimed pianist and musician, has experienced an unexpected resurgence in his career, releasing four studio albums in just five years. His latest album, Indigo Park, marks a significant shift towards more personal and reflective songwriting.In a recent interview with The Guardian, Hornsby shared insights into his life and music, revealing a dry and zany personality with an innocence that belies his years. He discussed his upbringing in the segregated south, where his aunt was a prominent voice in support of integration, and how these experiences influenced his music, including his hit song The Way It Is.Hornsby's musical journey has been marked by eclectic influences, from jazz and classical to rock and folk. He studied jazz in Miami and later attended the prestigious Berklee College in Boston. His respect for the everyday beauty of American music is evident in his work, which often combines atonality with satisfying resolutions.The artist has had a long and varied career, playing with notable artists such as Sheena Easton and Huey Lewis, and even being an unofficial member of the Grateful Dead. His political activism is also reflected in his music, with songs like The End of the Innocence and The Don of Dons, a satire of Donald Trump.Indigo Park, described as "an old bastard looking back on life," showcases Hornsby's musical genius and emotional depth. The album was inspired by personal experiences and dreams, including one where his late father appeared in his bedroom. Hornsby's creative process involves driving to the center of Williamsburg to play his music for friends and family, seeking their reactions and validation.As Hornsby continues to tour and perform, he remains cautious about his health and selective about his engagements. His music halls and festival tours with his jam band, the Noisemakers, are highly anticipated events.